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Color name
HEX #6D971B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D971B it is the complementary color #9268E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D971B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D971B shade: #729716, #83A929, #94BB3C, #A5CD4F and #B6DF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D971B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D971B shade: #6D971B, #5C8508, #4B7300, #3A6100 and #294F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D971B shade: #6D981B, #8F981B, #987F1B, #985D1B and #983B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D971B shade: #6D981B, #4C981B, #2A981B, #1B982D and #1B984F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D971B shade matches the following richer shades: #6D981B and #72A60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D971B shade: #6D981B, #698929, #647B38, #5F6C46 and #5B5E55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D971B shade: #987F1B, #8F981B, #6E981B, #4D981B and #2B981B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D971B shade: #3B520E, #547515, #6D981B, #87BB21 and #9FDA2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D971B shade: #6D971B, #1B985D and #8F1B98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D971B shade: #6D971B, #1B6E98 and #981B6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D971B shade: #6D971B, #1B985D, #441B98 and #981B55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D971B shade: #6D971B, #1B9883, #441B98 and #981B30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 82 / 41

HEX #6D971B

RGB 109 151 27

HSL 80.32, 0.7%, 0.35%

LAB 57.52, -32.08, 55.02

 

Complementary color

CMYK 36 / 54 / 0 / 11

HEX #9268E4

RGB 146 104 228

HSL 260.32, 0.7%, 0.65%

LAB 53.61, 43.4, -57.35

 

CMYK 25 / 0 / 85 / 41

HEX #729716

RGB 114 151 22

HSL 77.21, 0.75%, 0.34%

LAB 57.82, -30.24, 56.74

 

CMYK 22 / 0 / 76 / 34

HEX #83A929

RGB 131 169 41

HSL 77.81, 0.61%, 0.41%

LAB 64.45, -30.98, 57.56

 

CMYK 21 / 0 / 68 / 27

HEX #94BB3C

RGB 148 187 60

HSL 78.43, 0.51%, 0.48%

LAB 70.98, -31.5, 57.42

 

CMYK 20 / 0 / 61 / 20

HEX #A5CD4F

RGB 165 205 79

HSL 79.05, 0.56%, 0.56%

LAB 77.42, -31.87, 56.78

 

CMYK 18 / 0 / 56 / 13

HEX #B6DF62

RGB 182 223 98

HSL 79.68, 0.66%, 0.63%

LAB 83.76, -32.14, 55.88

 

CMYK 28 / 0 / 82 / 41

HEX #6D971B

RGB 109 151 27

HSL 80.32, 0.7%, 0.35%

LAB 57.52, -32.08, 55.02

 

CMYK 31 / 0 / 94 / 48

HEX #5C8508

RGB 92 133 8

HSL 79.68, 0.89%, 0.28%

LAB 50.77, -31.2, 53.18

 

CMYK 35 / 0 / 100 / 55

HEX #4B7300

RGB 75 115 0

HSL 80.87, 1%, 0.23%

LAB 43.88, -29.95, 48.94

 

CMYK 40 / 0 / 100 / 62

HEX #3A6100

RGB 58 97 0

HSL 84.12, 1%, 0.19%

LAB 36.83, -28.43, 43.08

 

CMYK 48 / 0 / 100 / 69

HEX #294F00

RGB 41 79 0

HSL 88.86, 1%, 0.15%

LAB 29.57, -26.81, 37.04

 

CMYK 28 / 0 / 82 / 40

HEX #6D981B

RGB 109 152 27

HSL 80.64, 0.7%, 0.35%

LAB 57.83, -32.55, 55.3

 

CMYK 6 / 0 / 82 / 40

HEX #8F981B

RGB 143 152 27

HSL 64.32, 0.7%, 0.35%

LAB 60.23, -18.1, 58.33

 

CMYK 0 / 16 / 82 / 40

HEX #987F1B

RGB 152 127 27

HSL 48, 0.7%, 0.35%

LAB 53.96, -0.54, 53.16

 

CMYK 0 / 39 / 82 / 40

HEX #985D1B

RGB 152 93 27

HSL 31.68, 0.7%, 0.35%

LAB 45.06, 18.87, 45.19

 

CMYK 0 / 61 / 82 / 40

HEX #983B1B

RGB 152 59 27

HSL 15.36, 0.7%, 0.35%

LAB 37.63, 37.29, 38.25

 

CMYK 28 / 0 / 82 / 40

HEX #6D981B

RGB 109 152 27

HSL 80.64, 0.7%, 0.35%

LAB 57.83, -32.55, 55.3

 

CMYK 50 / 0 / 82 / 40

HEX #4C981B

RGB 76 152 27

HSL 96.48, 0.7%, 0.35%

LAB 56.16, -44.44, 53.16

 

CMYK 72 / 0 / 82 / 40

HEX #2A981B

RGB 42 152 27

HSL 112.8, 0.7%, 0.35%

LAB 55.1, -53.01, 51.79

 

CMYK 82 / 0 / 70 / 40

HEX #1B982D

RGB 27 152 45

HSL 128.64, 0.7%, 0.35%

LAB 54.95, -53.91, 45.14

 

CMYK 82 / 0 / 48 / 40

HEX #1B984F

RGB 27 152 79

HSL 144.96, 0.7%, 0.35%

LAB 55.33, -49.25, 29.29

 

CMYK 28 / 0 / 82 / 40

HEX #6D981B

RGB 109 152 27

HSL 80.64, 0.7%, 0.35%

LAB 57.83, -32.55, 55.3

 

CMYK 31 / 0 / 93 / 35

HEX #72A60C

RGB 114 166 12

HSL 80.26, 0.87%, 0.35%

LAB 62.4, -37.4, 62.52

 

