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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DE751 it is the complementary color #9218AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DE751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DE751 shade: #72E74C, #83F95F, #94FF72, #A5FF85 and #B6FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DE751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DE751 shade: #6DE751, #5CD53E, #4BC32B, #3AB118 and #299F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DE751 shade: #6CE750, #95E750, #BEE750, #E6E750 and #E7BF50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DE751 shade: #6CE750, #50E75D, #50E785, #50E7AE and #50E7D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DE751 shade matches the following richer shades: #6CE750 and #62F740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DE751 shade: #6CE750, #76D760, #80C770, #8AB780 and #95A790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DE751 shade: #BFE750, #97E750, #6EE750, #50E75A and #50E782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DE751 shade: #3CC91B, #4EE22C, #6CE750, #8BEC74 and #A9F199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DE751 shade: #6DE751, #50E7E7 and #E750AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DE751 shade: #6DE751, #506EE7 and #E7506E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DE751 shade: #6DE751, #50E7E7, #C950E7 and #E75050

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DE751 shade: #6DE751, #50BAE7, #C950E7 and #E77D50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 65 / 9

HEX #6DE751

RGB 109 231 81

HSL 108.8, 0.76%, 0.61%

LAB 82.38, -61.05, 60.58

 

Complementary color

CMYK 16 / 86 / 0 / 32

HEX #9218AE

RGB 146 24 174

HSL 288.8, 0.76%, 0.39%

LAB 37.52, 65.82, -52.03

 

CMYK 51 / 0 / 67 / 9

HEX #72E74C

RGB 114 231 76

HSL 105.29, 0.76%, 0.6%

LAB 82.51, -60.14, 62.75

 

CMYK 47 / 0 / 62 / 2

HEX #83F95F

RGB 131 249 95

HSL 105.97, 0.93%, 0.67%

LAB 88.64, -60.47, 61.98

 

CMYK 42 / 0 / 55 / 0

HEX #94FF72

RGB 148 255 114

HSL 105.53, 1%, 0.72%

LAB 91.25, -55.95, 57

 

CMYK 35 / 0 / 48 / 0

HEX #A5FF85

RGB 165 255 133

HSL 104.26, 1%, 0.76%

LAB 92.23, -48.55, 49.67

 

CMYK 29 / 0 / 40 / 0

HEX #B6FF98

RGB 182 255 152

HSL 102.52, 1%, 0.8%

LAB 93.33, -40.64, 42.15

 

CMYK 53 / 0 / 65 / 9

HEX #6DE751

RGB 109 231 81

HSL 108.8, 0.76%, 0.61%

LAB 82.38, -61.05, 60.58

 

CMYK 57 / 0 / 71 / 16

HEX #5CD53E

RGB 92 213 62

HSL 108.08, 0.64%, 0.54%

LAB 76.2, -60.5, 61.2

 

CMYK 62 / 0 / 78 / 24

HEX #4BC32B

RGB 75 195 43

HSL 107.37, 0.64%, 0.47%

LAB 69.97, -59.63, 61.3

 

CMYK 67 / 0 / 86 / 31

HEX #3AB118

RGB 58 177 24

HSL 106.67, 0.76%, 0.39%

LAB 63.68, -58.29, 60.47

 

CMYK 74 / 0 / 97 / 38

HEX #299F05

RGB 41 159 5

HSL 105.97, 0.94%, 0.32%

LAB 57.35, -56.3, 58.25

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 35 / 0 / 65 / 9

HEX #95E750

RGB 149 231 80

HSL 92.58, 0.76%, 0.61%

LAB 84.03, -49.06, 63.25

 

CMYK 18 / 0 / 65 / 9

HEX #BEE750

RGB 190 231 80

HSL 76.29, 0.76%, 0.61%

LAB 86.34, -34.15, 66.4

 

CMYK 0 / 0 / 65 / 9

HEX #E6E750

RGB 230 231 80

HSL 60.4, 0.76%, 0.61%

LAB 89.18, -18.22, 70.23

 

CMYK 0 / 17 / 65 / 9

HEX #E7BF50

RGB 231 191 80

HSL 44.11, 0.76%, 0.61%

LAB 78.94, 2.39, 59.54

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 65 / 0 / 60 / 9

HEX #50E75D

RGB 80 231 93

HSL 125.17, 0.76%, 0.61%

LAB 81.65, -66.44, 54.51

 

CMYK 65 / 0 / 42 / 9

HEX #50E785

RGB 80 231 133

HSL 141.06, 0.76%, 0.61%

LAB 82.14, -60.85, 36.26

 

CMYK 65 / 0 / 25 / 9

HEX #50E7AE

RGB 80 231 174

HSL 157.35, 0.76%, 0.61%

LAB 82.87, -52.95, 16.25

 

CMYK 65 / 0 / 7 / 9

HEX #50E7D7

RGB 80 231 215

HSL 173.64, 0.76%, 0.61%

LAB 83.84, -43.13, -3.91

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 60 / 0 / 74 / 3

HEX #62F740

RGB 98 247 64

HSL 108.85, 0.92%, 0.61%

LAB 86.75, -70.61, 71.18

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 45 / 0 / 55 / 16

HEX #76D760

RGB 118 215 96

HSL 108.91, 0.6%, 0.61%

LAB 78.05, -50.86, 49.29

 

