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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DCBD2 it is the complementary color #92342D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DCBD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DCBD2 shade: #72CBCD, #83DDE0, #94EFF3, #A5FFFF and #B6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DCBD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DCBD2 shade: #6DCBD2, #5CB9BF, #4BA7AC, #3A9599 and #298386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DCBD2 shade: #6FCCD3, #6FB1D3, #6F96D3, #6F7BD3 and #7D6FD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DCBD2 shade: #6FCCD3, #6FB1D3, #6F96D3, #6F7BD3 and #6F6FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DCBD2 shade matches the following richer shades: #6FCCD3, #5FD9E2 and #50E6F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DCBD2 shade: #6FCCD3, #7EBFC3, #8DB1B4, #9CA4A5 and #AC9796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DCBD2 shade: #6FD3A4, #6FD3BF, #6FCCD3, #6FB1D3 and #6F97D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DCBD2 shade: #38AEB7, #4FC1C9, #6FCCD3, #8ED7DC and #AEE2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DCBD2 shade: #6DCBD2, #896FD3 and #D3B16F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DCBD2 shade: #6DCBD2, #D36FCC and #CCD36F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DCBD2 shade: #6DCBD2, #896FD3, #D3756F and #B8D36F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DCBD2 shade: #6DCBD2, #A76FD3, #D3756F and #9AD36F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 3 / 0 / 18

HEX #6DCBD2

RGB 109 203 210

HSL 184.16, 0.53%, 0.63%

LAB 76.45, -25.99, -12.13

 

Complementary color

CMYK 0 / 64 / 69 / 43

HEX #92342D

RGB 146 52 45

HSL 4.16, 0.53%, 0.37%

LAB 35.51, 39.2, 25.47

 

CMYK 44 / 1 / 0 / 20

HEX #72CBCD

RGB 114 203 205

HSL 181.32, 0.48%, 0.63%

LAB 76.5, -26.14, -9.33

 

CMYK 42 / 1 / 0 / 12

HEX #83DDE0

RGB 131 221 224

HSL 181.94, 0.6%, 0.7%

LAB 82.87, -26.15, -9.93

 

CMYK 39 / 2 / 0 / 5

HEX #94EFF3

RGB 148 239 243

HSL 182.53, 0.8%, 0.77%

LAB 89.16, -26.13, -10.51

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 48 / 3 / 0 / 18

HEX #6DCBD2

RGB 109 203 210

HSL 184.16, 0.53%, 0.63%

LAB 76.45, -25.99, -12.13

 

CMYK 52 / 3 / 0 / 25

HEX #5CB9BF

RGB 92 185 191

HSL 183.64, 0.44%, 0.55%

LAB 69.99, -25.86, -11.51

 

CMYK 56 / 3 / 0 / 33

HEX #4BA7AC

RGB 75 167 172

HSL 183.09, 0.39%, 0.48%

LAB 63.44, -25.63, -10.85

 

CMYK 62 / 3 / 0 / 40

HEX #3A9599

RGB 58 149 153

HSL 182.53, 0.45%, 0.41%

LAB 56.78, -25.28, -10.13

 

CMYK 69 / 2 / 0 / 47

HEX #298386

RGB 41 131 134

HSL 181.94, 0.53%, 0.34%

LAB 50.01, -24.71, -9.32

 

CMYK 47 / 3 / 0 / 17

HEX #6FCCD3

RGB 111 204 211

HSL 184.2, 0.53%, 0.63%

LAB 76.84, -25.78, -12.07

 

CMYK 47 / 16 / 0 / 17

HEX #6FB1D3

RGB 111 177 211

HSL 200.4, 0.53%, 0.63%

LAB 69.13, -11.89, -23.73

 

CMYK 47 / 29 / 0 / 17

HEX #6F96D3

RGB 111 150 211

HSL 216.6, 0.53%, 0.63%

LAB 61.56, 3.13, -35.41

 

