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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DEE3E it is the complementary color #9211C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DEE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DEE3E shade: #72EE39, #83FF4C, #94FF5F, #A5FF72 and #B6FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DEE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DEE3E shade: #6DEE3E, #5CDC2B, #4BCA18, #3AB805 and #29A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DEE3E shade: #6DEE3E, #9CEE3E, #CCEE3E, #EEE03E and #EEB13E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DEE3E shade: #6DEE3E, #3EEE3F, #3EEE6E, #3EEE9D and #3EEECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DEE3E shade matches the following richer shades: #6DEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DEE3E shade: #6DEE3E, #75DD4F, #7DCC60, #85BB71 and #8DAA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DEE3E shade: #CEEE3E, #9FEE3E, #70EE3E, #41EE3E and #3EEE6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DEE3E shade: #42C811, #50EA18, #6DEE3E, #8AF164 and #A6F48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DEE3E shade: #6DEE3E, #3EEEDF and #EE3EB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DEE3E shade: #6DEE3E, #3E70EE and #EE3E70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DEE3E shade: #6DEE3E, #3EEEDF, #BC3EEE and #EE3E4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DEE3E shade: #6DEE3E, #3EC8EE, #BC3EEE and #EE643E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

Complementary color

CMYK 24 / 91 / 0 / 24

HEX #9211C1

RGB 146 17 193

HSL 283.98, 0.84%, 0.41%

LAB 38.48, 70.65, -61.7

 

CMYK 52 / 0 / 76 / 7

HEX #72EE39

RGB 114 238 57

HSL 101.1, 0.84%, 0.58%

LAB 84.5, -64.01, 71.36

 

CMYK 49 / 0 / 70 / 0

HEX #83FF4C

RGB 131 255 76

HSL 101.56, 1%, 0.65%

LAB 90.26, -64.25, 71

 

CMYK 42 / 0 / 63 / 0

HEX #94FF5F

RGB 148 255 95

HSL 100.13, 1%, 0.69%

LAB 91.07, -57.79, 64.86

 

CMYK 35 / 0 / 55 / 0

HEX #A5FF72

RGB 165 255 114

HSL 98.3, 1%, 0.72%

LAB 92.01, -50.66, 58.08

 

CMYK 29 / 0 / 48 / 0

HEX #B6FF85

RGB 182 255 133

HSL 95.9, 1%, 0.76%

LAB 93.08, -42.98, 50.92

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 58 / 0 / 80 / 14

HEX #5CDC2B

RGB 92 220 43

HSL 103.39, 0.72%, 0.52%

LAB 78.25, -64.15, 69.25

 

CMYK 63 / 0 / 88 / 21

HEX #4BCA18

RGB 75 202 24

HSL 102.81, 0.79%, 0.44%

LAB 72.1, -62.88, 67.97

 

CMYK 68 / 0 / 97 / 28

HEX #3AB805

RGB 58 184 5

HSL 102.23, 0.95%, 0.37%

LAB 65.9, -61.1, 65.35

 

CMYK 75 / 0 / 100 / 35

HEX #29A600

RGB 41 166 0

HSL 105.18, 1%, 0.33%

LAB 59.66, -58.63, 60.85

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 34 / 0 / 74 / 7

HEX #9CEE3E

RGB 156 238 62

HSL 87.95, 0.84%, 0.59%

LAB 86.29, -50.75, 72.13

 

CMYK 14 / 0 / 74 / 7

HEX #CCEE3E

RGB 204 238 62

HSL 71.59, 0.84%, 0.59%

LAB 89.08, -32.9, 75.77

 

CMYK 0 / 6 / 74 / 7

HEX #EEE03E

RGB 238 224 62

HSL 55.23, 0.84%, 0.59%

LAB 87.89, -12.35, 75.57

 

CMYK 0 / 26 / 74 / 7

HEX #EEB13E

RGB 238 177 62

HSL 39.2, 0.84%, 0.59%

LAB 76.05, 11.78, 64.25

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 74 / 0 / 74 / 7

HEX #3EEE3F

RGB 62 238 63

HSL 120.34, 0.84%, 0.59%

LAB 83.2, -74.53, 67.71

 

CMYK 74 / 0 / 54 / 7

HEX #3EEE6E

RGB 62 238 110

HSL 136.36, 0.84%, 0.59%

LAB 83.6, -69.65, 49.08

 

CMYK 74 / 0 / 34 / 7

HEX #3EEE9D

RGB 62 238 157

HSL 152.39, 0.84%, 0.59%

LAB 84.28, -61.83, 26.93

 

