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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DF0A7 it is the complementary color #920F58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DF0A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DF0A7 shade: #72F0A2, #83FFB5, #94FFC8, #A5FFDB and #B6FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DF0A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DF0A7 shade: #6DF0A7, #5CDE94, #4BCC81, #3ABA6E and #29A85B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DF0A7 shade: #6BEFA6, #6BEF82, #78EF6B, #9CEF6B and #BFEF6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DF0A7 shade: #6BEFA6, #6BEFC9, #6BEFED, #6BCEEF and #6BABEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DF0A7 shade matches the following richer shades: #6BEFA6 and #5EFDA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DF0A7 shade: #6BEFA6, #79E2A7, #86D5A9, #93C8AA and #A0BBAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DF0A7 shade: #79EF6B, #6BEF81, #6BEFA5, #6BEFC8 and #6BEFEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DF0A7 shade: #21E879, #46EC8F, #6BEFA6, #91F3BC and #B6F7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DF0A7 shade: #6DF0A7, #6B9CEF and #EF706B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DF0A7 shade: #6DF0A7, #A56BEF and #EFA56B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DF0A7 shade: #6DF0A7, #6B9CEF, #EF6BB6 and #EFBF6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DF0A7 shade: #6DF0A7, #6B74EF, #EF6BB6 and #EFE76B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 30 / 6

HEX #6DF0A7

RGB 109 240 167

HSL 146.56, 0.81%, 0.68%

LAB 86.19, -52.38, 24.59

 

Complementary color

CMYK 0 / 90 / 40 / 43

HEX #920F58

RGB 146 15 88

HSL 326.56, 0.81%, 0.32%

LAB 32.16, 55.11, -6.86

 

CMYK 53 / 0 / 33 / 6

HEX #72F0A2

RGB 114 240 162

HSL 142.86, 0.81%, 0.69%

LAB 86.26, -52.17, 27.27

 

CMYK 49 / 0 / 29 / 0

HEX #83FFB5

RGB 131 255 181

HSL 144.19, 1%, 0.76%

LAB 91.54, -50.81, 24.91

 

CMYK 42 / 0 / 22 / 0

HEX #94FFC8

RGB 148 255 200

HSL 149.16, 1%, 0.79%

LAB 92.57, -42.9, 16.75

 

CMYK 35 / 0 / 14 / 0

HEX #A5FFDB

RGB 165 255 219

HSL 156, 1%, 0.82%

LAB 93.73, -34.56, 8.73

 

CMYK 29 / 0 / 7 / 0

HEX #B6FFEE

RGB 182 255 238

HSL 166.03, 1%, 0.86%

LAB 95.01, -25.91, 0.9

 

CMYK 55 / 0 / 30 / 6

HEX #6DF0A7

RGB 109 240 167

HSL 146.56, 0.81%, 0.68%

LAB 86.19, -52.38, 24.59

 

CMYK 59 / 0 / 33 / 13

HEX #5CDE94

RGB 92 222 148

HSL 145.85, 0.66%, 0.62%

LAB 79.99, -52.37, 25.85

 

CMYK 63 / 0 / 37 / 20

HEX #4BCC81

RGB 75 204 129

HSL 145.12, 0.56%, 0.55%

LAB 73.72, -52.22, 27.2

 

CMYK 69 / 0 / 41 / 27

HEX #3ABA6E

RGB 58 186 110

HSL 144.38, 0.52%, 0.48%

LAB 67.38, -51.87, 28.66

 

CMYK 76 / 0 / 46 / 34

HEX #29A85B

RGB 41 168 91

HSL 143.62, 0.61%, 0.41%

LAB 60.99, -51.2, 30.24

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA6

RGB 107 239 166

HSL 146.82, 0.8%, 0.68%

LAB 85.81, -52.6, 24.58

 

