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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DF0BA it is the complementary color #920F45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DF0BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DF0BA shade: #72F0B5, #83FFC8, #94FFDB, #A5FFEE and #B6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DF0BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DF0BA shade: #6DF0BA, #5CDEA7, #4BCC94, #3ABA81 and #29A86E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DF0BA shade: #6BEFB9, #6BEF95, #6BEF72, #89EF6B and #ACEF6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DF0BA shade: #6BEFB9, #6BEFDD, #6BDFEF, #6BBBEF and #6B97EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DF0BA shade matches the following richer shades: #6BEFB9 and #5EFDBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DF0BA shade: #6BEFB9, #79E2B7, #86D5B4, #93C8B2 and #A0BBB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DF0BA shade: #6BEF72, #6BEF95, #6BEFB8, #6BEFDC and #6BE0EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DF0BA shade: #21E896, #46ECA7, #6BEFB9, #91F3CB and #B6F7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DF0BA shade: #6DF0BA, #6B88EF and #EF846B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DF0BA shade: #6DF0BA, #B86BEF and #EFB86B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DF0BA shade: #6DF0BA, #6B88EF, #EF6BA2 and #EFD36B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DF0BA shade: #6DF0BA, #766BEF, #EF6BA2 and #E4EF6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 23 / 6

HEX #6DF0BA

RGB 109 240 186

HSL 155.27, 0.81%, 0.68%

LAB 86.56, -48.58, 15.31

 

Complementary color

CMYK 0 / 90 / 53 / 43

HEX #920F45

RGB 146 15 69

HSL 335.27, 0.81%, 0.32%

LAB 31.54, 53.37, 4.74

 

CMYK 53 / 0 / 25 / 6

HEX #72F0B5

RGB 114 240 181

HSL 151.9, 0.81%, 0.69%

LAB 86.62, -48.52, 18.01

 

CMYK 49 / 0 / 22 / 0

HEX #83FFC8

RGB 131 255 200

HSL 153.39, 1%, 0.76%

LAB 91.92, -47.12, 15.73

 

CMYK 42 / 0 / 14 / 0

HEX #94FFDB

RGB 148 255 219

HSL 159.81, 1%, 0.79%

LAB 92.98, -39.04, 7.57

 

CMYK 35 / 0 / 7 / 0

HEX #A5FFEE

RGB 165 255 238

HSL 168.67, 1%, 0.82%

LAB 94.18, -30.57, -0.41

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 55 / 0 / 23 / 6

HEX #6DF0BA

RGB 109 240 186

HSL 155.27, 0.81%, 0.68%

LAB 86.56, -48.58, 15.31

 

CMYK 59 / 0 / 25 / 13

HEX #5CDEA7

RGB 92 222 167

HSL 154.62, 0.66%, 0.62%

LAB 80.35, -48.56, 16.44

 

CMYK 63 / 0 / 27 / 20

HEX #4BCC94

RGB 75 204 148

HSL 153.95, 0.56%, 0.55%

LAB 74.07, -48.43, 17.67

 

CMYK 69 / 0 / 31 / 27

HEX #3ABA81

RGB 58 186 129

HSL 153.28, 0.52%, 0.48%

LAB 67.73, -48.11, 19.02

 

CMYK 76 / 0 / 35 / 34

HEX #29A86E

RGB 41 168 110

HSL 152.6, 0.61%, 0.41%

LAB 61.31, -47.53, 20.5

 

CMYK 55 / 0 / 23 / 6

HEX #6BEFB9

RGB 107 239 185

HSL 155.45, 0.8%, 0.68%

LAB 86.19, -48.79, 15.29

 

CMYK 55 / 0 / 38 / 6

HEX #6BEF95

RGB 107 239 149

HSL 139.09, 0.8%, 0.68%

LAB 85.52, -55.67, 32.83

 

