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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DBB13 it is the complementary color #9244EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DBB13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DBB13 shade: #72BB0E, #83CD21, #94DF34, #A5F147 and #B6FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DBB13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DBB13 shade: #6DBB13, #5CA900, #4B9700, #3A8500 and #297300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DBB13 shade: #6CBA12, #99BA12, #BAAD12, #BA8012 and #BA5312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DBB13 shade: #6CBA12, #3FBA12, #12BA13, #12BA40 and #12BA6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DBB13 shade matches the following richer shades: #6CBA12 and #6DCA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DBB13 shade: #6CBA12, #6BA923, #6A9933, #688844 and #677854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DBB13 shade: #BAAC12, #9BBA12, #6EBA12, #42BA12 and #15BA12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DBB13 shade: #406F0B, #56940F, #6CBA12, #82DF16 and #96EB34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DBB13 shade: #6DBB13, #12BA7F and #BA12B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DBB13 shade: #6DBB13, #126EBA and #BA126E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DBB13 shade: #6DBB13, #12BA7F, #5E12BA and #BA124D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DBB13 shade: #6DBB13, #12BAB1, #5E12BA and #BA121B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 90 / 27

HEX #6DBB13

RGB 109 187 19

HSL 87.86, 0.82%, 0.4%

LAB 68.63, -47.92, 66.43

 

Complementary color

CMYK 38 / 71 / 0 / 7

HEX #9244EC

RGB 146 68 236

HSL 267.86, 0.82%, 0.6%

LAB 47.37, 63.71, -71.94

 

CMYK 39 / 0 / 93 / 27

HEX #72BB0E

RGB 114 187 14

HSL 85.32, 0.86%, 0.39%

LAB 68.86, -46.32, 67.49

 

CMYK 36 / 0 / 84 / 20

HEX #83CD21

RGB 131 205 33

HSL 85.81, 0.72%, 0.47%

LAB 75.2, -47.22, 69.61

 

CMYK 34 / 0 / 77 / 13

HEX #94DF34

RGB 148 223 52

HSL 86.32, 0.73%, 0.54%

LAB 81.47, -47.87, 70.5

 

CMYK 32 / 0 / 71 / 5

HEX #A5F147

RGB 165 241 71

HSL 86.82, 0.86%, 0.61%

LAB 87.66, -48.34, 70.61

 

CMYK 29 / 0 / 65 / 0

HEX #B6FF5A

RGB 182 255 90

HSL 86.55, 1%, 0.68%

LAB 92.66, -46.99, 69.04

 

CMYK 42 / 0 / 90 / 27

HEX #6DBB13

RGB 109 187 19

HSL 87.86, 0.82%, 0.4%

LAB 68.63, -47.92, 66.43

 

CMYK 46 / 0 / 100 / 34

HEX #5CA900

RGB 92 169 0

HSL 87.34, 1%, 0.33%

LAB 62.21, -46.83, 63.54

 

CMYK 50 / 0 / 100 / 41

HEX #4B9700

RGB 75 151 0

HSL 90.2, 1%, 0.3%

LAB 55.71, -45.26, 58.15

 

CMYK 56 / 0 / 100 / 48

HEX #3A8500

RGB 58 133 0

HSL 93.83, 1%, 0.26%

LAB 49.1, -43.52, 52.67

 

CMYK 64 / 0 / 100 / 55

HEX #297300

RGB 41 115 0

HSL 98.61, 1%, 0.23%

LAB 42.36, -41.51, 47.1

 

CMYK 42 / 0 / 90 / 27

HEX #6CBA12

RGB 108 186 18

HSL 87.86, 0.82%, 0.4%

LAB 68.28, -47.88, 66.28

 

CMYK 18 / 0 / 90 / 27

HEX #99BA12

RGB 153 186 18

HSL 71.79, 0.82%, 0.4%

LAB 70.83, -30.8, 69.42

 