CMYK 47 / 42 / 0 / 17

HEX #6F7BD3

RGB 111 123 211

HSL 232.8, 0.53%, 0.63%

LAB 54.29, 19.07, -46.85

 

CMYK 41 / 47 / 0 / 17

HEX #7D6FD3

RGB 125 111 211

HSL 248.4, 0.53%, 0.63%

LAB 52.32, 29.67, -49.92

 

CMYK 47 / 3 / 0 / 17

HEX #6FCCD3

RGB 111 204 211

HSL 184.2, 0.53%, 0.63%

LAB 76.84, -25.78, -12.07

 

CMYK 47 / 16 / 0 / 17

HEX #6FB1D3

RGB 111 177 211

HSL 200.4, 0.53%, 0.63%

LAB 69.13, -11.89, -23.73

 

CMYK 47 / 29 / 0 / 17

HEX #6F96D3

RGB 111 150 211

HSL 216.6, 0.53%, 0.63%

LAB 61.56, 3.13, -35.41

 

CMYK 47 / 42 / 0 / 17

HEX #6F7BD3

RGB 111 123 211

HSL 232.8, 0.53%, 0.63%

LAB 54.29, 19.07, -46.85

 

CMYK 47 / 47 / 0 / 17

HEX #6F6FD3

RGB 111 111 211

HSL 240, 0.53%, 0.63%

LAB 51.21, 26.32, -51.76

 

CMYK 47 / 3 / 0 / 17

HEX #6FCCD3

RGB 111 204 211

HSL 184.2, 0.53%, 0.63%

LAB 76.84, -25.78, -12.07

 

CMYK 58 / 4 / 0 / 11

HEX #5FD9E2

RGB 95 217 226

HSL 184.12, 0.69%, 0.63%

LAB 80.49, -31.29, -14.7

 

CMYK 67 / 5 / 0 / 5

HEX #50E6F1

RGB 80 230 241

HSL 184.1, 0.85%, 0.63%

LAB 84.3, -35.61, -16.96

 

CMYK 47 / 3 / 0 / 17

HEX #6FCCD3

RGB 111 204 211

HSL 184.2, 0.53%, 0.63%

LAB 76.84, -25.78, -12.07

 

CMYK 35 / 2 / 0 / 24

HEX #7EBFC3

RGB 126 191 195

HSL 183.48, 0.37%, 0.63%

LAB 73.31, -19.59, -8.59

 

CMYK 22 / 2 / 0 / 29

HEX #8DB1B4

RGB 141 177 180

HSL 184.62, 0.21%, 0.63%

LAB 69.76, -11.44, -5.55

 

CMYK 5 / 1 / 0 / 35

HEX #9CA4A5

RGB 156 164 165

HSL 186.67, 0.05%, 0.63%

LAB 66.78, -2.63, -1.51

 

CMYK 0 / 12 / 13 / 33

HEX #AC9796

RGB 172 151 150

HSL 2.73, 0.12%, 0.63%

LAB 64.25, 7.6, 3.37

 

CMYK 47 / 0 / 22 / 17

HEX #6FD3A4

RGB 111 211 164

HSL 151.8, 0.53%, 0.63%

LAB 77.67, -40.14, 14.35

 

CMYK 47 / 0 / 9 / 17

HEX #6FD3BF

RGB 111 211 191

HSL 168, 0.53%, 0.63%

LAB 78.3, -34.13, 0.85

 

CMYK 47 / 3 / 0 / 17

HEX #6FCCD3

RGB 111 204 211

HSL 184.2, 0.53%, 0.63%

LAB 76.84, -25.78, -12.07

 

CMYK 47 / 16 / 0 / 17

HEX #6FB1D3

RGB 111 177 211

HSL 200.4, 0.53%, 0.63%

LAB 69.13, -11.89, -23.73

 

CMYK 47 / 28 / 0 / 17

HEX #6F97D3

RGB 111 151 211

HSL 216, 0.53%, 0.63%

LAB 61.84, 2.55, -34.98

 

