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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D6448 it is the complementary color #929BB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D6448. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D6448 shade: #726443, #837656, #948869, #A59A7C and #B6AC8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D6448. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D6448 shade: #6D6448, #5C5235, #4B4022, #3A2E0F and #291C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D6448 shade: #6B6247, #6B5947, #6B4F47 and #6B4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D6448 shade: #6B6247, #6A6B47, #616B47, #576B47 and #4D6B47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D6448 shade matches the following richer shades: #6B6247, #7A6A39, #88712B, #96791C and #A5800E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D6448 shade: #6B6247, #5D5B56, #4E5464, #404C73 and #314581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D6448 shade: #6B4F47, #6B5947, #6B6247, #6B6B47 and #616B47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D6448 shade: #3A3526, #524C37, #6B6247, #847958 and #9B8F6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D6448 shade: #6D6448, #496B47 and #54476B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D6448 shade: #6D6448, #476B62 and #62476B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D6448 shade: #6D6448, #496B47, #47506B and #69476B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D6448 shade: #6D6448, #476B50, #47506B and #6B4762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 34 / 57

HEX #6D6448

RGB 109 100 72

HSL 45.41, 0.2%, 0.35%

LAB 42.51, -1.14, 17.21

 

Complementary color

CMYK 20 / 15 / 0 / 28

HEX #929BB7

RGB 146 155 183

HSL 225.41, 0.2%, 0.65%

LAB 64.14, 2.85, -15.58

 

CMYK 0 / 12 / 41 / 55

HEX #726443

RGB 114 100 67

HSL 42.13, 0.26%, 0.35%

LAB 42.91, 0.42, 20.77

 

CMYK 0 / 10 / 34 / 49

HEX #837656

RGB 131 118 86

HSL 42.67, 0.21%, 0.43%

LAB 50.04, -0.12, 19.48

 

CMYK 0 / 8 / 29 / 42

HEX #948869

RGB 148 136 105

HSL 43.26, 0.17%, 0.5%

LAB 57, -0.55, 18.31

 

CMYK 0 / 7 / 25 / 35

HEX #A59A7C

RGB 165 154 124

HSL 43.9, 0.19%, 0.57%

LAB 63.81, -0.9, 17.23

 

CMYK 0 / 5 / 21 / 29

HEX #B6AC8F

RGB 182 172 143

HSL 44.62, 0.21%, 0.64%

LAB 70.48, -1.2, 16.23

 

CMYK 0 / 8 / 34 / 57

HEX #6D6448

RGB 109 100 72

HSL 45.41, 0.2%, 0.35%

LAB 42.51, -1.14, 17.21

 

CMYK 0 / 11 / 42 / 64

HEX #5C5235

RGB 92 82 53

HSL 44.62, 0.27%, 0.28%

LAB 35.14, -0.63, 18.53

 

CMYK 0 / 15 / 55 / 71

HEX #4B4022

RGB 75 64 34

HSL 43.9, 0.38%, 0.21%

LAB 27.51, 0.09, 20

 

CMYK 0 / 21 / 74 / 77

HEX #3A2E0F

RGB 58 46 15

HSL 43.26, 0.59%, 0.14%

LAB 19.59, 1.17, 21.45

 

CMYK 0 / 32 / 100 / 84

HEX #291C00

RGB 41 28 0

HSL 40.98, 1%, 0.08%

LAB 11.29, 2.85, 16.87

 

CMYK 0 / 8 / 34 / 58

HEX #6B6247

RGB 107 98 71

HSL 45, 0.2%, 0.35%

LAB 41.71, -0.98, 16.7

 

CMYK 0 / 17 / 34 / 58

HEX #6B5947

RGB 107 89 71

HSL 30, 0.2%, 0.35%

LAB 39.11, 4.41, 13.17

 

CMYK 0 / 26 / 34 / 58

HEX #6B4F47

RGB 107 79 71

HSL 13.33, 0.2%, 0.35%

LAB 36.31, 10.52, 9.3

 

