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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DF489 it is the complementary color #920B76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DF489. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DF489 shade: #72F484, #83FF97, #94FFAA, #A5FFBD and #B6FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DF489. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DF489 shade: #6DF489, #5CE276, #4BD063, #3ABE50 and #29AC3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DF489 shade: #6CF488, #74F46C, #99F46C, #BEF46C and #E2F46C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DF489 shade: #6CF488, #6CF4AD, #6CF4D1, #6CF2F4 and #6CCDF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DF489 shade matches the following richer shades: #6CF488

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DF489 shade: #6CF488, #79E790, #86DA97, #92CE9F and #9FC1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DF489 shade: #99F46C, #75F46C, #6CF487, #6CF4AB and #6CF4D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DF489 shade: #1FEE4A, #46F169, #6CF488, #92F7A7 and #B9FAC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DF489 shade: #6DF489, #6CBEF4 and #F46C87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DF489 shade: #6DF489, #876CF4 and #F4876C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DF489 shade: #6DF489, #6CBEF4, #F46CD9 and #F4A26C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DF489 shade: #6DF489, #6C95F4, #F46CD9 and #F4CB6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 44 / 4

HEX #6DF489

RGB 109 244 137

HSL 132.44, 0.86%, 0.69%

LAB 86.88, -59.09, 40.56

 

Complementary color

CMYK 0 / 92 / 19 / 43

HEX #920B76

RGB 146 11 118

HSL 312.44, 0.86%, 0.31%

LAB 33.26, 59.33, -24.45

 

CMYK 53 / 0 / 46 / 4

HEX #72F484

RGB 114 244 132

HSL 128.31, 0.86%, 0.7%

LAB 86.97, -58.65, 43.14

 

CMYK 49 / 0 / 41 / 0

HEX #83FF97

RGB 131 255 151

HSL 129.68, 1%, 0.76%

LAB 91.04, -55.88, 39.23

 

CMYK 42 / 0 / 33 / 0

HEX #94FFAA

RGB 148 255 170

HSL 132.34, 1%, 0.79%

LAB 92.01, -48.31, 31.2

 

CMYK 35 / 0 / 26 / 0

HEX #A5FFBD

RGB 165 255 189

HSL 136, 1%, 0.82%

LAB 93.1, -40.24, 23.21

 

CMYK 29 / 0 / 18 / 0

HEX #B6FFD0

RGB 182 255 208

HSL 141.37, 1%, 0.86%

LAB 94.32, -31.78, 15.34

 

CMYK 55 / 0 / 44 / 4

HEX #6DF489

RGB 109 244 137

HSL 132.44, 0.86%, 0.69%

LAB 86.88, -59.09, 40.56

 

CMYK 59 / 0 / 48 / 11

HEX #5CE276

RGB 92 226 118

HSL 131.64, 0.7%, 0.62%

LAB 80.73, -58.95, 41.91

 

CMYK 64 / 0 / 52 / 18

HEX #4BD063

RGB 75 208 99

HSL 130.83, 0.59%, 0.55%

LAB 74.51, -58.61, 43.3

 

CMYK 69 / 0 / 58 / 25

HEX #3ABE50

RGB 58 190 80

HSL 130, 0.53%, 0.49%

LAB 68.25, -57.97, 44.68

 

CMYK 76 / 0 / 65 / 33

HEX #29AC3D

RGB 41 172 61

HSL 129.16, 0.62%, 0.42%

LAB 61.92, -56.9, 45.97

 

CMYK 56 / 0 / 44 / 4

HEX #6CF488

RGB 108 244 136

HSL 132.35, 0.86%, 0.69%

LAB 86.83, -59.47, 40.98

 

CMYK 52 / 0 / 56 / 4

HEX #74F46C

RGB 116 244 108

HSL 116.47, 0.86%, 0.69%

LAB 86.75, -61.26, 54.08

 

CMYK 37 / 0 / 56 / 4

HEX #99F46C

RGB 153 244 108

HSL 100.15, 0.86%, 0.69%

LAB 88.24, -50.58, 56.19

 

CMYK 22 / 0 / 56 / 4

HEX #BEF46C

RGB 190 244 108

HSL 83.82, 0.86%, 0.69%

LAB 90.2, -37.85, 58.97

 

CMYK 7 / 0 / 56 / 4

HEX #E2F46C

RGB 226 244 108

HSL 67.94, 0.86%, 0.69%

LAB 92.55, -24.2, 62.28

 

CMYK 56 / 0 / 44 / 4

HEX #6CF488

RGB 108 244 136

HSL 132.35, 0.86%, 0.69%

LAB 86.83, -59.47, 40.98

 

CMYK 56 / 0 / 29 / 4

HEX #6CF4AD

RGB 108 244 173

HSL 148.68, 0.86%, 0.69%

LAB 87.44, -53.08, 23.23

 

CMYK 56 / 0 / 14 / 4

HEX #6CF4D1

RGB 108 244 209

HSL 164.56, 0.86%, 0.69%

LAB 88.21, -45.42, 5.68

 

CMYK 56 / 1 / 0 / 4

HEX #6CF2F4

RGB 108 242 244

HSL 180.88, 0.86%, 0.69%

LAB 88.55, -35.87, -12.08

 

CMYK 56 / 16 / 0 / 4

HEX #6CCDF4

RGB 108 205 244

HSL 197.21, 0.86%, 0.69%

LAB 78.1, -17.81, -27.89

 

CMYK 56 / 0 / 44 / 4

HEX #6CF488

RGB 108 244 136

HSL 132.35, 0.86%, 0.69%

LAB 86.83, -59.47, 40.98

 

CMYK 56 / 0 / 44 / 4

HEX #6CF488

RGB 108 244 136

HSL 132.35, 0.86%, 0.69%

LAB 86.83, -59.47, 40.98

 

