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Color name
HEX #6D9C0C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D9C0C it is the complementary color #9263F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D9C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D9C0C shade: #729C07, #83AE1A, #94C02D, #A5D240 and #B6E453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D9C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D9C0C shade: #6D9C0C, #5C8A00, #4B7800, #3A6600 and #295400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D9C0C shade: #6D9D0C, #949D0C, #9D7E0C, #9D570C and #9D300C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D9C0C shade: #6D9D0C, #469D0C, #1F9D0C, #0C9D1F and #0C9D46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D9C0C shade matches the following richer shades: #6D9D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D9C0C shade: #6D9D0C, #698F19, #648127, #5F7435 and #5A6642

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D9C0C shade: #9D7D0C, #959D0C, #6F9D0C, #489D0C and #219D0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D9C0C shade: #385006, #527609, #6D9D0C, #88C30F and #A3E912

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D9C0C shade: #6D9C0C, #0C9D57 and #900C9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D9C0C shade: #6D9C0C, #0C6F9D and #9D0C6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D9C0C shade: #6D9C0C, #0C9D57, #3A0C9D and #9D0C52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D9C0C shade: #6D9C0C, #0C9D82, #3A0C9D and #9D0C26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 92 / 39

HEX #6D9C0C

RGB 109 156 12

HSL 79.58, 0.86%, 0.33%

LAB 59.02, -34.87, 59.66

 

Complementary color

CMYK 40 / 59 / 0 / 5

HEX #9263F3

RGB 146 99 243

HSL 259.58, 0.86%, 0.67%

LAB 53.5, 50.05, -65.93

 

CMYK 27 / 0 / 96 / 39

HEX #729C07

RGB 114 156 7

HSL 76.91, 0.91%, 0.32%

LAB 59.31, -32.97, 60.76

 

CMYK 25 / 0 / 85 / 32

HEX #83AE1A

RGB 131 174 26

HSL 77.43, 0.74%, 0.39%

LAB 65.88, -33.94, 63.15

 

CMYK 23 / 0 / 77 / 25

HEX #94C02D

RGB 148 192 45

HSL 77.96, 0.62%, 0.46%

LAB 72.35, -34.68, 64.1

 

CMYK 21 / 0 / 70 / 18

HEX #A5D240

RGB 165 210 64

HSL 78.49, 0.62%, 0.54%

LAB 78.73, -35.23, 64.14

 

CMYK 20 / 0 / 64 / 11

HEX #B6E453

RGB 182 228 83

HSL 79.03, 0.73%, 0.61%

LAB 85.03, -35.64, 63.66

 

CMYK 30 / 0 / 92 / 39

HEX #6D9C0C

RGB 109 156 12

HSL 79.58, 0.86%, 0.33%

LAB 59.02, -34.87, 59.66

 

CMYK 33 / 0 / 100 / 46

HEX #5C8A00

RGB 92 138 0

HSL 80, 1%, 0.27%

LAB 52.34, -33.7, 55.88

 

CMYK 38 / 0 / 100 / 53

HEX #4B7800

RGB 75 120 0

HSL 82.5, 1%, 0.24%

LAB 45.54, -32.24, 50.22

 

CMYK 43 / 0 / 100 / 60

HEX #3A6600

RGB 58 102 0

HSL 85.88, 1%, 0.2%

LAB 38.55, -30.72, 44.41

 

CMYK 51 / 0 / 100 / 67

HEX #295400

RGB 41 84 0

HSL 90.71, 1%, 0.16%

LAB 31.38, -29.07, 38.45

 

CMYK 31 / 0 / 92 / 38

HEX #6D9D0C

RGB 109 157 12

HSL 79.86, 0.86%, 0.33%

LAB 59.34, -35.32, 59.91

 

CMYK 6 / 0 / 92 / 38

HEX #949D0C

RGB 148 157 12

HSL 63.72, 0.86%, 0.33%

LAB 62.03, -18.83, 63.2

 

