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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D92D5 it is the complementary color #926D2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D92D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D92D5 shade: #7292D0, #83A4E3, #94B6F6, #A5C8FF and #B6DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D92D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D92D5 shade: #6D92D5, #5C80C2, #4B6EAF, #3A5C9C and #294A89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D92D5 shade: #6D92D5, #6D76D5, #806DD5, #9C6DD5 and #B86DD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D92D5 shade: #6D92D5, #6D76D5 and #6D6DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D92D5 shade matches the following richer shades: #6D92D5, #5D8DE4 and #4E89F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D92D5 shade: #6D92D5, #7C96C5, #8B9AB6, #9B9FA7 and #AAA397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D92D5 shade: #6DCAD5, #6DAED5, #6D93D5, #6D77D5 and #7E6DD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D92D5 shade: #3664B9, #4D7ACB, #6D92D5, #8DAADE and #ADC1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D92D5 shade: #6D92D5, #C36DD5 and #BCD56D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D92D5 shade: #6D92D5, #D56D93 and #93D56D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D92D5 shade: #6D92D5, #C36DD5, #D5AE6D and #7ED56D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D92D5 shade: #6D92D5, #D56DC7, #D5AE6D and #6DD57B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

Complementary color

CMYK 0 / 25 / 71 / 43

HEX #926D2A

RGB 146 109 42

HSL 38.65, 0.55%, 0.37%

LAB 48.53, 7.6, 41.71

 

CMYK 45 / 30 / 0 / 18

HEX #7292D0

RGB 114 146 208

HSL 219.57, 0.5%, 0.63%

LAB 60.51, 5.3, -35.37

 

CMYK 42 / 28 / 0 / 11

HEX #83A4E3

RGB 131 164 227

HSL 219.38, 0.63%, 0.7%

LAB 67.22, 4.73, -35.38

 

CMYK 40 / 26 / 0 / 4

HEX #94B6F6

RGB 148 182 246

HSL 219.18, 0.84%, 0.77%

LAB 73.81, 4.25, -35.42

 

CMYK 35 / 22 / 0 / 0

HEX #A5C8FF

RGB 165 200 255

HSL 216.67, 1%, 0.82%

LAB 79.91, 1.26, -30.75

 

CMYK 29 / 15 / 0 / 0

HEX #B6DAFF

RGB 182 218 255

HSL 210.41, 1%, 0.86%

LAB 85.66, -3.59, -21.89

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 53 / 34 / 0 / 24

HEX #5C80C2

RGB 92 128 194

HSL 218.82, 0.46%, 0.56%

LAB 53.61, 6.35, -38.35

 

CMYK 57 / 37 / 0 / 31

HEX #4B6EAF

RGB 75 110 175

HSL 219, 0.4%, 0.49%

LAB 46.64, 7.33, -38.45

 

CMYK 63 / 41 / 0 / 39

HEX #3A5C9C

RGB 58 92 156

HSL 219.18, 0.46%, 0.42%

LAB 39.5, 8.58, -38.59

 

CMYK 70 / 46 / 0 / 46

HEX #294A89

RGB 41 74 137

HSL 219.38, 0.54%, 0.35%

LAB 32.2, 10.24, -38.76

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 49 / 45 / 0 / 16

HEX #6D76D5

RGB 109 118 213

HSL 234.81, 0.55%, 0.63%

LAB 52.96, 22.23, -50.1

 

CMYK 40 / 49 / 0 / 16

HEX #806DD5

RGB 128 109 213

HSL 250.96, 0.55%, 0.63%

LAB 52.21, 32.15, -51.22

 

CMYK 27 / 49 / 0 / 16

HEX #9C6DD5

RGB 156 109 213

HSL 267.12, 0.55%, 0.63%

LAB 54.88, 39.38, -46.81

 

CMYK 14 / 49 / 0 / 16

HEX #B86DD5

RGB 184 109 213

HSL 283.27, 0.55%, 0.63%

LAB 57.97, 47.04, -41.72

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 49 / 45 / 0 / 16

HEX #6D76D5

RGB 109 118 213

HSL 234.81, 0.55%, 0.63%

LAB 52.96, 22.23, -50.1

 

CMYK 49 / 49 / 0 / 16

HEX #6D6DD5

RGB 109 109 213

HSL 240, 0.55%, 0.63%

LAB 50.68, 27.68, -53.75

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 59 / 38 / 0 / 11

HEX #5D8DE4

RGB 93 141 228

HSL 218.67, 0.71%, 0.63%

LAB 58.95, 9.78, -49.05

 

CMYK 68 / 44 / 0 / 5

HEX #4E89F3

RGB 78 137 243

HSL 218.55, 0.87%, 0.63%

LAB 58.02, 14.69, -58.9

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 37 / 24 / 0 / 23

HEX #7C96C5

RGB 124 150 197

HSL 218.63, 0.39%, 0.63%

LAB 61.77, 2.56, -27.2

 

