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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DFACA it is the complementary color #920535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DFACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DFACA shade: #72FAC5, #83FFD8, #94FFEB, #A5FFFE and #B6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DFACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DFACA shade: #6DFACA, #5CE8B7, #4BD6A4, #3AC491 and #29B27E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DFACA shade: #6BFAC9, #6BFAA3, #6BFA7C, #81FA6B and #A7FA6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DFACA shade: #6BFAC9, #6BFAF0, #6BDDFA, #6BB7FA and #6B91FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DFACA shade matches the following richer shades: #6BFAC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DFACA shade: #6BFAC9, #78EDC5, #84E1C1, #90D5BD and #9DC8B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DFACA shade: #6BFA7C, #6BFAA2, #6BFAC8, #6BFAEE and #6BE0FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DFACA shade: #1CF7AC, #44F8BB, #6BFAC9, #93FBD8 and #BBFDE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DFACA shade: #6DFACA, #6B81FA and #FA8F6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DFACA shade: #6DFACA, #C86BFA and #FAC86B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DFACA shade: #6DFACA, #6B81FA, #FA6B9D and #FAE46B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DFACA shade: #6DFACA, #816BFA, #FA6B9D and #E4FA6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 19 / 2

HEX #6DFACA

RGB 109 250 202

HSL 159.57, 0.93%, 0.7%

LAB 89.81, -49.36, 11.61

 

Complementary color

CMYK 0 / 97 / 64 / 43

HEX #920535

RGB 146 5 53

HSL 339.57, 0.93%, 0.3%

LAB 30.58, 53.82, 14.07

 

CMYK 54 / 0 / 21 / 2

HEX #72FAC5

RGB 114 250 197

HSL 156.62, 0.93%, 0.71%

LAB 89.85, -49.41, 14.28

 

CMYK 49 / 0 / 15 / 0

HEX #83FFD8

RGB 131 255 216

HSL 161.13, 1%, 0.76%

LAB 92.27, -43.75, 8

 

CMYK 42 / 0 / 8 / 0

HEX #94FFEB

RGB 148 255 235

HSL 168.79, 1%, 0.79%

LAB 93.37, -35.54, -0.14

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFE

RGB 165 255 254

HSL 179.33, 1%, 0.82%

LAB 94.6, -26.99, -8.06

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 56 / 0 / 19 / 2

HEX #6DFACA

RGB 109 250 202

HSL 159.57, 0.93%, 0.7%

LAB 89.81, -49.36, 11.61

 

CMYK 60 / 0 / 21 / 9

HEX #5CE8B7

RGB 92 232 183

HSL 159, 0.75%, 0.64%

LAB 83.66, -49.27, 12.7

 

CMYK 65 / 0 / 23 / 16

HEX #4BD6A4

RGB 75 214 164

HSL 158.42, 0.63%, 0.57%

LAB 77.44, -49.05, 13.88

 

CMYK 70 / 0 / 26 / 23

HEX #3AC491

RGB 58 196 145

HSL 157.83, 0.54%, 0.5%

LAB 71.16, -48.66, 15.16

 

CMYK 77 / 0 / 29 / 30

HEX #29B27E

RGB 41 178 126

HSL 157.23, 0.63%, 0.43%

LAB 64.82, -48.01, 16.58

 

CMYK 57 / 0 / 20 / 2

HEX #6BFAC9

RGB 107 250 201

HSL 159.44, 0.93%, 0.7%

LAB 89.73, -49.97, 12.01

 

CMYK 57 / 0 / 35 / 2

HEX #6BFAA3

RGB 107 250 163

HSL 143.5, 0.93%, 0.7%

LAB 88.99, -57.55, 30.41

 

CMYK 57 / 0 / 50 / 2

HEX #6BFA7C

RGB 107 250 124

HSL 127.13, 0.93%, 0.7%

LAB 88.42, -63.65, 48.7

 

CMYK 48 / 0 / 57 / 2

HEX #81FA6B

RGB 129 250 107

HSL 110.77, 0.93%, 0.7%

LAB 88.97, -60.2, 57.23

 

CMYK 33 / 0 / 57 / 2

HEX #A7FA6B

RGB 167 250 107

HSL 94.83, 0.93%, 0.7%

LAB 90.62, -48.6, 59.56

 

CMYK 57 / 0 / 20 / 2

HEX #6BFAC9

RGB 107 250 201

HSL 159.44, 0.93%, 0.7%

LAB 89.73, -49.97, 12.01

 

CMYK 57 / 0 / 4 / 2

HEX #6BFAF0

RGB 107 250 240

HSL 175.8, 0.93%, 0.7%

LAB 90.68, -40.73, -6.84

 

CMYK 57 / 12 / 0 / 2

HEX #6BDDFA

RGB 107 221 250

HSL 192.17, 0.93%, 0.7%

LAB 82.78, -24.36, -23.95

 

CMYK 57 / 27 / 0 / 2

HEX #6BB7FA

RGB 107 183 250

HSL 208.11, 0.93%, 0.7%

LAB 72.16, -4.51, -40.31

 

CMYK 57 / 42 / 0 / 2

HEX #6B91FA

RGB 107 145 250

HSL 224.06, 0.93%, 0.7%

LAB 61.89, 17.24, -56.49

 

CMYK 57 / 0 / 20 / 2

HEX #6BFAC9

RGB 107 250 201

HSL 159.44, 0.93%, 0.7%

LAB 89.73, -49.97, 12.01

 

CMYK 57 / 0 / 20 / 2

HEX #6BFAC9

RGB 107 250 201

HSL 159.44, 0.93%, 0.7%

LAB 89.73, -49.97, 12.01

 

