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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DA8C0 it is the complementary color #92573F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DA8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DA8C0 shade: #72A8BB, #83BACE, #94CCE1, #A5DEF4 and #B6F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DA8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DA8C0 shade: #6DA8C0, #5C96AD, #4B849A, #3A7287 and #296074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DA8C0 shade: #6CA8C0, #6C91C0, #6C7AC0, #746CC0 and #8B6CC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DA8C0 shade: #6CA8C0, #6C91C0, #6C7AC0 and #6C6CC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DA8C0 shade matches the following richer shades: #6CA8C0, #5BAFD1, #4AB6E2 and #39BDF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DA8C0 shade: #6CA8C0, #7DA0AF, #8E999E, #9F928D and #B08B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DA8C0 shade: #6CC0AB, #6CBEC0, #6CA8C0, #6C92C0 and #6C7BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DA8C0 shade: #417F98, #4F96B3, #6CA8C0, #89B9CC and #A6CAD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DA8C0 shade: #6DA8C0, #956CC0 and #C0B66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DA8C0 shade: #6DA8C0, #C06CA8 and #A8C06C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DA8C0 shade: #6DA8C0, #956CC0, #C0846C and #97C06C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DA8C0 shade: #6DA8C0, #AE6CC0, #C0846C and #7EC06C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 13 / 0 / 25

HEX #6DA8C0

RGB 109 168 192

HSL 197.35, 0.4%, 0.59%

LAB 65.8, -12.81, -18.31

 

Complementary color

CMYK 0 / 40 / 57 / 43

HEX #92573F

RGB 146 87 63

HSL 17.35, 0.4%, 0.41%

LAB 43.19, 21.86, 24.23

 

CMYK 39 / 10 / 0 / 27

HEX #72A8BB

RGB 114 168 187

HSL 195.62, 0.35%, 0.59%

LAB 65.88, -12.84, -15.38

 

CMYK 36 / 10 / 0 / 19

HEX #83BACE

RGB 131 186 206

HSL 196, 0.43%, 0.66%

LAB 72.49, -12.91, -15.79

 

CMYK 34 / 9 / 0 / 12

HEX #94CCE1

RGB 148 204 225

HSL 196.36, 0.56%, 0.73%

LAB 78.99, -12.96, -16.19

 

CMYK 32 / 9 / 0 / 4

HEX #A5DEF4

RGB 165 222 244

HSL 196.71, 0.78%, 0.8%

LAB 85.39, -13, -16.58

 

CMYK 29 / 6 / 0 / 0

HEX #B6F0FF

RGB 182 240 255

HSL 192.33, 1%, 0.86%

LAB 91.45, -14.87, -13.17

 

CMYK 43 / 13 / 0 / 25

HEX #6DA8C0

RGB 109 168 192

HSL 197.35, 0.4%, 0.59%

LAB 65.8, -12.81, -18.31

 

CMYK 47 / 13 / 0 / 32

HEX #5C96AD

RGB 92 150 173

HSL 197.04, 0.33%, 0.52%

LAB 59.07, -12.63, -17.94

 

CMYK 51 / 14 / 0 / 40

HEX #4B849A

RGB 75 132 154

HSL 196.71, 0.34%, 0.45%

LAB 52.21, -12.37, -17.55

 

CMYK 57 / 16 / 0 / 47

HEX #3A7287

RGB 58 114 135

HSL 196.36, 0.4%, 0.38%

LAB 45.2, -12.01, -17.14

 

CMYK 65 / 17 / 0 / 55

HEX #296074

RGB 41 96 116

HSL 196, 0.48%, 0.31%

LAB 38.02, -11.46, -16.71

 

CMYK 44 / 13 / 0 / 25

HEX #6CA8C0

RGB 108 168 192

HSL 197.14, 0.4%, 0.59%

LAB 65.75, -13.06, -18.39

 

CMYK 44 / 24 / 0 / 25

HEX #6C91C0

RGB 108 145 192

HSL 213.57, 0.4%, 0.59%

LAB 59.2, -0.3, -28.43

 

