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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D5945 it is the complementary color #92A6BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D5945. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D5945 shade: #725940, #836B53, #947D66, #A58F79 and #B6A18C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D5945. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D5945 shade: #6D5945, #5C4732, #4B351F, #3A230C and #291100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D5945 shade: #6D5946, #6D4F46 and #6D4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D5945 shade: #6D5946, #6D6446, #6B6D46, #616D46 and #566D46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D5945 shade matches the following richer shades: #6D5946, #7B5937, #8A5929, #98591A and #A7590C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D5945 shade: #6D5946, #5E5954, #505962, #425971 and #33597F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D5945 shade: #6D4647, #6D4F46, #6D5946, #6D6446 and #6C6D46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D5945 shade: #3B3025, #544536, #6D5946, #866E56 and #9E8367

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D5945 shade: #6D5945, #516D46 and #4A466D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D5945 shade: #6D5945, #466D59 and #59466D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D5945 shade: #6D5945, #516D46, #46596D and #61466D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D5945 shade: #6D5945, #466D46, #46596D and #6D466D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 37 / 57

HEX #6D5945

RGB 109 89 69

HSL 30, 0.22%, 0.35%

LAB 39.29, 5.02, 14.66

 

Complementary color

CMYK 22 / 11 / 0 / 27

HEX #92A6BA

RGB 146 166 186

HSL 210, 0.22%, 0.65%

LAB 67.22, -2.56, -12.61

 

CMYK 0 / 22 / 44 / 55

HEX #725940

RGB 114 89 64

HSL 30, 0.28%, 0.35%

LAB 39.74, 6.61, 18.38

 

CMYK 0 / 18 / 37 / 49

HEX #836B53

RGB 131 107 83

HSL 30, 0.22%, 0.42%

LAB 46.93, 5.86, 17.04

 

CMYK 0 / 16 / 31 / 42

HEX #947D66

RGB 148 125 102

HSL 30, 0.18%, 0.49%

LAB 53.94, 5.25, 15.84

 

CMYK 0 / 13 / 27 / 35

HEX #A58F79

RGB 165 143 121

HSL 30, 0.2%, 0.56%

LAB 60.8, 4.75, 14.75

 

CMYK 0 / 12 / 23 / 29

HEX #B6A18C

RGB 182 161 140

HSL 30, 0.22%, 0.63%

LAB 67.52, 4.31, 13.75

 

CMYK 0 / 18 / 37 / 57

HEX #6D5945

RGB 109 89 69

HSL 30, 0.22%, 0.35%

LAB 39.29, 5.02, 14.66

 

CMYK 0 / 23 / 46 / 64

HEX #5C4732

RGB 92 71 50

HSL 30, 0.3%, 0.28%

LAB 31.83, 5.79, 16.05

 

CMYK 0 / 29 / 59 / 71

HEX #4B351F

RGB 75 53 31

HSL 30, 0.42%, 0.21%

LAB 24.13, 6.85, 17.66

 

CMYK 0 / 40 / 79 / 77

HEX #3A230C

RGB 58 35 12

HSL 30, 0.66%, 0.14%

LAB 16.15, 8.38, 18.81

 

CMYK 0 / 59 / 100 / 84

HEX #291100

RGB 41 17 0

HSL 24.88, 1%, 0.08%

LAB 7.88, 10.68, 12.02

 

CMYK 0 / 18 / 36 / 57

HEX #6D5946

RGB 109 89 70

HSL 29.23, 0.22%, 0.35%

LAB 39.31, 5.16, 14.08

 

CMYK 0 / 28 / 36 / 57

HEX #6D4F46

RGB 109 79 70

HSL 13.85, 0.22%, 0.35%

LAB 36.53, 11.26, 10.26

 

CMYK 0 / 36 / 36 / 57

HEX #6D4646

RGB 109 70 70

HSL 0, 0.22%, 0.35%

LAB 34.14, 16.77, 6.91

 

