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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DCB55 it is the complementary color #9234AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DCB55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DCB55 shade: #72CB50, #83DD63, #94EF76, #A5FF89 and #B6FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DCB55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DCB55 shade: #6DCB55, #5CB942, #4BA72F, #3A951C and #298309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DCB55 shade: #6CCA53, #8CCA53, #ACCA53, #CAC953 and #CAA953

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DCB55 shade: #6CCA53, #53CA5B, #53CA7B, #53CA9B and #53CABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DCB55 shade matches the following richer shades: #6CCA53, #61DC41 and #56EF2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DCB55 shade: #6CCA53, #76B865, #81A678, #8C948A and #97829C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DCB55 shade: #ADCA53, #8DCA53, #6DCA53, #53CA59 and #53CA79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DCB55 shade: #469B30, #54BB39, #6CCA53, #87D473 and #A2DE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DCB55 shade: #6DCB55, #53CAC8 and #CA539D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DCB55 shade: #6DCB55, #536DCA and #CA536D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DCB55 shade: #6DCB55, #53CAC8, #B053CA and #CA5355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DCB55 shade: #6DCB55, #53A9CA, #B053CA and #CA7553

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 58 / 20

HEX #6DCB55

RGB 109 203 85

HSL 107.8, 0.53%, 0.56%

LAB 73.95, -49.92, 49.43

 

Complementary color

CMYK 14 / 69 / 0 / 33

HEX #9234AA

RGB 146 52 170

HSL 287.8, 0.53%, 0.44%

LAB 40.36, 56.13, -45.07

 

CMYK 44 / 0 / 61 / 20

HEX #72CB50

RGB 114 203 80

HSL 103.41, 0.54%, 0.55%

LAB 74.11, -48.93, 51.9

 

CMYK 41 / 0 / 55 / 13

HEX #83DD63

RGB 131 221 99

HSL 104.26, 0.64%, 0.63%

LAB 80.43, -49.01, 50.85

 

CMYK 38 / 0 / 51 / 6

HEX #94EF76

RGB 148 239 118

HSL 105.12, 0.79%, 0.7%

LAB 86.67, -48.99, 49.71

 

CMYK 35 / 0 / 46 / 0

HEX #A5FF89

RGB 165 255 137

HSL 105.76, 1%, 0.77%

LAB 92.28, -48.06, 47.85

 

CMYK 29 / 0 / 39 / 0

HEX #B6FF9C

RGB 182 255 156

HSL 104.24, 1%, 0.81%

LAB 93.39, -40.11, 40.27

 

CMYK 46 / 0 / 58 / 20

HEX #6DCB55

RGB 109 203 85

HSL 107.8, 0.53%, 0.56%

LAB 73.95, -49.92, 49.43

 

CMYK 50 / 0 / 64 / 27

HEX #5CB942

RGB 92 185 66

HSL 106.89, 0.47%, 0.49%

LAB 67.55, -49.71, 50.43

 

CMYK 55 / 0 / 72 / 35

HEX #4BA72F

RGB 75 167 47

HSL 106, 0.56%, 0.42%

LAB 61.08, -49.24, 51.12

 

CMYK 61 / 0 / 81 / 42

HEX #3A951C

RGB 58 149 28

HSL 105.12, 0.68%, 0.35%

LAB 54.53, -48.38, 51.11

 

CMYK 69 / 0 / 93 / 49

HEX #298309

RGB 41 131 9

HSL 104.26, 0.87%, 0.27%

LAB 47.91, -46.9, 49.73

 

CMYK 47 / 0 / 59 / 21

HEX #6CCA53

RGB 108 202 83

HSL 107.39, 0.53%, 0.56%

LAB 73.58, -50.03, 49.9

 

CMYK 31 / 0 / 59 / 21

HEX #8CCA53

RGB 140 202 83

HSL 91.26, 0.53%, 0.56%

LAB 75.1, -39.5, 52.05

 

