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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DB2C8 it is the complementary color #924D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DB2C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DB2C8 shade: #72B2C3, #83C4D6, #94D6E9, #A5E8FC and #B6FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DB2C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DB2C8 shade: #6DB2C8, #5CA0B5, #4B8EA2, #3A7C8F and #296A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DB2C8 shade: #6FB3C8, #6F9BC8, #6F82C8, #736FC8 and #8B6FC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DB2C8 shade: #6FB3C8, #6F9BC8, #6F82C8 and #6F6FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DB2C8 shade matches the following richer shades: #6FB3C8, #5FBBD8, #4FC3E8 and #3FCCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DB2C8 shade: #6FB3C8, #7FAAB8, #8FA2A8, #9F9A98 and #AF9188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DB2C8 shade: #6FC8AD, #6FC8C5, #6FB3C8, #6F9CC8 and #6F84C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DB2C8 shade: #3F8DA6, #51A3BD, #6FB3C8, #8DC2D4 and #ABD2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DB2C8 shade: #6DB2C8, #966FC8 and #C8B96F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DB2C8 shade: #6DB2C8, #C86FB3 and #B3C86F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DB2C8 shade: #6DB2C8, #966FC8, #C8846F and #A2C86F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DB2C8 shade: #6DB2C8, #B06FC8, #C8846F and #87C86F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 11 / 0 / 22

HEX #6DB2C8

RGB 109 178 200

HSL 194.51, 0.45%, 0.61%

LAB 68.94, -15.94, -17.97

 

Complementary color

CMYK 0 / 47 / 62 / 43

HEX #924D37

RGB 146 77 55

HSL 14.51, 0.45%, 0.39%

LAB 40.73, 26.87, 25.85

 

CMYK 42 / 9 / 0 / 24

HEX #72B2C3

RGB 114 178 195

HSL 192.59, 0.4%, 0.61%

LAB 69.01, -16.03, -15.09

 

CMYK 39 / 8 / 0 / 16

HEX #83C4D6

RGB 131 196 214

HSL 193.01, 0.5%, 0.68%

LAB 75.55, -16.1, -15.53

 

CMYK 36 / 8 / 0 / 9

HEX #94D6E9

RGB 148 214 233

HSL 193.41, 0.66%, 0.75%

LAB 81.99, -16.14, -15.96

 

CMYK 35 / 8 / 0 / 1

HEX #A5E8FC

RGB 165 232 252

HSL 193.79, 0.94%, 0.82%

LAB 88.32, -16.17, -16.38

 

CMYK 29 / 2 / 0 / 0

HEX #B6FAFF

RGB 182 250 255

HSL 184.11, 1%, 0.86%

LAB 94.11, -19.84, -9.2

 

CMYK 46 / 11 / 0 / 22

HEX #6DB2C8

RGB 109 178 200

HSL 194.51, 0.45%, 0.61%

LAB 68.94, -15.94, -17.97

 

CMYK 49 / 12 / 0 / 29

HEX #5CA0B5

RGB 92 160 181

HSL 194.16, 0.38%, 0.54%

LAB 62.3, -15.75, -17.55

 

CMYK 54 / 12 / 0 / 36

HEX #4B8EA2

RGB 75 142 162

HSL 193.79, 0.37%, 0.46%

LAB 55.53, -15.49, -17.11

 

CMYK 59 / 13 / 0 / 44

HEX #3A7C8F

RGB 58 124 143

HSL 193.41, 0.42%, 0.39%

LAB 48.63, -15.1, -16.64

 

CMYK 67 / 15 / 0 / 51

HEX #296A7C

RGB 41 106 124

HSL 193.01, 0.5%, 0.32%

LAB 41.59, -14.51, -16.12

 

CMYK 45 / 11 / 0 / 22

HEX #6FB3C8

RGB 111 179 200

HSL 194.16, 0.45%, 0.61%

LAB 69.32, -15.98, -17.39

 

CMYK 45 / 23 / 0 / 22

HEX #6F9BC8

RGB 111 155 200

HSL 210.34, 0.45%, 0.61%

LAB 62.5, -2.92, -27.81

 

