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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D692C it is the complementary color #9296D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D692C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D692C shade: #726927, #837B3A, #948D4D, #A59F60 and #B6B173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D692C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D692C shade: #6D692C, #5C5719, #4B4506, #3A3300 and #292100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D692C shade: #6D692C, #6D572C, #6D462C, #6D352C and #6D2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D692C shade: #6D692C, #5F6D2C, #4E6D2C, #3D6D2C and #2C6D2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D692C shade matches the following richer shades: #6D692C, #797420, #857E14 and #928907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D692C shade: #6D692C, #605E39, #545345, #474852 and #3B3D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D692C shade: #6D462C, #6D572C, #6D682C, #606D2C and #4F6D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D692C shade: #323014, #4F4C20, #6D692C, #8A8538 and #A7A144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D692C shade: #6D692C, #2C6D35 and #4F2C6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D692C shade: #6D692C, #2C6D68 and #682C6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D692C shade: #6D692C, #2C6D35, #2C316D and #6D2C64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D692C shade: #6D692C, #2C6D48, #2C316D and #6D2C51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

Complementary color

CMYK 31 / 29 / 0 / 17

HEX #9296D3

RGB 146 150 211

HSL 236.31, 0.42%, 0.7%

LAB 63.86, 12.52, -31.67

 

CMYK 0 / 8 / 66 / 55

HEX #726927

RGB 114 105 39

HSL 52.8, 0.49%, 0.3%

LAB 43.98, -5.25, 37.29

 

CMYK 0 / 6 / 56 / 49

HEX #837B3A

RGB 131 123 58

HSL 53.42, 0.39%, 0.37%

LAB 51.03, -6.08, 36.14

 

CMYK 0 / 5 / 48 / 42

HEX #948D4D

RGB 148 141 77

HSL 54.08, 0.32%, 0.44%

LAB 57.92, -6.71, 34.87

 

CMYK 0 / 4 / 42 / 35

HEX #A59F60

RGB 165 159 96

HSL 54.78, 0.28%, 0.51%

LAB 64.68, -7.21, 33.61

 

CMYK 0 / 3 / 37 / 29

HEX #B6B173

RGB 182 177 115

HSL 55.52, 0.31%, 0.58%

LAB 71.3, -7.61, 32.38

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 0 / 5 / 73 / 64

HEX #5C5719

RGB 92 87 25

HSL 55.52, 0.57%, 0.23%

LAB 36.29, -6.31, 35.14

 

CMYK 0 / 8 / 92 / 71

HEX #4B4506

RGB 75 69 6

HSL 54.78, 0.85%, 0.16%

LAB 28.81, -5.03, 35.13

 

CMYK 0 / 12 / 100 / 77

HEX #3A3300

RGB 58 51 0

HSL 52.76, 1%, 0.11%

LAB 21.08, -3.09, 29.54

 

CMYK 0 / 20 / 100 / 84

HEX #292100

RGB 41 33 0

HSL 48.29, 1%, 0.08%

LAB 12.98, -0.67, 19.17

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 0 / 20 / 60 / 57

HEX #6D572C

RGB 109 87 44

HSL 39.69, 0.42%, 0.3%

LAB 38.29, 3.38, 28.09

 

CMYK 0 / 36 / 60 / 57

HEX #6D462C

RGB 109 70 44

HSL 24, 0.42%, 0.3%

LAB 33.59, 13.73, 22.4

 

CMYK 0 / 51 / 60 / 57

HEX #6D352C

RGB 109 53 44

HSL 8.31, 0.42%, 0.3%

LAB 29.36, 23.92, 17.05

 

CMYK 0 / 60 / 60 / 57

HEX #6D2C2C

RGB 109 44 44

HSL 0, 0.42%, 0.3%

LAB 27.39, 28.96, 14.48

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 13 / 0 / 60 / 57

HEX #5F6D2C

RGB 95 109 44

HSL 72.92, 0.42%, 0.3%

LAB 43.58, -15.83, 33.9

 

CMYK 28 / 0 / 60 / 57

HEX #4E6D2C

RGB 78 109 44

HSL 88.62, 0.42%, 0.3%

LAB 42.37, -23.14, 32.19

 

CMYK 44 / 0 / 60 / 57

HEX #3D6D2C

RGB 61 109 44

HSL 104.31, 0.42%, 0.3%

LAB 41.39, -29.66, 30.81

 

CMYK 60 / 0 / 59 / 57

HEX #2C6D2D

RGB 44 109 45

HSL 120.92, 0.42%, 0.3%

LAB 40.67, -34.89, 29.26

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 0 / 4 / 74 / 53

HEX #797420

RGB 121 116 32

HSL 56.63, 0.58%, 0.3%

LAB 47.83, -8.63, 44.56

 

CMYK 0 / 5 / 85 / 48

HEX #857E14

RGB 133 126 20

HSL 56.28, 0.74%, 0.3%

LAB 51.79, -9.06, 52.66

 

