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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DB0D8 it is the complementary color #924F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DB0D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DB0D8 shade: #72B0D3, #83C2E6, #94D4F9, #A5E6FF and #B6F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DB0D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DB0D8 shade: #6DB0D8, #5C9EC5, #4B8CB2, #3A7A9F and #29688C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DB0D8 shade: #6EB1D8, #6E94D8, #6E77D8, #816ED8 and #9E6ED8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DB0D8 shade: #6EB1D8, #6E94D8, #6E77D8 and #6E6ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DB0D8 shade matches the following richer shades: #6EB1D8, #5FB4E7 and #50B8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DB0D8 shade: #6EB1D8, #7DADCA, #8CA9BB, #9BA5AC and #A9A29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DB0D8 shade: #6ED8C7, #6ECED8, #6EB1D8, #6E95D8 and #6E79D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DB0D8 shade: #338CC1, #4D9FD0, #6EB1D8, #8FC2E1 and #AFD4EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DB0D8 shade: #6DB0D8, #AA6ED8 and #D8D56E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DB0D8 shade: #6DB0D8, #D86EB1 and #B1D86E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DB0D8 shade: #6DB0D8, #AA6ED8, #D8956E and #9CD86E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DB0D8 shade: #6DB0D8, #CA6ED8, #D8956E and #7CD86E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 19 / 0 / 15

HEX #6DB0D8

RGB 109 176 216

HSL 202.43, 0.58%, 0.64%

LAB 68.94, -10.39, -26.77

 

Complementary color

CMYK 0 / 46 / 73 / 43

HEX #924F27

RGB 146 79 39

HSL 22.43, 0.58%, 0.36%

LAB 40.98, 24.71, 35.16

 

CMYK 46 / 17 / 0 / 17

HEX #72B0D3

RGB 114 176 211

HSL 201.65, 0.52%, 0.64%

LAB 68.99, -10.63, -23.93

 

CMYK 43 / 16 / 0 / 10

HEX #83C2E6

RGB 131 194 230

HSL 201.82, 0.66%, 0.71%

LAB 75.53, -10.87, -24.22

 

CMYK 41 / 15 / 0 / 2

HEX #94D4F9

RGB 148 212 249

HSL 201.98, 0.89%, 0.78%

LAB 81.96, -11.07, -24.51

 

CMYK 35 / 10 / 0 / 0

HEX #A5E6FF

RGB 165 230 255

HSL 196.67, 1%, 0.82%

LAB 87.88, -14.44, -18.62

 

CMYK 29 / 3 / 0 / 0

HEX #B6F8FF

RGB 182 248 255

HSL 185.75, 1%, 0.86%

LAB 93.58, -18.85, -10

 

CMYK 50 / 19 / 0 / 15

HEX #6DB0D8

RGB 109 176 216

HSL 202.43, 0.58%, 0.64%

LAB 68.94, -10.39, -26.77

 

CMYK 53 / 20 / 0 / 23

HEX #5C9EC5

RGB 92 158 197

HSL 202.29, 0.48%, 0.57%

LAB 62.3, -9.98, -26.51

 

CMYK 58 / 21 / 0 / 30

HEX #4B8CB2

RGB 75 140 178

HSL 202.14, 0.41%, 0.5%

LAB 55.55, -9.45, -26.25

 

CMYK 64 / 23 / 0 / 38

HEX #3A7A9F

RGB 58 122 159

HSL 201.98, 0.47%, 0.43%

LAB 48.66, -8.74, -25.98

 

CMYK 71 / 26 / 0 / 45

HEX #29688C

RGB 41 104 140

HSL 201.82, 0.55%, 0.35%

LAB 41.64, -7.77, -25.69

 

CMYK 49 / 18 / 0 / 15

HEX #6EB1D8

RGB 110 177 216

HSL 202.08, 0.58%, 0.64%

LAB 69.27, -10.7, -26.27

 

CMYK 49 / 31 / 0 / 15

HEX #6E94D8

RGB 110 148 216

HSL 218.49, 0.58%, 0.64%

LAB 61.18, 5.54, -38.8

 