CMYK 55 / 0 / 46 / 6

HEX #6BEF82

RGB 107 239 130

HSL 130.45, 0.8%, 0.68%

LAB 85.24, -58.7, 41.86

 

CMYK 50 / 0 / 55 / 6

HEX #78EF6B

RGB 120 239 107

HSL 114.09, 0.8%, 0.68%

LAB 85.4, -58.45, 52.97

 

CMYK 35 / 0 / 55 / 6

HEX #9CEF6B

RGB 156 239 107

HSL 97.73, 0.8%, 0.68%

LAB 86.93, -47.63, 55.15

 

CMYK 20 / 0 / 55 / 6

HEX #BFEF6B

RGB 191 239 107

HSL 81.82, 0.8%, 0.68%

LAB 88.86, -35.32, 57.89

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA6

RGB 107 239 166

HSL 146.82, 0.8%, 0.68%

LAB 85.81, -52.6, 24.58

 

CMYK 55 / 0 / 16 / 6

HEX #6BEFC9

RGB 107 239 201

HSL 162.73, 0.8%, 0.68%

LAB 86.54, -45.28, 7.46

 

CMYK 55 / 0 / 1 / 6

HEX #6BEFED

RGB 107 239 237

HSL 179.09, 0.8%, 0.68%

LAB 87.47, -36.5, -10.04

 

CMYK 55 / 14 / 0 / 6

HEX #6BCEEF

RGB 107 206 239

HSL 195, 0.8%, 0.68%

LAB 78.17, -19.95, -25.12

 

CMYK 55 / 28 / 0 / 6

HEX #6BABEF

RGB 107 171 239

HSL 210.91, 0.8%, 0.68%

LAB 68.38, -1.23, -40.24

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA6

RGB 107 239 166

HSL 146.82, 0.8%, 0.68%

LAB 85.81, -52.6, 24.58

 

CMYK 63 / 0 / 35 / 1

HEX #5EFDA4

RGB 94 253 164

HSL 146.42, 0.98%, 0.68%

LAB 89.54, -61.09, 30.59

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA6

RGB 107 239 166

HSL 146.82, 0.8%, 0.68%

LAB 85.81, -52.6, 24.58

 

CMYK 46 / 0 / 26 / 11

HEX #79E2A7

RGB 121 226 167

HSL 146.29, 0.64%, 0.68%

LAB 82.51, -43.61, 19.6

 

CMYK 37 / 0 / 21 / 16

HEX #86D5A9

RGB 134 213 169

HSL 146.58, 0.48%, 0.68%

LAB 79.34, -33.81, 14.2

 

CMYK 27 / 0 / 15 / 22

HEX #93C8AA

RGB 147 200 170

HSL 146.04, 0.33%, 0.68%

LAB 76.32, -23.43, 9.48

 

CMYK 14 / 0 / 8 / 27

HEX #A0BBAC

RGB 160 187 172

HSL 146.67, 0.17%, 0.68%

LAB 73.54, -12.15, 4.51

 

CMYK 49 / 0 / 55 / 6

HEX #79EF6B

RGB 121 239 107

HSL 113.64, 0.8%, 0.68%

LAB 85.43, -58.18, 53.02

 

CMYK 55 / 0 / 46 / 6

HEX #6BEF81

RGB 107 239 129

HSL 130, 0.8%, 0.68%

LAB 85.22, -58.84, 42.33

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA5

RGB 107 239 165

HSL 146.36, 0.8%, 0.68%

LAB 85.79, -52.79, 25.07

 

CMYK 55 / 0 / 16 / 6

HEX #6BEFC8

RGB 107 239 200

HSL 162.27, 0.8%, 0.68%

LAB 86.52, -45.51, 7.95

 

CMYK 55 / 0 / 2 / 6

HEX #6BEFEB

RGB 107 239 235

HSL 178.18, 0.8%, 0.68%

LAB 87.42, -37.01, -9.07

 

