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Color name
HEX #6D6414

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D6414 it is the complementary color #929BEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D6414. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D6414 shade: #72640F, #837622, #948835, #A59A48 and #B6AC5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D6414. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D6414 shade: #6D6414, #5C5201, #4B4000, #3A2E00 and #291C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D6414 shade: #6C6314, #6C4B14, #6C3314, #6C1C14 and #6C1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D6414 shade: #6C6314, #5D6C14, #456C14, #2D6C14 and #166C14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D6414 shade matches the following richer shades: #6C6314 and #766B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D6414 shade: #6C6314, #615B1E, #575228, #4D4A33 and #42423D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D6414 shade: #6C3314, #6C4A14, #6C6114, #5F6C14 and #476C14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D6414 shade: #262307, #49430D, #6C6314, #8F831A and #B1A321

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D6414 shade: #6D6414, #146C1B and #3E146C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D6414 shade: #6D6414, #146C61 and #61146C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D6414 shade: #6D6414, #146C1B, #141E6C and #6C1464

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D6414 shade: #6D6414, #146C35, #141E6C and #6C144A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 82 / 57

HEX #6D6414

RGB 109 100 20

HSL 53.93, 0.69%, 0.25%

LAB 41.87, -5.85, 43.09

 

Complementary color

CMYK 38 / 34 / 0 / 8

HEX #929BEB

RGB 146 155 235

HSL 233.93, 0.69%, 0.75%

LAB 66.18, 15.97, -41.33

 

CMYK 0 / 12 / 87 / 55

HEX #72640F

RGB 114 100 15

HSL 51.52, 0.77%, 0.25%

LAB 42.35, -3.61, 45.33

 

CMYK 0 / 10 / 74 / 49

HEX #837622

RGB 131 118 34

HSL 51.96, 0.59%, 0.32%

LAB 49.37, -4.97, 45.58

 

CMYK 0 / 8 / 64 / 42

HEX #948835

RGB 148 136 53

HSL 52.42, 0.47%, 0.39%

LAB 56.25, -6.01, 44.87

 

CMYK 0 / 7 / 56 / 35

HEX #A59A48

RGB 165 154 72

HSL 52.9, 0.39%, 0.46%

LAB 62.99, -6.84, 43.79

 

CMYK 0 / 5 / 50 / 29

HEX #B6AC5B

RGB 182 172 91

HSL 53.41, 0.38%, 0.54%

LAB 69.62, -7.5, 42.59

 

CMYK 0 / 8 / 82 / 57

HEX #6D6414

RGB 109 100 20

HSL 53.93, 0.69%, 0.25%

LAB 41.87, -5.85, 43.09

 

CMYK 0 / 11 / 99 / 64

HEX #5C5201

RGB 92 82 1

HSL 53.41, 0.98%, 0.18%

LAB 34.62, -4.36, 42.27

 

CMYK 0 / 15 / 100 / 71

HEX #4B4000

RGB 75 64 0

HSL 51.2, 1%, 0.15%

LAB 27.19, -2.2, 36.2

 

CMYK 0 / 21 / 100 / 77

HEX #3A2E00

RGB 58 46 0

HSL 47.59, 1%, 0.11%

LAB 19.45, 0.18, 27.7

 

CMYK 0 / 32 / 100 / 84

HEX #291C00

RGB 41 28 0

HSL 40.98, 1%, 0.08%

LAB 11.29, 2.85, 16.87

 

CMYK 0 / 8 / 81 / 58

HEX #6C6314

RGB 108 99 20

HSL 53.86, 0.69%, 0.25%

LAB 41.47, -5.76, 42.69

 

CMYK 0 / 31 / 81 / 58

HEX #6C4B14

RGB 108 75 20

HSL 37.5, 0.69%, 0.25%

LAB 34.54, 8.58, 36.26

 

CMYK 0 / 53 / 81 / 58

HEX #6C3314

RGB 108 51 20

HSL 21.14, 0.69%, 0.25%

LAB 28.4, 23.04, 30.27

 

CMYK 0 / 74 / 81 / 58

HEX #6C1C14

RGB 108 28 20

HSL 5.45, 0.69%, 0.25%

LAB 23.9, 34.83, 25.65

 

CMYK 0 / 81 / 81 / 58

HEX #6C1414

RGB 108 20 20

HSL 0, 0.69%, 0.25%

LAB 22.79, 37.91, 24.47

 

CMYK 0 / 8 / 81 / 58

HEX #6C6314

RGB 108 99 20

HSL 53.86, 0.69%, 0.25%

LAB 41.47, -5.76, 42.69

 

CMYK 14 / 0 / 81 / 58

HEX #5D6C14

RGB 93 108 20

HSL 70.23, 0.69%, 0.25%

LAB 42.92, -17.89, 43.52

 

CMYK 36 / 0 / 81 / 58

HEX #456C14

RGB 69 108 20

HSL 86.59, 0.69%, 0.25%

LAB 41.28, -28.3, 41.41

 

CMYK 58 / 0 / 81 / 58

HEX #2D6C14

RGB 45 108 20

HSL 102.95, 0.69%, 0.25%

LAB 40.14, -36.76, 39.92

 

CMYK 80 / 0 / 81 / 58

HEX #166C14

RGB 22 108 20

HSL 118.64, 0.69%, 0.25%

LAB 39.49, -42.11, 39.07

 

CMYK 0 / 8 / 81 / 58

HEX #6C6314

RGB 108 99 20

HSL 53.86, 0.69%, 0.25%

LAB 41.47, -5.76, 42.69

 

CMYK 0 / 9 / 92 / 54

HEX #766B09

RGB 118 107 9

HSL 53.94, 0.86%, 0.25%

LAB 44.78, -5.85, 49.02

 

