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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D5E6D it is the complementary color #92A192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D5E6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D5E6D shade: #725E68, #83707B, #94828E, #A594A1 and #B6A6B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D5E6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D5E6D shade: #6D5E6D, #5C4C5A, #4B3A47, #3A2834 and #291621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D5E6D shade: #6D5F6D, #6D5F69, #6D5F65, #6D5F62 and #6D5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D5E6D shade: #6D5F6D, #695F6D, #655F6D, #625F6D and #5F5F6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D5E6D shade matches the following richer shades: #6D5F6D, #7E4E7E, #8E3E8E, #9F2D9F and #AF1DAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D5E6D shade: #6D5F6D, #5D6F5D, #4C804C, #3C903C and #2BA12B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D5E6D shade: #665F6D, #695F6D, #6D5F6D, #6D5F69 and #6D5F66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D5E6D shade: #413841, #574C57, #6D5F6D, #837283 and #978797

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D5E6D shade: #6D5E6D, #6D625F and #5F6D67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D5E6D shade: #6D5E6D, #6D6D5F and #5F6D6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D5E6D shade: #6D5E6D, #6D625F, #5F6D5F and #5F6A6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D5E6D shade: #6D5E6D, #6D665F, #5F6D5F and #5F666D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 0 / 57

HEX #6D5E6D

RGB 109 94 109

HSL 300, 0.07%, 0.4%

LAB 41.78, 9.01, -6.27

 

Complementary color

CMYK 9 / 0 / 9 / 37

HEX #92A192

RGB 146 161 146

HSL 120, 0.07%, 0.6%

LAB 64.7, -8.24, 6

 

CMYK 0 / 18 / 9 / 55

HEX #725E68

RGB 114 94 104

HSL 330, 0.1%, 0.41%

LAB 42.13, 9.95, -2.65

 

CMYK 0 / 15 / 6 / 49

HEX #83707B

RGB 131 112 123

HSL 325.26, 0.08%, 0.48%

LAB 49.31, 9.47, -3.32

 

CMYK 0 / 12 / 4 / 42

HEX #94828E

RGB 148 130 142

HSL 320, 0.08%, 0.55%

LAB 56.3, 9.05, -3.94

 

CMYK 0 / 10 / 2 / 35

HEX #A594A1

RGB 165 148 161

HSL 314.12, 0.09%, 0.61%

LAB 63.14, 8.67, -4.53

 

CMYK 0 / 9 / 1 / 29

HEX #B6A6B4

RGB 182 166 180

HSL 307.5, 0.1%, 0.68%

LAB 69.83, 8.33, -5.1

 

CMYK 0 / 14 / 0 / 57

HEX #6D5E6D

RGB 109 94 109

HSL 300, 0.07%, 0.4%

LAB 41.78, 9.01, -6.27

 

CMYK 0 / 17 / 2 / 64

HEX #5C4C5A

RGB 92 76 90

HSL 307.5, 0.1%, 0.33%

LAB 34.36, 9.5, -5.71

 

CMYK 0 / 23 / 5 / 71

HEX #4B3A47

RGB 75 58 71

HSL 314.12, 0.13%, 0.26%

LAB 26.67, 10.09, -5.11

 

CMYK 0 / 31 / 10 / 77

HEX #3A2834

RGB 58 40 52

HSL 320, 0.18%, 0.19%

LAB 18.65, 10.8, -4.44

 

CMYK 0 / 46 / 20 / 84

HEX #291621

RGB 41 22 33

HSL 325.26, 0.3%, 0.12%

LAB 10.22, 11.72, -3.61

 

CMYK 0 / 13 / 0 / 57

HEX #6D5F6D

RGB 109 95 109

HSL 300, 0.07%, 0.4%

LAB 42.06, 8.4, -5.86

 

CMYK 0 / 13 / 4 / 57

HEX #6D5F69

RGB 109 95 105

HSL 317.14, 0.07%, 0.4%

LAB 41.93, 7.57, -3.61

 

CMYK 0 / 13 / 7 / 57

HEX #6D5F65

RGB 109 95 101

HSL 334.29, 0.07%, 0.4%

LAB 41.81, 6.77, -1.35

 

