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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DCD57 it is the complementary color #9232A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DCD57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DCD57 shade: #72CD52, #83DF65, #94F178, #A5FF8B and #B6FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DCD57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DCD57 shade: #6DCD57, #5CBB44, #4BA931, #3A971E and #29850B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DCD57 shade: #6CCD56, #8CCD56, #ACCD56, #CCCD56 and #CDAD56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DCD57 shade: #6CCD56, #56CD60, #56CD80, #56CDA0 and #56CDC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DCD57 shade matches the following richer shades: #6CCD56, #61DE44 and #56F033

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DCD57 shade: #6CCD56, #77BB68, #82A97A, #8E978B and #99869D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DCD57 shade: #ADCD56, #8DCD56, #6ECD56, #56CD5E and #56CD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DCD57 shade: #45A030, #52C039, #6CCD56, #88D676 and #A3E096

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DCD57 shade: #6DCD57, #56CDCD and #CD569D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DCD57 shade: #6DCD57, #566ECD and #CD566E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DCD57 shade: #6DCD57, #56CDCD, #B556CD and #CD5656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DCD57 shade: #6DCD57, #56A9CD, #B556CD and #CD7A56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 58 / 20

HEX #6DCD57

RGB 109 205 87

HSL 108.81, 0.54%, 0.57%

LAB 74.57, -50.51, 49.25

 

Complementary color

CMYK 13 / 70 / 0 / 34

HEX #9232A8

RGB 146 50 168

HSL 288.81, 0.54%, 0.43%

LAB 39.95, 56.55, -44.54

 

CMYK 44 / 0 / 60 / 20

HEX #72CD52

RGB 114 205 82

HSL 104.39, 0.55%, 0.56%

LAB 74.73, -49.54, 51.73

 

CMYK 41 / 0 / 55 / 13

HEX #83DF65

RGB 131 223 101

HSL 105.25, 0.66%, 0.64%

LAB 81.04, -49.61, 50.66

 

CMYK 39 / 0 / 50 / 5

HEX #94F178

RGB 148 241 120

HSL 106.12, 0.81%, 0.71%

LAB 87.27, -49.59, 49.51

 

CMYK 35 / 0 / 45 / 0

HEX #A5FF8B

RGB 165 255 139

HSL 106.55, 1%, 0.77%

LAB 92.3, -47.81, 46.93

 

CMYK 29 / 0 / 38 / 0

HEX #B6FF9E

RGB 182 255 158

HSL 105.15, 1%, 0.81%

LAB 93.42, -39.83, 39.33

 

CMYK 47 / 0 / 58 / 20

HEX #6DCD57

RGB 109 205 87

HSL 108.81, 0.54%, 0.57%

LAB 74.57, -50.51, 49.25

 

CMYK 51 / 0 / 64 / 27

HEX #5CBB44

RGB 92 187 68

HSL 107.9, 0.47%, 0.5%

LAB 68.19, -50.3, 50.28

 

CMYK 56 / 0 / 71 / 34

HEX #4BA931

RGB 75 169 49

HSL 107, 0.55%, 0.43%

LAB 61.73, -49.84, 51.02

 

CMYK 62 / 0 / 80 / 41

HEX #3A971E

RGB 58 151 30

HSL 106.12, 0.67%, 0.35%

LAB 55.2, -48.99, 51.12

 

CMYK 69 / 0 / 92 / 48

HEX #29850B

RGB 41 133 11

HSL 105.25, 0.85%, 0.28%

LAB 48.6, -47.53, 49.94

 

CMYK 47 / 0 / 58 / 20

HEX #6CCD56

RGB 108 205 86

HSL 108.91, 0.54%, 0.57%

LAB 74.52, -50.91, 49.64

 

CMYK 32 / 0 / 58 / 20

HEX #8CCD56

RGB 140 205 86

HSL 92.77, 0.54%, 0.57%

LAB 76.01, -40.54, 51.74

 