CMYK 44 / 36 / 0 / 25

HEX #6C7AC0

RGB 108 122 192

HSL 230, 0.4%, 0.59%

LAB 52.85, 13.24, -38.33

 

CMYK 40 / 44 / 0 / 25

HEX #746CC0

RGB 116 108 192

HSL 245.71, 0.4%, 0.59%

LAB 49.79, 23.78, -43.13

 

CMYK 28 / 44 / 0 / 25

HEX #8B6CC0

RGB 139 108 192

HSL 262.14, 0.4%, 0.59%

LAB 51.86, 30.09, -39.72

 

CMYK 44 / 13 / 0 / 25

HEX #6CA8C0

RGB 108 168 192

HSL 197.14, 0.4%, 0.59%

LAB 65.75, -13.06, -18.39

 

CMYK 44 / 24 / 0 / 25

HEX #6C91C0

RGB 108 145 192

HSL 213.57, 0.4%, 0.59%

LAB 59.2, -0.3, -28.43

 

CMYK 44 / 36 / 0 / 25

HEX #6C7AC0

RGB 108 122 192

HSL 230, 0.4%, 0.59%

LAB 52.85, 13.24, -38.33

 

CMYK 44 / 44 / 0 / 25

HEX #6C6CC0

RGB 108 108 192

HSL 240, 0.4%, 0.59%

LAB 49.15, 21.73, -44.18

 

CMYK 44 / 13 / 0 / 25

HEX #6CA8C0

RGB 108 168 192

HSL 197.14, 0.4%, 0.59%

LAB 65.75, -13.06, -18.39

 

CMYK 56 / 16 / 0 / 18

HEX #5BAFD1

RGB 91 175 209

HSL 197.29, 0.56%, 0.59%

LAB 67.64, -15.78, -24.98

 

CMYK 67 / 19 / 0 / 11

HEX #4AB6E2

RGB 74 182 226

HSL 197.37, 0.72%, 0.59%

LAB 69.76, -17.22, -31.1

 

CMYK 77 / 22 / 0 / 5

HEX #39BDF3

RGB 57 189 243

HSL 197.42, 0.89%, 0.59%

LAB 72.05, -17.56, -36.81

 

CMYK 44 / 13 / 0 / 25

HEX #6CA8C0

RGB 108 168 192

HSL 197.14, 0.4%, 0.59%

LAB 65.75, -13.06, -18.39

 

CMYK 29 / 9 / 0 / 31

HEX #7DA0AF

RGB 125 160 175

HSL 198, 0.24%, 0.59%

LAB 63.83, -8.41, -11.7

 

CMYK 10 / 3 / 0 / 38

HEX #8E999E

RGB 142 153 158

HSL 198.75, 0.08%, 0.59%

LAB 62.51, -2.89, -3.98

 

CMYK 0 / 8 / 11 / 38

HEX #9F928D

RGB 159 146 141

HSL 16.67, 0.09%, 0.59%

LAB 61.53, 3.92, 4.38

 

CMYK 0 / 21 / 30 / 31

HEX #B08B7C

RGB 176 139 124

HSL 17.31, 0.25%, 0.59%

LAB 60.91, 11.81, 13.37

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AB

RGB 108 192 171

HSL 165, 0.4%, 0.59%

LAB 72.11, -30.57, 2.63

 

CMYK 44 / 1 / 0 / 25

HEX #6CBEC0

RGB 108 190 192

HSL 181.43, 0.4%, 0.59%

LAB 72.11, -24.45, -8.83

 

CMYK 44 / 13 / 0 / 25

HEX #6CA8C0

RGB 108 168 192

HSL 197.14, 0.4%, 0.59%

LAB 65.75, -13.06, -18.39

 

CMYK 44 / 24 / 0 / 25

HEX #6C92C0

RGB 108 146 192

HSL 212.86, 0.4%, 0.59%

LAB 59.48, -0.87, -27.99

 