CMYK 45 / 35 / 0 / 22

HEX #6F82C8

RGB 111 130 200

HSL 227.19, 0.45%, 0.61%

LAB 55.6, 11.59, -38.56

 

CMYK 43 / 45 / 0 / 22

HEX #736FC8

RGB 115 111 200

HSL 242.7, 0.45%, 0.61%

LAB 50.9, 24.02, -45.96

 

CMYK 31 / 45 / 0 / 22

HEX #8B6FC8

RGB 139 111 200

HSL 258.88, 0.45%, 0.61%

LAB 52.98, 30.37, -42.53

 

CMYK 45 / 11 / 0 / 22

HEX #6FB3C8

RGB 111 179 200

HSL 194.16, 0.45%, 0.61%

LAB 69.32, -15.98, -17.39

 

CMYK 45 / 23 / 0 / 22

HEX #6F9BC8

RGB 111 155 200

HSL 210.34, 0.45%, 0.61%

LAB 62.5, -2.92, -27.81

 

CMYK 45 / 35 / 0 / 22

HEX #6F82C8

RGB 111 130 200

HSL 227.19, 0.45%, 0.61%

LAB 55.6, 11.59, -38.56

 

CMYK 45 / 45 / 0 / 22

HEX #6F6FC8

RGB 111 111 200

HSL 240, 0.45%, 0.61%

LAB 50.59, 23.03, -46.47

 

CMYK 45 / 11 / 0 / 22

HEX #6FB3C8

RGB 111 179 200

HSL 194.16, 0.45%, 0.61%

LAB 69.32, -15.98, -17.39

 

CMYK 56 / 13 / 0 / 15

HEX #5FBBD8

RGB 95 187 216

HSL 194.38, 0.61%, 0.61%

LAB 71.51, -19.2, -22.89

 

CMYK 66 / 16 / 0 / 9

HEX #4FC3E8

RGB 79 195 232

HSL 194.51, 0.77%, 0.61%

LAB 73.88, -21.33, -27.99

 

CMYK 75 / 18 / 0 / 2

HEX #3FCCF9

RGB 63 204 249

HSL 194.52, 0.94%, 0.61%

LAB 76.73, -22.7, -32.79

 

CMYK 45 / 11 / 0 / 22

HEX #6FB3C8

RGB 111 179 200

HSL 194.16, 0.45%, 0.61%

LAB 69.32, -15.98, -17.39

 

CMYK 31 / 8 / 0 / 28

HEX #7FAAB8

RGB 127 170 184

HSL 194.74, 0.29%, 0.61%

LAB 67.07, -11.02, -11.86

 

CMYK 15 / 4 / 0 / 34

HEX #8FA2A8

RGB 143 162 168

HSL 194.4, 0.13%, 0.61%

LAB 65.36, -5.37, -5.37

 

CMYK 0 / 3 / 4 / 38

HEX #9F9A98

RGB 159 154 152

HSL 17.14, 0.04%, 0.61%

LAB 63.96, 1.45, 1.69

 

CMYK 0 / 17 / 22 / 31

HEX #AF9188

RGB 175 145 136

HSL 13.85, 0.2%, 0.61%

LAB 62.63, 9.82, 8.98

 

CMYK 45 / 0 / 14 / 22

HEX #6FC8AD

RGB 111 200 173

HSL 161.8, 0.45%, 0.61%

LAB 74.64, -33.15, 5.22

 

CMYK 45 / 0 / 1 / 22

HEX #6FC8C5

RGB 111 200 197

HSL 177.98, 0.45%, 0.61%

LAB 75.28, -27.41, -6.83

 

CMYK 45 / 11 / 0 / 22

HEX #6FB3C8

RGB 111 179 200

HSL 194.16, 0.45%, 0.61%

LAB 69.32, -15.98, -17.39

 

CMYK 45 / 22 / 0 / 22

HEX #6F9CC8

RGB 111 156 200

HSL 209.66, 0.45%, 0.61%

LAB 62.78, -3.48, -27.38

 

