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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D5E22 it is the complementary color #92A1DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D5E22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D5E22 shade: #725E1D, #837030, #948243, #A59456 and #B6A669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D5E22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D5E22 shade: #6D5E22, #5C4C0F, #4B3A00, #3A2800 and #291600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D5E22 shade: #6D5E22, #6D4A22, #6D3622 and #6D2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D5E22 shade: #6D5E22, #676D22, #536D22, #3F6D22 and #2B6D22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D5E22 shade matches the following richer shades: #6D5E22, #786517 and #846C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D5E22 shade: #6D5E22, #61572E, #555039, #4A4945 and #3E4250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D5E22 shade: #6D3622, #6D4A22, #6D5E22, #686D22 and #546D22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D5E22 shade: #2E280E, #4D4318, #6D5E22, #8C792C and #AB9436

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D5E22 shade: #6D5E22, #226D22 and #40226D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D5E22 shade: #6D5E22, #226D5E and #5E226D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D5E22 shade: #6D5E22, #226D22, #22316D and #6D226D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D5E22 shade: #6D5E22, #226D39, #22316D and #6D2256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

Complementary color

CMYK 34 / 27 / 0 / 13

HEX #92A1DD

RGB 146 161 221

HSL 228, 0.52%, 0.72%

LAB 67.14, 8.83, -32.12

 

CMYK 0 / 18 / 75 / 55

HEX #725E1D

RGB 114 94 29

HSL 45.88, 0.59%, 0.28%

LAB 40.69, 0.52, 38.52

 

CMYK 0 / 15 / 63 / 49

HEX #837030

RGB 131 112 48

HSL 46.27, 0.46%, 0.35%

LAB 47.79, -0.67, 37.51

 

CMYK 0 / 12 / 55 / 42

HEX #948243

RGB 148 130 67

HSL 46.67, 0.38%, 0.42%

LAB 54.73, -1.59, 36.24

 

CMYK 0 / 10 / 48 / 35

HEX #A59456

RGB 165 148 86

HSL 47.09, 0.31%, 0.49%

LAB 61.53, -2.32, 34.93

 

CMYK 0 / 9 / 42 / 29

HEX #B6A669

RGB 182 166 105

HSL 47.53, 0.35%, 0.56%

LAB 68.2, -2.91, 33.65

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 0 / 17 / 84 / 64

HEX #5C4C0F

RGB 92 76 15

HSL 47.53, 0.72%, 0.21%

LAB 32.87, -0.24, 36.08

 

CMYK 0 / 23 / 100 / 71

HEX #4B3A00

RGB 75 58 0

HSL 46.4, 1%, 0.15%

LAB 25.33, 1.6, 34.51

 

CMYK 0 / 31 / 100 / 77

HEX #3A2800

RGB 58 40 0

HSL 41.38, 1%, 0.11%

LAB 17.54, 4.2, 25.45

 

CMYK 0 / 46 / 100 / 84

HEX #291600

RGB 41 22 0

HSL 32.2, 1%, 0.08%

LAB 9.36, 7.15, 14.16

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 0 / 32 / 69 / 57

HEX #6D4A22

RGB 109 74 34

HSL 32, 0.52%, 0.28%

LAB 34.53, 10.48, 29.29

 

CMYK 0 / 50 / 69 / 57

HEX #6D3622

RGB 109 54 34

HSL 16, 0.52%, 0.28%

LAB 29.43, 22.54, 23.39

 

CMYK 0 / 69 / 69 / 57

HEX #6D2222

RGB 109 34 34

HSL 0, 0.52%, 0.28%

LAB 25.29, 33.25, 18.37

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 6 / 0 / 69 / 57

HEX #676D22

RGB 103 109 34

HSL 64.8, 0.52%, 0.28%

LAB 44.14, -13, 39.47

 

CMYK 24 / 0 / 69 / 57

HEX #536D22

RGB 83 109 34

HSL 80.8, 0.52%, 0.28%

LAB 42.6, -21.98, 37.38

 

CMYK 42 / 0 / 69 / 57

HEX #3F6D22

RGB 63 109 34

HSL 96.8, 0.52%, 0.28%

LAB 41.39, -30.02, 35.73

 

CMYK 61 / 0 / 69 / 57

HEX #2B6D22

RGB 43 109 34

HSL 112.8, 0.52%, 0.28%

LAB 40.52, -36.52, 34.53

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 0 / 16 / 81 / 53

HEX #786517

RGB 120 101 23

HSL 48.25, 0.68%, 0.28%

LAB 43.3, -0.99, 43.72

 

