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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DAA3F it is the complementary color #9255C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DAA3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DAA3F shade: #72AA3A, #83BC4D, #94CE60, #A5E073 and #B6F286

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DAA3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DAA3F shade: #6DAA3F, #5C982C, #4B8619, #3A7406 and #296200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DAA3F shade: #6DAB3F, #8AAB3F, #A7AB3F, #AB913F and #AB743F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DAA3F shade: #6DAB3F, #50AB3F, #3FAB4B, #3FAB68 and #3FAB85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DAA3F shade matches the following richer shades: #6DAB3F, #6BBE2C, #68D119 and #65E406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DAA3F shade: #6DAB3F, #709852, #738565, #757278 and #785F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DAA3F shade: #A7AB3F, #8AAB3F, #6EAB3F, #51AB3F and #3FAB4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DAA3F shade: #476F29, #5A8D34, #6DAB3F, #82BF54 and #98CA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DAA3F shade: #6DAA3F, #3FAB92 and #AB3F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DAA3F shade: #6DAA3F, #3F6EAB and #AB3F6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DAA3F shade: #6DAA3F, #3FAB92, #7C3FAB and #AB3F58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DAA3F shade: #6DAA3F, #3FA4AB, #7C3FAB and #AB463F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 63 / 33

HEX #6DAA3F

RGB 109 170 63

HSL 94.21, 0.46%, 0.46%

LAB 63.64, -38.25, 47.64

 

Complementary color

CMYK 24 / 56 / 0 / 25

HEX #9255C0

RGB 146 85 192

HSL 274.21, 0.46%, 0.54%

LAB 47.51, 44.95, -46.56

 

CMYK 33 / 0 / 66 / 33

HEX #72AA3A

RGB 114 170 58

HSL 90, 0.49%, 0.45%

LAB 63.86, -36.88, 50.13

 

CMYK 30 / 0 / 59 / 26

HEX #83BC4D

RGB 131 188 77

HSL 90.81, 0.45%, 0.52%

LAB 70.4, -37.06, 49.28

 

CMYK 28 / 0 / 53 / 19

HEX #94CE60

RGB 148 206 96

HSL 91.64, 0.53%, 0.59%

LAB 76.85, -37.13, 48.23

 

CMYK 26 / 0 / 49 / 12

HEX #A5E073

RGB 165 224 115

HSL 92.48, 0.64%, 0.66%

LAB 83.2, -37.14, 47.11

 

CMYK 25 / 0 / 45 / 5

HEX #B6F286

RGB 182 242 134

HSL 93.33, 0.81%, 0.74%

LAB 89.47, -37.09, 45.97

 

CMYK 36 / 0 / 63 / 33

HEX #6DAA3F

RGB 109 170 63

HSL 94.21, 0.46%, 0.46%

LAB 63.64, -38.25, 47.64

 

CMYK 39 / 0 / 71 / 40

HEX #5C982C

RGB 92 152 44

HSL 93.33, 0.55%, 0.38%

LAB 56.99, -37.99, 48.31

 

CMYK 44 / 0 / 81 / 47

HEX #4B8619

RGB 75 134 25

HSL 92.48, 0.69%, 0.31%

LAB 50.24, -37.47, 48.26

 

CMYK 50 / 0 / 95 / 55

HEX #3A7406

RGB 58 116 6

HSL 91.64, 0.9%, 0.24%

LAB 43.36, -36.55, 46.78

 

CMYK 58 / 0 / 100 / 62

HEX #296200

RGB 41 98 0

HSL 94.9, 1%, 0.19%

LAB 36.38, -34.97, 42.38

 

CMYK 36 / 0 / 63 / 33

HEX #6DAB3F

RGB 109 171 63

HSL 94.44, 0.46%, 0.46%

LAB 63.95, -38.69, 47.98

 

CMYK 19 / 0 / 63 / 33

HEX #8AAB3F

RGB 138 171 63

HSL 78.33, 0.46%, 0.46%

LAB 65.66, -27.66, 50.35

 

