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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DDF1F it is the complementary color #9220E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DDF1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DDF1F shade: #72DF1A, #83F12D, #94FF40, #A5FF53 and #B6FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DDF1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DDF1F shade: #6DDF1F, #5CCD0C, #4BBB00, #3AA900 and #299700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DDF1F shade: #6DE01F, #A2E01F, #D6E01F, #E0B71F and #E0821F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DDF1F shade: #6DE01F, #39E01F, #1FE038, #1FE06D and #1FE0A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DDF1F shade matches the following richer shades: #6DE01F and #69F50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DDF1F shade: #6DE01F, #71CC33, #75B748, #79A35C and #7D8E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DDF1F shade: #D7E01F, #A3E01F, #6FE01F, #3CE01F and #1FE035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DDF1F shade: #4A9815, #5CBC1A, #6DE01F, #85E543 and #9CEA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DDF1F shade: #6DDF1F, #1FE0B6 and #E01FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DDF1F shade: #6DDF1F, #1F6FE0 and #E01F6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DDF1F shade: #6DDF1F, #1FE0B6, #901FE0 and #E01F49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DDF1F shade: #6DDF1F, #1FD0E0, #901FE0 and #E02F1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 86 / 13

HEX #6DDF1F

RGB 109 223 31

HSL 95.63, 0.76%, 0.5%

LAB 79.69, -61.22, 73.57

 

Complementary color

CMYK 35 / 86 / 0 / 12

HEX #9220E0

RGB 146 32 224

HSL 275.63, 0.76%, 0.5%

LAB 42.04, 73.67, -73.83

 

CMYK 49 / 0 / 88 / 13

HEX #72DF1A

RGB 114 223 26

HSL 93.2, 0.79%, 0.49%

LAB 79.86, -59.94, 74.73

 

CMYK 46 / 0 / 81 / 5

HEX #83F12D

RGB 131 241 45

HSL 93.67, 0.88%, 0.56%

LAB 85.97, -60.85, 76.28

 

CMYK 42 / 0 / 75 / 0

HEX #94FF40

RGB 148 255 64

HSL 93.61, 1%, 0.63%

LAB 90.86, -59.98, 75.79

 

CMYK 35 / 0 / 67 / 0

HEX #A5FF53

RGB 165 255 83

HSL 91.4, 1%, 0.66%

LAB 91.75, -53.31, 70.46

 

CMYK 29 / 0 / 60 / 0

HEX #B6FF66

RGB 182 255 102

HSL 88.63, 1%, 0.7%

LAB 92.76, -46.05, 64.32

 

CMYK 51 / 0 / 86 / 13

HEX #6DDF1F

RGB 109 223 31

HSL 95.63, 0.76%, 0.5%

LAB 79.69, -61.22, 73.57

 

CMYK 55 / 0 / 94 / 20

HEX #5CCD0C

RGB 92 205 12

HSL 95.13, 0.89%, 0.43%

LAB 73.52, -60.01, 71.17

 

CMYK 60 / 0 / 100 / 27

HEX #4BBB00

RGB 75 187 0

HSL 95.94, 1%, 0.37%

LAB 67.3, -58.38, 67.27

 

CMYK 66 / 0 / 100 / 34

HEX #3AA900

RGB 58 169 0

HSL 99.41, 1%, 0.33%

LAB 61.02, -56.31, 62.09

 

CMYK 73 / 0 / 100 / 41

HEX #299700

RGB 41 151 0

HSL 103.71, 1%, 0.3%

LAB 54.66, -53.88, 56.87

 

CMYK 51 / 0 / 86 / 12

HEX #6DE01F

RGB 109 224 31

HSL 95.75, 0.76%, 0.5%

LAB 79.99, -61.58, 73.83

 

CMYK 28 / 0 / 86 / 12

HEX #A2E01F

RGB 162 224 31

HSL 79.27, 0.76%, 0.5%

LAB 82.43, -44.02, 76.88

 