CMYK 0 / 13 / 10 / 57

HEX #6D5F62

RGB 109 95 98

HSL 347.14, 0.07%, 0.4%

LAB 41.72, 6.19, 0.36

 

CMYK 0 / 13 / 13 / 57

HEX #6D5F5F

RGB 109 95 95

HSL 0, 0.07%, 0.4%

LAB 41.63, 5.63, 2.06

 

CMYK 0 / 13 / 0 / 57

HEX #6D5F6D

RGB 109 95 109

HSL 300, 0.07%, 0.4%

LAB 42.06, 8.4, -5.86

 

CMYK 4 / 13 / 0 / 57

HEX #695F6D

RGB 105 95 109

HSL 282.86, 0.07%, 0.4%

LAB 41.68, 6.87, -6.48

 

CMYK 7 / 13 / 0 / 57

HEX #655F6D

RGB 101 95 109

HSL 265.71, 0.07%, 0.4%

LAB 41.3, 5.35, -7.07

 

CMYK 10 / 13 / 0 / 57

HEX #625F6D

RGB 98 95 109

HSL 252.86, 0.07%, 0.4%

LAB 41.03, 4.23, -7.5

 

CMYK 13 / 13 / 0 / 57

HEX #5F5F6D

RGB 95 95 109

HSL 240, 0.07%, 0.4%

LAB 40.77, 3.12, -7.93

 

CMYK 0 / 13 / 0 / 57

HEX #6D5F6D

RGB 109 95 109

HSL 300, 0.07%, 0.4%

LAB 42.06, 8.4, -5.86

 

CMYK 0 / 38 / 0 / 51

HEX #7E4E7E

RGB 126 78 126

HSL 300, 0.24%, 0.4%

LAB 40.23, 28.39, -18.86

 

CMYK 0 / 56 / 0 / 44

HEX #8E3E8E

RGB 142 62 142

HSL 300, 0.39%, 0.4%

LAB 39.83, 45.2, -29.09

 

CMYK 0 / 72 / 0 / 38

HEX #9F2D9F

RGB 159 45 159

HSL 300, 0.56%, 0.4%

LAB 40.82, 59.72, -37.64

 

CMYK 0 / 83 / 0 / 31

HEX #AF1DAF

RGB 175 29 175

HSL 300, 0.72%, 0.4%

LAB 42.9, 70.12, -43.72

 

CMYK 0 / 13 / 0 / 57

HEX #6D5F6D

RGB 109 95 109

HSL 300, 0.07%, 0.4%

LAB 42.06, 8.4, -5.86

 

CMYK 16 / 0 / 16 / 56

HEX #5D6F5D

RGB 93 111 93

HSL 120, 0.09%, 0.4%

LAB 44.92, -10.55, 7.81

 

CMYK 41 / 0 / 41 / 50

HEX #4C804C

RGB 76 128 76

HSL 120, 0.25%, 0.4%

LAB 48.88, -28.79, 22.9

 

CMYK 58 / 0 / 58 / 44

HEX #3C903C

RGB 60 144 60

HSL 120, 0.41%, 0.4%

LAB 53.2, -43, 36.59

 

CMYK 73 / 0 / 73 / 37

HEX #2BA12B

RGB 43 161 43

HSL 120, 0.58%, 0.4%

LAB 58.21, -54.68, 49.41

 

CMYK 6 / 13 / 0 / 57

HEX #665F6D

RGB 102 95 109

HSL 270, 0.07%, 0.4%

LAB 41.4, 5.73, -6.92

 

CMYK 4 / 13 / 0 / 57

HEX #695F6D

RGB 105 95 109

HSL 282.86, 0.07%, 0.4%

LAB 41.68, 6.87, -6.48

 

CMYK 0 / 13 / 0 / 57

HEX #6D5F6D

RGB 109 95 109

HSL 300, 0.07%, 0.4%

LAB 42.06, 8.4, -5.86

 

CMYK 0 / 13 / 4 / 57

HEX #6D5F69

RGB 109 95 105

HSL 317.14, 0.07%, 0.4%

LAB 41.93, 7.57, -3.61

 

