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Color name
HEX #6D4F48

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D4F48 it is the complementary color #92B0B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D4F48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D4F48 shade: #724F43, #836156, #947369, #A5857C and #B6978F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D4F48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D4F48 shade: #6D4F48, #5C3D35, #4B2B22, #3A190F and #290700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D4F48 shade: #6B4E47 and #6B4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D4F48 shade: #6B4E47, #6B5847, #6B6147, #6B6B47 and #626B47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D4F48 shade matches the following richer shades: #6B4E47, #7A4539, #883C2B, #96331C and #A52A0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D4F48 shade: #6B4E47, #5D5756, #4E6064, #406973 and #317281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D4F48 shade: #6B4754, #6B474A, #6B4E47, #6B5747 and #6B6147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D4F48 shade: #3A2A26, #523C37, #6B4E47, #846058 and #9B736A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D4F48 shade: #6D4F48, #5D6B47 and #474F6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D4F48 shade: #6D4F48, #476B4E and #4E476B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D4F48 shade: #6D4F48, #5D6B47, #47656B and #55476B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D4F48 shade: #6D4F48, #536B47, #47656B and #60476B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 34 / 57

HEX #6D4F48

RGB 109 79 72

HSL 11.35, 0.2%, 0.35%

LAB 36.58, 11.54, 9.08

 

Complementary color

CMYK 20 / 4 / 0 / 28

HEX #92B0B7

RGB 146 176 183

HSL 191.35, 0.2%, 0.65%

LAB 69.88, -8.66, -6.99

 

CMYK 0 / 31 / 41 / 55

HEX #724F43

RGB 114 79 67

HSL 15.32, 0.26%, 0.35%

LAB 37.07, 13.05, 12.96

 

CMYK 0 / 26 / 34 / 49

HEX #836156

RGB 131 97 86

HSL 14.67, 0.21%, 0.43%

LAB 44.3, 12.16, 11.65

 

CMYK 0 / 22 / 29 / 42

HEX #947369

RGB 148 115 105

HSL 13.95, 0.17%, 0.5%

LAB 51.36, 11.43, 10.5

 

CMYK 0 / 19 / 25 / 35

HEX #A5857C

RGB 165 133 124

HSL 13.17, 0.19%, 0.57%

LAB 58.25, 10.81, 9.47

 

CMYK 0 / 17 / 21 / 29

HEX #B6978F

RGB 182 151 143

HSL 12.31, 0.21%, 0.64%

LAB 65.01, 10.27, 8.53

 

CMYK 0 / 28 / 34 / 57

HEX #6D4F48

RGB 109 79 72

HSL 11.35, 0.2%, 0.35%

LAB 36.58, 11.54, 9.08

 

CMYK 0 / 34 / 42 / 64

HEX #5C3D35

RGB 92 61 53

HSL 12.31, 0.27%, 0.28%

LAB 29.08, 12.48, 10.44

 

CMYK 0 / 43 / 55 / 71

HEX #4B2B22

RGB 75 43 34

HSL 13.17, 0.38%, 0.21%

LAB 21.35, 13.69, 12.13

 

CMYK 0 / 57 / 74 / 77

HEX #3A190F

RGB 58 25 15

HSL 13.95, 0.59%, 0.14%

LAB 13.41, 15.28, 13.8

 

CMYK 0 / 83 / 100 / 84

HEX #290700

RGB 41 7 0

HSL 10.24, 1%, 0.08%

LAB 5.63, 15.97, 8.73

 

CMYK 0 / 27 / 34 / 58

HEX #6B4E47

RGB 107 78 71

HSL 11.67, 0.2%, 0.35%

LAB 36.04, 11.14, 8.92

 

CMYK 0 / 34 / 34 / 58

HEX #6B4747

RGB 107 71 71

HSL 0, 0.2%, 0.35%

LAB 34.16, 15.44, 6.28

 

CMYK 0 / 27 / 34 / 58

HEX #6B4E47

RGB 107 78 71

HSL 11.67, 0.2%, 0.35%

LAB 36.04, 11.14, 8.92

 

CMYK 0 / 18 / 34 / 58

HEX #6B5847

RGB 107 88 71

HSL 28.33, 0.2%, 0.35%

LAB 38.83, 5.02, 12.78

 

CMYK 0 / 9 / 34 / 58

HEX #6B6147

RGB 107 97 71

HSL 43.33, 0.2%, 0.35%

LAB 41.42, -0.39, 16.31

 

CMYK 0 / 0 / 34 / 58

HEX #6B6B47

RGB 107 107 71

HSL 60, 0.2%, 0.35%

LAB 44.37, -6.23, 20.23

 

CMYK 8 / 0 / 34 / 58

HEX #626B47

RGB 98 107 71

HSL 75, 0.2%, 0.35%

LAB 43.61, -10.11, 19.08

 

CMYK 0 / 27 / 34 / 58

HEX #6B4E47

RGB 107 78 71

HSL 11.67, 0.2%, 0.35%

LAB 36.04, 11.14, 8.92

 

CMYK 0 / 43 / 53 / 52

HEX #7A4539

RGB 122 69 57

HSL 11.08, 0.36%, 0.35%

LAB 35.38, 21.41, 17.09

 

CMYK 0 / 56 / 68 / 47

HEX #883C2B

RGB 136 60 43

HSL 10.97, 0.52%, 0.35%

LAB 35.28, 31.21, 26

 

CMYK 0 / 66 / 81 / 41

HEX #96331C

RGB 150 51 28

HSL 11.31, 0.69%, 0.35%

LAB 35.86, 40.34, 35.89

 

