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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D6502 it is the complementary color #929AFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D6502. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D6502 shade: #726500, #837710, #948923, #A59B36 and #B6AD49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D6502. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D6502 shade: #6D6502, #5C5300, #4B4100, #3A2F00 and #291D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D6502 shade: #6D6502, #6D4802, #6D2B02, #6D0E02 and #6D0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D6502 shade: #6D6502, #586D02, #3B6D02, #1E6D02 and #026D02

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D6502 shade matches the following richer shades: #6D6502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D6502 shade: #6D6502, #645E0B, #5B5614, #524E1D and #494726

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D6502 shade: #6D2B02, #6D4802, #6D6402, #5A6D02 and #3D6D02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D6502 shade: #1D1A00, #454001, #6D6502, #968B03 and #BEB003

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D6502 shade: #6D6502, #026D0E and #39026D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D6502 shade: #6D6502, #026D64 and #64026D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D6502 shade: #6D6502, #026D0E, #020B6D and #6D0261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D6502 shade: #6D6502, #026D2F, #020B6D and #6D0241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

Complementary color

CMYK 42 / 39 / 0 / 1

HEX #929AFD

RGB 146 154 253

HSL 235.51, 0.96%, 0.78%

LAB 66.76, 21.5, -50.26

 

CMYK 0 / 11 / 100 / 55

HEX #726500

RGB 114 101 0

HSL 53.16, 1%, 0.22%

LAB 42.59, -4.57, 49.36

 

CMYK 0 / 9 / 88 / 49

HEX #837710

RGB 131 119 16

HSL 53.74, 0.78%, 0.29%

LAB 49.56, -6.24, 51.78

 

CMYK 0 / 7 / 76 / 42

HEX #948923

RGB 148 137 35

HSL 54.16, 0.62%, 0.36%

LAB 56.4, -7.58, 52.49

 

CMYK 0 / 6 / 67 / 35

HEX #A59B36

RGB 165 155 54

HSL 54.59, 0.51%, 0.43%

LAB 63.1, -8.64, 52.13

 

CMYK 0 / 5 / 60 / 29

HEX #B6AD49

RGB 182 173 73

HSL 55.05, 0.43%, 0.5%

LAB 69.69, -9.49, 51.28

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 0 / 10 / 100 / 64

HEX #5C5300

RGB 92 83 0

HSL 54.13, 1%, 0.18%

LAB 34.93, -4.99, 42.84

 

CMYK 0 / 13 / 100 / 71

HEX #4B4100

RGB 75 65 0

HSL 52, 1%, 0.15%

LAB 27.51, -2.82, 36.47

 

CMYK 0 / 19 / 100 / 77

HEX #3A2F00

RGB 58 47 0

HSL 48.62, 1%, 0.11%

LAB 19.77, -0.48, 28.07

 

CMYK 0 / 29 / 100 / 84

HEX #291D00

RGB 41 29 0

HSL 42.44, 1%, 0.08%

LAB 11.62, 2.14, 17.33

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 0 / 34 / 98 / 57

HEX #6D4802

RGB 109 72 2

HSL 39.25, 0.96%, 0.22%

LAB 33.75, 10.32, 42.22

 

CMYK 0 / 61 / 98 / 57

HEX #6D2B02

RGB 109 43 2

HSL 22.99, 0.96%, 0.22%

LAB 26.69, 27.38, 36.85

 

CMYK 0 / 87 / 98 / 57

HEX #6D0E02

RGB 109 14 2

HSL 6.73, 0.96%, 0.22%

LAB 22.19, 39.57, 32.47

 

CMYK 0 / 98 / 98 / 57

HEX #6D0202

RGB 109 2 2

HSL 0, 0.96%, 0.22%

LAB 21.2, 42.41, 31.41

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 19 / 0 / 98 / 57

HEX #586D02

RGB 88 109 2

HSL 71.78, 0.96%, 0.22%

LAB 42.79, -21.32, 47.99

 

CMYK 46 / 0 / 98 / 57

HEX #3B6D02

RGB 59 109 2

HSL 88.04, 0.96%, 0.22%

LAB 41.01, -33.36, 45.83

 

CMYK 72 / 0 / 98 / 57

HEX #1E6D02

RGB 30 109 2

HSL 104.3, 0.96%, 0.22%

LAB 39.94, -41.89, 44.53

 

CMYK 98 / 0 / 98 / 57

HEX #026D02

RGB 2 109 2

HSL 120, 0.96%, 0.22%

LAB 39.5, -45.79, 43.99

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 0 / 6 / 89 / 61

HEX #645E0B

RGB 100 94 11

HSL 55.96, 0.8%, 0.22%

LAB 39.14, -7.11, 43.2

 