CMYK 0 / 13 / 6 / 57

HEX #6D5F66

RGB 109 95 102

HSL 330, 0.07%, 0.4%

LAB 41.84, 6.97, -1.91

 

CMYK 0 / 14 / 0 / 75

HEX #413841

RGB 65 56 65

HSL 300, 0.07%, 0.24%

LAB 24.75, 5.9, -4.12

 

CMYK 0 / 13 / 0 / 66

HEX #574C57

RGB 87 76 87

HSL 300, 0.07%, 0.32%

LAB 33.74, 6.86, -4.79

 

CMYK 0 / 13 / 0 / 57

HEX #6D5F6D

RGB 109 95 109

HSL 300, 0.07%, 0.4%

LAB 42.06, 8.4, -5.86

 

CMYK 0 / 13 / 0 / 49

HEX #837283

RGB 131 114 131

HSL 300, 0.07%, 0.48%

LAB 50.1, 9.87, -6.88

 

CMYK 0 / 11 / 0 / 41

HEX #978797

RGB 151 135 151

HSL 300, 0.07%, 0.56%

LAB 58.17, 9.03, -6.33

 

CMYK 0 / 14 / 0 / 57

HEX #6D5E6D

RGB 109 94 109

HSL 300, 0.07%, 0.4%

LAB 41.78, 9.01, -6.27

 

CMYK 0 / 10 / 13 / 57

HEX #6D625F

RGB 109 98 95

HSL 12.86, 0.07%, 0.4%

LAB 42.48, 3.82, 3.29

 

CMYK 13 / 0 / 6 / 57

HEX #5F6D67

RGB 95 109 103

HSL 154.29, 0.07%, 0.4%

LAB 44.73, -6.58, 1.56

 

CMYK 0 / 14 / 0 / 57

HEX #6D5E6D

RGB 109 94 109

HSL 300, 0.07%, 0.4%

LAB 41.78, 9.01, -6.27

 

CMYK 0 / 0 / 13 / 57

HEX #6D6D5F

RGB 109 109 95

HSL 60, 0.07%, 0.4%

LAB 45.65, -2.7, 7.83

 

CMYK 13 / 0 / 0 / 57

HEX #5F6D6D

RGB 95 109 109

HSL 180, 0.07%, 0.4%

LAB 44.91, -5.25, -1.79

 

CMYK 0 / 14 / 0 / 57

HEX #6D5E6D

RGB 109 94 109

HSL 300, 0.07%, 0.4%

LAB 41.78, 9.01, -6.27

 

CMYK 0 / 10 / 13 / 57

HEX #6D625F

RGB 109 98 95

HSL 12.86, 0.07%, 0.4%

LAB 42.48, 3.82, 3.29

 

CMYK 13 / 0 / 13 / 57

HEX #5F6D5F

RGB 95 109 95

HSL 120, 0.07%, 0.4%

LAB 44.51, -8.25, 6.05

 

CMYK 13 / 3 / 0 / 57

HEX #5F6A6D

RGB 95 106 109

HSL 192.86, 0.07%, 0.4%

LAB 44.01, -3.49, -3.11

 

CMYK 0 / 14 / 0 / 57

HEX #6D5E6D

RGB 109 94 109

HSL 300, 0.07%, 0.4%

LAB 41.78, 9.01, -6.27

 

CMYK 0 / 6 / 13 / 57

HEX #6D665F

RGB 109 102 95

HSL 30, 0.07%, 0.4%

LAB 43.62, 1.43, 4.94

 

CMYK 13 / 0 / 13 / 57

HEX #5F6D5F

RGB 95 109 95

HSL 120, 0.07%, 0.4%

LAB 44.51, -8.25, 6.05

 

CMYK 13 / 6 / 0 / 57

HEX #5F666D

RGB 95 102 109

HSL 210, 0.07%, 0.4%

LAB 42.82, -1.12, -4.86

 

Description

Color code: HEX #6D5E6D | qconv.com Color code: HEX #6D5E6D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 94 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 94 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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