CMYK 0 / 20 / 92 / 38

HEX #9D7E0C

RGB 157 126 12

HSL 47.17, 0.86%, 0.33%

LAB 54.15, 1.96, 57.44

 

CMYK 0 / 45 / 92 / 38

HEX #9D570C

RGB 157 87 12

HSL 31.03, 0.86%, 0.33%

LAB 44.25, 24.1, 49.94

 

CMYK 0 / 69 / 92 / 38

HEX #9D300C

RGB 157 48 12

HSL 14.9, 0.86%, 0.33%

LAB 36.57, 43.77, 44.32

 

CMYK 31 / 0 / 92 / 38

HEX #6D9D0C

RGB 109 157 12

HSL 79.86, 0.86%, 0.33%

LAB 59.34, -35.32, 59.91

 

CMYK 55 / 0 / 92 / 38

HEX #469D0C

RGB 70 157 12

HSL 96, 0.86%, 0.33%

LAB 57.5, -48.75, 57.65

 

CMYK 80 / 0 / 92 / 38

HEX #1F9D0C

RGB 31 157 12

HSL 112.14, 0.86%, 0.33%

LAB 56.52, -57.04, 56.42

 

CMYK 92 / 0 / 80 / 38

HEX #0C9D1F

RGB 12 157 31

HSL 127.86, 0.86%, 0.33%

LAB 56.38, -58, 51.63

 

CMYK 92 / 0 / 55 / 38

HEX #0C9D46

RGB 12 157 70

HSL 144, 0.86%, 0.33%

LAB 56.72, -53.76, 35.6

 

CMYK 31 / 0 / 92 / 38

HEX #6D9D0C

RGB 109 157 12

HSL 79.86, 0.86%, 0.33%

LAB 59.34, -35.32, 59.91

 

CMYK 31 / 0 / 92 / 38

HEX #6D9D0C

RGB 109 157 12

HSL 79.86, 0.86%, 0.33%

LAB 59.34, -35.32, 59.91

 

CMYK 27 / 0 / 83 / 44

HEX #698F19

RGB 105 143 25

HSL 79.32, 0.7%, 0.33%

LAB 54.78, -30.03, 53.04

 

CMYK 22 / 0 / 70 / 49

HEX #648127

RGB 100 129 39

HSL 79.33, 0.54%, 0.33%

LAB 50.16, -24.49, 43.47

 

CMYK 18 / 0 / 54 / 55

HEX #5F7435

RGB 95 116 53

HSL 80, 0.37%, 0.33%

LAB 45.88, -18.66, 31.93

 

CMYK 12 / 0 / 35 / 60

HEX #5A6642

RGB 90 102 66

HSL 80, 0.21%, 0.33%

LAB 41.33, -11.44, 18.87

 

CMYK 0 / 20 / 92 / 38

HEX #9D7D0C

RGB 157 125 12

HSL 46.76, 0.86%, 0.33%

LAB 53.88, 2.52, 57.23

 

CMYK 5 / 0 / 92 / 38

HEX #959D0C

RGB 149 157 12

HSL 63.31, 0.86%, 0.33%

LAB 62.11, -18.39, 63.3

 

CMYK 29 / 0 / 92 / 38

HEX #6F9D0C

RGB 111 157 12

HSL 79.03, 0.86%, 0.33%

LAB 59.45, -34.53, 60.06

 

CMYK 54 / 0 / 92 / 38

HEX #489D0C

RGB 72 157 12

HSL 95.17, 0.86%, 0.33%

LAB 57.58, -48.17, 57.74

 

CMYK 79 / 0 / 92 / 38

HEX #219D0C

RGB 33 157 12

HSL 111.31, 0.86%, 0.33%

LAB 56.55, -56.76, 56.46

 