CMYK 36 / 0 / 44 / 22

HEX #80C770

RGB 128 199 112

HSL 108.97, 0.44%, 0.61%

LAB 73.94, -38.92, 36.6

 

CMYK 25 / 0 / 30 / 28

HEX #8AB780

RGB 138 183 128

HSL 109.09, 0.28%, 0.61%

LAB 70.06, -25.61, 23.26

 

CMYK 11 / 0 / 14 / 35

HEX #95A790

RGB 149 167 144

HSL 106.96, 0.12%, 0.61%

LAB 66.55, -10.74, 9.78

 

CMYK 17 / 0 / 65 / 9

HEX #BFE750

RGB 191 231 80

HSL 75.89, 0.76%, 0.61%

LAB 86.41, -33.77, 66.48

 

CMYK 35 / 0 / 65 / 9

HEX #97E750

RGB 151 231 80

HSL 91.79, 0.76%, 0.61%

LAB 84.13, -48.38, 63.38

 

CMYK 52 / 0 / 65 / 9

HEX #6EE750

RGB 110 231 80

HSL 108.08, 0.76%, 0.61%

LAB 82.4, -60.87, 61.02

 

CMYK 65 / 0 / 61 / 9

HEX #50E75A

RGB 80 231 90

HSL 123.97, 0.76%, 0.61%

LAB 81.62, -66.77, 55.77

 

CMYK 65 / 0 / 44 / 9

HEX #50E782

RGB 80 231 130

HSL 139.87, 0.76%, 0.61%

LAB 82.09, -61.34, 37.7

 

CMYK 70 / 0 / 87 / 21

HEX #3CC91B

RGB 60 201 27

HSL 108.62, 0.76%, 0.45%

LAB 71.43, -65.5, 66.65

 

CMYK 65 / 0 / 81 / 11

HEX #4EE22C

RGB 78 226 44

HSL 108.79, 0.76%, 0.53%

LAB 79.72, -69.2, 70.21

 

CMYK 53 / 0 / 65 / 9

HEX #6CE750

RGB 108 231 80

HSL 108.87, 0.76%, 0.61%

LAB 82.34, -61.4, 60.93

 

CMYK 41 / 0 / 51 / 7

HEX #8BEC74

RGB 139 236 116

HSL 108.5, 0.76%, 0.69%

LAB 85.37, -50.76, 48.98

 

CMYK 30 / 0 / 37 / 5

HEX #A9F199

RGB 169 241 153

HSL 109.09, 0.76%, 0.77%

LAB 88.75, -38.52, 35.57

 

CMYK 53 / 0 / 65 / 9

HEX #6DE751

RGB 109 231 81

HSL 108.8, 0.76%, 0.61%

LAB 82.38, -61.05, 60.58

 

CMYK 65 / 0 / 0 / 9

HEX #50E7E7

RGB 80 231 231

HSL 180, 0.76%, 0.61%

LAB 84.29, -38.85, -11.7

 

CMYK 0 / 65 / 26 / 9

HEX #E750AB

RGB 231 80 171

HSL 323.84, 0.76%, 0.61%

LAB 57.72, 66.6, -17.56

 

CMYK 53 / 0 / 65 / 9

HEX #6DE751

RGB 109 231 81

HSL 108.8, 0.76%, 0.61%

LAB 82.38, -61.05, 60.58

 

CMYK 65 / 52 / 0 / 9

HEX #506EE7

RGB 80 110 231

HSL 228.08, 0.76%, 0.61%

LAB 50.25, 27.41, -64.71

 

CMYK 0 / 65 / 52 / 9

HEX #E7506E

RGB 231 80 110

HSL 348.08, 0.76%, 0.61%

LAB 55.94, 60.31, 15.67

 

CMYK 53 / 0 / 65 / 9

HEX #6DE751

RGB 109 231 81

HSL 108.8, 0.76%, 0.61%

LAB 82.38, -61.05, 60.58

 

CMYK 65 / 0 / 0 / 9

HEX #50E7E7

RGB 80 231 231

HSL 180, 0.76%, 0.61%

LAB 84.29, -38.85, -11.7

 

CMYK 13 / 65 / 0 / 9

HEX #C950E7

RGB 201 80 231

HSL 288.08, 0.76%, 0.61%

LAB 56.01, 68.56, -54.82

 

CMYK 0 / 65 / 65 / 9

HEX #E75050

RGB 231 80 80

HSL 0, 0.76%, 0.61%

LAB 55.39, 58.28, 32.47

 

CMYK 53 / 0 / 65 / 9

HEX #6DE751

RGB 109 231 81

HSL 108.8, 0.76%, 0.61%

LAB 82.38, -61.05, 60.58

 

CMYK 65 / 19 / 0 / 9

HEX #50BAE7

RGB 80 186 231

HSL 197.88, 0.76%, 0.61%

LAB 71.28, -16.82, -31.46

 

CMYK 13 / 65 / 0 / 9

HEX #C950E7

RGB 201 80 231

HSL 288.08, 0.76%, 0.61%

LAB 56.01, 68.56, -54.82

 

CMYK 0 / 46 / 65 / 9

HEX #E77D50

RGB 231 125 80

HSL 17.88, 0.76%, 0.61%

LAB 63.54, 37.21, 42.29

 

Description

Color code: HEX #6DE751 | qconv.com Color code: HEX #6DE751 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 231 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 231 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 65 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 65% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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