CMYK 48 / 0 / 38 / 9

HEX #79E790

RGB 121 231 144

HSL 132.55, 0.7%, 0.69%

LAB 83.56, -49.85, 32.85

 

CMYK 39 / 0 / 31 / 15

HEX #86DA97

RGB 134 218 151

HSL 132.14, 0.53%, 0.69%

LAB 80.43, -39.43, 25.16

 

CMYK 29 / 0 / 23 / 19

HEX #92CE9F

RGB 146 206 159

HSL 133, 0.38%, 0.69%

LAB 77.73, -28.75, 17.34

 

CMYK 18 / 0 / 14 / 24

HEX #9FC1A6

RGB 159 193 166

HSL 132.35, 0.22%, 0.69%

LAB 74.99, -16.73, 9.84

 

CMYK 37 / 0 / 56 / 4

HEX #99F46C

RGB 153 244 108

HSL 100.15, 0.86%, 0.69%

LAB 88.24, -50.58, 56.19

 

CMYK 52 / 0 / 56 / 4

HEX #75F46C

RGB 117 244 108

HSL 116.03, 0.86%, 0.69%

LAB 86.78, -61.01, 54.13

 

CMYK 56 / 0 / 45 / 4

HEX #6CF487

RGB 108 244 135

HSL 131.91, 0.86%, 0.69%

LAB 86.82, -59.62, 41.45

 

CMYK 56 / 0 / 30 / 4

HEX #6CF4AB

RGB 108 244 171

HSL 147.79, 0.86%, 0.69%

LAB 87.4, -53.46, 24.2

 

CMYK 56 / 0 / 15 / 4

HEX #6CF4D0

RGB 108 244 208

HSL 164.12, 0.86%, 0.69%

LAB 88.18, -45.65, 6.17

 

CMYK 87 / 0 / 69 / 7

HEX #1FEE4A

RGB 31 238 74

HSL 132.46, 0.86%, 0.53%

LAB 82.88, -77.01, 63.37

 

CMYK 71 / 0 / 56 / 5

HEX #46F169

RGB 70 241 105

HSL 132.28, 0.86%, 0.61%

LAB 84.6, -70.1, 52.59

 

CMYK 56 / 0 / 44 / 4

HEX #6CF488

RGB 108 244 136

HSL 132.35, 0.86%, 0.69%

LAB 86.83, -59.47, 40.98

 

CMYK 41 / 0 / 32 / 3

HEX #92F7A7

RGB 146 247 167

HSL 132.48, 0.86%, 0.77%

LAB 89.59, -45.96, 29.45

 

CMYK 26 / 0 / 21 / 2

HEX #B9FAC6

RGB 185 250 198

HSL 132, 0.87%, 0.85%

LAB 92.91, -30.32, 18.51

 

CMYK 55 / 0 / 44 / 4

HEX #6DF489

RGB 109 244 137

HSL 132.44, 0.86%, 0.69%

LAB 86.88, -59.09, 40.56

 

CMYK 56 / 22 / 0 / 4

HEX #6CBEF4

RGB 108 190 244

HSL 203.82, 0.86%, 0.69%

LAB 73.9, -9.93, -34.36

 

CMYK 0 / 56 / 45 / 4

HEX #F46C87

RGB 244 108 135

HSL 348.09, 0.86%, 0.69%

LAB 63.1, 54.56, 11.41

 

CMYK 55 / 0 / 44 / 4

HEX #6DF489

RGB 109 244 137

HSL 132.44, 0.86%, 0.69%

LAB 86.88, -59.09, 40.56

 

CMYK 45 / 56 / 0 / 4

HEX #876CF4

RGB 135 108 244

HSL 251.91, 0.86%, 0.69%

LAB 54.46, 42.99, -64.99

 

CMYK 0 / 45 / 56 / 4

HEX #F4876C

RGB 244 135 108

HSL 11.91, 0.86%, 0.69%

LAB 67.76, 39.02, 32.87

 

CMYK 55 / 0 / 44 / 4

HEX #6DF489

RGB 109 244 137

HSL 132.44, 0.86%, 0.69%

LAB 86.88, -59.09, 40.56

 

CMYK 56 / 22 / 0 / 4

HEX #6CBEF4

RGB 108 190 244

HSL 203.82, 0.86%, 0.69%

LAB 73.9, -9.93, -34.36

 

CMYK 0 / 56 / 11 / 4

HEX #F46CD9

RGB 244 108 217

HSL 311.91, 0.86%, 0.69%

LAB 65.72, 64.89, -31.29

 

CMYK 0 / 34 / 56 / 4

HEX #F4A26C

RGB 244 162 108

HSL 23.82, 0.86%, 0.69%

LAB 73.65, 24.97, 40.3

 

CMYK 55 / 0 / 44 / 4

HEX #6DF489

RGB 109 244 137

HSL 132.44, 0.86%, 0.69%

LAB 86.88, -59.09, 40.56

 

CMYK 56 / 39 / 0 / 4

HEX #6C95F4

RGB 108 149 244

HSL 221.91, 0.86%, 0.69%

LAB 62.69, 13.17, -51.93

 

CMYK 0 / 56 / 11 / 4

HEX #F46CD9

RGB 244 108 217

HSL 311.91, 0.86%, 0.69%

LAB 65.72, 64.89, -31.29

 

CMYK 0 / 17 / 56 / 4

HEX #F4CB6C

RGB 244 203 108

HSL 41.91, 0.86%, 0.69%

LAB 83.46, 3.47, 52.16

 

Description

Color code: HEX #6DF489 | qconv.com Color code: HEX #6DF489 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 244 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 244 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 44 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 44% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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