CMYK 0 / 75 / 92 / 35

HEX #A52A0E

RGB 165 42 14

HSL 11.13, 0.84%, 0.35%

LAB 37.27, 48.86, 44.78

 

CMYK 0 / 27 / 34 / 58

HEX #6B4E47

RGB 107 78 71

HSL 11.67, 0.2%, 0.35%

LAB 36.04, 11.14, 8.92

 

CMYK 0 / 6 / 8 / 64

HEX #5D5756

RGB 93 87 86

HSL 8.57, 0.04%, 0.35%

LAB 37.51, 2.23, 1.45

 

CMYK 22 / 4 / 0 / 61

HEX #4E6064

RGB 78 96 100

HSL 190.91, 0.12%, 0.35%

LAB 39.42, -5.83, -4.55

 

CMYK 44 / 9 / 0 / 55

HEX #406973

RGB 64 105 115

HSL 191.76, 0.28%, 0.35%

LAB 41.89, -11.46, -10.11

 

CMYK 62 / 12 / 0 / 49

HEX #317281

RGB 49 114 129

HSL 191.25, 0.45%, 0.35%

LAB 44.62, -15.83, -14.47

 

CMYK 0 / 34 / 21 / 58

HEX #6B4754

RGB 107 71 84

HSL 338.33, 0.2%, 0.35%

LAB 34.54, 17.53, -1.44

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 27 / 34 / 58

HEX #6B4E47

RGB 107 78 71

HSL 11.67, 0.2%, 0.35%

LAB 36.04, 11.14, 8.92

 

CMYK 0 / 19 / 34 / 58

HEX #6B5747

RGB 107 87 71

HSL 26.67, 0.2%, 0.35%

LAB 38.55, 5.63, 12.39

 

CMYK 0 / 9 / 34 / 58

HEX #6B6147

RGB 107 97 71

HSL 43.33, 0.2%, 0.35%

LAB 41.42, -0.39, 16.31

 

CMYK 0 / 28 / 34 / 77

HEX #3A2A26

RGB 58 42 38

HSL 12, 0.21%, 0.19%

LAB 18.78, 6.73, 5.49

 

CMYK 0 / 27 / 33 / 68

HEX #523C37

RGB 82 60 55

HSL 11.11, 0.2%, 0.27%

LAB 27.58, 8.85, 6.85

 

CMYK 0 / 27 / 34 / 58

HEX #6B4E47

RGB 107 78 71

HSL 11.67, 0.2%, 0.35%

LAB 36.04, 11.14, 8.92

 

CMYK 0 / 27 / 33 / 48

HEX #846058

RGB 132 96 88

HSL 10.91, 0.2%, 0.43%

LAB 44.2, 13.46, 10.32

 

CMYK 0 / 26 / 32 / 39

HEX #9B736A

RGB 155 115 106

HSL 11.02, 0.2%, 0.51%

LAB 52.14, 14.44, 11.13

 

CMYK 0 / 28 / 34 / 57

HEX #6D4F48

RGB 109 79 72

HSL 11.35, 0.2%, 0.35%

LAB 36.58, 11.54, 9.08

 

CMYK 13 / 0 / 34 / 58

HEX #5D6B47

RGB 93 107 71

HSL 83.33, 0.2%, 0.35%

LAB 43.21, -12.22, 18.48

 

CMYK 34 / 26 / 0 / 58

HEX #474F6B

RGB 71 79 107

HSL 226.67, 0.2%, 0.35%

LAB 33.97, 4.18, -17.21

 

CMYK 0 / 28 / 34 / 57

HEX #6D4F48

RGB 109 79 72

HSL 11.35, 0.2%, 0.35%

LAB 36.58, 11.54, 9.08

 

CMYK 34 / 0 / 27 / 58

HEX #476B4E

RGB 71 107 78

HSL 131.67, 0.2%, 0.35%

LAB 41.85, -19.53, 12.25

 

CMYK 27 / 34 / 0 / 58

HEX #4E476B

RGB 78 71 107

HSL 251.67, 0.2%, 0.35%

LAB 32.23, 11.68, -19.85

 

CMYK 0 / 28 / 34 / 57

HEX #6D4F48

RGB 109 79 72

HSL 11.35, 0.2%, 0.35%

LAB 36.58, 11.54, 9.08

 

CMYK 13 / 0 / 34 / 58

HEX #5D6B47

RGB 93 107 71

HSL 83.33, 0.2%, 0.35%

LAB 43.21, -12.22, 18.48

 

CMYK 34 / 6 / 0 / 58

HEX #47656B

RGB 71 101 107

HSL 190, 0.2%, 0.35%

LAB 40.75, -9.31, -6.92

 

CMYK 21 / 34 / 0 / 58

HEX #55476B

RGB 85 71 107

HSL 263.33, 0.2%, 0.35%

LAB 32.92, 14.08, -18.73

 

CMYK 0 / 28 / 34 / 57

HEX #6D4F48

RGB 109 79 72

HSL 11.35, 0.2%, 0.35%

LAB 36.58, 11.54, 9.08

 

CMYK 22 / 0 / 34 / 58

HEX #536B47

RGB 83 107 71

HSL 100, 0.2%, 0.35%

LAB 42.47, -16.3, 17.37

 

CMYK 34 / 6 / 0 / 58

HEX #47656B

RGB 71 101 107

HSL 190, 0.2%, 0.35%

LAB 40.75, -9.31, -6.92

 

CMYK 10 / 34 / 0 / 58

HEX #60476B

RGB 96 71 107

HSL 281.67, 0.2%, 0.35%

LAB 34.1, 17.97, -16.81

 

Description

Color code: HEX #6D4F48 | qconv.com Color code: HEX #6D4F48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 79 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 79 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 34 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 34% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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