CMYK 0 / 18 / 36 / 57

HEX #6D5946

RGB 109 89 70

HSL 29.23, 0.22%, 0.35%

LAB 39.31, 5.16, 14.08

 

CMYK 0 / 8 / 36 / 57

HEX #6D6446

RGB 109 100 70

HSL 46.15, 0.22%, 0.35%

LAB 42.47, -1.42, 18.34

 

CMYK 2 / 0 / 36 / 57

HEX #6B6D46

RGB 107 109 70

HSL 63.08, 0.22%, 0.35%

LAB 44.95, -7.51, 21.57

 

CMYK 11 / 0 / 36 / 57

HEX #616D46

RGB 97 109 70

HSL 78.46, 0.22%, 0.35%

LAB 44.12, -11.81, 20.33

 

CMYK 21 / 0 / 36 / 57

HEX #566D46

RGB 86 109 70

HSL 95.38, 0.22%, 0.35%

LAB 43.3, -16.35, 19.09

 

CMYK 0 / 18 / 36 / 57

HEX #6D5946

RGB 109 89 70

HSL 29.23, 0.22%, 0.35%

LAB 39.31, 5.16, 14.08

 

CMYK 0 / 28 / 55 / 52

HEX #7B5937

RGB 123 89 55

HSL 30, 0.38%, 0.35%

LAB 40.62, 9.73, 25.05

 

CMYK 0 / 36 / 70 / 46

HEX #8A5929

RGB 138 89 41

HSL 29.69, 0.54%, 0.35%

LAB 42.32, 15.5, 35.26

 

CMYK 0 / 41 / 83 / 40

HEX #98591A

RGB 152 89 26

HSL 30, 0.71%, 0.35%

LAB 44.08, 21.12, 44.71

 

CMYK 0 / 47 / 93 / 35

HEX #A7590C

RGB 167 89 12

HSL 29.81, 0.87%, 0.35%

LAB 46.16, 27.35, 52

 

CMYK 0 / 18 / 36 / 57

HEX #6D5946

RGB 109 89 70

HSL 29.23, 0.22%, 0.35%

LAB 39.31, 5.16, 14.08

 

CMYK 0 / 5 / 11 / 63

HEX #5E5954

RGB 94 89 84

HSL 30, 0.06%, 0.35%

LAB 38.14, 1.02, 3.61

 

CMYK 18 / 9 / 0 / 62

HEX #505962

RGB 80 89 98

HSL 210, 0.1%, 0.35%

LAB 37.36, -1.37, -6.37

 

CMYK 42 / 21 / 0 / 56

HEX #425971

RGB 66 89 113

HSL 210.64, 0.26%, 0.35%

LAB 36.92, -1.91, -16.43

 

CMYK 60 / 30 / 0 / 50

HEX #33597F

RGB 51 89 127

HSL 210, 0.43%, 0.35%

LAB 36.71, -1.26, -25.46

 

CMYK 0 / 36 / 35 / 57

HEX #6D4647

RGB 109 70 71

HSL 358.46, 0.22%, 0.35%

LAB 34.16, 16.91, 6.31

 

CMYK 0 / 28 / 36 / 57

HEX #6D4F46

RGB 109 79 70

HSL 13.85, 0.22%, 0.35%

LAB 36.53, 11.26, 10.26

 

CMYK 0 / 18 / 36 / 57

HEX #6D5946

RGB 109 89 70

HSL 29.23, 0.22%, 0.35%

LAB 39.31, 5.16, 14.08

 

CMYK 0 / 8 / 36 / 57

HEX #6D6446

RGB 109 100 70

HSL 46.15, 0.22%, 0.35%

LAB 42.47, -1.42, 18.34

 

CMYK 1 / 0 / 36 / 57

HEX #6C6D46

RGB 108 109 70

HSL 61.54, 0.22%, 0.35%

LAB 45.04, -7.08, 21.7

 