CMYK 49 / 45 / 0 / 15

HEX #6E77D8

RGB 110 119 216

HSL 234.91, 0.58%, 0.64%

LAB 53.46, 22.77, -51.01

 

CMYK 40 / 49 / 0 / 15

HEX #816ED8

RGB 129 110 216

HSL 250.75, 0.58%, 0.64%

LAB 52.7, 32.64, -52.12

 

CMYK 27 / 49 / 0 / 15

HEX #9E6ED8

RGB 158 110 216

HSL 267.17, 0.58%, 0.64%

LAB 55.46, 40.07, -47.57

 

CMYK 49 / 18 / 0 / 15

HEX #6EB1D8

RGB 110 177 216

HSL 202.08, 0.58%, 0.64%

LAB 69.27, -10.7, -26.27

 

CMYK 49 / 31 / 0 / 15

HEX #6E94D8

RGB 110 148 216

HSL 218.49, 0.58%, 0.64%

LAB 61.18, 5.54, -38.8

 

CMYK 49 / 45 / 0 / 15

HEX #6E77D8

RGB 110 119 216

HSL 234.91, 0.58%, 0.64%

LAB 53.46, 22.77, -51.01

 

CMYK 49 / 49 / 0 / 15

HEX #6E6ED8

RGB 110 110 216

HSL 240, 0.58%, 0.64%

LAB 51.18, 28.21, -54.65

 

CMYK 49 / 18 / 0 / 15

HEX #6EB1D8

RGB 110 177 216

HSL 202.08, 0.58%, 0.64%

LAB 69.27, -10.7, -26.27

 

CMYK 59 / 22 / 0 / 9

HEX #5FB4E7

RGB 95 180 231

HSL 202.5, 0.74%, 0.64%

LAB 70.07, -11.02, -33.29

 

CMYK 67 / 25 / 0 / 4

HEX #50B8F6

RGB 80 184 246

HSL 202.41, 0.9%, 0.64%

LAB 71.31, -10.98, -39.54

 

CMYK 49 / 18 / 0 / 15

HEX #6EB1D8

RGB 110 177 216

HSL 202.08, 0.58%, 0.64%

LAB 69.27, -10.7, -26.27

 

CMYK 38 / 14 / 0 / 21

HEX #7DADCA

RGB 125 173 202

HSL 202.6, 0.42%, 0.64%

LAB 68.4, -8.62, -19.83

 

CMYK 25 / 10 / 0 / 27

HEX #8CA9BB

RGB 140 169 187

HSL 202.98, 0.26%, 0.64%

LAB 67.68, -5.85, -12.52

 

CMYK 10 / 4 / 0 / 33

HEX #9BA5AC

RGB 155 165 172

HSL 204.71, 0.09%, 0.64%

LAB 67.17, -2.1, -4.84

 

CMYK 0 / 4 / 7 / 34

HEX #A9A29D

RGB 169 162 157

HSL 25, 0.07%, 0.64%

LAB 67.06, 1.62, 3.49

 

CMYK 49 / 0 / 8 / 15

HEX #6ED8C7

RGB 110 216 199

HSL 170.38, 0.58%, 0.64%

LAB 79.93, -34.78, -1.07

 

CMYK 49 / 5 / 0 / 15

HEX #6ECED8

RGB 110 206 216

HSL 185.66, 0.58%, 0.64%

LAB 77.53, -25.67, -13.73

 

CMYK 49 / 18 / 0 / 15

HEX #6EB1D8

RGB 110 177 216

HSL 202.08, 0.58%, 0.64%

LAB 69.27, -10.7, -26.27

 

CMYK 49 / 31 / 0 / 15

HEX #6E95D8

RGB 110 149 216

HSL 217.92, 0.58%, 0.64%

LAB 61.45, 4.96, -38.37

 

CMYK 49 / 44 / 0 / 15

HEX #6E79D8

RGB 110 121 216

HSL 233.77, 0.58%, 0.64%

LAB 53.97, 21.56, -50.19

 