CMYK 24 / 15 / 0 / 29

HEX #8B9AB6

RGB 139 154 182

HSL 219.07, 0.23%, 0.63%

LAB 63.32, 0.95, -16.3

 

CMYK 7 / 5 / 0 / 35

HEX #9B9FA7

RGB 155 159 167

HSL 220, 0.06%, 0.63%

LAB 65.4, 0.17, -4.66

 

CMYK 0 / 4 / 11 / 33

HEX #AAA397

RGB 170 163 151

HSL 37.89, 0.1%, 0.63%

LAB 67.26, 0.4, 7.13

 

CMYK 49 / 5 / 0 / 16

HEX #6DCAD5

RGB 109 202 213

HSL 186.35, 0.55%, 0.63%

LAB 76.25, -24.7, -14.04

 

CMYK 49 / 18 / 0 / 16

HEX #6DAED5

RGB 109 174 213

HSL 202.5, 0.55%, 0.63%

LAB 68.26, -10.17, -26.17

 

CMYK 49 / 31 / 0 / 16

HEX #6D93D5

RGB 109 147 213

HSL 218.08, 0.55%, 0.63%

LAB 60.71, 4.98, -37.86

 

CMYK 49 / 44 / 0 / 16

HEX #6D77D5

RGB 109 119 213

HSL 234.23, 0.55%, 0.63%

LAB 53.22, 21.62, -49.69

 

CMYK 41 / 49 / 0 / 16

HEX #7E6DD5

RGB 126 109 213

HSL 249.81, 0.55%, 0.63%

LAB 52.04, 31.66, -51.5

 

CMYK 71 / 46 / 0 / 27

HEX #3664B9

RGB 54 100 185

HSL 218.93, 0.55%, 0.47%

LAB 43.36, 13.34, -49.55

 

CMYK 62 / 40 / 0 / 20

HEX #4D7ACB

RGB 77 122 203

HSL 218.57, 0.55%, 0.55%

LAB 51.62, 9.84, -46.67

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 36 / 23 / 0 / 13

HEX #8DAADE

RGB 141 170 222

HSL 218.52, 0.55%, 0.71%

LAB 69.25, 2.66, -29.45

 

CMYK 25 / 16 / 0 / 9

HEX #ADC1E7

RGB 173 193 231

HSL 219.31, 0.55%, 0.79%

LAB 77.75, 1.47, -21.14

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 8 / 49 / 0 / 16

HEX #C36DD5

RGB 195 109 213

HSL 289.62, 0.55%, 0.63%

LAB 59.29, 50.12, -39.55

 

CMYK 12 / 0 / 49 / 16

HEX #BCD56D

RGB 188 213 109

HSL 74.42, 0.55%, 0.63%

LAB 81.5, -24.06, 48.25

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 0 / 49 / 31 / 16

HEX #D56D93

RGB 213 109 147

HSL 338.08, 0.55%, 0.63%

LAB 59.15, 44.99, -1.78

 

CMYK 31 / 0 / 49 / 16

HEX #93D56D

RGB 147 213 109

HSL 98.08, 0.55%, 0.63%

LAB 78.98, -39.17, 44.6

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 8 / 49 / 0 / 16

HEX #C36DD5

RGB 195 109 213

HSL 289.62, 0.55%, 0.63%

LAB 59.29, 50.12, -39.55

 

CMYK 0 / 18 / 49 / 16

HEX #D5AE6D

RGB 213 174 109

HSL 37.5, 0.55%, 0.63%

LAB 73.23, 6.04, 38.55

 

CMYK 41 / 0 / 49 / 16

HEX #7ED56D

RGB 126 213 109

HSL 110.19, 0.55%, 0.63%

LAB 77.95, -46.04, 43.1

 

CMYK 49 / 31 / 0 / 16

HEX #6D92D5

RGB 109 146 213

HSL 218.65, 0.55%, 0.63%

LAB 60.44, 5.56, -38.29

 

CMYK 0 / 49 / 7 / 16

HEX #D56DC7

RGB 213 109 199

HSL 308.08, 0.55%, 0.63%

LAB 60.96, 52.74, -28.86

 

CMYK 0 / 18 / 49 / 16

HEX #D5AE6D

RGB 213 174 109

HSL 37.5, 0.55%, 0.63%

LAB 73.23, 6.04, 38.55

 

CMYK 49 / 0 / 42 / 16

HEX #6DD57B

RGB 109 213 123

HSL 128.08, 0.55%, 0.63%

LAB 77.44, -48.96, 35.37

 

Description

Color code: HEX #6D92D5 | qconv.com Color code: HEX #6D92D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 146 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 146 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 31 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 31% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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