CMYK 2 / 0 / 63 / 33

HEX #A7AB3F

RGB 167 171 63

HSL 62.22, 0.46%, 0.46%

LAB 67.8, -15.57, 53.28

 

CMYK 0 / 15 / 63 / 33

HEX #AB913F

RGB 171 145 63

HSL 45.56, 0.46%, 0.46%

LAB 61.02, -0, 46.04

 

CMYK 0 / 32 / 63 / 33

HEX #AB743F

RGB 171 116 63

HSL 29.44, 0.46%, 0.46%

LAB 53.5, 16.18, 37.51

 

CMYK 36 / 0 / 63 / 33

HEX #6DAB3F

RGB 109 171 63

HSL 94.44, 0.46%, 0.46%

LAB 63.95, -38.69, 47.98

 

CMYK 53 / 0 / 63 / 33

HEX #50AB3F

RGB 80 171 63

HSL 110.56, 0.46%, 0.46%

LAB 62.67, -47.92, 46.21

 

CMYK 63 / 0 / 56 / 33

HEX #3FAB4B

RGB 63 171 75

HSL 126.67, 0.46%, 0.46%

LAB 62.25, -50.76, 39.99

 

CMYK 63 / 0 / 39 / 33

HEX #3FAB68

RGB 63 171 104

HSL 142.78, 0.46%, 0.46%

LAB 62.66, -46.13, 25.64

 

CMYK 63 / 0 / 22 / 33

HEX #3FAB85

RGB 63 171 133

HSL 158.89, 0.46%, 0.46%

LAB 63.24, -40.02, 10.59

 

CMYK 36 / 0 / 63 / 33

HEX #6DAB3F

RGB 109 171 63

HSL 94.44, 0.46%, 0.46%

LAB 63.95, -38.69, 47.98

 

CMYK 44 / 0 / 77 / 25

HEX #6BBE2C

RGB 107 190 44

HSL 94.11, 0.62%, 0.46%

LAB 69.57, -48.75, 61

 

CMYK 50 / 0 / 88 / 18

HEX #68D119

RGB 104 209 25

HSL 94.24, 0.79%, 0.46%

LAB 75.21, -57.77, 70.82

 

CMYK 56 / 0 / 97 / 11

HEX #65E406

RGB 101 228 6

HSL 94.32, 0.95%, 0.46%

LAB 80.89, -65.69, 77.81

 

CMYK 36 / 0 / 63 / 33

HEX #6DAB3F

RGB 109 171 63

HSL 94.44, 0.46%, 0.46%

LAB 63.95, -38.69, 47.98

 

CMYK 26 / 0 / 46 / 40

HEX #709852

RGB 112 152 82

HSL 94.29, 0.3%, 0.46%

LAB 58.52, -26.64, 32.39

 

CMYK 14 / 0 / 24 / 48

HEX #738565

RGB 115 133 101

HSL 93.75, 0.14%, 0.46%

LAB 53.34, -12.78, 15.13

 

CMYK 3 / 5 / 0 / 53

HEX #757278

RGB 117 114 120

HSL 270, 0.03%, 0.46%

LAB 48.48, 2.37, -2.9

 

CMYK 14 / 32 / 0 / 45

HEX #785F8B

RGB 120 95 139

HSL 274.09, 0.19%, 0.46%

LAB 44.29, 19.03, -20.55

 

CMYK 2 / 0 / 63 / 33

HEX #A7AB3F

RGB 167 171 63

HSL 62.22, 0.46%, 0.46%

LAB 67.8, -15.57, 53.28

 

CMYK 19 / 0 / 63 / 33

HEX #8AAB3F

RGB 138 171 63

HSL 78.33, 0.46%, 0.46%

LAB 65.66, -27.66, 50.35

 

CMYK 36 / 0 / 63 / 33

HEX #6EAB3F

RGB 110 171 63

HSL 93.89, 0.46%, 0.46%

LAB 64, -38.34, 48.06

 