CMYK 0 / 7 / 90 / 27

HEX #BAAD12

RGB 186 173 18

HSL 55.36, 0.82%, 0.4%

LAB 69.73, -10.12, 69.63

 

CMYK 0 / 31 / 90 / 27

HEX #BA8012

RGB 186 128 18

HSL 39.29, 0.82%, 0.4%

LAB 57.96, 14.2, 60.51

 

CMYK 0 / 55 / 90 / 27

HEX #BA5312

RGB 186 83 18

HSL 23.21, 0.82%, 0.4%

LAB 47.84, 38.43, 52.82

 

CMYK 42 / 0 / 90 / 27

HEX #6CBA12

RGB 108 186 18

HSL 87.86, 0.82%, 0.4%

LAB 68.28, -47.88, 66.28

 

CMYK 66 / 0 / 90 / 27

HEX #3FBA12

RGB 63 186 18

HSL 103.93, 0.82%, 0.4%

LAB 66.69, -60.42, 64.3

 

CMYK 90 / 0 / 90 / 27

HEX #12BA13

RGB 18 186 19

HSL 120.36, 0.82%, 0.4%

LAB 65.98, -66.61, 63.24

 

CMYK 90 / 0 / 66 / 27

HEX #12BA40

RGB 18 186 64

HSL 136.43, 0.82%, 0.4%

LAB 66.23, -63.44, 49.37

 

CMYK 90 / 0 / 41 / 27

HEX #12BA6D

RGB 18 186 109

HSL 152.5, 0.82%, 0.4%

LAB 66.79, -56.65, 28.29

 

CMYK 42 / 0 / 90 / 27

HEX #6CBA12

RGB 108 186 18

HSL 87.86, 0.82%, 0.4%

LAB 68.28, -47.88, 66.28

 

CMYK 46 / 0 / 99 / 21

HEX #6DCA02

RGB 109 202 2

HSL 87.9, 0.98%, 0.4%

LAB 73.22, -54.11, 72.23

 

CMYK 42 / 0 / 90 / 27

HEX #6CBA12

RGB 108 186 18

HSL 87.86, 0.82%, 0.4%

LAB 68.28, -47.88, 66.28

 

CMYK 37 / 0 / 79 / 34

HEX #6BA923

RGB 107 169 35

HSL 87.76, 0.66%, 0.4%

LAB 63.03, -40.53, 57.65

 

CMYK 31 / 0 / 67 / 40

HEX #6A9933

RGB 106 153 51

HSL 87.65, 0.5%, 0.4%

LAB 58.12, -32.7, 46.83

 

CMYK 24 / 0 / 50 / 47

HEX #688844

RGB 104 136 68

HSL 88.24, 0.33%, 0.4%

LAB 52.92, -23.55, 32.69

 

CMYK 14 / 0 / 30 / 53

HEX #677854

RGB 103 120 84

HSL 88.33, 0.18%, 0.4%

LAB 48.21, -13.25, 17.76

 

CMYK 0 / 8 / 90 / 27

HEX #BAAC12

RGB 186 172 18

HSL 55, 0.82%, 0.4%

LAB 69.46, -9.6, 69.42

 

CMYK 17 / 0 / 90 / 27

HEX #9BBA12

RGB 155 186 18

HSL 71.07, 0.82%, 0.4%

LAB 70.96, -29.97, 69.58

 

CMYK 41 / 0 / 90 / 27

HEX #6EBA12

RGB 110 186 18

HSL 87.14, 0.82%, 0.4%

LAB 68.37, -47.2, 66.39

 

CMYK 65 / 0 / 90 / 27

HEX #42BA12

RGB 66 186 18

HSL 102.86, 0.82%, 0.4%

LAB 66.76, -59.77, 64.4

 

CMYK 89 / 0 / 90 / 27

HEX #15BA12

RGB 21 186 18

HSL 118.93, 0.82%, 0.4%

LAB 66, -66.43, 63.44

 

