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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D94F5 it is the complementary color #926B0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D94F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D94F5 shade: #7294F0, #83A6FF, #94B8FF, #A5CAFF and #B6DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D94F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D94F5 shade: #6D94F5, #5C82E2, #4B70CF, #3A5EBC and #294CA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D94F5 shade: #6B93F5, #6B6EF5, #8E6BF5, #B36BF5 and #D86BF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D94F5 shade: #6B93F5, #6B6EF5 and #6B6BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D94F5 shade matches the following richer shades: #6B93F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D94F5 shade: #6B93F5, #7898E8, #859EDB, #92A3CE and #9EA8C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D94F5 shade: #6BDEF5, #6BB9F5, #6B94F5, #6B70F5 and #8B6BF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D94F5 shade: #1E5AEF, #4576F2, #6B93F5, #92AFF7 and #B8CBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D94F5 shade: #6D94F5, #E76BF5 and #CBF56B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D94F5 shade: #6D94F5, #F56B94 and #94F56B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D94F5 shade: #6D94F5, #E76BF5, #F5CB6B and #79F56B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D94F5 shade: #6D94F5, #F56BD9, #F5CB6B and #6BF587

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 40 / 0 / 4

HEX #6D94F5

RGB 109 148 245

HSL 222.79, 0.87%, 0.69%

LAB 62.53, 14.28, -52.73

 

Complementary color

CMYK 0 / 27 / 93 / 43

HEX #926B0A

RGB 146 107 10

HSL 42.79, 0.87%, 0.31%

LAB 47.81, 7.57, 52.46

 

CMYK 53 / 38 / 0 / 6

HEX #7294F0

RGB 114 148 240

HSL 223.81, 0.81%, 0.69%

LAB 62.55, 13.76, -49.93

 

CMYK 49 / 35 / 0 / 0

HEX #83A6FF

RGB 131 166 255

HSL 223.06, 1%, 0.76%

LAB 68.98, 11.64, -47.91

 

CMYK 42 / 28 / 0 / 0

HEX #94B8FF

RGB 148 184 255

HSL 219.81, 1%, 0.79%

LAB 74.7, 5.58, -38.89

 

CMYK 35 / 21 / 0 / 0

HEX #A5CAFF

RGB 165 202 255

HSL 215.33, 1%, 0.82%

LAB 80.44, 0.19, -29.94

 

CMYK 29 / 14 / 0 / 0

HEX #B6DCFF

RGB 182 220 255

HSL 208.77, 1%, 0.86%

LAB 86.18, -4.64, -21.09

 

CMYK 56 / 40 / 0 / 4

HEX #6D94F5

RGB 109 148 245

HSL 222.79, 0.87%, 0.69%

LAB 62.53, 14.28, -52.73

 

CMYK 59 / 42 / 0 / 11

HEX #5C82E2

RGB 92 130 226

HSL 222.99, 0.7%, 0.62%

LAB 55.82, 15.53, -52.93

 

CMYK 64 / 46 / 0 / 19

HEX #4B70CF

RGB 75 112 207

HSL 223.18, 0.58%, 0.55%

LAB 48.99, 17.04, -53.15

 

CMYK 69 / 50 / 0 / 26

HEX #3A5EBC

RGB 58 94 188

HSL 223.38, 0.53%, 0.48%

LAB 42.06, 18.91, -53.39

 

CMYK 76 / 55 / 0 / 34

HEX #294CA9

RGB 41 76 169

HSL 223.59, 0.61%, 0.41%

LAB 35.01, 21.24, -53.61

 

CMYK 56 / 40 / 0 / 4

HEX #6B93F5

RGB 107 147 245

HSL 222.61, 0.87%, 0.69%

LAB 62.16, 14.46, -53.33

 

CMYK 56 / 55 / 0 / 4

HEX #6B6EF5

RGB 107 110 245

HSL 238.7, 0.87%, 0.69%

LAB 52.81, 36.59, -68.32

 

CMYK 42 / 56 / 0 / 4

HEX #8E6BF5

RGB 142 107 245

HSL 255.22, 0.87%, 0.69%

LAB 54.93, 45.33, -64.76

 

CMYK 27 / 56 / 0 / 4

HEX #B36BF5

RGB 179 107 245

HSL 271.3, 0.87%, 0.69%

LAB 58.69, 53.79, -58.52

 

CMYK 12 / 56 / 0 / 4

HEX #D86BF5

RGB 216 107 245

HSL 287.39, 0.87%, 0.69%

LAB 63.1, 62.84, -51.23

 

CMYK 56 / 40 / 0 / 4

HEX #6B93F5

RGB 107 147 245

HSL 222.61, 0.87%, 0.69%

LAB 62.16, 14.46, -53.33

 

CMYK 56 / 55 / 0 / 4

HEX #6B6EF5

RGB 107 110 245

HSL 238.7, 0.87%, 0.69%

LAB 52.81, 36.59, -68.32

 

CMYK 56 / 56 / 0 / 4

HEX #6B6BF5

RGB 107 107 245

HSL 240, 0.87%, 0.69%

LAB 52.1, 38.37, -69.46

 

CMYK 56 / 40 / 0 / 4

HEX #6B93F5

RGB 107 147 245

HSL 222.61, 0.87%, 0.69%

LAB 62.16, 14.46, -53.33

 

CMYK 56 / 40 / 0 / 4

HEX #6B93F5

RGB 107 147 245

HSL 222.61, 0.87%, 0.69%

LAB 62.16, 14.46, -53.33

 