CMYK 74 / 27 / 0 / 24

HEX #338CC1

RGB 51 140 193

HSL 202.39, 0.58%, 0.48%

LAB 55.39, -8.5, -35.1

 

CMYK 63 / 24 / 0 / 18

HEX #4D9FD0

RGB 77 159 208

HSL 202.44, 0.58%, 0.56%

LAB 62.45, -10.08, -32.48

 

CMYK 49 / 18 / 0 / 15

HEX #6EB1D8

RGB 110 177 216

HSL 202.08, 0.58%, 0.64%

LAB 69.27, -10.7, -26.27

 

CMYK 36 / 14 / 0 / 12

HEX #8FC2E1

RGB 143 194 225

HSL 202.68, 0.58%, 0.72%

LAB 75.98, -9.07, -20.77

 

CMYK 25 / 9 / 0 / 8

HEX #AFD4EA

RGB 175 212 234

HSL 202.37, 0.58%, 0.8%

LAB 82.99, -7.32, -14.83

 

CMYK 50 / 19 / 0 / 15

HEX #6DB0D8

RGB 109 176 216

HSL 202.43, 0.58%, 0.64%

LAB 68.94, -10.39, -26.77

 

CMYK 21 / 49 / 0 / 15

HEX #AA6ED8

RGB 170 110 216

HSL 273.96, 0.58%, 0.64%

LAB 56.74, 43.31, -45.46

 

CMYK 0 / 1 / 49 / 15

HEX #D8D56E

RGB 216 213 110

HSL 58.3, 0.58%, 0.64%

LAB 83.61, -12.87, 50.79

 

CMYK 50 / 19 / 0 / 15

HEX #6DB0D8

RGB 109 176 216

HSL 202.43, 0.58%, 0.64%

LAB 68.94, -10.39, -26.77

 

CMYK 0 / 49 / 18 / 15

HEX #D86EB1

RGB 216 110 177

HSL 322.08, 0.58%, 0.64%

LAB 60.72, 49.66, -16.68

 

CMYK 18 / 0 / 49 / 15

HEX #B1D86E

RGB 177 216 110

HSL 82.08, 0.58%, 0.64%

LAB 81.61, -29.6, 47.73

 

CMYK 50 / 19 / 0 / 15

HEX #6DB0D8

RGB 109 176 216

HSL 202.43, 0.58%, 0.64%

LAB 68.94, -10.39, -26.77

 

CMYK 21 / 49 / 0 / 15

HEX #AA6ED8

RGB 170 110 216

HSL 273.96, 0.58%, 0.64%

LAB 56.74, 43.31, -45.46

 

CMYK 0 / 31 / 49 / 15

HEX #D8956E

RGB 216 149 110

HSL 22.08, 0.58%, 0.64%

LAB 67.44, 20.82, 30.69

 

CMYK 28 / 0 / 49 / 15

HEX #9CD86E

RGB 156 216 110

HSL 93.96, 0.58%, 0.64%

LAB 80.35, -37.27, 45.9

 

CMYK 50 / 19 / 0 / 15

HEX #6DB0D8

RGB 109 176 216

HSL 202.43, 0.58%, 0.64%

LAB 68.94, -10.39, -26.77

 

CMYK 6 / 49 / 0 / 15

HEX #CA6ED8

RGB 202 110 216

HSL 292.08, 0.58%, 0.64%

LAB 60.49, 52.15, -39.31

 

CMYK 0 / 31 / 49 / 15

HEX #D8956E

RGB 216 149 110

HSL 22.08, 0.58%, 0.64%

LAB 67.44, 20.82, 30.69

 

CMYK 43 / 0 / 49 / 15

HEX #7CD86E

RGB 124 216 110

HSL 112.08, 0.58%, 0.64%

LAB 78.77, -47.78, 43.6

 

Description

Color code: HEX #6DB0D8 | qconv.com Color code: HEX #6DB0D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 176 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 176 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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