CMYK 4 / 0 / 86 / 12

HEX #D6E01F

RGB 214 224 31

HSL 63.11, 0.76%, 0.5%

LAB 85.86, -23.32, 81.12

 

CMYK 0 / 18 / 86 / 12

HEX #E0B71F

RGB 224 183 31

HSL 47.25, 0.76%, 0.5%

LAB 75.95, 1.6, 73.45

 

CMYK 0 / 42 / 86 / 12

HEX #E0821F

RGB 224 130 31

HSL 30.78, 0.76%, 0.5%

LAB 63.27, 29.77, 63.18

 

CMYK 51 / 0 / 86 / 12

HEX #6DE01F

RGB 109 224 31

HSL 95.75, 0.76%, 0.5%

LAB 79.99, -61.58, 73.83

 

CMYK 75 / 0 / 86 / 12

HEX #39E01F

RGB 57 224 31

HSL 111.92, 0.76%, 0.5%

LAB 78.62, -72.85, 72.12

 

CMYK 86 / 0 / 75 / 12

HEX #1FE038

RGB 31 224 56

HSL 127.77, 0.76%, 0.5%

LAB 78.4, -74.45, 65.11

 

CMYK 86 / 0 / 51 / 12

HEX #1FE06D

RGB 31 224 109

HSL 144.25, 0.76%, 0.5%

LAB 78.87, -68.57, 43.69

 

CMYK 86 / 0 / 28 / 12

HEX #1FE0A1

RGB 31 224 161

HSL 160.41, 0.76%, 0.5%

LAB 79.71, -58.83, 18.53

 

CMYK 51 / 0 / 86 / 12

HEX #6DE01F

RGB 109 224 31

HSL 95.75, 0.76%, 0.5%

LAB 79.99, -61.58, 73.83

 

CMYK 57 / 0 / 96 / 4

HEX #69F50A

RGB 105 245 10

HSL 95.74, 0.92%, 0.5%

LAB 86.17, -70.34, 81.77

 

CMYK 51 / 0 / 86 / 12

HEX #6DE01F

RGB 109 224 31

HSL 95.75, 0.76%, 0.5%

LAB 79.99, -61.58, 73.83

 

CMYK 45 / 0 / 75 / 20

HEX #71CC33

RGB 113 204 51

HSL 95.69, 0.6%, 0.5%

LAB 74.15, -51.96, 63.24

 

CMYK 36 / 0 / 61 / 28

HEX #75B748

RGB 117 183 72

HSL 95.68, 0.44%, 0.5%

LAB 68.11, -40.3, 48.73

 

CMYK 26 / 0 / 44 / 36

HEX #79A35C

RGB 121 163 92

HSL 95.49, 0.28%, 0.5%

LAB 62.53, -27.32, 32.32

 

CMYK 12 / 0 / 20 / 44

HEX #7D8E71

RGB 125 142 113

HSL 95.17, 0.11%, 0.5%

LAB 56.98, -11.75, 13.44

 

CMYK 4 / 0 / 86 / 12

HEX #D7E01F

RGB 215 224 31

HSL 62.8, 0.76%, 0.5%

LAB 85.94, -22.9, 81.21

 

CMYK 27 / 0 / 86 / 12

HEX #A3E01F

RGB 163 224 31

HSL 78.96, 0.76%, 0.5%

LAB 82.48, -43.64, 76.95

 

CMYK 50 / 0 / 86 / 12

HEX #6FE01F

RGB 111 224 31

HSL 95.13, 0.76%, 0.5%

LAB 80.06, -61.02, 73.92

 

CMYK 73 / 0 / 86 / 12

HEX #3CE01F

RGB 60 224 31

HSL 110.98, 0.76%, 0.5%

LAB 78.68, -72.39, 72.18

 

CMYK 86 / 0 / 76 / 12

HEX #1FE035

RGB 31 224 53

HSL 126.84, 0.76%, 0.5%

LAB 78.38, -74.66, 66.05

 

