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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DAA20 it is the complementary color #9255DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DAA20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DAA20 shade: #72AA1B, #83BC2E, #94CE41, #A5E054 and #B6F267

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DAA20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DAA20 shade: #6DAA20, #5C980D, #4B8600, #3A7400 and #296200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DAA20 shade: #6EAB21, #93AB21, #AB9E21, #AB7821 and #AB5321

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DAA20 shade: #6EAB21, #49AB21, #23AB21, #21AB43 and #21AB69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DAA20 shade matches the following richer shades: #6EAB21 and #70BC10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DAA20 shade: #6EAB21, #6C9B31, #6A8A42, #687A52 and #666963

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DAA20 shade: #AB9D21, #94AB21, #6FAB21, #4AAB21 and #25AB21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DAA20 shade: #426613, #58891A, #6EAB21, #84CE27 and #98DB43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DAA20 shade: #6DAA20, #21AB78 and #AB21A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DAA20 shade: #6DAA20, #216FAB and #AB216F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DAA20 shade: #6DAA20, #21AB78, #5D21AB and #AB2154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DAA20 shade: #6DAA20, #21ABA2, #5D21AB and #AB212A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 81 / 33

HEX #6DAA20

RGB 109 170 32

HSL 86.52, 0.68%, 0.4%

LAB 63.43, -40.38, 58.94

 

Complementary color

CMYK 35 / 62 / 0 / 13

HEX #9255DF

RGB 146 85 223

HSL 266.52, 0.68%, 0.6%

LAB 49.42, 52.38, -61.27

 

CMYK 33 / 0 / 84 / 33

HEX #72AA1B

RGB 114 170 27

HSL 83.5, 0.73%, 0.39%

LAB 63.68, -38.73, 60.6

 

CMYK 30 / 0 / 76 / 26

HEX #83BC2E

RGB 131 188 46

HSL 84.08, 0.61%, 0.46%

LAB 70.17, -39.37, 61.35

 

CMYK 28 / 0 / 68 / 19

HEX #94CE41

RGB 148 206 65

HSL 84.68, 0.59%, 0.53%

LAB 76.57, -39.81, 61.24

 

CMYK 26 / 0 / 63 / 12

HEX #A5E054

RGB 165 224 84

HSL 85.29, 0.69%, 0.6%

LAB 82.89, -40.11, 60.65

 

CMYK 25 / 0 / 57 / 5

HEX #B6F267

RGB 182 242 103

HSL 85.9, 0.84%, 0.68%

LAB 89.12, -40.31, 59.8

 

CMYK 36 / 0 / 81 / 33

HEX #6DAA20

RGB 109 170 32

HSL 86.52, 0.68%, 0.4%

LAB 63.43, -40.38, 58.94

 

CMYK 39 / 0 / 91 / 40

HEX #5C980D

RGB 92 152 13

HSL 85.9, 0.84%, 0.32%

LAB 56.84, -39.55, 57.31

 

CMYK 44 / 0 / 100 / 47

HEX #4B8600

RGB 75 134 0

HSL 86.42, 1%, 0.26%

LAB 50.15, -38.36, 53.8

 

CMYK 50 / 0 / 100 / 55

HEX #3A7400

RGB 58 116 0

HSL 90, 1%, 0.23%

LAB 43.35, -36.77, 48.15

 

CMYK 58 / 0 / 100 / 62

HEX #296200

RGB 41 98 0

HSL 94.9, 1%, 0.19%

LAB 36.38, -34.97, 42.38

 

CMYK 36 / 0 / 81 / 33

HEX #6EAB21

RGB 110 171 33

HSL 86.52, 0.68%, 0.4%

LAB 63.8, -40.39, 59.01

 

CMYK 14 / 0 / 81 / 33

HEX #93AB21

RGB 147 171 33

HSL 70.43, 0.68%, 0.4%

LAB 66.09, -25.68, 61.94

 