CMYK 28 / 0 / 82 / 40

HEX #6D981B

RGB 109 152 27

HSL 80.64, 0.7%, 0.35%

LAB 57.83, -32.55, 55.3

 

CMYK 23 / 0 / 70 / 46

HEX #698929

RGB 105 137 41

HSL 80, 0.54%, 0.35%

LAB 53.01, -26.23, 45.67

 

CMYK 19 / 0 / 54 / 52

HEX #647B38

RGB 100 123 56

HSL 80.6, 0.37%, 0.35%

LAB 48.46, -19.89, 33.52

 

CMYK 12 / 0 / 35 / 58

HEX #5F6C46

RGB 95 108 70

HSL 80.53, 0.21%, 0.35%

LAB 43.65, -12.09, 19.68

 

CMYK 3 / 0 / 10 / 63

HEX #5B5E55

RGB 91 94 85

HSL 80, 0.05%, 0.35%

LAB 39.39, -3.03, 4.75

 

CMYK 0 / 16 / 82 / 40

HEX #987F1B

RGB 152 127 27

HSL 48, 0.7%, 0.35%

LAB 53.96, -0.54, 53.16

 

CMYK 6 / 0 / 82 / 40

HEX #8F981B

RGB 143 152 27

HSL 64.32, 0.7%, 0.35%

LAB 60.23, -18.1, 58.33

 

CMYK 28 / 0 / 82 / 40

HEX #6E981B

RGB 110 152 27

HSL 80.16, 0.7%, 0.35%

LAB 57.89, -32.15, 55.38

 

CMYK 49 / 0 / 82 / 40

HEX #4D981B

RGB 77 152 27

HSL 96, 0.7%, 0.35%

LAB 56.2, -44.13, 53.21

 

CMYK 72 / 0 / 82 / 40

HEX #2B981B

RGB 43 152 27

HSL 112.32, 0.7%, 0.35%

LAB 55.12, -52.82, 51.82

 

CMYK 28 / 0 / 83 / 68

HEX #3B520E

RGB 59 82 14

HSL 80.29, 0.71%, 0.19%

LAB 31.8, -19.93, 34.39

 

CMYK 28 / 0 / 82 / 54

HEX #547515

RGB 84 117 21

HSL 80.63, 0.7%, 0.27%

LAB 45.17, -26.41, 45.03

 

CMYK 28 / 0 / 82 / 40

HEX #6D981B

RGB 109 152 27

HSL 80.64, 0.7%, 0.35%

LAB 57.83, -32.55, 55.3

 

CMYK 28 / 0 / 82 / 27

HEX #87BB21

RGB 135 187 33

HSL 80.26, 0.7%, 0.43%

LAB 70.04, -38.01, 65.15

 

CMYK 27 / 0 / 80 / 15

HEX #9FDA2B

RGB 159 218 43

HSL 80.23, 0.7%, 0.51%

LAB 80.57, -42.14, 72.44

 

CMYK 28 / 0 / 82 / 41

HEX #6D971B

RGB 109 151 27

HSL 80.32, 0.7%, 0.35%

LAB 57.52, -32.08, 55.02

 

CMYK 82 / 0 / 39 / 40

HEX #1B985D

RGB 27 152 93

HSL 151.68, 0.7%, 0.35%

LAB 55.56, -46.58, 22.04

 

CMYK 6 / 82 / 0 / 40

HEX #8F1B98

RGB 143 27 152

HSL 295.68, 0.7%, 0.35%

LAB 35.77, 60.68, -41.61

 

CMYK 28 / 0 / 82 / 41

HEX #6D971B

RGB 109 151 27

HSL 80.32, 0.7%, 0.35%

LAB 57.52, -32.08, 55.02

 

CMYK 82 / 28 / 0 / 40

HEX #1B6E98

RGB 27 110 152

HSL 200.16, 0.7%, 0.35%

LAB 43.73, -8.76, -29.61

 

CMYK 0 / 82 / 28 / 40

HEX #981B6E

RGB 152 27 110

HSL 320.16, 0.7%, 0.35%

LAB 35.17, 56.4, -16.33

 

CMYK 28 / 0 / 82 / 41

HEX #6D971B

RGB 109 151 27

HSL 80.32, 0.7%, 0.35%

LAB 57.52, -32.08, 55.02

 

CMYK 82 / 0 / 39 / 40

HEX #1B985D

RGB 27 152 93

HSL 151.68, 0.7%, 0.35%

LAB 55.56, -46.58, 22.04

 

CMYK 55 / 82 / 0 / 40

HEX #441B98

RGB 68 27 152

HSL 259.68, 0.7%, 0.35%

LAB 24.58, 48.2, -60.31

 

CMYK 0 / 82 / 44 / 40

HEX #981B55

RGB 152 27 85

HSL 332.16, 0.7%, 0.35%

LAB 34.22, 53.61, -1.71

 

CMYK 28 / 0 / 82 / 41

HEX #6D971B

RGB 109 151 27

HSL 80.32, 0.7%, 0.35%

LAB 57.52, -32.08, 55.02

 

CMYK 82 / 0 / 14 / 40

HEX #1B9883

RGB 27 152 131

HSL 169.92, 0.7%, 0.35%

LAB 56.41, -37.34, 1.84

 

CMYK 55 / 82 / 0 / 40

HEX #441B98

RGB 68 27 152

HSL 259.68, 0.7%, 0.35%

LAB 24.58, 48.2, -60.31

 

CMYK 0 / 82 / 68 / 40

HEX #981B30

RGB 152 27 48

HSL 349.92, 0.7%, 0.35%

LAB 33.29, 50.8, 21.12

 

Description

Color code: HEX #6D971B | qconv.com Color code: HEX #6D971B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 151 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 151 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 82 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 82% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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