CMYK 30 / 0 / 93 / 69

HEX #385006

RGB 56 80 6

HSL 79.46, 0.86%, 0.17%

LAB 30.86, -20.66, 36.21

 

CMYK 31 / 0 / 92 / 54

HEX #527609

RGB 82 118 9

HSL 79.82, 0.86%, 0.25%

LAB 45.32, -28.2, 48.26

 

CMYK 31 / 0 / 92 / 38

HEX #6D9D0C

RGB 109 157 12

HSL 79.86, 0.86%, 0.33%

LAB 59.34, -35.32, 59.91

 

CMYK 30 / 0 / 92 / 24

HEX #88C30F

RGB 136 195 15

HSL 79.67, 0.86%, 0.41%

LAB 72.43, -41.65, 70.72

 

CMYK 30 / 0 / 92 / 9

HEX #A3E912

RGB 163 233 18

HSL 79.53, 0.86%, 0.49%

LAB 85.05, -47.75, 81.09

 

CMYK 30 / 0 / 92 / 39

HEX #6D9C0C

RGB 109 156 12

HSL 79.58, 0.86%, 0.33%

LAB 59.02, -34.87, 59.66

 

CMYK 92 / 0 / 45 / 38

HEX #0C9D57

RGB 12 157 87

HSL 151.03, 0.86%, 0.33%

LAB 56.96, -50.87, 27.09

 

CMYK 8 / 92 / 0 / 38

HEX #900C9D

RGB 144 12 157

HSL 294.62, 0.86%, 0.33%

LAB 35.26, 64.7, -45.47

 

CMYK 30 / 0 / 92 / 39

HEX #6D9C0C

RGB 109 156 12

HSL 79.58, 0.86%, 0.33%

LAB 59.02, -34.87, 59.66

 

CMYK 92 / 29 / 0 / 38

HEX #0C6F9D

RGB 12 111 157

HSL 199.03, 0.86%, 0.33%

LAB 44.06, -8.6, -32.06

 

CMYK 0 / 92 / 29 / 38

HEX #9D0C6F

RGB 157 12 111

HSL 319.03, 0.86%, 0.33%

LAB 35.16, 60.67, -16.9

 

CMYK 30 / 0 / 92 / 39

HEX #6D9C0C

RGB 109 156 12

HSL 79.58, 0.86%, 0.33%

LAB 59.02, -34.87, 59.66

 

CMYK 92 / 0 / 45 / 38

HEX #0C9D57

RGB 12 157 87

HSL 151.03, 0.86%, 0.33%

LAB 56.96, -50.87, 27.09

 

CMYK 63 / 92 / 0 / 38

HEX #3A0C9D

RGB 58 12 157

HSL 259.03, 0.86%, 0.33%

LAB 22.29, 53.73, -67.19

 

CMYK 0 / 92 / 48 / 38

HEX #9D0C52

RGB 157 12 82

HSL 331.03, 0.86%, 0.33%

LAB 34.07, 57.71, 0.13

 

CMYK 30 / 0 / 92 / 39

HEX #6D9C0C

RGB 109 156 12

HSL 79.58, 0.86%, 0.33%

LAB 59.02, -34.87, 59.66

 

CMYK 92 / 0 / 17 / 38

HEX #0C9D82

RGB 12 157 130

HSL 168.83, 0.86%, 0.33%

LAB 57.85, -40.88, 4.46

 

CMYK 63 / 92 / 0 / 38

HEX #3A0C9D

RGB 58 12 157

HSL 259.03, 0.86%, 0.33%

LAB 22.29, 53.73, -67.19

 

CMYK 0 / 92 / 76 / 38

HEX #9D0C26

RGB 157 12 38

HSL 349.24, 0.86%, 0.33%

LAB 33.07, 54.94, 27.49

 

Description

Color code: HEX #6D9C0C | qconv.com Color code: HEX #6D9C0C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 156 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 156 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 92 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 92% 39% C M Y K

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Provide designers and agencies with accurate color values.

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