CMYK 55 / 0 / 52 / 6

HEX #6BEF72

RGB 107 239 114

HSL 123.18, 0.8%, 0.68%

LAB 85.03, -60.9, 49.22

 

CMYK 43 / 0 / 55 / 6

HEX #89EF6B

RGB 137 239 107

HSL 106.36, 0.8%, 0.68%

LAB 86.06, -53.62, 53.92

 

CMYK 28 / 0 / 55 / 6

HEX #ACEF6B

RGB 172 239 107

HSL 90.45, 0.8%, 0.68%

LAB 87.76, -42.18, 56.33

 

CMYK 55 / 0 / 23 / 6

HEX #6BEFB9

RGB 107 239 185

HSL 155.45, 0.8%, 0.68%

LAB 86.19, -48.79, 15.29

 

CMYK 55 / 0 / 8 / 6

HEX #6BEFDD

RGB 107 239 221

HSL 171.82, 0.8%, 0.68%

LAB 87.04, -40.54, -2.29

 

CMYK 55 / 7 / 0 / 6

HEX #6BDFEF

RGB 107 223 239

HSL 187.27, 0.8%, 0.68%

LAB 82.98, -28.4, -17.81

 

CMYK 55 / 22 / 0 / 6

HEX #6BBBEF

RGB 107 187 239

HSL 203.64, 0.8%, 0.68%

LAB 72.82, -10.01, -33.33

 

CMYK 55 / 37 / 0 / 6

HEX #6B97EF

RGB 107 151 239

HSL 220, 0.8%, 0.68%

LAB 62.92, 10.22, -48.82

 

CMYK 55 / 0 / 23 / 6

HEX #6BEFB9

RGB 107 239 185

HSL 155.45, 0.8%, 0.68%

LAB 86.19, -48.79, 15.29

 

CMYK 63 / 0 / 26 / 1

HEX #5EFDBB

RGB 94 253 187

HSL 155.09, 0.98%, 0.68%

LAB 89.96, -56.6, 19.49

 

CMYK 55 / 0 / 23 / 6

HEX #6BEFB9

RGB 107 239 185

HSL 155.45, 0.8%, 0.68%

LAB 86.19, -48.79, 15.29

 

CMYK 46 / 0 / 19 / 11

HEX #79E2B7

RGB 121 226 183

HSL 155.43, 0.64%, 0.68%

LAB 82.85, -40.37, 11.68

 

CMYK 37 / 0 / 15 / 16

HEX #86D5B4

RGB 134 213 180

HSL 154.94, 0.48%, 0.68%

LAB 79.59, -31.58, 8.7

 

CMYK 27 / 0 / 11 / 22

HEX #93C8B2

RGB 147 200 178

HSL 155.09, 0.33%, 0.68%

LAB 76.51, -21.82, 5.45

 

CMYK 14 / 0 / 6 / 27

HEX #A0BBB0

RGB 160 187 176

HSL 155.56, 0.17%, 0.68%

LAB 73.64, -11.37, 2.48

 

CMYK 55 / 0 / 52 / 6

HEX #6BEF72

RGB 107 239 114

HSL 123.18, 0.8%, 0.68%

LAB 85.03, -60.9, 49.22

 

CMYK 55 / 0 / 38 / 6

HEX #6BEF95

RGB 107 239 149

HSL 139.09, 0.8%, 0.68%

LAB 85.52, -55.67, 32.83

 

CMYK 55 / 0 / 23 / 6

HEX #6BEFB8

RGB 107 239 184

HSL 155, 0.8%, 0.68%

LAB 86.17, -49, 15.78

 

CMYK 55 / 0 / 8 / 6

HEX #6BEFDC

RGB 107 239 220

HSL 171.36, 0.8%, 0.68%

LAB 87.01, -40.79, -1.81

 

CMYK 55 / 6 / 0 / 6

HEX #6BE0EF

RGB 107 224 239

HSL 186.82, 0.8%, 0.68%

LAB 83.27, -28.88, -17.38

 