CMYK 0 / 6 / 95 / 43

HEX #928907

RGB 146 137 7

HSL 56.12, 0.91%, 0.3%

LAB 56.11, -9.31, 59.31

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 0 / 2 / 41 / 62

HEX #605E39

RGB 96 94 57

HSL 56.92, 0.25%, 0.3%

LAB 39.22, -5.45, 21.51

 

CMYK 0 / 1 / 18 / 67

HEX #545345

RGB 84 83 69

HSL 56, 0.1%, 0.3%

LAB 35.01, -2.35, 8.36

 

CMYK 13 / 12 / 0 / 68

HEX #474852

RGB 71 72 82

HSL 234.55, 0.07%, 0.3%

LAB 30.84, 1.93, -6.09

 

CMYK 37 / 35 / 0 / 63

HEX #3B3D5E

RGB 59 61 94

HSL 236.57, 0.23%, 0.3%

LAB 26.95, 8.19, -19.88

 

CMYK 0 / 36 / 60 / 57

HEX #6D462C

RGB 109 70 44

HSL 24, 0.42%, 0.3%

LAB 33.59, 13.73, 22.4

 

CMYK 0 / 20 / 60 / 57

HEX #6D572C

RGB 109 87 44

HSL 39.69, 0.42%, 0.3%

LAB 38.29, 3.38, 28.09

 

CMYK 0 / 5 / 60 / 57

HEX #6D682C

RGB 109 104 44

HSL 55.38, 0.42%, 0.3%

LAB 43.26, -6.63, 33.86

 

CMYK 12 / 0 / 60 / 57

HEX #606D2C

RGB 96 109 44

HSL 72, 0.42%, 0.3%

LAB 43.66, -15.38, 34.01

 

CMYK 28 / 0 / 60 / 57

HEX #4F6D2C

RGB 79 109 44

HSL 87.69, 0.42%, 0.3%

LAB 42.43, -22.73, 32.28

 

CMYK 0 / 4 / 60 / 80

HEX #323014

RGB 50 48 20

HSL 56, 0.43%, 0.14%

LAB 19.4, -3.92, 18.08

 

CMYK 0 / 4 / 59 / 69

HEX #4F4C20

RGB 79 76 32

HSL 56.17, 0.42%, 0.22%

LAB 31.66, -5.58, 26.21

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 0 / 4 / 59 / 46

HEX #8A8538

RGB 138 133 56

HSL 56.34, 0.42%, 0.38%

LAB 54.52, -8.64, 41.29

 

CMYK 0 / 4 / 59 / 35

HEX #A7A144

RGB 167 161 68

HSL 56.36, 0.42%, 0.46%

LAB 65.06, -10.01, 48.08

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 60 / 0 / 51 / 57

HEX #2C6D35

RGB 44 109 53

HSL 128.31, 0.42%, 0.3%

LAB 40.78, -33.69, 25.08

 

CMYK 28 / 60 / 0 / 57

HEX #4F2C6D

RGB 79 44 109

HSL 272.31, 0.42%, 0.3%

LAB 25.47, 29.7, -31.77

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 60 / 0 / 5 / 57

HEX #2C6D68

RGB 44 109 104

HSL 175.38, 0.42%, 0.3%

LAB 41.96, -21.87, -3.44

 

CMYK 5 / 60 / 0 / 57

HEX #682C6D

RGB 104 44 109

HSL 295.38, 0.42%, 0.3%

LAB 29.03, 36.89, -25.9

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 60 / 0 / 51 / 57

HEX #2C6D35

RGB 44 109 53

HSL 128.31, 0.42%, 0.3%

LAB 40.78, -33.69, 25.08

 

CMYK 60 / 55 / 0 / 57

HEX #2C316D

RGB 44 49 109

HSL 235.38, 0.42%, 0.3%

LAB 23.12, 17.42, -35.73

 

CMYK 0 / 60 / 8 / 57

HEX #6D2C64

RGB 109 44 100

HSL 308.31, 0.42%, 0.3%

LAB 29.34, 36.66, -19.56

 

CMYK 0 / 4 / 60 / 57

HEX #6D692C

RGB 109 105 44

HSL 56.31, 0.42%, 0.3%

LAB 43.56, -7.2, 34.2

 

CMYK 60 / 0 / 34 / 57

HEX #2C6D48

RGB 44 109 72

HSL 145.85, 0.42%, 0.3%

LAB 41.12, -30.08, 14.61

 

CMYK 60 / 55 / 0 / 57

HEX #2C316D

RGB 44 49 109

HSL 235.38, 0.42%, 0.3%

LAB 23.12, 17.42, -35.73

 

CMYK 0 / 60 / 26 / 57

HEX #6D2C51

RGB 109 44 81

HSL 325.85, 0.42%, 0.3%

LAB 28.5, 33.45, -8.47

 

Description

Color code: HEX #6D692C | qconv.com Color code: HEX #6D692C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 105 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 105 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 60 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 60% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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