CMYK 48 / 34 / 0 / 9

HEX #7898E8

RGB 120 152 232

HSL 222.86, 0.71%, 0.69%

LAB 63.57, 10.35, -43.88

 

CMYK 39 / 28 / 0 / 14

HEX #859EDB

RGB 133 158 219

HSL 222.56, 0.54%, 0.69%

LAB 65.4, 6.44, -33.78

 

CMYK 29 / 21 / 0 / 19

HEX #92A3CE

RGB 146 163 206

HSL 223, 0.38%, 0.69%

LAB 67.1, 3.89, -23.9

 

CMYK 19 / 13 / 0 / 24

HEX #9EA8C2

RGB 158 168 194

HSL 223.33, 0.23%, 0.69%

LAB 68.87, 1.99, -14.48

 

CMYK 56 / 9 / 0 / 4

HEX #6BDEF5

RGB 107 222 245

HSL 190, 0.87%, 0.69%

LAB 82.89, -26.26, -21.13

 

CMYK 56 / 24 / 0 / 4

HEX #6BB9F5

RGB 107 185 245

HSL 206.09, 0.87%, 0.69%

LAB 72.51, -7.13, -37.07

 

CMYK 56 / 40 / 0 / 4

HEX #6B94F5

RGB 107 148 245

HSL 222.17, 0.87%, 0.69%

LAB 62.42, 13.88, -52.91

 

CMYK 56 / 54 / 0 / 4

HEX #6B70F5

RGB 107 112 245

HSL 237.83, 0.87%, 0.69%

LAB 53.28, 35.39, -67.55

 

CMYK 43 / 56 / 0 / 4

HEX #8B6BF5

RGB 139 107 245

HSL 253.91, 0.87%, 0.69%

LAB 54.65, 44.68, -65.21

 

CMYK 87 / 62 / 0 / 6

HEX #1E5AEF

RGB 30 90 239

HSL 222.78, 0.87%, 0.53%

LAB 43.97, 37.75, -79.51

 

CMYK 71 / 51 / 0 / 5

HEX #4576F2

RGB 69 118 242

HSL 223.01, 0.87%, 0.61%

LAB 52.55, 24.73, -67.17

 

CMYK 56 / 40 / 0 / 4

HEX #6B93F5

RGB 107 147 245

HSL 222.61, 0.87%, 0.69%

LAB 62.16, 14.46, -53.33

 

CMYK 41 / 29 / 0 / 3

HEX #92AFF7

RGB 146 175 247

HSL 222.77, 0.86%, 0.77%

LAB 71.88, 7.9, -38.96

 

CMYK 26 / 19 / 0 / 2

HEX #B8CBFA

RGB 184 203 250

HSL 222.73, 0.87%, 0.85%

LAB 81.73, 3.76, -25.19

 

CMYK 56 / 40 / 0 / 4

HEX #6D94F5

RGB 109 148 245

HSL 222.79, 0.87%, 0.69%

LAB 62.53, 14.28, -52.73

 

CMYK 6 / 56 / 0 / 4

HEX #E76BF5

RGB 231 107 245

HSL 293.91, 0.87%, 0.69%

LAB 65.04, 66.57, -48.03

 

CMYK 17 / 0 / 56 / 4

HEX #CBF56B

RGB 203 245 107

HSL 78.26, 0.87%, 0.69%

LAB 91.26, -33.58, 60.84

 

CMYK 56 / 40 / 0 / 4

HEX #6D94F5

RGB 109 148 245

HSL 222.79, 0.87%, 0.69%

LAB 62.53, 14.28, -52.73

 

CMYK 0 / 56 / 40 / 4

HEX #F56B94

RGB 245 107 148

HSL 342.17, 0.87%, 0.69%

LAB 63.4, 56.66, 4.39

 

CMYK 40 / 0 / 56 / 4

HEX #94F56B

RGB 148 245 107

HSL 102.17, 0.87%, 0.69%

LAB 88.29, -52.67, 56.64

 

CMYK 56 / 40 / 0 / 4

HEX #6D94F5

RGB 109 148 245

HSL 222.79, 0.87%, 0.69%

LAB 62.53, 14.28, -52.73

 

CMYK 6 / 56 / 0 / 4

HEX #E76BF5

RGB 231 107 245

HSL 293.91, 0.87%, 0.69%

LAB 65.04, 66.57, -48.03

 

CMYK 0 / 17 / 56 / 4

HEX #F5CB6B

RGB 245 203 107

HSL 41.74, 0.87%, 0.69%

LAB 83.54, 3.8, 52.76

 

CMYK 51 / 0 / 56 / 4

HEX #79F56B

RGB 121 245 107

HSL 113.91, 0.87%, 0.69%

LAB 87.21, -60.46, 55.11

 

CMYK 56 / 40 / 0 / 4

HEX #6D94F5

RGB 109 148 245

HSL 222.79, 0.87%, 0.69%

LAB 62.53, 14.28, -52.73

 

CMYK 0 / 56 / 11 / 4

HEX #F56BD9

RGB 245 107 217

HSL 312.17, 0.87%, 0.69%

LAB 65.7, 65.6, -31.31

 

CMYK 0 / 17 / 56 / 4

HEX #F5CB6B

RGB 245 203 107

HSL 41.74, 0.87%, 0.69%

LAB 83.54, 3.8, 52.76

 

CMYK 56 / 0 / 45 / 4

HEX #6BF587

RGB 107 245 135

HSL 132.17, 0.87%, 0.69%

LAB 87.09, -60.23, 41.79

 

Description

Color code: HEX #6D94F5 | qconv.com Color code: HEX #6D94F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 148 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 148 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 40 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 40% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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