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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D7A8C it is the complementary color #928573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D7A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D7A8C shade: #727A87, #838C9A, #949EAD, #A5B0C0 and #B6C2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D7A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D7A8C shade: #6D7A8C, #5C6879, #4B5666, #3A4453 and #293240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D7A8C shade: #6D7A8B, #6D728B, #716D8B, #796D8B and #816D8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D7A8C shade: #6D7A8B, #6D728B and #6D6D8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D7A8C shade matches the following richer shades: #6D7A8B, #5977A0, #4574B4, #3170C8 and #1D6DDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D7A8C shade: #6D7A8B, #827D77, #968163, #AA844F and #BE873B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D7A8C shade: #6D8A8B, #6D828B, #6D7A8B, #6D728B and #706D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D7A8C shade: #49525D, #5B6674, #6D7A8B, #848F9E and #9BA4B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D7A8C shade: #6D7A8C, #846D8B and #868B6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D7A8C shade: #6D7A8C, #8B6D7A and #7A8B6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D7A8C shade: #6D7A8C, #846D8B, #8B7E6D and #748B6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D7A8C shade: #6D7A8C, #8B6D89, #8B7E6D and #6D8B6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 13 / 0 / 45

HEX #6D7A8C

RGB 109 122 140

HSL 214.84, 0.12%, 0.49%

LAB 50.76, -0.63, -11.38

 

Complementary color

CMYK 0 / 9 / 21 / 43

HEX #928573

RGB 146 133 115

HSL 34.84, 0.12%, 0.51%

LAB 56.21, 1.83, 11.49

 

CMYK 16 / 10 / 0 / 47

HEX #727A87

RGB 114 122 135

HSL 217.14, 0.08%, 0.49%

LAB 50.97, -0.11, -8.09

 

CMYK 15 / 9 / 0 / 40

HEX #838C9A

RGB 131 140 154

HSL 216.52, 0.1%, 0.56%

LAB 57.96, -0.26, -8.55

 

CMYK 14 / 9 / 0 / 32

HEX #949EAD

RGB 148 158 173

HSL 216, 0.13%, 0.63%

LAB 64.78, -0.4, -9

 

CMYK 14 / 8 / 0 / 25

HEX #A5B0C0

RGB 165 176 192

HSL 215.56, 0.18%, 0.7%

LAB 71.46, -0.54, -9.46

 

CMYK 14 / 8 / 0 / 17

HEX #B6C2D3

RGB 182 194 211

HSL 215.17, 0.25%, 0.77%

LAB 78.01, -0.68, -9.91

 

CMYK 22 / 13 / 0 / 45

HEX #6D7A8C

RGB 109 122 140

HSL 214.84, 0.12%, 0.49%

LAB 50.76, -0.63, -11.38

 

CMYK 24 / 14 / 0 / 53

HEX #5C6879

RGB 92 104 121

HSL 215.17, 0.14%, 0.42%

LAB 43.59, -0.46, -11.01

 

CMYK 26 / 16 / 0 / 60

HEX #4B5666

RGB 75 86 102

HSL 215.56, 0.15%, 0.35%

LAB 36.2, -0.28, -10.65

 

CMYK 30 / 18 / 0 / 67

HEX #3A4453

RGB 58 68 83

HSL 216, 0.18%, 0.28%

LAB 28.53, -0.06, -10.32

 

CMYK 36 / 22 / 0 / 75

HEX #293240

RGB 41 50 64

HSL 216.52, 0.22%, 0.21%

LAB 20.53, 0.22, -10.03

 

CMYK 22 / 12 / 0 / 45

HEX #6D7A8B

RGB 109 122 139

HSL 214, 0.12%, 0.49%

LAB 50.73, -0.88, -10.84

 

CMYK 22 / 18 / 0 / 45

HEX #6D728B

RGB 109 114 139

HSL 230, 0.12%, 0.49%

LAB 48.45, 3.83, -14.29

 