CMYK 15 / 0 / 59 / 21

HEX #ACCA53

RGB 172 202 83

HSL 75.13, 0.53%, 0.56%

LAB 77.06, -27.39, 54.79

 

CMYK 0 / 0 / 59 / 21

HEX #CAC953

RGB 202 201 83

HSL 59.5, 0.53%, 0.56%

LAB 79.01, -14.71, 57.57

 

CMYK 0 / 16 / 59 / 21

HEX #CAA953

RGB 202 169 83

HSL 43.36, 0.53%, 0.56%

LAB 70.56, 1.9, 48.09

 

CMYK 47 / 0 / 59 / 21

HEX #6CCA53

RGB 108 202 83

HSL 107.39, 0.53%, 0.56%

LAB 73.58, -50.03, 49.9

 

CMYK 59 / 0 / 55 / 21

HEX #53CA5B

RGB 83 202 91

HSL 124.03, 0.53%, 0.56%

LAB 72.78, -55.73, 45.06

 

CMYK 59 / 0 / 39 / 21

HEX #53CA7B

RGB 83 202 123

HSL 140.17, 0.53%, 0.56%

LAB 73.23, -50.87, 29.71

 

CMYK 59 / 0 / 23 / 21

HEX #53CA9B

RGB 83 202 155

HSL 156.3, 0.53%, 0.56%

LAB 73.83, -44.51, 13.63

 

CMYK 59 / 0 / 7 / 21

HEX #53CABB

RGB 83 202 187

HSL 172.44, 0.53%, 0.56%

LAB 74.61, -36.84, -2.51

 

CMYK 47 / 0 / 59 / 21

HEX #6CCA53

RGB 108 202 83

HSL 107.39, 0.53%, 0.56%

LAB 73.58, -50.03, 49.9

 

CMYK 56 / 0 / 70 / 14

HEX #61DC41

RGB 97 220 65

HSL 107.61, 0.69%, 0.56%

LAB 78.53, -61.51, 62.55

 

CMYK 64 / 0 / 80 / 6

HEX #56EF2F

RGB 86 239 47

HSL 107.81, 0.86%, 0.56%

LAB 83.92, -71.58, 73.37

 

CMYK 47 / 0 / 59 / 21

HEX #6CCA53

RGB 108 202 83

HSL 107.39, 0.53%, 0.56%

LAB 73.58, -50.03, 49.9

 

CMYK 36 / 0 / 45 / 28

HEX #76B865

RGB 118 184 101

HSL 107.71, 0.37%, 0.56%

LAB 68.8, -37.01, 35.57

 

CMYK 22 / 0 / 28 / 35

HEX #81A678

RGB 129 166 120

HSL 108.26, 0.21%, 0.56%

LAB 64.4, -21.64, 19.82

 

CMYK 5 / 0 / 7 / 42

HEX #8C948A

RGB 140 148 138

HSL 108, 0.04%, 0.56%

LAB 60.42, -4.85, 4.28

 

CMYK 3 / 17 / 0 / 39

HEX #97829C

RGB 151 130 156

HSL 288.46, 0.12%, 0.56%

LAB 57.02, 12.9, -10.92

 

CMYK 14 / 0 / 59 / 21

HEX #ADCA53

RGB 173 202 83

HSL 74.62, 0.53%, 0.56%

LAB 77.13, -27, 54.88

 

CMYK 30 / 0 / 59 / 21

HEX #8DCA53

RGB 141 202 83

HSL 90.76, 0.53%, 0.56%

LAB 75.16, -39.15, 52.12

 

CMYK 46 / 0 / 59 / 21

HEX #6DCA53

RGB 109 202 83

HSL 106.89, 0.53%, 0.56%

LAB 73.62, -49.74, 49.96

 

CMYK 59 / 0 / 56 / 21

HEX #53CA59

RGB 83 202 89

HSL 123.03, 0.53%, 0.56%

LAB 72.76, -55.98, 45.97

 