CMYK 49 / 0 / 17 / 7

HEX #78EDC5

RGB 120 237 197

HSL 159.49, 0.76%, 0.7%

LAB 86.3, -42.49, 9.26

 

CMYK 41 / 0 / 14 / 12

HEX #84E1C1

RGB 132 225 193

HSL 159.35, 0.61%, 0.7%

LAB 83.23, -34.98, 7.03

 

CMYK 32 / 0 / 11 / 16

HEX #90D5BD

RGB 144 213 189

HSL 159.13, 0.45%, 0.7%

LAB 80.29, -26.84, 4.98

 

CMYK 22 / 0 / 8 / 22

HEX #9DC8B9

RGB 157 200 185

HSL 159.07, 0.28%, 0.7%

LAB 77.27, -17.25, 2.84

 

CMYK 57 / 0 / 50 / 2

HEX #6BFA7C

RGB 107 250 124

HSL 127.13, 0.93%, 0.7%

LAB 88.42, -63.65, 48.7

 

CMYK 57 / 0 / 35 / 2

HEX #6BFAA2

RGB 107 250 162

HSL 143.08, 0.93%, 0.7%

LAB 88.97, -57.72, 30.89

 

CMYK 57 / 0 / 20 / 2

HEX #6BFAC8

RGB 107 250 200

HSL 159.02, 0.93%, 0.7%

LAB 89.7, -50.19, 12.5

 

CMYK 57 / 0 / 5 / 2

HEX #6BFAEE

RGB 107 250 238

HSL 174.97, 0.93%, 0.7%

LAB 90.63, -41.24, -5.88

 

CMYK 57 / 10 / 0 / 2

HEX #6BE0FA

RGB 107 224 250

HSL 190.91, 0.93%, 0.7%

LAB 83.62, -25.84, -22.67

 

CMYK 89 / 0 / 30 / 3

HEX #1CF7AC

RGB 28 247 172

HSL 159.45, 0.93%, 0.54%

LAB 86.87, -65.05, 22.74

 

CMYK 73 / 0 / 25 / 3

HEX #44F8BB

RGB 68 248 187

HSL 159.67, 0.93%, 0.62%

LAB 87.95, -58.57, 16.59

 

CMYK 57 / 0 / 20 / 2

HEX #6BFAC9

RGB 107 250 201

HSL 159.44, 0.93%, 0.7%

LAB 89.73, -49.97, 12.01

 

CMYK 41 / 0 / 14 / 2

HEX #93FBD8

RGB 147 251 216

HSL 159.81, 0.93%, 0.78%

LAB 91.75, -38.12, 7.34

 

CMYK 26 / 0 / 9 / 1

HEX #BBFDE6

RGB 187 253 230

HSL 159.09, 0.94%, 0.86%

LAB 94.54, -25.13, 4.37

 

CMYK 56 / 0 / 19 / 2

HEX #6DFACA

RGB 109 250 202

HSL 159.57, 0.93%, 0.7%

LAB 89.81, -49.36, 11.61

 

CMYK 57 / 48 / 0 / 2

HEX #6B81FA

RGB 107 129 250

HSL 230.77, 0.93%, 0.7%

LAB 57.78, 26.79, -63.08

 

CMYK 0 / 43 / 57 / 2

HEX #FA8F6B

RGB 250 143 107

HSL 15.1, 0.93%, 0.7%

LAB 70.2, 37.14, 36.67

 

CMYK 56 / 0 / 19 / 2

HEX #6DFACA

RGB 109 250 202

HSL 159.57, 0.93%, 0.7%

LAB 89.81, -49.36, 11.61

 

CMYK 20 / 57 / 0 / 2

HEX #C86BFA

RGB 200 107 250

HSL 279.02, 0.93%, 0.7%

LAB 61.39, 59.92, -56.82

 

CMYK 0 / 20 / 57 / 2

HEX #FAC86B

RGB 250 200 107

HSL 39.02, 0.93%, 0.7%

LAB 83.28, 7.4, 52.58

 

CMYK 56 / 0 / 19 / 2

HEX #6DFACA

RGB 109 250 202

HSL 159.57, 0.93%, 0.7%

LAB 89.81, -49.36, 11.61

 

CMYK 57 / 48 / 0 / 2

HEX #6B81FA

RGB 107 129 250

HSL 230.77, 0.93%, 0.7%

LAB 57.78, 26.79, -63.08

 

CMYK 0 / 57 / 37 / 2

HEX #FA6B9D

RGB 250 107 157

HSL 339.02, 0.93%, 0.7%

LAB 64.38, 59.21, 0.75

 

CMYK 0 / 9 / 57 / 2

HEX #FAE46B

RGB 250 228 107

HSL 50.77, 0.93%, 0.7%

LAB 90.26, -6.88, 60.63

 

CMYK 56 / 0 / 19 / 2

HEX #6DFACA

RGB 109 250 202

HSL 159.57, 0.93%, 0.7%

LAB 89.81, -49.36, 11.61

 

CMYK 48 / 57 / 0 / 2

HEX #816BFA

RGB 129 107 250

HSL 249.23, 0.93%, 0.7%

LAB 54.12, 44.03, -68.9

 

CMYK 0 / 57 / 37 / 2

HEX #FA6B9D

RGB 250 107 157

HSL 339.02, 0.93%, 0.7%

LAB 64.38, 59.21, 0.75

 

CMYK 9 / 0 / 57 / 2

HEX #E4FA6B

RGB 228 250 107

HSL 69.23, 0.93%, 0.7%

LAB 94.28, -26.34, 64.69

 

Description

Color code: HEX #6DFACA | qconv.com Color code: HEX #6DFACA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 250 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 250 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 19 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 19% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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