CMYK 0 / 18 / 92 / 48

HEX #846C0B

RGB 132 108 11

HSL 48.1, 0.85%, 0.28%

LAB 46.52, 0.36, 50.56

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 0 / 10 / 53 / 62

HEX #61572E

RGB 97 87 46

HSL 48.24, 0.36%, 0.28%

LAB 37.03, -2.12, 25.15

 

CMYK 0 / 6 / 33 / 67

HEX #555039

RGB 85 80 57

HSL 49.29, 0.2%, 0.28%

LAB 33.91, -2.07, 14.33

 

CMYK 0 / 1 / 7 / 71

HEX #4A4945

RGB 74 73 69

HSL 48, 0.03%, 0.28%

LAB 31, -0.43, 2.53

 

CMYK 23 / 18 / 0 / 69

HEX #3E4250

RGB 62 66 80

HSL 226.67, 0.13%, 0.28%

LAB 28.11, 1.87, -8.97

 

CMYK 0 / 50 / 69 / 57

HEX #6D3622

RGB 109 54 34

HSL 16, 0.52%, 0.28%

LAB 29.43, 22.54, 23.39

 

CMYK 0 / 32 / 69 / 57

HEX #6D4A22

RGB 109 74 34

HSL 32, 0.52%, 0.28%

LAB 34.53, 10.48, 29.29

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 5 / 0 / 69 / 57

HEX #686D22

RGB 104 109 34

HSL 64, 0.52%, 0.28%

LAB 44.23, -12.54, 39.59

 

CMYK 23 / 0 / 69 / 57

HEX #546D22

RGB 84 109 34

HSL 80, 0.52%, 0.28%

LAB 42.67, -21.55, 37.47

 

CMYK 0 / 13 / 70 / 82

HEX #2E280E

RGB 46 40 14

HSL 48.75, 0.53%, 0.12%

LAB 16.16, -1.38, 17.51

 

CMYK 0 / 13 / 69 / 70

HEX #4D4318

RGB 77 67 24

HSL 48.68, 0.52%, 0.2%

LAB 28.53, -1.74, 26.99

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 0 / 14 / 69 / 45

HEX #8C792C

RGB 140 121 44

HSL 48.13, 0.52%, 0.36%

LAB 51.19, -1.91, 43.38

 

CMYK 0 / 13 / 68 / 33

HEX #AB9436

RGB 171 148 54

HSL 48.21, 0.52%, 0.44%

LAB 61.74, -2.21, 50.9

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 69 / 0 / 69 / 57

HEX #226D22

RGB 34 109 34

HSL 120, 0.52%, 0.28%

LAB 40.23, -38.79, 34.14

 

CMYK 41 / 69 / 0 / 57

HEX #40226D

RGB 64 34 109

HSL 264, 0.52%, 0.28%

LAB 21.35, 31.78, -38.49

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 69 / 0 / 14 / 57

HEX #226D5E

RGB 34 109 94

HSL 168, 0.52%, 0.28%

LAB 41.35, -26.73, 1.7

 

CMYK 14 / 69 / 0 / 57

HEX #5E226D

RGB 94 34 109

HSL 288, 0.52%, 0.28%

LAB 25.65, 39.14, -31.36

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 69 / 0 / 69 / 57

HEX #226D22

RGB 34 109 34

HSL 120, 0.52%, 0.28%

LAB 40.23, -38.79, 34.14

 

CMYK 69 / 55 / 0 / 57

HEX #22316D

RGB 34 49 109

HSL 228, 0.52%, 0.28%

LAB 22.45, 15.41, -36.85

 

CMYK 0 / 69 / 0 / 57

HEX #6D226D

RGB 109 34 109

HSL 300, 0.52%, 0.28%

LAB 28.11, 43.03, -27.29

 

CMYK 0 / 14 / 69 / 57

HEX #6D5E22

RGB 109 94 34

HSL 48, 0.52%, 0.28%

LAB 40.2, -1.58, 35.5

 

CMYK 69 / 0 / 48 / 57

HEX #226D39

RGB 34 109 57

HSL 138.4, 0.52%, 0.28%

LAB 40.53, -35.41, 22.46

 

CMYK 69 / 55 / 0 / 57

HEX #22316D

RGB 34 49 109

HSL 228, 0.52%, 0.28%

LAB 22.45, 15.41, -36.85

 

CMYK 0 / 69 / 21 / 57

HEX #6D2256

RGB 109 34 86

HSL 318.4, 0.52%, 0.28%

LAB 26.93, 39.08, -14.17

 

Description

Color code: HEX #6D5E22 | qconv.com Color code: HEX #6D5E22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 94 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 94 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 69 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 69% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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