CMYK 0 / 8 / 81 / 58

HEX #6C6314

RGB 108 99 20

HSL 53.86, 0.69%, 0.25%

LAB 41.47, -5.76, 42.69

 

CMYK 0 / 6 / 69 / 62

HEX #615B1E

RGB 97 91 30

HSL 54.63, 0.53%, 0.25%

LAB 38.05, -5.89, 34.79

 

CMYK 0 / 6 / 54 / 66

HEX #575228

RGB 87 82 40

HSL 53.62, 0.37%, 0.25%

LAB 34.42, -4.51, 25.18

 

CMYK 0 / 4 / 34 / 70

HEX #4D4A33

RGB 77 74 51

HSL 53.08, 0.2%, 0.25%

LAB 31.15, -2.96, 14.22

 

CMYK 0 / 0 / 8 / 74

HEX #42423D

RGB 66 66 61

HSL 60, 0.04%, 0.25%

LAB 27.82, -1.08, 3.04

 

CMYK 0 / 53 / 81 / 58

HEX #6C3314

RGB 108 51 20

HSL 21.14, 0.69%, 0.25%

LAB 28.4, 23.04, 30.27

 

CMYK 0 / 31 / 81 / 58

HEX #6C4A14

RGB 108 74 20

HSL 36.82, 0.69%, 0.25%

LAB 34.26, 9.19, 35.99

 

CMYK 0 / 10 / 81 / 58

HEX #6C6114

RGB 108 97 20

HSL 52.5, 0.69%, 0.25%

LAB 40.88, -4.6, 42.15

 

CMYK 12 / 0 / 81 / 58

HEX #5F6C14

RGB 95 108 20

HSL 68.86, 0.69%, 0.25%

LAB 43.08, -16.97, 43.73

 

CMYK 34 / 0 / 81 / 58

HEX #476C14

RGB 71 108 20

HSL 85.23, 0.69%, 0.25%

LAB 41.4, -27.49, 41.56

 

CMYK 0 / 8 / 82 / 85

HEX #262307

RGB 38 35 7

HSL 54.19, 0.69%, 0.09%

LAB 13.41, -3.08, 16.83

 

CMYK 0 / 8 / 82 / 71

HEX #49430D

RGB 73 67 13

HSL 54, 0.7%, 0.17%

LAB 28.01, -4.52, 31.61

 

CMYK 0 / 8 / 81 / 58

HEX #6C6314

RGB 108 99 20

HSL 53.86, 0.69%, 0.25%

LAB 41.47, -5.76, 42.69

 

CMYK 0 / 8 / 82 / 44

HEX #8F831A

RGB 143 131 26

HSL 53.85, 0.69%, 0.33%

LAB 54.18, -6.96, 53.33

 

CMYK 0 / 8 / 81 / 31

HEX #B1A321

RGB 177 163 33

HSL 54.17, 0.69%, 0.41%

LAB 66.25, -8.51, 63.01

 

CMYK 0 / 8 / 82 / 57

HEX #6D6414

RGB 109 100 20

HSL 53.93, 0.69%, 0.25%

LAB 41.87, -5.85, 43.09

 

CMYK 81 / 0 / 75 / 58

HEX #146C1B

RGB 20 108 27

HSL 124.77, 0.69%, 0.25%

LAB 39.5, -41.83, 36.36

 

CMYK 43 / 81 / 0 / 58

HEX #3E146C

RGB 62 20 108

HSL 268.64, 0.69%, 0.25%

LAB 18.4, 38.38, -42.66

 

CMYK 0 / 8 / 82 / 57

HEX #6D6414

RGB 109 100 20

HSL 53.93, 0.69%, 0.25%

LAB 41.87, -5.85, 43.09

 

CMYK 81 / 0 / 10 / 58

HEX #146C61

RGB 20 108 97

HSL 172.5, 0.69%, 0.25%

LAB 40.79, -27.44, -0.97

 

CMYK 10 / 81 / 0 / 58

HEX #61146C

RGB 97 20 108

HSL 292.5, 0.69%, 0.25%

LAB 24.08, 45.33, -33.19

 

CMYK 0 / 8 / 82 / 57

HEX #6D6414

RGB 109 100 20

HSL 53.93, 0.69%, 0.25%

LAB 41.87, -5.85, 43.09

 

CMYK 81 / 0 / 75 / 58

HEX #146C1B

RGB 20 108 27

HSL 124.77, 0.69%, 0.25%

LAB 39.5, -41.83, 36.36

 

CMYK 81 / 72 / 0 / 58

HEX #141E6C

RGB 20 30 108

HSL 233.18, 0.69%, 0.25%

LAB 16.31, 26.46, -46.25

 

CMYK 0 / 81 / 7 / 58

HEX #6C1464

RGB 108 20 100

HSL 305.45, 0.69%, 0.25%

LAB 25.59, 46.37, -25.46

 

CMYK 0 / 8 / 82 / 57

HEX #6D6414

RGB 109 100 20

HSL 53.93, 0.69%, 0.25%

LAB 41.87, -5.85, 43.09

 

CMYK 81 / 0 / 51 / 58

HEX #146C35

RGB 20 108 53

HSL 142.5, 0.69%, 0.25%

LAB 39.8, -38.24, 23.71

 

CMYK 81 / 72 / 0 / 58

HEX #141E6C

RGB 20 30 108

HSL 233.18, 0.69%, 0.25%

LAB 16.31, 26.46, -46.25

 

CMYK 0 / 81 / 31 / 58

HEX #6C144A

RGB 108 20 74

HSL 323.18, 0.69%, 0.25%

LAB 24.27, 42.51, -10.24

 

Description

Color code: HEX #6D6414 | qconv.com Color code: HEX #6D6414 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 100 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 100 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 82 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 82% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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