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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D6ECD it is the complementary color #929132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D6ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D6ECD shade: #726EC8, #8380DB, #9492EE, #A5A4FF and #B6B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D6ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D6ECD shade: #6D6ECD, #5C5CBA, #4B4AA7, #3A3894 and #292681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D6ECD shade: #6F70CE, #876FCE, #A16FCE, #BA6FCE and #CE6FC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D6ECD shade: #6F70CE and #6F6FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D6ECD shade matches the following richer shades: #6F70CE, #5F60DD, #4F51ED and #4042FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D6ECD shade: #6F70CE, #7E7FBE, #8E8EAE, #9E9E9F and #ADAD8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D6ECD shade: #6FA3CE, #6F8ACE, #6F70CE, #866FCE and #A06FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D6ECD shade: #3C3DAE, #5051C3, #6F70CE, #8D8ED8 and #ACADE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D6ECD shade: #6D6ECD, #CE6FBC and #96CE6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D6ECD shade: #6D6ECD, #CE6F70 and #70CE6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D6ECD shade: #6D6ECD, #CE6FBC, #CECC6F and #6FCE80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D6ECD shade: #6D6ECD, #CE6FA0, #CECC6F and #6FCE9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 46 / 0 / 20

HEX #6D6ECD

RGB 109 110 205

HSL 239.38, 0.49%, 0.62%

LAB 50.47, 24.65, -49.54

 

Complementary color

CMYK 0 / 1 / 66 / 43

HEX #929132

RGB 146 145 50

HSL 59.38, 0.49%, 0.38%

LAB 58.59, -11.97, 48.64

 

CMYK 43 / 45 / 0 / 22

HEX #726EC8

RGB 114 110 200

HSL 242.67, 0.45%, 0.61%

LAB 50.57, 24.37, -46.49

 

CMYK 40 / 42 / 0 / 14

HEX #8380DB

RGB 131 128 219

HSL 241.98, 0.56%, 0.68%

LAB 57.44, 23.36, -46.27

 

CMYK 38 / 39 / 0 / 7

HEX #9492EE

RGB 148 146 238

HSL 241.3, 0.73%, 0.75%

LAB 64.18, 22.48, -46.1

 

CMYK 35 / 36 / 0 / 0

HEX #A5A4FF

RGB 165 164 255

HSL 240.66, 1%, 0.82%

LAB 70.71, 21.19, -45.03

 

CMYK 29 / 29 / 0 / 0

HEX #B6B6FF

RGB 182 182 255

HSL 240, 1%, 0.86%

LAB 76.45, 15.81, -36

 

CMYK 47 / 46 / 0 / 20

HEX #6D6ECD

RGB 109 110 205

HSL 239.38, 0.49%, 0.62%

LAB 50.47, 24.65, -49.54

 

CMYK 51 / 51 / 0 / 27

HEX #5C5CBA

RGB 92 92 186

HSL 240, 0.41%, 0.55%

LAB 43.47, 25.95, -49.84

 

CMYK 55 / 56 / 0 / 35

HEX #4B4AA7

RGB 75 74 167

HSL 240.65, 0.39%, 0.47%

LAB 36.34, 27.5, -50.18

 

CMYK 61 / 62 / 0 / 42

HEX #3A3894

RGB 58 56 148

HSL 241.3, 0.45%, 0.4%

LAB 29.07, 29.36, -50.53

 

CMYK 68 / 71 / 0 / 49

HEX #292681

RGB 41 38 129

HSL 241.98, 0.54%, 0.33%

LAB 21.74, 31.56, -50.75

 

CMYK 46 / 46 / 0 / 19

HEX #6F70CE

RGB 111 112 206

HSL 239.37, 0.49%, 0.62%

LAB 51.18, 24.21, -48.96

 

CMYK 34 / 46 / 0 / 19

HEX #876FCE

RGB 135 111 206

HSL 255.16, 0.49%, 0.62%

LAB 52.92, 30.86, -46.07

 