CMYK 42 / 0 / 90 / 56

HEX #406F0B

RGB 64 111 11

HSL 88.2, 0.82%, 0.24%

LAB 41.97, -32.06, 44.57

 

CMYK 42 / 0 / 90 / 42

HEX #56940F

RGB 86 148 15

HSL 87.97, 0.82%, 0.32%

LAB 55.27, -39.95, 55.5

 

CMYK 42 / 0 / 90 / 27

HEX #6CBA12

RGB 108 186 18

HSL 87.86, 0.82%, 0.4%

LAB 68.28, -47.88, 66.28

 

CMYK 42 / 0 / 90 / 13

HEX #82DF16

RGB 130 223 22

HSL 87.76, 0.82%, 0.48%

LAB 80.5, -55.08, 76.18

 

CMYK 36 / 0 / 78 / 8

HEX #96EB34

RGB 150 235 52

HSL 87.87, 0.82%, 0.56%

LAB 85.07, -52.1, 73.91

 

CMYK 42 / 0 / 90 / 27

HEX #6DBB13

RGB 109 187 19

HSL 87.86, 0.82%, 0.4%

LAB 68.63, -47.92, 66.43

 

CMYK 90 / 0 / 32 / 27

HEX #12BA7F

RGB 18 186 127

HSL 158.93, 0.82%, 0.4%

LAB 67.11, -52.93, 19.16

 

CMYK 0 / 90 / 5 / 27

HEX #BA12B1

RGB 186 18 177

HSL 303.21, 0.82%, 0.4%

LAB 44.3, 74.37, -42.55

 

CMYK 42 / 0 / 90 / 27

HEX #6DBB13

RGB 109 187 19

HSL 87.86, 0.82%, 0.4%

LAB 68.63, -47.92, 66.43

 

CMYK 90 / 41 / 0 / 27

HEX #126EBA

RGB 18 110 186

HSL 207.14, 0.82%, 0.4%

LAB 45.39, 3.69, -46.93

 

CMYK 0 / 90 / 41 / 27

HEX #BA126E

RGB 186 18 110

HSL 327.14, 0.82%, 0.4%

LAB 41.21, 66.24, -6.55

 

CMYK 42 / 0 / 90 / 27

HEX #6DBB13

RGB 109 187 19

HSL 87.86, 0.82%, 0.4%

LAB 68.63, -47.92, 66.43

 

CMYK 90 / 0 / 32 / 27

HEX #12BA7F

RGB 18 186 127

HSL 158.93, 0.82%, 0.4%

LAB 67.11, -52.93, 19.16

 

CMYK 49 / 90 / 0 / 27

HEX #5E12BA

RGB 94 18 186

HSL 267.14, 0.82%, 0.4%

LAB 30.3, 62.57, -71.28

 

CMYK 0 / 90 / 59 / 27

HEX #BA124D

RGB 186 18 77

HSL 338.93, 0.82%, 0.4%

LAB 40.26, 63.59, 12.97

 

CMYK 42 / 0 / 90 / 27

HEX #6DBB13

RGB 109 187 19

HSL 87.86, 0.82%, 0.4%

LAB 68.63, -47.92, 66.43

 

CMYK 90 / 0 / 5 / 27

HEX #12BAB1

RGB 18 186 177

HSL 176.79, 0.82%, 0.4%

LAB 68.33, -39.98, -6.45

 

CMYK 49 / 90 / 0 / 27

HEX #5E12BA

RGB 94 18 186

HSL 267.14, 0.82%, 0.4%

LAB 30.3, 62.57, -71.28

 

CMYK 0 / 90 / 85 / 27

HEX #BA121B

RGB 186 18 27

HSL 356.79, 0.82%, 0.4%

LAB 39.5, 61.44, 42.38

 

Description

Color code: HEX #6DBB13 | qconv.com Color code: HEX #6DBB13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 187 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 187 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 90% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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