CMYK 59 / 0 / 40 / 21

HEX #53CA79

RGB 83 202 121

HSL 139.16, 0.53%, 0.56%

LAB 73.19, -51.22, 30.7

 

CMYK 55 / 0 / 69 / 39

HEX #469B30

RGB 70 155 48

HSL 107.66, 0.53%, 0.4%

LAB 57.03, -45.93, 46.44

 

CMYK 55 / 0 / 70 / 27

HEX #54BB39

RGB 84 187 57

HSL 107.54, 0.53%, 0.48%

LAB 67.81, -53.51, 54.32

 

CMYK 47 / 0 / 59 / 21

HEX #6CCA53

RGB 108 202 83

HSL 107.39, 0.53%, 0.56%

LAB 73.58, -50.03, 49.9

 

CMYK 36 / 0 / 46 / 17

HEX #87D473

RGB 135 212 115

HSL 107.63, 0.53%, 0.64%

LAB 78.16, -41.98, 40.51

 

CMYK 27 / 0 / 34 / 13

HEX #A2DE92

RGB 162 222 146

HSL 107.37, 0.54%, 0.72%

LAB 82.91, -33.19, 31.32

 

CMYK 46 / 0 / 58 / 20

HEX #6DCB55

RGB 109 203 85

HSL 107.8, 0.53%, 0.56%

LAB 73.95, -49.92, 49.43

 

CMYK 59 / 0 / 1 / 21

HEX #53CAC8

RGB 83 202 200

HSL 178.99, 0.53%, 0.56%

LAB 74.98, -33.4, -9

 

CMYK 0 / 59 / 22 / 21

HEX #CA539D

RGB 202 83 157

HSL 322.69, 0.53%, 0.56%

LAB 53.14, 55.28, -16.76

 

CMYK 46 / 0 / 58 / 20

HEX #6DCB55

RGB 109 203 85

HSL 107.8, 0.53%, 0.56%

LAB 73.95, -49.92, 49.43

 

CMYK 59 / 46 / 0 / 21

HEX #536DCA

RGB 83 109 202

HSL 226.89, 0.53%, 0.56%

LAB 48.31, 18.68, -51.36

 

CMYK 0 / 59 / 46 / 21

HEX #CA536D

RGB 202 83 109

HSL 346.89, 0.53%, 0.56%

LAB 51.66, 49.57, 9.59

 

CMYK 46 / 0 / 58 / 20

HEX #6DCB55

RGB 109 203 85

HSL 107.8, 0.53%, 0.56%

LAB 73.95, -49.92, 49.43

 

CMYK 59 / 0 / 1 / 21

HEX #53CAC8

RGB 83 202 200

HSL 178.99, 0.53%, 0.56%

LAB 74.98, -33.4, -9

 

CMYK 13 / 59 / 0 / 21

HEX #B053CA

RGB 176 83 202

HSL 286.89, 0.53%, 0.56%

LAB 51.47, 55.76, -45.8

 

CMYK 0 / 59 / 58 / 21

HEX #CA5355

RGB 202 83 85

HSL 358.99, 0.53%, 0.56%

LAB 51.15, 47.51, 23.18

 

CMYK 46 / 0 / 58 / 20

HEX #6DCB55

RGB 109 203 85

HSL 107.8, 0.53%, 0.56%

LAB 73.95, -49.92, 49.43

 

CMYK 59 / 16 / 0 / 21

HEX #53A9CA

RGB 83 169 202

HSL 196.64, 0.53%, 0.56%

LAB 65.34, -16.28, -24.66

 

CMYK 13 / 59 / 0 / 21

HEX #B053CA

RGB 176 83 202

HSL 286.89, 0.53%, 0.56%

LAB 51.47, 55.76, -45.8

 

CMYK 0 / 42 / 59 / 21

HEX #CA7553

RGB 202 117 83

HSL 17.14, 0.53%, 0.56%

LAB 57.95, 30.12, 33

 

Description

Color code: HEX #6DCB55 | qconv.com Color code: HEX #6DCB55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 203 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 203 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 58% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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