CMYK 22 / 46 / 0 / 19

HEX #A16FCE

RGB 161 111 206

HSL 271.58, 0.49%, 0.62%

LAB 55.48, 37.98, -41.85

 

CMYK 10 / 46 / 0 / 19

HEX #BA6FCE

RGB 186 111 206

HSL 287.37, 0.49%, 0.62%

LAB 58.29, 45.13, -37.25

 

CMYK 0 / 46 / 3 / 19

HEX #CE6FC7

RGB 206 111 199

HSL 304.42, 0.49%, 0.62%

LAB 60.44, 49.68, -29.75

 

CMYK 46 / 46 / 0 / 19

HEX #6F70CE

RGB 111 112 206

HSL 239.37, 0.49%, 0.62%

LAB 51.18, 24.21, -48.96

 

CMYK 46 / 46 / 0 / 19

HEX #6F6FCE

RGB 111 111 206

HSL 240, 0.49%, 0.62%

LAB 50.93, 24.81, -49.37

 

CMYK 46 / 46 / 0 / 19

HEX #6F70CE

RGB 111 112 206

HSL 239.37, 0.49%, 0.62%

LAB 51.18, 24.21, -48.96

 

CMYK 57 / 57 / 0 / 13

HEX #5F60DD

RGB 95 96 221

HSL 239.52, 0.65%, 0.62%

LAB 47, 35.23, -64.27

 

CMYK 67 / 66 / 0 / 7

HEX #4F51ED

RGB 79 81 237

HSL 239.24, 0.81%, 0.62%

LAB 43.74, 46.91, -78.68

 

CMYK 75 / 74 / 0 / 1

HEX #4042FD

RGB 64 66 253

HSL 239.37, 0.98%, 0.62%

LAB 41.34, 58.87, -91.65

 

CMYK 46 / 46 / 0 / 19

HEX #6F70CE

RGB 111 112 206

HSL 239.37, 0.49%, 0.62%

LAB 51.18, 24.21, -48.96

 

CMYK 34 / 33 / 0 / 25

HEX #7E7FBE

RGB 126 127 190

HSL 239.06, 0.33%, 0.62%

LAB 55.41, 14.62, -33.08

 

CMYK 18 / 18 / 0 / 32

HEX #8E8EAE

RGB 142 142 174

HSL 240, 0.16%, 0.62%

LAB 60.03, 6.84, -16.76

 

CMYK 1 / 1 / 0 / 38

HEX #9E9E9F

RGB 158 158 159

HSL 240, 0.01%, 0.62%

LAB 65.14, 0.2, -0.53

 

CMYK 0 / 0 / 17 / 32

HEX #ADAD8F

RGB 173 173 143

HSL 60, 0.15%, 0.62%

LAB 70, -5.18, 15.45

 

CMYK 46 / 21 / 0 / 19

HEX #6FA3CE

RGB 111 163 206

HSL 207.16, 0.49%, 0.62%

LAB 64.99, -5.67, -27.32

 

CMYK 46 / 33 / 0 / 19

HEX #6F8ACE

RGB 111 138 206

HSL 222.95, 0.49%, 0.62%

LAB 58.05, 8.63, -38.1

 

CMYK 46 / 46 / 0 / 19

HEX #6F70CE

RGB 111 112 206

HSL 239.37, 0.49%, 0.62%

LAB 51.18, 24.21, -48.96

 

CMYK 35 / 46 / 0 / 19

HEX #866FCE

RGB 134 111 206

HSL 254.53, 0.49%, 0.62%

LAB 52.83, 30.59, -46.22

 

CMYK 22 / 46 / 0 / 19

HEX #A06FCE

RGB 160 111 206

HSL 270.95, 0.49%, 0.62%

LAB 55.38, 37.7, -42.02

 