CMYK 0 / 19 / 37 / 77

HEX #3B3025

RGB 59 48 37

HSL 30, 0.23%, 0.19%

LAB 20.74, 3, 8.91

 

CMYK 0 / 18 / 36 / 67

HEX #544536

RGB 84 69 54

HSL 30, 0.22%, 0.27%

LAB 30.42, 3.87, 11.47

 

CMYK 0 / 18 / 36 / 57

HEX #6D5946

RGB 109 89 70

HSL 29.23, 0.22%, 0.35%

LAB 39.31, 5.16, 14.08

 

CMYK 0 / 18 / 36 / 47

HEX #866E56

RGB 134 110 86

HSL 30, 0.22%, 0.43%

LAB 48.12, 5.8, 16.95

 

CMYK 0 / 17 / 35 / 38

HEX #9E8367

RGB 158 131 103

HSL 30.55, 0.22%, 0.51%

LAB 56.57, 6.14, 19.01

 

CMYK 0 / 18 / 37 / 57

HEX #6D5945

RGB 109 89 69

HSL 30, 0.22%, 0.35%

LAB 39.29, 5.02, 14.66

 

CMYK 26 / 0 / 36 / 57

HEX #516D46

RGB 81 109 70

HSL 103.08, 0.22%, 0.35%

LAB 42.96, -18.34, 18.58

 

CMYK 32 / 36 / 0 / 57

HEX #4A466D

RGB 74 70 109

HSL 246.15, 0.22%, 0.35%

LAB 31.67, 11.57, -22.01

 

CMYK 0 / 18 / 37 / 57

HEX #6D5945

RGB 109 89 69

HSL 30, 0.22%, 0.35%

LAB 39.29, 5.02, 14.66

 

CMYK 36 / 0 / 18 / 57

HEX #466D59

RGB 70 109 89

HSL 149.23, 0.22%, 0.35%

LAB 42.7, -18.59, 6.85

 

CMYK 18 / 36 / 0 / 57

HEX #59466D

RGB 89 70 109

HSL 269.23, 0.22%, 0.35%

LAB 33.15, 16.62, -19.59

 

CMYK 0 / 18 / 37 / 57

HEX #6D5945

RGB 109 89 69

HSL 30, 0.22%, 0.35%

LAB 39.29, 5.02, 14.66

 

CMYK 26 / 0 / 36 / 57

HEX #516D46

RGB 81 109 70

HSL 103.08, 0.22%, 0.35%

LAB 42.96, -18.34, 18.58

 

CMYK 36 / 18 / 0 / 57

HEX #46596D

RGB 70 89 109

HSL 210.77, 0.22%, 0.35%

LAB 37.02, -1.86, -13.78

 

CMYK 11 / 36 / 0 / 57

HEX #61466D

RGB 97 70 109

HSL 281.54, 0.22%, 0.35%

LAB 34.04, 19.42, -18.15

 

CMYK 0 / 18 / 37 / 57

HEX #6D5945

RGB 109 89 69

HSL 30, 0.22%, 0.35%

LAB 39.29, 5.02, 14.66

 

CMYK 36 / 0 / 36 / 57

HEX #466D46

RGB 70 109 70

HSL 120, 0.22%, 0.35%

LAB 42.28, -22.47, 17.55

 

CMYK 36 / 18 / 0 / 57

HEX #46596D

RGB 70 89 109

HSL 210.77, 0.22%, 0.35%

LAB 37.02, -1.86, -13.78

 

CMYK 0 / 36 / 0 / 57

HEX #6D466D

RGB 109 70 109

HSL 300, 0.22%, 0.35%

LAB 35.47, 23.69, -15.82

 

Description

Color code: HEX #6D5945 | qconv.com Color code: HEX #6D5945 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 89 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 89 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 37 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 37% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - モトログ | Just another ...
Link: http://sakamoto.pupu.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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