CMYK 0 / 8 / 81 / 33

HEX #AB9E21

RGB 171 158 33

HSL 54.35, 0.68%, 0.4%

LAB 64.34, -8.54, 61.13

 

CMYK 0 / 30 / 81 / 33

HEX #AB7821

RGB 171 120 33

HSL 37.83, 0.68%, 0.4%

LAB 54.24, 12.33, 52.11

 

CMYK 0 / 51 / 81 / 33

HEX #AB5321

RGB 171 83 33

HSL 21.74, 0.68%, 0.4%

LAB 45.57, 32.8, 44.04

 

CMYK 36 / 0 / 81 / 33

HEX #6EAB21

RGB 110 171 33

HSL 86.52, 0.68%, 0.4%

LAB 63.8, -40.39, 59.01

 

CMYK 57 / 0 / 81 / 33

HEX #49AB21

RGB 73 171 33

HSL 102.61, 0.68%, 0.4%

LAB 62.21, -52.22, 56.97

 

CMYK 80 / 0 / 81 / 33

HEX #23AB21

RGB 35 171 33

HSL 119.13, 0.68%, 0.4%

LAB 61.3, -59.85, 55.79

 

CMYK 81 / 0 / 61 / 33

HEX #21AB43

RGB 33 171 67

HSL 134.78, 0.68%, 0.4%

LAB 61.53, -56.93, 42.78

 

CMYK 81 / 0 / 39 / 33

HEX #21AB69

RGB 33 171 105

HSL 151.3, 0.68%, 0.4%

LAB 62.06, -50.71, 24.19

 

CMYK 36 / 0 / 81 / 33

HEX #6EAB21

RGB 110 171 33

HSL 86.52, 0.68%, 0.4%

LAB 63.8, -40.39, 59.01

 

CMYK 40 / 0 / 91 / 26

HEX #70BC10

RGB 112 188 16

HSL 86.51, 0.84%, 0.4%

LAB 69.07, -47.38, 67.33

 

CMYK 36 / 0 / 81 / 33

HEX #6EAB21

RGB 110 171 33

HSL 86.52, 0.68%, 0.4%

LAB 63.8, -40.39, 59.01

 

CMYK 30 / 0 / 68 / 39

HEX #6C9B31

RGB 108 155 49

HSL 86.6, 0.52%, 0.4%

LAB 58.84, -33.02, 48.47

 

CMYK 23 / 0 / 52 / 46

HEX #6A8A42

RGB 106 138 66

HSL 86.67, 0.35%, 0.4%

LAB 53.64, -23.99, 34.63

 

CMYK 15 / 0 / 33 / 52

HEX #687A52

RGB 104 122 82

HSL 87, 0.2%, 0.4%

LAB 48.85, -14.26, 19.78

 

CMYK 3 / 0 / 6 / 59

HEX #666963

RGB 102 105 99

HSL 90, 0.03%, 0.4%

LAB 43.99, -2.39, 2.96

 

CMYK 0 / 8 / 81 / 33

HEX #AB9D21

RGB 171 157 33

HSL 53.91, 0.68%, 0.4%

LAB 64.06, -8.01, 60.89

 

CMYK 13 / 0 / 81 / 33

HEX #94AB21

RGB 148 171 33

HSL 70, 0.68%, 0.4%

LAB 66.16, -25.25, 62.03

 

CMYK 35 / 0 / 81 / 33

HEX #6FAB21

RGB 111 171 33

HSL 86.09, 0.68%, 0.4%

LAB 63.85, -40.03, 59.08

 

CMYK 57 / 0 / 81 / 33

HEX #4AAB21

RGB 74 171 33

HSL 102.17, 0.68%, 0.4%

LAB 62.25, -51.95, 57.02

 

CMYK 78 / 0 / 81 / 33

HEX #25AB21

RGB 37 171 33

HSL 118.26, 0.68%, 0.4%

LAB 61.33, -59.57, 55.83

 

