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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D77CC it is the complementary color #928833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D77CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D77CC shade: #7277C7, #8389DA, #949BED, #A5ADFF and #B6BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D77CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D77CC shade: #6D77CC, #5C65B9, #4B53A6, #3A4193 and #292F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D77CC shade: #6C76CB, #7C6CCB, #956CCB, #AF6CCB and #C96CCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D77CC shade: #6C76CB and #6C6CCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D77CC shade matches the following richer shades: #6C76CB, #5C69DB, #4C5CEB and #3C50FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D77CC shade: #6C76CB, #7C83BB, #8C8FAB, #9C9C9B and #ACA98B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D77CC shade: #6CAACB, #6C90CB, #6C77CB, #7A6CCB and #946CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D77CC shade: #3B47A9, #4D59C1, #6C76CB, #8A92D6 and #A9AFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D77CC shade: #6D77CC, #CB6CC3 and #9DCB6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D77CC shade: #6D77CC, #CB6C77 and #77CB6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D77CC shade: #6D77CC, #CB6CC3, #CBC06C and #6CCB74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D77CC shade: #6D77CC, #CB6CA7, #CBC06C and #6CCB90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 42 / 0 / 20

HEX #6D77CC

RGB 109 119 204

HSL 233.68, 0.48%, 0.61%

LAB 52.73, 18.89, -45.36

 

Complementary color

CMYK 0 / 7 / 65 / 43

HEX #928833

RGB 146 136 51

HSL 53.68, 0.48%, 0.39%

LAB 56.05, -7.05, 45.51

 

CMYK 43 / 40 / 0 / 22

HEX #7277C7

RGB 114 119 199

HSL 236.47, 0.43%, 0.61%

LAB 52.83, 18.65, -42.33

 

CMYK 40 / 37 / 0 / 15

HEX #8389DA

RGB 131 137 218

HSL 235.86, 0.54%, 0.68%

LAB 59.69, 17.79, -42.17

 

CMYK 38 / 35 / 0 / 7

HEX #949BED

RGB 148 155 237

HSL 235.28, 0.71%, 0.75%

LAB 66.41, 17.04, -42.05

 

CMYK 35 / 32 / 0 / 0

HEX #A5ADFF

RGB 165 173 255

HSL 234.67, 1%, 0.82%

LAB 72.96, 16.12, -41.51

 

CMYK 29 / 25 / 0 / 0

HEX #B6BFFF

RGB 182 191 255

HSL 232.6, 1%, 0.86%

LAB 78.71, 10.86, -32.5

 

CMYK 47 / 42 / 0 / 20

HEX #6D77CC

RGB 109 119 204

HSL 233.68, 0.48%, 0.61%

LAB 52.73, 18.89, -45.36

 

CMYK 50 / 45 / 0 / 27

HEX #5C65B9

RGB 92 101 185

HSL 234.19, 0.4%, 0.54%

LAB 45.75, 20.03, -45.61

 

CMYK 55 / 50 / 0 / 35

HEX #4B53A6

RGB 75 83 166

HSL 234.73, 0.38%, 0.47%

LAB 38.61, 21.4, -45.92

 

CMYK 61 / 56 / 0 / 42

HEX #3A4193

RGB 58 65 147

HSL 235.28, 0.43%, 0.4%

LAB 31.32, 23.11, -46.27

 

CMYK 68 / 63 / 0 / 50

HEX #292F80

RGB 41 47 128

HSL 235.86, 0.51%, 0.33%

LAB 23.88, 25.27, -46.61

 

CMYK 47 / 42 / 0 / 20

HEX #6C76CB

RGB 108 118 203

HSL 233.68, 0.48%, 0.61%

LAB 52.35, 18.95, -45.4

 

CMYK 39 / 47 / 0 / 20

HEX #7C6CCB

RGB 124 108 203

HSL 250.11, 0.48%, 0.61%

LAB 51.06, 28.95, -47.37

 

CMYK 27 / 47 / 0 / 20

HEX #956CCB

RGB 149 108 203

HSL 265.89, 0.48%, 0.61%

LAB 53.41, 35.61, -43.5

 

CMYK 14 / 47 / 0 / 20

HEX #AF6CCB

RGB 175 108 203

HSL 282.32, 0.48%, 0.61%

LAB 56.24, 42.94, -38.85

 

CMYK 1 / 47 / 0 / 20

HEX #C96CCB

RGB 201 108 203

HSL 298.74, 0.48%, 0.61%

LAB 59.39, 50.44, -33.69

 

CMYK 47 / 42 / 0 / 20

HEX #6C76CB

RGB 108 118 203

HSL 233.68, 0.48%, 0.61%

LAB 52.35, 18.95, -45.4

 

CMYK 47 / 47 / 0 / 20

HEX #6C6CCB

RGB 108 108 203

HSL 240, 0.48%, 0.61%

LAB 49.77, 25.02, -49.51

 

CMYK 47 / 42 / 0 / 20

HEX #6C76CB

RGB 108 118 203

HSL 233.68, 0.48%, 0.61%

LAB 52.35, 18.95, -45.4

 

CMYK 58 / 52 / 0 / 14

HEX #5C69DB

RGB 92 105 219

HSL 233.86, 0.64%, 0.61%

LAB 48.88, 28.53, -60.12

 

CMYK 68 / 61 / 0 / 8

HEX #4C5CEB

RGB 76 92 235

HSL 233.96, 0.8%, 0.61%

LAB 45.89, 39.3, -74.05

 

CMYK 76 / 68 / 0 / 1

HEX #3C50FC

RGB 60 80 252

HSL 233.75, 0.97%, 0.61%

LAB 43.84, 50.48, -86.98

 