CMYK 0 / 5 / 78 / 64

HEX #5B5614

RGB 91 86 20

HSL 55.77, 0.64%, 0.22%

LAB 35.85, -6.5, 36.84

 

CMYK 0 / 5 / 65 / 68

HEX #524E1D

RGB 82 78 29

HSL 55.47, 0.48%, 0.22%

LAB 32.55, -5.58, 28.91

 

CMYK 0 / 3 / 48 / 71

HEX #494726

RGB 73 71 38

HSL 56.57, 0.32%, 0.22%

LAB 29.57, -4.8, 20.09

 

CMYK 0 / 61 / 98 / 57

HEX #6D2B02

RGB 109 43 2

HSL 22.99, 0.96%, 0.22%

LAB 26.69, 27.38, 36.85

 

CMYK 0 / 34 / 98 / 57

HEX #6D4802

RGB 109 72 2

HSL 39.25, 0.96%, 0.22%

LAB 33.75, 10.32, 42.22

 

CMYK 0 / 8 / 98 / 57

HEX #6D6402

RGB 109 100 2

HSL 54.95, 0.96%, 0.22%

LAB 41.8, -6.4, 48.03

 

CMYK 17 / 0 / 98 / 57

HEX #5A6D02

RGB 90 109 2

HSL 70.65, 0.96%, 0.22%

LAB 42.94, -20.41, 48.17

 

CMYK 44 / 0 / 98 / 57

HEX #3D6D02

RGB 61 109 2

HSL 86.92, 0.96%, 0.22%

LAB 41.11, -32.63, 45.96

 

CMYK 0 / 10 / 100 / 89

HEX #1D1A00

RGB 29 26 0

HSL 53.79, 1%, 0.06%

LAB 8.99, -2.89, 13.4

 

CMYK 0 / 7 / 99 / 73

HEX #454001

RGB 69 64 1

HSL 55.59, 0.97%, 0.14%

LAB 26.55, -5.32, 34.97

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 0 / 7 / 98 / 41

HEX #968B03

RGB 150 139 3

HSL 55.51, 0.96%, 0.3%

LAB 57.03, -8.61, 60.83

 

CMYK 0 / 7 / 98 / 25

HEX #BEB003

RGB 190 176 3

HSL 55.51, 0.97%, 0.38%

LAB 70.87, -10.11, 72.61

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 98 / 0 / 87 / 57

HEX #026D0E

RGB 2 109 14

HSL 126.73, 0.96%, 0.22%

LAB 39.55, -45.19, 40.96

 

CMYK 48 / 98 / 0 / 57

HEX #39026D

RGB 57 2 109

HSL 270.84, 0.96%, 0.22%

LAB 15.58, 44.36, -47.97

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 98 / 0 / 8 / 57

HEX #026D64

RGB 2 109 100

HSL 174.95, 0.96%, 0.22%

LAB 41.01, -28.5, -2.5

 

CMYK 8 / 98 / 0 / 57

HEX #64026D

RGB 100 2 109

HSL 294.95, 0.96%, 0.22%

LAB 23.19, 50.53, -35.23

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 98 / 0 / 87 / 57

HEX #026D0E

RGB 2 109 14

HSL 126.73, 0.96%, 0.22%

LAB 39.55, -45.19, 40.96

 

CMYK 98 / 90 / 0 / 57

HEX #020B6D

RGB 2 11 109

HSL 234.95, 0.96%, 0.22%

LAB 11.66, 37.09, -54.62

 

CMYK 0 / 98 / 11 / 57

HEX #6D0261

RGB 109 2 97

HSL 306.73, 0.96%, 0.22%

LAB 24.19, 50.26, -25.7

 

CMYK 0 / 7 / 98 / 57

HEX #6D6502

RGB 109 101 2

HSL 55.51, 0.96%, 0.22%

LAB 42.1, -6.97, 48.26

 

CMYK 98 / 0 / 57 / 57

HEX #026D2F

RGB 2 109 47

HSL 145.23, 0.96%, 0.22%

LAB 39.84, -41.53, 27

 

CMYK 98 / 90 / 0 / 57

HEX #020B6D

RGB 2 11 109

HSL 234.95, 0.96%, 0.22%

LAB 11.66, 37.09, -54.62

 

CMYK 0 / 98 / 40 / 57

HEX #6D0241

RGB 109 2 65

HSL 324.67, 0.96%, 0.22%

LAB 22.57, 46.11, -6.65

 

Description

Color code: HEX #6D6502 | qconv.com Color code: HEX #6D6502 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 101 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 101 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 98 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 98% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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