CMYK 44 / 36 / 0 / 25

HEX #6C7BC0

RGB 108 123 192

HSL 229.29, 0.4%, 0.59%

LAB 53.12, 12.64, -37.9

 

CMYK 57 / 16 / 0 / 40

HEX #417F98

RGB 65 127 152

HSL 197.24, 0.4%, 0.43%

LAB 50.18, -12.46, -19.53

 

CMYK 56 / 16 / 0 / 30

HEX #4F96B3

RGB 79 150 179

HSL 197.4, 0.4%, 0.51%

LAB 58.72, -13.85, -21.92

 

CMYK 44 / 13 / 0 / 25

HEX #6CA8C0

RGB 108 168 192

HSL 197.14, 0.4%, 0.59%

LAB 65.75, -13.06, -18.39

 

CMYK 33 / 9 / 0 / 20

HEX #89B9CC

RGB 137 185 204

HSL 197.01, 0.4%, 0.67%

LAB 72.48, -11.22, -14.69

 

CMYK 24 / 7 / 0 / 15

HEX #A6CAD9

RGB 166 202 217

HSL 197.65, 0.4%, 0.75%

LAB 79.25, -8.62, -11.41

 

CMYK 43 / 13 / 0 / 25

HEX #6DA8C0

RGB 109 168 192

HSL 197.35, 0.4%, 0.59%

LAB 65.8, -12.81, -18.31

 

CMYK 22 / 44 / 0 / 25

HEX #956CC0

RGB 149 108 192

HSL 269.29, 0.4%, 0.59%

LAB 52.86, 32.96, -38.07

 

CMYK 0 / 5 / 44 / 25

HEX #C0B66C

RGB 192 182 108

HSL 52.86, 0.4%, 0.59%

LAB 73.38, -6.94, 38.83

 

CMYK 43 / 13 / 0 / 25

HEX #6DA8C0

RGB 109 168 192

HSL 197.35, 0.4%, 0.59%

LAB 65.8, -12.81, -18.31

 

CMYK 0 / 44 / 13 / 25

HEX #C06CA8

RGB 192 108 168

HSL 317.14, 0.4%, 0.59%

LAB 56.84, 41.56, -17.68

 

CMYK 13 / 0 / 44 / 25

HEX #A8C06C

RGB 168 192 108

HSL 77.14, 0.4%, 0.59%

LAB 74.26, -21.66, 39.53

 

CMYK 43 / 13 / 0 / 25

HEX #6DA8C0

RGB 109 168 192

HSL 197.35, 0.4%, 0.59%

LAB 65.8, -12.81, -18.31

 

CMYK 22 / 44 / 0 / 25

HEX #956CC0

RGB 149 108 192

HSL 269.29, 0.4%, 0.59%

LAB 52.86, 32.96, -38.07

 

CMYK 0 / 31 / 44 / 25

HEX #C0846C

RGB 192 132 108

HSL 17.14, 0.4%, 0.59%

LAB 60.6, 20.18, 22.25

 

CMYK 21 / 0 / 44 / 25

HEX #97C06C

RGB 151 192 108

HSL 89.29, 0.4%, 0.59%

LAB 73.13, -28.14, 37.87

 

CMYK 43 / 13 / 0 / 25

HEX #6DA8C0

RGB 109 168 192

HSL 197.35, 0.4%, 0.59%

LAB 65.8, -12.81, -18.31

 

CMYK 9 / 44 / 0 / 25

HEX #AE6CC0

RGB 174 108 192

HSL 287.14, 0.4%, 0.59%

LAB 55.61, 40.36, -33.56

 

CMYK 0 / 31 / 44 / 25

HEX #C0846C

RGB 192 132 108

HSL 17.14, 0.4%, 0.59%

LAB 60.6, 20.18, 22.25

 

CMYK 34 / 0 / 44 / 25

HEX #7EC06C

RGB 126 192 108

HSL 107.14, 0.4%, 0.59%

LAB 71.7, -36.99, 35.77

 

Description

Color code: HEX #6DA8C0 | qconv.com Color code: HEX #6DA8C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 168 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 168 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 13 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 13% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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