CMYK 74 / 0 / 14 / 7

HEX #3EEECD

RGB 62 238 205

HSL 168.75, 0.84%, 0.59%

LAB 85.29, -51.05, 3.43

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 47 / 0 / 64 / 13

HEX #75DD4F

RGB 117 221 79

HSL 103.94, 0.68%, 0.59%

LAB 79.65, -55.25, 58.51

 

CMYK 39 / 0 / 53 / 20

HEX #7DCC60

RGB 125 204 96

HSL 103.89, 0.51%, 0.59%

LAB 75.07, -44.12, 45.82

 

CMYK 29 / 0 / 40 / 27

HEX #85BB71

RGB 133 187 113

HSL 103.78, 0.35%, 0.59%

LAB 70.68, -31.58, 31.96

 

CMYK 17 / 0 / 24 / 33

HEX #8DAA82

RGB 141 170 130

HSL 103.5, 0.19%, 0.59%

LAB 66.54, -17.66, 17.4

 

CMYK 13 / 0 / 74 / 7

HEX #CEEE3E

RGB 206 238 62

HSL 70.91, 0.84%, 0.59%

LAB 89.21, -32.11, 75.95

 

CMYK 33 / 0 / 74 / 7

HEX #9FEE3E

RGB 159 238 62

HSL 86.93, 0.84%, 0.59%

LAB 86.44, -49.72, 72.33

 

CMYK 53 / 0 / 74 / 7

HEX #70EE3E

RGB 112 238 62

HSL 102.95, 0.84%, 0.59%

LAB 84.45, -64.24, 69.71

 

CMYK 73 / 0 / 74 / 7

HEX #41EE3E

RGB 65 238 62

HSL 118.98, 0.84%, 0.59%

LAB 83.24, -74.15, 68.11

 

CMYK 74 / 0 / 55 / 7

HEX #3EEE6A

RGB 62 238 106

HSL 135, 0.84%, 0.59%

LAB 83.55, -70.18, 50.86

 

CMYK 67 / 0 / 92 / 22

HEX #42C811

RGB 66 200 17

HSL 103.93, 0.84%, 0.43%

LAB 71.22, -64.36, 68.31

 

CMYK 66 / 0 / 90 / 8

HEX #50EA18

RGB 80 234 24

HSL 104, 0.83%, 0.51%

LAB 82.17, -72.11, 76.6

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 43 / 0 / 59 / 5

HEX #8AF164

RGB 138 241 100

HSL 103.83, 0.83%, 0.67%

LAB 86.62, -54.84, 57.67

 

CMYK 32 / 0 / 43 / 4

HEX #A6F48A

RGB 166 244 138

HSL 104.15, 0.83%, 0.75%

LAB 89.23, -42.89, 43.54

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 74 / 0 / 6 / 7

HEX #3EEEDF

RGB 62 238 223

HSL 174.89, 0.84%, 0.59%

LAB 85.76, -46.38, -5.35

 

CMYK 0 / 74 / 24 / 7

HEX #EE3EB6

RGB 238 62 182

HSL 319.09, 0.84%, 0.59%

LAB 57.08, 75.94, -24.82

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 74 / 53 / 0 / 7

HEX #3E70EE

RGB 62 112 238

HSL 222.95, 0.84%, 0.59%

LAB 50.44, 26.18, -68.37

 

CMYK 0 / 74 / 53 / 7

HEX #EE3E70

RGB 238 62 112

HSL 342.95, 0.84%, 0.59%

LAB 54.86, 68.98, 13.17

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 74 / 0 / 6 / 7

HEX #3EEEDF

RGB 62 238 223

HSL 174.89, 0.84%, 0.59%

LAB 85.76, -46.38, -5.35

 

CMYK 21 / 74 / 0 / 7

HEX #BC3EEE

RGB 188 62 238

HSL 282.95, 0.84%, 0.59%

LAB 52.19, 74.1, -65

 

CMYK 0 / 74 / 68 / 7

HEX #EE3E4D

RGB 238 62 77

HSL 354.89, 0.84%, 0.59%

LAB 54.19, 66.82, 33.01

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 74 / 16 / 0 / 7

HEX #3EC8EE

RGB 62 200 238

HSL 192.95, 0.84%, 0.59%

LAB 75.14, -24.28, -29.33

 

CMYK 21 / 74 / 0 / 7

HEX #BC3EEE

RGB 188 62 238

HSL 282.95, 0.84%, 0.59%

LAB 52.19, 74.1, -65

 

CMYK 0 / 58 / 74 / 7

HEX #EE643E

RGB 238 100 62

HSL 12.95, 0.84%, 0.59%

LAB 59.56, 51.13, 47.4

 

Description

Color code: HEX #6DEE3E | qconv.com Color code: HEX #6DEE3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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