CMYK 45 / 34 / 0 / 22

HEX #6F84C8

RGB 111 132 200

HSL 225.84, 0.45%, 0.61%

LAB 56.14, 10.4, -37.71

 

CMYK 62 / 15 / 0 / 35

HEX #3F8DA6

RGB 63 141 166

HSL 194.56, 0.45%, 0.45%

LAB 54.93, -16.18, -20.37

 

CMYK 57 / 14 / 0 / 26

HEX #51A3BD

RGB 81 163 189

HSL 194.44, 0.45%, 0.53%

LAB 63.03, -17.41, -20.97

 

CMYK 45 / 11 / 0 / 22

HEX #6FB3C8

RGB 111 179 200

HSL 194.16, 0.45%, 0.61%

LAB 69.32, -15.98, -17.39

 

CMYK 33 / 8 / 0 / 17

HEX #8DC2D4

RGB 141 194 212

HSL 195.21, 0.45%, 0.69%

LAB 75.45, -12.87, -14.55

 

CMYK 23 / 6 / 0 / 13

HEX #ABD2DF

RGB 171 210 223

HSL 195, 0.45%, 0.77%

LAB 81.88, -9.94, -10.66

 

CMYK 46 / 11 / 0 / 22

HEX #6DB2C8

RGB 109 178 200

HSL 194.51, 0.45%, 0.61%

LAB 68.94, -15.94, -17.97

 

CMYK 25 / 45 / 0 / 22

HEX #966FC8

RGB 150 111 200

HSL 266.29, 0.45%, 0.61%

LAB 54.05, 33.45, -40.77

 

CMYK 0 / 8 / 45 / 22

HEX #C8B96F

RGB 200 185 111

HSL 49.89, 0.45%, 0.61%

LAB 74.9, -4.93, 39.36

 

CMYK 46 / 11 / 0 / 22

HEX #6DB2C8

RGB 109 178 200

HSL 194.51, 0.45%, 0.61%

LAB 68.94, -15.94, -17.97

 

CMYK 0 / 45 / 11 / 22

HEX #C86FB3

RGB 200 111 179

HSL 314.16, 0.45%, 0.61%

LAB 58.88, 44.4, -20.8

 

CMYK 11 / 0 / 45 / 22

HEX #B3C86F

RGB 179 200 111

HSL 74.16, 0.45%, 0.61%

LAB 77.3, -20.99, 41.99

 

CMYK 46 / 11 / 0 / 22

HEX #6DB2C8

RGB 109 178 200

HSL 194.51, 0.45%, 0.61%

LAB 68.94, -15.94, -17.97

 

CMYK 25 / 45 / 0 / 22

HEX #966FC8

RGB 150 111 200

HSL 266.29, 0.45%, 0.61%

LAB 54.05, 33.45, -40.77

 

CMYK 0 / 34 / 45 / 22

HEX #C8846F

RGB 200 132 111

HSL 14.16, 0.45%, 0.61%

LAB 61.59, 23.72, 22.07

 

CMYK 19 / 0 / 45 / 22

HEX #A2C86F

RGB 162 200 111

HSL 85.62, 0.45%, 0.61%

LAB 76.15, -27.51, 40.31

 

CMYK 46 / 11 / 0 / 22

HEX #6DB2C8

RGB 109 178 200

HSL 194.51, 0.45%, 0.61%

LAB 68.94, -15.94, -17.97

 

CMYK 12 / 45 / 0 / 22

HEX #B06FC8

RGB 176 111 200

HSL 283.82, 0.45%, 0.61%

LAB 56.85, 40.98, -36.18

 

CMYK 0 / 34 / 45 / 22

HEX #C8846F

RGB 200 132 111

HSL 14.16, 0.45%, 0.61%

LAB 61.59, 23.72, 22.07

 

CMYK 33 / 0 / 45 / 22

HEX #87C86F

RGB 135 200 111

HSL 103.82, 0.45%, 0.61%

LAB 74.58, -37.17, 37.99

 

Description

Color code: HEX #6DB2C8 | qconv.com Color code: HEX #6DB2C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 178 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 178 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 11 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 11% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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