CMYK 0 / 34 / 34 / 58

HEX #6B4747

RGB 107 71 71

HSL 0, 0.2%, 0.35%

LAB 34.16, 15.44, 6.28

 

CMYK 0 / 8 / 34 / 58

HEX #6B6247

RGB 107 98 71

HSL 45, 0.2%, 0.35%

LAB 41.71, -0.98, 16.7

 

CMYK 1 / 0 / 34 / 58

HEX #6A6B47

RGB 106 107 71

HSL 61.67, 0.2%, 0.35%

LAB 44.28, -6.67, 20.1

 

CMYK 9 / 0 / 34 / 58

HEX #616B47

RGB 97 107 71

HSL 76.67, 0.2%, 0.35%

LAB 43.52, -10.53, 18.96

 

CMYK 19 / 0 / 34 / 58

HEX #576B47

RGB 87 107 71

HSL 93.33, 0.2%, 0.35%

LAB 42.76, -14.69, 17.8

 

CMYK 28 / 0 / 34 / 58

HEX #4D6B47

RGB 77 107 71

HSL 110, 0.2%, 0.35%

LAB 42.07, -18.64, 16.76

 

CMYK 0 / 8 / 34 / 58

HEX #6B6247

RGB 107 98 71

HSL 45, 0.2%, 0.35%

LAB 41.71, -0.98, 16.7

 

CMYK 0 / 13 / 53 / 52

HEX #7A6A39

RGB 122 106 57

HSL 45.23, 0.36%, 0.35%

LAB 45.28, -0.58, 29.62

 

CMYK 0 / 17 / 68 / 47

HEX #88712B

RGB 136 113 43

HSL 45.16, 0.52%, 0.35%

LAB 48.53, 0.73, 40.91

 

CMYK 0 / 19 / 81 / 41

HEX #96791C

RGB 150 121 28

HSL 45.74, 0.69%, 0.35%

LAB 52.11, 1.94, 51.1

 

CMYK 0 / 22 / 92 / 35

HEX #A5800E

RGB 165 128 14

HSL 45.3, 0.84%, 0.35%

LAB 55.55, 4.58, 58.49

 

CMYK 0 / 8 / 34 / 58

HEX #6B6247

RGB 107 98 71

HSL 45, 0.2%, 0.35%

LAB 41.71, -0.98, 16.7

 

CMYK 0 / 2 / 8 / 64

HEX #5D5B56

RGB 93 91 86

HSL 42.86, 0.04%, 0.35%

LAB 38.69, -0.21, 3.16

 

CMYK 22 / 16 / 0 / 61

HEX #4E5464

RGB 78 84 100

HSL 223.64, 0.12%, 0.35%

LAB 35.75, 1.5, -10.05

 

CMYK 44 / 34 / 0 / 55

HEX #404C73

RGB 64 76 115

HSL 225.88, 0.28%, 0.35%

LAB 32.91, 6.39, -23.9

 

CMYK 62 / 47 / 0 / 49

HEX #314581

RGB 49 69 129

HSL 225, 0.45%, 0.35%

LAB 30.63, 12.11, -36.32

 

CMYK 0 / 26 / 34 / 58

HEX #6B4F47

RGB 107 79 71

HSL 13.33, 0.2%, 0.35%

LAB 36.31, 10.52, 9.3

 

CMYK 0 / 17 / 34 / 58

HEX #6B5947

RGB 107 89 71

HSL 30, 0.2%, 0.35%

LAB 39.11, 4.41, 13.17

 

CMYK 0 / 8 / 34 / 58

HEX #6B6247

RGB 107 98 71

HSL 45, 0.2%, 0.35%

LAB 41.71, -0.98, 16.7

 

CMYK 0 / 0 / 34 / 58

HEX #6B6B47

RGB 107 107 71

HSL 60, 0.2%, 0.35%

LAB 44.37, -6.23, 20.23

 