CMYK 19 / 22 / 0 / 45

HEX #716D8B

RGB 113 109 139

HSL 248, 0.12%, 0.49%

LAB 47.38, 8.18, -15.88

 

CMYK 13 / 22 / 0 / 45

HEX #796D8B

RGB 121 109 139

HSL 264, 0.12%, 0.49%

LAB 48.09, 10.95, -14.73

 

CMYK 7 / 22 / 0 / 45

HEX #816D8B

RGB 129 109 139

HSL 280, 0.12%, 0.49%

LAB 48.84, 13.78, -13.52

 

CMYK 22 / 12 / 0 / 45

HEX #6D7A8B

RGB 109 122 139

HSL 214, 0.12%, 0.49%

LAB 50.73, -0.88, -10.84

 

CMYK 22 / 18 / 0 / 45

HEX #6D728B

RGB 109 114 139

HSL 230, 0.12%, 0.49%

LAB 48.45, 3.83, -14.29

 

CMYK 22 / 22 / 0 / 45

HEX #6D6D8B

RGB 109 109 139

HSL 240, 0.12%, 0.49%

LAB 47.04, 6.82, -16.42

 

CMYK 22 / 12 / 0 / 45

HEX #6D7A8B

RGB 109 122 139

HSL 214, 0.12%, 0.49%

LAB 50.73, -0.88, -10.84

 

CMYK 44 / 26 / 0 / 37

HEX #5977A0

RGB 89 119 160

HSL 214.65, 0.29%, 0.49%

LAB 49.32, 0.5, -25.42

 

CMYK 62 / 36 / 0 / 29

HEX #4574B4

RGB 69 116 180

HSL 214.59, 0.45%, 0.49%

LAB 48.32, 4.11, -38.71

 

CMYK 76 / 44 / 0 / 22

HEX #3170C8

RGB 49 112 200

HSL 214.97, 0.61%, 0.49%

LAB 47.51, 10.62, -51.59

 

CMYK 87 / 50 / 0 / 14

HEX #1D6DDC

RGB 29 109 220

HSL 214.87, 0.77%, 0.49%

LAB 47.45, 18.31, -63.11

 

CMYK 22 / 12 / 0 / 45

HEX #6D7A8B

RGB 109 122 139

HSL 214, 0.12%, 0.49%

LAB 50.73, -0.88, -10.84

 

CMYK 0 / 4 / 8 / 49

HEX #827D77

RGB 130 125 119

HSL 32.73, 0.04%, 0.49%

LAB 52.67, 0.76, 3.93

 

CMYK 0 / 14 / 34 / 41

HEX #968163

RGB 150 129 99

HSL 35.29, 0.2%, 0.49%

LAB 55.16, 3.4, 19.25

 

CMYK 0 / 22 / 54 / 33

HEX #AA844F

RGB 170 132 79

HSL 34.95, 0.37%, 0.49%

LAB 57.67, 8.04, 33.98

 

CMYK 0 / 29 / 69 / 25

HEX #BE873B

RGB 190 135 59

HSL 34.81, 0.53%, 0.49%

LAB 60.42, 13.63, 47.85

 

CMYK 22 / 1 / 0 / 45

HEX #6D8A8B

RGB 109 138 139

HSL 182, 0.12%, 0.49%

LAB 55.37, -9.97, -3.92

 

CMYK 22 / 6 / 0 / 45

HEX #6D828B

RGB 109 130 139

HSL 198, 0.12%, 0.49%

LAB 53.04, -5.48, -7.39

 

CMYK 22 / 12 / 0 / 45

HEX #6D7A8B

RGB 109 122 139

HSL 214, 0.12%, 0.49%

LAB 50.73, -0.88, -10.84

 

CMYK 22 / 18 / 0 / 45

HEX #6D728B

RGB 109 114 139

HSL 230, 0.12%, 0.49%

LAB 48.45, 3.83, -14.29

 