CMYK 66 / 65 / 0 / 32

HEX #3C3DAE

RGB 60 61 174

HSL 239.47, 0.49%, 0.46%

LAB 32.6, 35.44, -60.48

 

CMYK 59 / 58 / 0 / 24

HEX #5051C3

RGB 80 81 195

HSL 239.48, 0.49%, 0.54%

LAB 40.46, 33.3, -59.99

 

CMYK 46 / 46 / 0 / 19

HEX #6F70CE

RGB 111 112 206

HSL 239.37, 0.49%, 0.62%

LAB 51.18, 24.21, -48.96

 

CMYK 35 / 34 / 0 / 15

HEX #8D8ED8

RGB 141 142 216

HSL 239.2, 0.49%, 0.7%

LAB 61.63, 17.01, -37.96

 

CMYK 24 / 24 / 0 / 11

HEX #ACADE3

RGB 172 173 227

HSL 238.91, 0.5%, 0.78%

LAB 72.36, 11.17, -27.2

 

CMYK 47 / 46 / 0 / 20

HEX #6D6ECD

RGB 109 110 205

HSL 239.38, 0.49%, 0.62%

LAB 50.47, 24.65, -49.54

 

CMYK 0 / 46 / 9 / 19

HEX #CE6FBC

RGB 206 111 188

HSL 311.37, 0.49%, 0.62%

LAB 60, 47.79, -24.17

 

CMYK 27 / 0 / 46 / 19

HEX #96CE6F

RGB 150 206 111

HSL 95.37, 0.49%, 0.62%

LAB 77.15, -34.71, 41.39

 

CMYK 47 / 46 / 0 / 20

HEX #6D6ECD

RGB 109 110 205

HSL 239.38, 0.49%, 0.62%

LAB 50.47, 24.65, -49.54

 

CMYK 0 / 46 / 46 / 19

HEX #CE6F70

RGB 206 111 112

HSL 359.37, 0.49%, 0.62%

LAB 57.71, 37.42, 16.35

 

CMYK 46 / 0 / 46 / 19

HEX #70CE6F

RGB 112 206 111

HSL 119.37, 0.49%, 0.62%

LAB 75.29, -47.01, 38.66

 

CMYK 47 / 46 / 0 / 20

HEX #6D6ECD

RGB 109 110 205

HSL 239.38, 0.49%, 0.62%

LAB 50.47, 24.65, -49.54

 

CMYK 0 / 46 / 9 / 19

HEX #CE6FBC

RGB 206 111 188

HSL 311.37, 0.49%, 0.62%

LAB 60, 47.79, -24.17

 

CMYK 0 / 1 / 46 / 19

HEX #CECC6F

RGB 206 204 111

HSL 58.74, 0.49%, 0.62%

LAB 80.43, -12.27, 46.3

 

CMYK 46 / 0 / 38 / 19

HEX #6FCE80

RGB 111 206 128

HSL 130.74, 0.49%, 0.62%

LAB 75.5, -44.68, 30.3

 

CMYK 47 / 46 / 0 / 20

HEX #6D6ECD

RGB 109 110 205

HSL 239.38, 0.49%, 0.62%

LAB 50.47, 24.65, -49.54

 

CMYK 0 / 46 / 22 / 19

HEX #CE6FA0

RGB 206 111 160

HSL 329.05, 0.49%, 0.62%

LAB 59, 43.39, -9.62

 

CMYK 0 / 1 / 46 / 19

HEX #CECC6F

RGB 206 204 111

HSL 58.74, 0.49%, 0.62%

LAB 80.43, -12.27, 46.3

 

CMYK 46 / 0 / 24 / 19

HEX #6FCE9D

RGB 111 206 157

HSL 149.05, 0.49%, 0.62%

LAB 76.04, -39.34, 15.8

 

Description

Color code: HEX #6D6ECD | qconv.com Color code: HEX #6D6ECD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 110 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 110 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 46 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 46% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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