CMYK 9 / 0 / 34 / 58

HEX #616B47

RGB 97 107 71

HSL 76.67, 0.2%, 0.35%

LAB 43.52, -10.53, 18.96

 

CMYK 0 / 9 / 34 / 77

HEX #3A3526

RGB 58 53 38

HSL 45, 0.21%, 0.19%

LAB 22.25, -0.65, 10.28

 

CMYK 0 / 7 / 33 / 68

HEX #524C37

RGB 82 76 55

HSL 46.67, 0.2%, 0.27%

LAB 32.34, -1.28, 13.42

 

CMYK 0 / 8 / 34 / 58

HEX #6B6247

RGB 107 98 71

HSL 45, 0.2%, 0.35%

LAB 41.71, -0.98, 16.7

 

CMYK 0 / 8 / 33 / 48

HEX #847958

RGB 132 121 88

HSL 45, 0.2%, 0.43%

LAB 51.02, -1.13, 19.66

 

CMYK 0 / 8 / 32 / 39

HEX #9B8F6A

RGB 155 143 106

HSL 45.31, 0.2%, 0.51%

LAB 59.57, -1.42, 21.34

 

CMYK 0 / 8 / 34 / 57

HEX #6D6448

RGB 109 100 72

HSL 45.41, 0.2%, 0.35%

LAB 42.51, -1.14, 17.21

 

CMYK 32 / 0 / 34 / 58

HEX #496B47

RGB 73 107 71

HSL 116.67, 0.2%, 0.35%

LAB 41.82, -20.15, 16.39

 

CMYK 21 / 34 / 0 / 58

HEX #54476B

RGB 84 71 107

HSL 261.67, 0.2%, 0.35%

LAB 32.82, 13.73, -18.89

 

CMYK 0 / 8 / 34 / 57

HEX #6D6448

RGB 109 100 72

HSL 45.41, 0.2%, 0.35%

LAB 42.51, -1.14, 17.21

 

CMYK 34 / 0 / 8 / 58

HEX #476B62

RGB 71 107 98

HSL 165, 0.2%, 0.35%

LAB 42.36, -15.05, 0.94

 

CMYK 8 / 34 / 0 / 58

HEX #62476B

RGB 98 71 107

HSL 285, 0.2%, 0.35%

LAB 34.32, 18.69, -16.44

 

CMYK 0 / 8 / 34 / 57

HEX #6D6448

RGB 109 100 72

HSL 45.41, 0.2%, 0.35%

LAB 42.51, -1.14, 17.21

 

CMYK 32 / 0 / 34 / 58

HEX #496B47

RGB 73 107 71

HSL 116.67, 0.2%, 0.35%

LAB 41.82, -20.15, 16.39

 

CMYK 34 / 25 / 0 / 58

HEX #47506B

RGB 71 80 107

HSL 225, 0.2%, 0.35%

LAB 34.27, 3.54, -16.74

 

CMYK 2 / 34 / 0 / 58

HEX #69476B

RGB 105 71 107

HSL 296.67, 0.2%, 0.35%

LAB 35.15, 21.22, -15.11

 

CMYK 0 / 8 / 34 / 57

HEX #6D6448

RGB 109 100 72

HSL 45.41, 0.2%, 0.35%

LAB 42.51, -1.14, 17.21

 

CMYK 34 / 0 / 25 / 58

HEX #476B50

RGB 71 107 80

HSL 135, 0.2%, 0.35%

LAB 41.9, -19.12, 11.12

 

CMYK 34 / 25 / 0 / 58

HEX #47506B

RGB 71 80 107

HSL 225, 0.2%, 0.35%

LAB 34.27, 3.54, -16.74

 

CMYK 0 / 34 / 8 / 58

HEX #6B4762

RGB 107 71 98

HSL 315, 0.2%, 0.35%

LAB 35.03, 20.11, -9.59

 

Description

Color code: HEX #6D6448 | qconv.com Color code: HEX #6D6448 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 100 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 100 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 34 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 34% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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