CMYK 69 / 5 / 0 / 28

HEX #38AEB7

RGB 56 174 183

HSL 184.25, 0.53%, 0.47%

LAB 65.38, -29.09, -14.12

 

CMYK 61 / 4 / 0 / 21

HEX #4FC1C9

RGB 79 193 201

HSL 183.93, 0.53%, 0.55%

LAB 72.24, -29.51, -13.65

 

CMYK 47 / 3 / 0 / 17

HEX #6FCCD3

RGB 111 204 211

HSL 184.2, 0.53%, 0.63%

LAB 76.84, -25.78, -12.07

 

CMYK 35 / 2 / 0 / 14

HEX #8ED7DC

RGB 142 215 220

HSL 183.85, 0.53%, 0.71%

LAB 81.58, -21.38, -9.68

 

CMYK 24 / 2 / 0 / 10

HEX #AEE2E6

RGB 174 226 230

HSL 184.29, 0.53%, 0.79%

LAB 86.56, -15.69, -7.4

 

CMYK 48 / 3 / 0 / 18

HEX #6DCBD2

RGB 109 203 210

HSL 184.16, 0.53%, 0.63%

LAB 76.45, -25.99, -12.13

 

CMYK 35 / 47 / 0 / 17

HEX #896FD3

RGB 137 111 211

HSL 255.6, 0.53%, 0.63%

LAB 53.37, 32.71, -48.18

 

CMYK 0 / 16 / 47 / 17

HEX #D3B16F

RGB 211 177 111

HSL 39.6, 0.53%, 0.63%

LAB 73.83, 3.81, 38.22

 

CMYK 48 / 3 / 0 / 18

HEX #6DCBD2

RGB 109 203 210

HSL 184.16, 0.53%, 0.63%

LAB 76.45, -25.99, -12.13

 

CMYK 0 / 47 / 3 / 17

HEX #D36FCC

RGB 211 111 204

HSL 304.2, 0.53%, 0.63%

LAB 61.29, 52.03, -31.21

 

CMYK 3 / 0 / 47 / 17

HEX #CCD36F

RGB 204 211 111

HSL 64.2, 0.53%, 0.63%

LAB 82.15, -16.58, 48.34

 

CMYK 48 / 3 / 0 / 18

HEX #6DCBD2

RGB 109 203 210

HSL 184.16, 0.53%, 0.63%

LAB 76.45, -25.99, -12.13

 

CMYK 35 / 47 / 0 / 17

HEX #896FD3

RGB 137 111 211

HSL 255.6, 0.53%, 0.63%

LAB 53.37, 32.71, -48.18

 

CMYK 0 / 45 / 47 / 17

HEX #D3756F

RGB 211 117 111

HSL 3.6, 0.53%, 0.63%

LAB 59.63, 36.07, 19.66

 

CMYK 13 / 0 / 47 / 17

HEX #B8D36F

RGB 184 211 111

HSL 76.2, 0.53%, 0.63%

LAB 80.7, -24.44, 46.25

 

CMYK 48 / 3 / 0 / 18

HEX #6DCBD2

RGB 109 203 210

HSL 184.16, 0.53%, 0.63%

LAB 76.45, -25.99, -12.13

 

CMYK 21 / 47 / 0 / 17

HEX #A76FD3

RGB 167 111 211

HSL 273.6, 0.53%, 0.63%

LAB 56.37, 40.8, -43.23

 

CMYK 0 / 45 / 47 / 17

HEX #D3756F

RGB 211 117 111

HSL 3.6, 0.53%, 0.63%

LAB 59.63, 36.07, 19.66

 

CMYK 27 / 0 / 47 / 17

HEX #9AD36F

RGB 154 211 111

HSL 94.2, 0.53%, 0.63%

LAB 78.81, -35.59, 43.51

 

Description

Color code: HEX #6DCBD2 | qconv.com Color code: HEX #6DCBD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 203 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 203 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 3 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 3% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

64% - Little Sparrow Tea —...
Link: http://littlesparrowtea.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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