CMYK 86 / 0 / 48 / 9

HEX #21E879

RGB 33 232 121

HSL 146.53, 0.81%, 0.52%

LAB 81.52, -69.16, 41.23

 

CMYK 70 / 0 / 39 / 7

HEX #46EC8F

RGB 70 236 143

HSL 146.39, 0.81%, 0.6%

LAB 83.59, -62.6, 33.12

 

CMYK 55 / 0 / 31 / 6

HEX #6BEFA6

RGB 107 239 166

HSL 146.82, 0.8%, 0.68%

LAB 85.81, -52.6, 24.58

 

CMYK 40 / 0 / 23 / 5

HEX #91F3BC

RGB 145 243 188

HSL 146.33, 0.8%, 0.76%

LAB 88.81, -40.71, 17.62

 

CMYK 26 / 0 / 15 / 3

HEX #B6F7D3

RGB 182 247 211

HSL 146.77, 0.8%, 0.84%

LAB 92.21, -27.46, 10.8

 

CMYK 55 / 0 / 30 / 6

HEX #6DF0A7

RGB 109 240 167

HSL 146.56, 0.81%, 0.68%

LAB 86.19, -52.38, 24.59

 

CMYK 55 / 35 / 0 / 6

HEX #6B9CEF

RGB 107 156 239

HSL 217.73, 0.8%, 0.68%

LAB 64.27, 7.31, -46.69

 

CMYK 0 / 53 / 55 / 6

HEX #EF706B

RGB 239 112 107

HSL 2.27, 0.8%, 0.68%

LAB 62.51, 48.52, 26.47

 

CMYK 55 / 0 / 30 / 6

HEX #6DF0A7

RGB 109 240 167

HSL 146.56, 0.81%, 0.68%

LAB 86.19, -52.38, 24.59

 

CMYK 31 / 55 / 0 / 6

HEX #A56BEF

RGB 165 107 239

HSL 266.36, 0.8%, 0.68%

LAB 56.83, 49.03, -58.24

 

CMYK 0 / 31 / 55 / 6

HEX #EFA56B

RGB 239 165 107

HSL 26.36, 0.8%, 0.68%

LAB 73.75, 21.29, 40.82

 

CMYK 55 / 0 / 30 / 6

HEX #6DF0A7

RGB 109 240 167

HSL 146.56, 0.81%, 0.68%

LAB 86.19, -52.38, 24.59

 

CMYK 55 / 35 / 0 / 6

HEX #6B9CEF

RGB 107 156 239

HSL 217.73, 0.8%, 0.68%

LAB 64.27, 7.31, -46.69

 

CMYK 0 / 55 / 24 / 6

HEX #EF6BB6

RGB 239 107 182

HSL 325.91, 0.8%, 0.68%

LAB 63.54, 58.87, -14.95

 

CMYK 0 / 20 / 55 / 6

HEX #EFBF6B

RGB 239 191 107

HSL 38.18, 0.8%, 0.68%

LAB 80, 7.58, 48.42

 

CMYK 55 / 0 / 30 / 6

HEX #6DF0A7

RGB 109 240 167

HSL 146.56, 0.81%, 0.68%

LAB 86.19, -52.38, 24.59

 

CMYK 55 / 51 / 0 / 6

HEX #6B74EF

RGB 107 116 239

HSL 235.91, 0.8%, 0.68%

LAB 53.87, 31.11, -63.27

 

CMYK 0 / 55 / 24 / 6

HEX #EF6BB6

RGB 239 107 182

HSL 325.91, 0.8%, 0.68%

LAB 63.54, 58.87, -14.95

 

CMYK 0 / 3 / 55 / 6

HEX #EFE76B

RGB 239 231 107

HSL 56.36, 0.8%, 0.68%

LAB 90.12, -12.81, 60.23

 

Description

Color code: HEX #6DF0A7 | qconv.com Color code: HEX #6DF0A7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 240 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 240 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 30% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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