CMYK 47 / 42 / 0 / 20

HEX #6C76CB

RGB 108 118 203

HSL 233.68, 0.48%, 0.61%

LAB 52.35, 18.95, -45.4

 

CMYK 34 / 30 / 0 / 27

HEX #7C83BB

RGB 124 131 187

HSL 233.33, 0.32%, 0.61%

LAB 56.19, 10.87, -30.17

 

CMYK 18 / 16 / 0 / 33

HEX #8C8FAB

RGB 140 143 171

HSL 234.19, 0.16%, 0.61%

LAB 60.03, 4.92, -15.06

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9B

RGB 156 156 155

HSL 60, 0.01%, 0.61%

LAB 64.33, -0.19, 0.51

 

CMYK 0 / 2 / 19 / 33

HEX #ACA98B

RGB 172 169 139

HSL 54.55, 0.17%, 0.61%

LAB 68.76, -4.04, 15.9

 

CMYK 47 / 16 / 0 / 20

HEX #6CAACB

RGB 108 170 203

HSL 200.84, 0.48%, 0.61%

LAB 66.71, -11.09, -23.03

 

CMYK 47 / 29 / 0 / 20

HEX #6C90CB

RGB 108 144 203

HSL 217.26, 0.48%, 0.61%

LAB 59.39, 3.49, -34.34

 

CMYK 47 / 41 / 0 / 20

HEX #6C77CB

RGB 108 119 203

HSL 233.05, 0.48%, 0.61%

LAB 52.61, 18.35, -44.99

 

CMYK 40 / 47 / 0 / 20

HEX #7A6CCB

RGB 122 108 203

HSL 248.84, 0.48%, 0.61%

LAB 50.89, 28.44, -47.66

 

CMYK 27 / 47 / 0 / 20

HEX #946CCB

RGB 148 108 203

HSL 265.26, 0.48%, 0.61%

LAB 53.31, 35.33, -43.66

 

CMYK 65 / 58 / 0 / 34

HEX #3B47A9

RGB 59 71 169

HSL 233.45, 0.48%, 0.45%

LAB 34.6, 27.15, -54.24

 

CMYK 60 / 54 / 0 / 24

HEX #4D59C1

RGB 77 89 193

HSL 233.79, 0.48%, 0.53%

LAB 42.11, 27.07, -56.16

 

CMYK 47 / 42 / 0 / 20

HEX #6C76CB

RGB 108 118 203

HSL 233.68, 0.48%, 0.61%

LAB 52.35, 18.95, -45.4

 

CMYK 36 / 32 / 0 / 16

HEX #8A92D6

RGB 138 146 214

HSL 233.68, 0.48%, 0.69%

LAB 62.35, 13.33, -35.72

 

CMYK 25 / 22 / 0 / 12

HEX #A9AFE1

RGB 169 175 225

HSL 233.57, 0.48%, 0.77%

LAB 72.58, 8.69, -25.8

 

CMYK 47 / 42 / 0 / 20

HEX #6D77CC

RGB 109 119 204

HSL 233.68, 0.48%, 0.61%

LAB 52.73, 18.89, -45.36

 

CMYK 0 / 47 / 4 / 20

HEX #CB6CC3

RGB 203 108 195

HSL 305.05, 0.48%, 0.61%

LAB 59.31, 49.6, -29.26

 

CMYK 23 / 0 / 47 / 20

HEX #9DCB6C

RGB 157 203 108

HSL 89.05, 0.48%, 0.61%

LAB 76.66, -31.14, 42.35

 

CMYK 47 / 42 / 0 / 20

HEX #6D77CC

RGB 109 119 204

HSL 233.68, 0.48%, 0.61%

LAB 52.73, 18.89, -45.36

 

CMYK 0 / 47 / 41 / 20

HEX #CB6C77

RGB 203 108 119

HSL 353.05, 0.48%, 0.61%

LAB 56.83, 38.62, 11

 

CMYK 41 / 0 / 47 / 20

HEX #77CB6C

RGB 119 203 108

HSL 113.05, 0.48%, 0.61%

LAB 74.65, -44.08, 39.41

 

CMYK 47 / 42 / 0 / 20

HEX #6D77CC

RGB 109 119 204

HSL 233.68, 0.48%, 0.61%

LAB 52.73, 18.89, -45.36

 

CMYK 0 / 47 / 4 / 20

HEX #CB6CC3

RGB 203 108 195

HSL 305.05, 0.48%, 0.61%

LAB 59.31, 49.6, -29.26

 

CMYK 0 / 5 / 47 / 20

HEX #CBC06C

RGB 203 192 108

HSL 53.05, 0.48%, 0.61%

LAB 76.97, -7.63, 43.49

 

CMYK 47 / 0 / 43 / 20

HEX #6CCB74

RGB 108 203 116

HSL 125.05, 0.48%, 0.61%

LAB 74.29, -46.16, 34.85

 

CMYK 47 / 42 / 0 / 20

HEX #6D77CC

RGB 109 119 204

HSL 233.68, 0.48%, 0.61%

LAB 52.73, 18.89, -45.36

 

CMYK 0 / 47 / 18 / 20

HEX #CB6CA7

RGB 203 108 167

HSL 322.74, 0.48%, 0.61%

LAB 58.24, 44.98, -14.85

 

CMYK 0 / 5 / 47 / 20

HEX #CBC06C

RGB 203 192 108

HSL 53.05, 0.48%, 0.61%

LAB 76.97, -7.63, 43.49

 

CMYK 47 / 0 / 29 / 20

HEX #6CCB90

RGB 108 203 144

HSL 142.74, 0.48%, 0.61%

LAB 74.77, -41.35, 20.92

 

Description

Color code: HEX #6D77CC | qconv.com Color code: HEX #6D77CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 119 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 119 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 42 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 42% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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