CMYK 86 / 0 / 35 / 9

HEX #21E896

RGB 33 232 150

HSL 155.28, 0.81%, 0.52%

LAB 81.97, -63.93, 27.32

 

CMYK 70 / 0 / 29 / 7

HEX #46ECA7

RGB 70 236 167

HSL 155.06, 0.81%, 0.6%

LAB 84.01, -57.96, 21.44

 

CMYK 55 / 0 / 23 / 6

HEX #6BEFB9

RGB 107 239 185

HSL 155.45, 0.8%, 0.68%

LAB 86.19, -48.79, 15.29

 

CMYK 40 / 0 / 16 / 5

HEX #91F3CB

RGB 145 243 203

HSL 155.51, 0.8%, 0.76%

LAB 89.13, -37.72, 10.3

 

CMYK 26 / 0 / 11 / 3

HEX #B6F7DC

RGB 182 247 220

HSL 155.08, 0.8%, 0.84%

LAB 92.41, -25.72, 6.44

 

CMYK 55 / 0 / 23 / 6

HEX #6DF0BA

RGB 109 240 186

HSL 155.27, 0.81%, 0.68%

LAB 86.56, -48.58, 15.31

 

CMYK 55 / 43 / 0 / 6

HEX #6B88EF

RGB 107 136 239

HSL 226.82, 0.8%, 0.68%

LAB 58.94, 19.09, -55.13

 

CMYK 0 / 45 / 55 / 6

HEX #EF846B

RGB 239 132 107

HSL 11.36, 0.8%, 0.68%

LAB 66.45, 38.58, 31.61

 

CMYK 55 / 0 / 23 / 6

HEX #6DF0BA

RGB 109 240 186

HSL 155.27, 0.81%, 0.68%

LAB 86.56, -48.58, 15.31

 

CMYK 23 / 55 / 0 / 6

HEX #B86BEF

RGB 184 107 239

HSL 275, 0.8%, 0.68%

LAB 58.92, 53.66, -54.79

 

CMYK 0 / 23 / 55 / 6

HEX #EFB86B

RGB 239 184 107

HSL 35, 0.8%, 0.68%

LAB 78.28, 11.25, 46.36

 

CMYK 55 / 0 / 23 / 6

HEX #6DF0BA

RGB 109 240 186

HSL 155.27, 0.81%, 0.68%

LAB 86.56, -48.58, 15.31

 

CMYK 55 / 43 / 0 / 6

HEX #6B88EF

RGB 107 136 239

HSL 226.82, 0.8%, 0.68%

LAB 58.94, 19.09, -55.13

 

CMYK 0 / 55 / 32 / 6

HEX #EF6BA2

RGB 239 107 162

HSL 335, 0.8%, 0.68%

LAB 62.91, 56.33, -4.47

 

CMYK 0 / 12 / 55 / 6

HEX #EFD36B

RGB 239 211 107

HSL 47.27, 0.8%, 0.68%

LAB 85, -2.76, 54.33

 

CMYK 55 / 0 / 23 / 6

HEX #6DF0BA

RGB 109 240 186

HSL 155.27, 0.81%, 0.68%

LAB 86.56, -48.58, 15.31

 

CMYK 51 / 55 / 0 / 6

HEX #766BEF

RGB 118 107 239

HSL 245, 0.8%, 0.68%

LAB 52.51, 38.62, -65.42

 

CMYK 0 / 55 / 32 / 6

HEX #EF6BA2

RGB 239 107 162

HSL 335, 0.8%, 0.68%

LAB 62.91, 56.33, -4.47

 

CMYK 5 / 0 / 55 / 6

HEX #E4EF6B

RGB 228 239 107

HSL 65, 0.8%, 0.68%

LAB 91.36, -21.1, 61.41

 

Description

Color code: HEX #6DF0BA | qconv.com Color code: HEX #6DF0BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 240 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 240 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 23 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 23% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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