CMYK 16 / 0 / 58 / 20

HEX #ACCD56

RGB 172 205 86

HSL 76.64, 0.54%, 0.57%

LAB 77.94, -28.58, 54.44

 

CMYK 0 / 0 / 58 / 20

HEX #CCCD56

RGB 204 205 86

HSL 60.5, 0.54%, 0.57%

LAB 80.28, -15.67, 57.69

 

CMYK 0 / 16 / 58 / 20

HEX #CDAD56

RGB 205 173 86

HSL 43.87, 0.54%, 0.57%

LAB 71.92, 1.27, 48.28

 

CMYK 47 / 0 / 58 / 20

HEX #6CCD56

RGB 108 205 86

HSL 108.91, 0.54%, 0.57%

LAB 74.52, -50.91, 49.64

 

CMYK 58 / 0 / 53 / 20

HEX #56CD60

RGB 86 205 96

HSL 125.04, 0.54%, 0.57%

LAB 73.86, -55.5, 44.01

 

CMYK 58 / 0 / 38 / 20

HEX #56CD80

RGB 86 205 128

HSL 141.18, 0.54%, 0.57%

LAB 74.32, -50.52, 28.58

 

CMYK 58 / 0 / 22 / 20

HEX #56CDA0

RGB 86 205 160

HSL 157.31, 0.54%, 0.57%

LAB 74.94, -44.09, 12.52

 

CMYK 58 / 0 / 6 / 20

HEX #56CDC0

RGB 86 205 192

HSL 173.45, 0.54%, 0.57%

LAB 75.73, -36.37, -3.56

 

CMYK 47 / 0 / 58 / 20

HEX #6CCD56

RGB 108 205 86

HSL 108.91, 0.54%, 0.57%

LAB 74.52, -50.91, 49.64

 

CMYK 56 / 0 / 69 / 13

HEX #61DE44

RGB 97 222 68

HSL 108.7, 0.7%, 0.57%

LAB 79.16, -61.98, 62.09

 

CMYK 64 / 0 / 79 / 6

HEX #56F033

RGB 86 240 51

HSL 108.89, 0.86%, 0.57%

LAB 84.24, -71.69, 72.59

 

CMYK 47 / 0 / 58 / 20

HEX #6CCD56

RGB 108 205 86

HSL 108.91, 0.54%, 0.57%

LAB 74.52, -50.91, 49.64

 

CMYK 36 / 0 / 44 / 27

HEX #77BB68

RGB 119 187 104

HSL 109.16, 0.38%, 0.57%

LAB 69.8, -37.61, 35.31

 

CMYK 23 / 0 / 28 / 34

HEX #82A97A

RGB 130 169 122

HSL 109.79, 0.21%, 0.57%

LAB 65.38, -22.47, 20.07

 

CMYK 6 / 0 / 8 / 41

HEX #8E978B

RGB 142 151 139

HSL 105, 0.05%, 0.57%

LAB 61.44, -5.57, 5.2

 

CMYK 3 / 15 / 0 / 38

HEX #99869D

RGB 153 134 157

HSL 289.57, 0.11%, 0.57%

LAB 58.28, 11.52, -9.59

 

CMYK 16 / 0 / 58 / 20

HEX #ADCD56

RGB 173 205 86

HSL 76.13, 0.54%, 0.57%

LAB 78, -28.18, 54.53

 

CMYK 31 / 0 / 58 / 20

HEX #8DCD56

RGB 141 205 86

HSL 92.27, 0.54%, 0.57%

LAB 76.07, -40.19, 51.82

 

CMYK 46 / 0 / 58 / 20

HEX #6ECD56

RGB 110 205 86

HSL 107.9, 0.54%, 0.57%

LAB 74.6, -50.32, 49.75

 

CMYK 58 / 0 / 54 / 20

HEX #56CD5E

RGB 86 205 94

HSL 124.03, 0.54%, 0.57%

LAB 73.84, -55.77, 44.93

 