CMYK 51 / 0 / 86 / 40

HEX #4A9815

RGB 74 152 21

HSL 95.73, 0.76%, 0.34%

LAB 56.05, -45.35, 54.64

 

CMYK 51 / 0 / 86 / 26

HEX #5CBC1A

RGB 92 188 26

HSL 95.56, 0.76%, 0.42%

LAB 68.25, -53.48, 64.45

 

CMYK 51 / 0 / 86 / 12

HEX #6DE01F

RGB 109 224 31

HSL 95.75, 0.76%, 0.5%

LAB 79.99, -61.58, 73.83

 

CMYK 42 / 0 / 71 / 10

HEX #85E543

RGB 133 229 67

HSL 95.56, 0.76%, 0.58%

LAB 82.61, -54.43, 66.43

 

CMYK 33 / 0 / 56 / 8

HEX #9CEA67

RGB 156 234 103

HSL 95.73, 0.76%, 0.66%

LAB 85.45, -45.91, 55.22

 

CMYK 51 / 0 / 86 / 13

HEX #6DDF1F

RGB 109 223 31

HSL 95.63, 0.76%, 0.5%

LAB 79.69, -61.22, 73.57

 

CMYK 86 / 0 / 19 / 12

HEX #1FE0B6

RGB 31 224 182

HSL 166.94, 0.76%, 0.5%

LAB 80.17, -53.88, 8.11

 

CMYK 0 / 86 / 16 / 12

HEX #E01FBD

RGB 224 31 189

HSL 310.88, 0.76%, 0.5%

LAB 52.4, 81.16, -36.34

 

CMYK 51 / 0 / 86 / 13

HEX #6DDF1F

RGB 109 223 31

HSL 95.63, 0.76%, 0.5%

LAB 79.69, -61.22, 73.57

 

CMYK 86 / 50 / 0 / 12

HEX #1F6FE0

RGB 31 111 224

HSL 215.13, 0.76%, 0.5%

LAB 48.31, 18.71, -63.98

 

CMYK 0 / 86 / 50 / 12

HEX #E01F6F

RGB 224 31 111

HSL 335.13, 0.76%, 0.5%

LAB 49.47, 73.1, 5.79

 

CMYK 51 / 0 / 86 / 13

HEX #6DDF1F

RGB 109 223 31

HSL 95.63, 0.76%, 0.5%

LAB 79.69, -61.22, 73.57

 

CMYK 86 / 0 / 19 / 12

HEX #1FE0B6

RGB 31 224 182

HSL 166.94, 0.76%, 0.5%

LAB 80.17, -53.88, 8.11

 

CMYK 36 / 86 / 0 / 12

HEX #901FE0

RGB 144 31 224

HSL 275.13, 0.76%, 0.5%

LAB 41.68, 73.65, -74.44

 

CMYK 0 / 86 / 67 / 12

HEX #E01F49

RGB 224 31 73

HSL 346.94, 0.76%, 0.5%

LAB 48.65, 70.75, 27.92

 

CMYK 51 / 0 / 86 / 13

HEX #6DDF1F

RGB 109 223 31

HSL 95.63, 0.76%, 0.5%

LAB 79.69, -61.22, 73.57

 

CMYK 86 / 7 / 0 / 12

HEX #1FD0E0

RGB 31 208 224

HSL 184.97, 0.76%, 0.5%

LAB 76.55, -35.24, -19.69

 

CMYK 36 / 86 / 0 / 12

HEX #901FE0

RGB 144 31 224

HSL 275.13, 0.76%, 0.5%

LAB 41.68, 73.65, -74.44

 

CMYK 0 / 79 / 86 / 12

HEX #E02F1F

RGB 224 47 31

HSL 4.97, 0.76%, 0.5%

LAB 49.47, 65.65, 51.94

 

Description

Color code: HEX #6DDF1F | qconv.com Color code: HEX #6DDF1F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 223 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 223 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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