CMYK 19 / 22 / 0 / 45

HEX #706D8B

RGB 112 109 139

HSL 246, 0.12%, 0.49%

LAB 47.3, 7.84, -16.02

 

CMYK 22 / 12 / 0 / 64

HEX #49525D

RGB 73 82 93

HSL 213, 0.12%, 0.33%

LAB 34.48, -0.86, -7.61

 

CMYK 22 / 12 / 0 / 55

HEX #5B6674

RGB 91 102 116

HSL 213.6, 0.12%, 0.41%

LAB 42.74, -0.87, -9.26

 

CMYK 22 / 12 / 0 / 45

HEX #6D7A8B

RGB 109 122 139

HSL 214, 0.12%, 0.49%

LAB 50.73, -0.88, -10.84

 

CMYK 16 / 9 / 0 / 38

HEX #848F9E

RGB 132 143 158

HSL 214.62, 0.12%, 0.57%

LAB 58.99, -0.72, -9.28

 

CMYK 12 / 7 / 0 / 31

HEX #9BA4B0

RGB 155 164 176

HSL 214.29, 0.12%, 0.65%

LAB 67.02, -0.72, -7.29

 

CMYK 22 / 13 / 0 / 45

HEX #6D7A8C

RGB 109 122 140

HSL 214.84, 0.12%, 0.49%

LAB 50.76, -0.63, -11.38

 

CMYK 5 / 22 / 0 / 45

HEX #846D8B

RGB 132 109 139

HSL 286, 0.12%, 0.49%

LAB 49.14, 14.85, -13.04

 

CMYK 4 / 0 / 22 / 45

HEX #868B6D

RGB 134 139 109

HSL 70, 0.12%, 0.49%

LAB 56.72, -7.27, 15.47

 

CMYK 22 / 13 / 0 / 45

HEX #6D7A8C

RGB 109 122 140

HSL 214.84, 0.12%, 0.49%

LAB 50.76, -0.63, -11.38

 

CMYK 0 / 22 / 12 / 45

HEX #8B6D7A

RGB 139 109 122

HSL 334, 0.12%, 0.49%

LAB 49.29, 14.12, -2.65

 

CMYK 12 / 0 / 22 / 45

HEX #7A8B6D

RGB 122 139 109

HSL 94, 0.12%, 0.49%

LAB 55.79, -11.96, 14.04

 

CMYK 22 / 13 / 0 / 45

HEX #6D7A8C

RGB 109 122 140

HSL 214.84, 0.12%, 0.49%

LAB 50.76, -0.63, -11.38

 

CMYK 5 / 22 / 0 / 45

HEX #846D8B

RGB 132 109 139

HSL 286, 0.12%, 0.49%

LAB 49.14, 14.85, -13.04

 

CMYK 0 / 9 / 22 / 45

HEX #8B7E6D

RGB 139 126 109

HSL 34, 0.12%, 0.49%

LAB 53.51, 2.03, 11.06

 

CMYK 17 / 0 / 22 / 45

HEX #748B6D

RGB 116 139 109

HSL 106, 0.12%, 0.49%

LAB 55.36, -14.24, 13.37

 

CMYK 22 / 13 / 0 / 45

HEX #6D7A8C

RGB 109 122 140

HSL 214.84, 0.12%, 0.49%

LAB 50.76, -0.63, -11.38

 

CMYK 0 / 22 / 1 / 45

HEX #8B6D89

RGB 139 109 137

HSL 304, 0.12%, 0.49%

LAB 49.78, 16.97, -10.83

 

CMYK 0 / 9 / 22 / 45

HEX #8B7E6D

RGB 139 126 109

HSL 34, 0.12%, 0.49%

LAB 53.51, 2.03, 11.06

 

CMYK 22 / 0 / 20 / 45

HEX #6D8B6F

RGB 109 139 111

HSL 124, 0.12%, 0.49%

LAB 54.93, -16.45, 11.56

 

Description

Color code: HEX #6D7A8C | qconv.com Color code: HEX #6D7A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 13 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 13% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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