CMYK 35 / 0 / 81 / 60

HEX #426613

RGB 66 102 19

HSL 86.02, 0.69%, 0.24%

LAB 39.08, -26.7, 39.62

 

CMYK 36 / 0 / 81 / 46

HEX #58891A

RGB 88 137 26

HSL 86.49, 0.68%, 0.32%

LAB 51.88, -33.95, 49.72

 

CMYK 36 / 0 / 81 / 33

HEX #6EAB21

RGB 110 171 33

HSL 86.52, 0.68%, 0.4%

LAB 63.8, -40.39, 59.01

 

CMYK 36 / 0 / 81 / 19

HEX #84CE27

RGB 132 206 39

HSL 86.59, 0.68%, 0.48%

LAB 75.57, -47.04, 68.46

 

CMYK 31 / 0 / 69 / 14

HEX #98DB43

RGB 152 219 67

HSL 86.45, 0.68%, 0.56%

LAB 80.6, -43.89, 64.68

 

CMYK 36 / 0 / 81 / 33

HEX #6DAA20

RGB 109 170 32

HSL 86.52, 0.68%, 0.4%

LAB 63.43, -40.38, 58.94

 

CMYK 81 / 0 / 30 / 33

HEX #21AB78

RGB 33 171 120

HSL 157.83, 0.68%, 0.4%

LAB 62.34, -47.5, 16.42

 

CMYK 0 / 81 / 2 / 33

HEX #AB21A7

RGB 171 33 167

HSL 301.74, 0.68%, 0.4%

LAB 42.06, 67.16, -40.34

 

CMYK 36 / 0 / 81 / 33

HEX #6DAA20

RGB 109 170 32

HSL 86.52, 0.68%, 0.4%

LAB 63.43, -40.38, 58.94

 

CMYK 81 / 35 / 0 / 33

HEX #216FAB

RGB 33 111 171

HSL 206.09, 0.68%, 0.4%

LAB 45.13, -1.56, -38.6

 

CMYK 0 / 81 / 35 / 33

HEX #AB216F

RGB 171 33 111

HSL 326.09, 0.68%, 0.4%

LAB 39.4, 59.63, -10.19

 

CMYK 36 / 0 / 81 / 33

HEX #6DAA20

RGB 109 170 32

HSL 86.52, 0.68%, 0.4%

LAB 63.43, -40.38, 58.94

 

CMYK 81 / 0 / 30 / 33

HEX #21AB78

RGB 33 171 120

HSL 157.83, 0.68%, 0.4%

LAB 62.34, -47.5, 16.42

 

CMYK 46 / 81 / 0 / 33

HEX #5D21AB

RGB 93 33 171

HSL 266.09, 0.68%, 0.4%

LAB 30.29, 54.12, -62.35

 

CMYK 0 / 81 / 51 / 33

HEX #AB2154

RGB 171 33 84

HSL 337.83, 0.68%, 0.4%

LAB 38.53, 57.01, 5.64

 

CMYK 36 / 0 / 81 / 33

HEX #6DAA20

RGB 109 170 32

HSL 86.52, 0.68%, 0.4%

LAB 63.43, -40.38, 58.94

 

CMYK 81 / 0 / 5 / 33

HEX #21ABA2

RGB 33 171 162

HSL 176.09, 0.68%, 0.4%

LAB 63.39, -36.55, -5.43

 

CMYK 46 / 81 / 0 / 33

HEX #5D21AB

RGB 93 33 171

HSL 266.09, 0.68%, 0.4%

LAB 30.29, 54.12, -62.35

 

CMYK 0 / 81 / 75 / 33

HEX #AB212A

RGB 171 33 42

HSL 356.09, 0.68%, 0.4%

LAB 37.69, 54.43, 31.05

 

Description

Color code: HEX #6DAA20 | qconv.com Color code: HEX #6DAA20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 170 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 170 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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