CMYK 58 / 0 / 39 / 20

HEX #56CD7E

RGB 86 205 126

HSL 140.17, 0.54%, 0.57%

LAB 74.28, -50.87, 29.57

 

CMYK 57 / 0 / 70 / 37

HEX #45A030

RGB 69 160 48

HSL 108.75, 0.54%, 0.41%

LAB 58.62, -48.13, 48.1

 

CMYK 57 / 0 / 70 / 25

HEX #52C039

RGB 82 192 57

HSL 108.89, 0.54%, 0.49%

LAB 69.32, -55.87, 55.87

 

CMYK 47 / 0 / 58 / 20

HEX #6CCD56

RGB 108 205 86

HSL 108.91, 0.54%, 0.57%

LAB 74.52, -50.91, 49.64

 

CMYK 36 / 0 / 45 / 16

HEX #88D676

RGB 136 214 118

HSL 108.75, 0.54%, 0.65%

LAB 78.83, -42.13, 39.88

 

CMYK 27 / 0 / 33 / 12

HEX #A3E096

RGB 163 224 150

HSL 109.46, 0.54%, 0.73%

LAB 83.6, -33.18, 30.2

 

CMYK 47 / 0 / 58 / 20

HEX #6DCD57

RGB 109 205 87

HSL 108.81, 0.54%, 0.57%

LAB 74.57, -50.51, 49.25

 

CMYK 58 / 0 / 0 / 20

HEX #56CDCD

RGB 86 205 205

HSL 180, 0.54%, 0.57%

LAB 76.1, -32.92, -10.03

 

CMYK 0 / 58 / 23 / 20

HEX #CD569D

RGB 205 86 157

HSL 324.2, 0.54%, 0.57%

LAB 54.1, 54.82, -15.27

 

CMYK 47 / 0 / 58 / 20

HEX #6DCD57

RGB 109 205 87

HSL 108.81, 0.54%, 0.57%

LAB 74.57, -50.51, 49.25

 

CMYK 58 / 46 / 0 / 20

HEX #566ECD

RGB 86 110 205

HSL 227.9, 0.54%, 0.57%

LAB 48.93, 19.65, -52.08

 

CMYK 0 / 58 / 46 / 20

HEX #CD566E

RGB 205 86 110

HSL 347.9, 0.54%, 0.57%

LAB 52.69, 49.29, 10.5

 

CMYK 47 / 0 / 58 / 20

HEX #6DCD57

RGB 109 205 87

HSL 108.81, 0.54%, 0.57%

LAB 74.57, -50.51, 49.25

 

CMYK 58 / 0 / 0 / 20

HEX #56CDCD

RGB 86 205 205

HSL 180, 0.54%, 0.57%

LAB 76.1, -32.92, -10.03

 

CMYK 12 / 58 / 0 / 20

HEX #B556CD

RGB 181 86 205

HSL 287.9, 0.54%, 0.57%

LAB 52.83, 56.18, -45.33

 

CMYK 0 / 58 / 58 / 20

HEX #CD5656

RGB 205 86 86

HSL 0, 0.54%, 0.57%

LAB 52.18, 47.24, 24.03

 

CMYK 47 / 0 / 58 / 20

HEX #6DCD57

RGB 109 205 87

HSL 108.81, 0.54%, 0.57%

LAB 74.57, -50.51, 49.25

 

CMYK 58 / 18 / 0 / 20

HEX #56A9CD

RGB 86 169 205

HSL 198.15, 0.54%, 0.57%

LAB 65.56, -14.78, -25.98

 

CMYK 12 / 58 / 0 / 20

HEX #B556CD

RGB 181 86 205

HSL 287.9, 0.54%, 0.57%

LAB 52.83, 56.18, -45.33

 

CMYK 0 / 40 / 58 / 20

HEX #CD7A56

RGB 205 122 86

HSL 18.15, 0.54%, 0.57%

LAB 59.5, 28.87, 33.37

 

Description

Color code: HEX #6DCD57 | qconv.com Color code: HEX #6DCD57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 205 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 205 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 58% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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