CMYK 53 / 0 / 63 / 33

HEX #51AB3F

RGB 81 171 63

HSL 110, 0.46%, 0.46%

LAB 62.7, -47.64, 46.26

 

CMYK 63 / 0 / 57 / 33

HEX #3FAB4A

RGB 63 171 74

HSL 126.11, 0.46%, 0.46%

LAB 62.23, -50.89, 40.46

 

CMYK 36 / 0 / 63 / 56

HEX #476F29

RGB 71 111 41

HSL 94.29, 0.46%, 0.3%

LAB 42.56, -27.24, 33.81

 

CMYK 36 / 0 / 63 / 45

HEX #5A8D34

RGB 90 141 52

HSL 94.38, 0.46%, 0.38%

LAB 53.46, -33.09, 41.05

 

CMYK 36 / 0 / 63 / 33

HEX #6DAB3F

RGB 109 171 63

HSL 94.44, 0.46%, 0.46%

LAB 63.95, -38.69, 47.98

 

CMYK 32 / 0 / 56 / 25

HEX #82BF54

RGB 130 191 84

HSL 94.21, 0.46%, 0.54%

LAB 71.32, -38.07, 47.09

 

CMYK 25 / 0 / 44 / 21

HEX #98CA72

RGB 152 202 114

HSL 94.09, 0.45%, 0.62%

LAB 76.15, -31.76, 38.67

 

CMYK 36 / 0 / 63 / 33

HEX #6DAA3F

RGB 109 170 63

HSL 94.21, 0.46%, 0.46%

LAB 63.64, -38.25, 47.64

 

CMYK 63 / 0 / 15 / 33

HEX #3FAB92

RGB 63 171 146

HSL 166.11, 0.46%, 0.46%

LAB 63.56, -36.84, 3.82

 

CMYK 0 / 63 / 11 / 33

HEX #AB3F99

RGB 171 63 153

HSL 310, 0.46%, 0.46%

LAB 44.96, 54.68, -27.39

 

CMYK 36 / 0 / 63 / 33

HEX #6DAA3F

RGB 109 170 63

HSL 94.21, 0.46%, 0.46%

LAB 63.64, -38.25, 47.64

 

CMYK 63 / 36 / 0 / 33

HEX #3F6EAB

RGB 63 110 171

HSL 213.89, 0.46%, 0.46%

LAB 45.84, 3.52, -37.41

 

CMYK 0 / 63 / 36 / 33

HEX #AB3F6E

RGB 171 63 110

HSL 333.89, 0.46%, 0.46%

LAB 43.27, 48.64, -3.79

 

CMYK 36 / 0 / 63 / 33

HEX #6DAA3F

RGB 109 170 63

HSL 94.21, 0.46%, 0.46%

LAB 63.64, -38.25, 47.64

 

CMYK 63 / 0 / 15 / 33

HEX #3FAB92

RGB 63 171 146

HSL 166.11, 0.46%, 0.46%

LAB 63.56, -36.84, 3.82

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 0 / 63 / 49 / 33

HEX #AB3F58

RGB 171 63 88

HSL 346.11, 0.46%, 0.46%

LAB 42.64, 46.29, 8.94

 

CMYK 36 / 0 / 63 / 33

HEX #6DAA3F

RGB 109 170 63

HSL 94.21, 0.46%, 0.46%

LAB 63.64, -38.25, 47.64

 

CMYK 63 / 4 / 0 / 33

HEX #3FA4AB

RGB 63 164 171

HSL 183.89, 0.46%, 0.46%

LAB 62.12, -26.63, -12.3

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 0 / 59 / 63 / 33

HEX #AB463F

RGB 171 70 63

HSL 3.89, 0.46%, 0.46%

LAB 43.36, 40.97, 25.23

 

Description

Color code: HEX #6DAA3F | qconv.com Color code: HEX #6DAA3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 170 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 170 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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