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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D4EB1 it is the complementary color #92B14E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D4EB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D4EB1 shade: #724EAC, #8360BF, #9472D2, #A584E5 and #B696F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D4EB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D4EB1 shade: #6D4EB1, #5C3C9E, #4B2A8B, #3A1878 and #290665

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D4EB1 shade: #6D4EB1, #884EB1, #A34EB1, #B14EA5 and #B14E8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D4EB1 shade: #6D4EB1, #524EB1 and #4E4EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D4EB1 shade matches the following richer shades: #6D4EB1, #6539C6, #5E25DA and #5610EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D4EB1 shade: #6D4EB1, #75629D, #7C7788, #848C73 and #8CA05F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D4EB1 shade: #4E65B1, #514EB1, #6C4EB1, #864EB1 and #A14EB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D4EB1 shade: #4A3578, #5B4195, #6D4EB1, #856ABE and #9C87CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D4EB1 shade: #6D4EB1, #B14E80 and #58B14E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D4EB1 shade: #6D4EB1, #B16C4E and #4EB16C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D4EB1 shade: #6D4EB1, #B14E80, #93B14E and #4EB180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D4EB1 shade: #6D4EB1, #B14E62, #93B14E and #4EB19D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

Complementary color

CMYK 18 / 0 / 56 / 31

HEX #92B14E

RGB 146 177 78

HSL 78.79, 0.39%, 0.5%

LAB 68.1, -26.07, 46.42

 

CMYK 34 / 55 / 0 / 33

HEX #724EAC

RGB 114 78 172

HSL 262.98, 0.38%, 0.49%

LAB 41.22, 35.67, -45.11

 

CMYK 31 / 50 / 0 / 25

HEX #8360BF

RGB 131 96 191

HSL 262.11, 0.43%, 0.56%

LAB 48.2, 34.61, -44.99

 

CMYK 30 / 46 / 0 / 18

HEX #9472D2

RGB 148 114 210

HSL 261.25, 0.52%, 0.64%

LAB 55.06, 33.64, -44.88

 

CMYK 28 / 42 / 0 / 10

HEX #A584E5

RGB 165 132 229

HSL 260.41, 0.65%, 0.71%

LAB 61.79, 32.75, -44.79

 

CMYK 27 / 40 / 0 / 3

HEX #B696F8

RGB 182 150 248

HSL 259.59, 0.88%, 0.78%

LAB 68.41, 31.93, -44.74

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 42 / 62 / 0 / 38

HEX #5C3C9E

RGB 92 60 158

HSL 259.59, 0.45%, 0.43%

LAB 33.93, 37, -48.58

 

CMYK 46 / 70 / 0 / 45

HEX #4B2A8B

RGB 75 42 139

HSL 260.41, 0.54%, 0.35%

LAB 26.78, 38.23, -48.63

 

CMYK 52 / 80 / 0 / 53

HEX #3A1878

RGB 58 24 120

HSL 261.25, 0.67%, 0.28%

LAB 19.68, 39.17, -48.34

 

CMYK 59 / 94 / 0 / 60

HEX #290665

RGB 41 6 101

HSL 262.11, 0.89%, 0.21%

LAB 12.87, 39.15, -47.26

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 23 / 56 / 0 / 31

HEX #884EB1

RGB 136 78 177

HSL 275.15, 0.39%, 0.5%

LAB 44.03, 42.63, -43.43

 

CMYK 8 / 56 / 0 / 31

HEX #A34EB1

RGB 163 78 177

HSL 291.52, 0.39%, 0.5%

LAB 47.51, 49.85, -37.7

 

CMYK 0 / 56 / 7 / 31

HEX #B14EA5

RGB 177 78 165

HSL 307.27, 0.39%, 0.5%

LAB 48.9, 51.55, -28.32

 

CMYK 0 / 56 / 22 / 31

HEX #B14E8A

RGB 177 78 138

HSL 323.64, 0.39%, 0.5%

LAB 47.79, 47.28, -13.96

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 54 / 56 / 0 / 31

HEX #524EB1

RGB 82 78 177

HSL 242.42, 0.39%, 0.5%

LAB 38.58, 29.67, -52.47

 

CMYK 56 / 56 / 0 / 31

HEX #4E4EB1

RGB 78 78 177

HSL 240, 0.39%, 0.5%

LAB 38.27, 28.87, -52.98

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 49 / 71 / 0 / 22

HEX #6539C6

RGB 101 57 198

HSL 258.72, 0.55%, 0.5%

LAB 37.43, 51.55, -66.6

 

CMYK 57 / 83 / 0 / 15

HEX #5E25DA

RGB 94 37 218

HSL 258.9, 0.71%, 0.5%

LAB 35.53, 64.67, -81.34

 

CMYK 64 / 93 / 0 / 6

HEX #5610EF

RGB 86 16 239

HSL 258.83, 0.87%, 0.5%

LAB 35.16, 74.88, -93.96

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 25 / 38 / 0 / 38

HEX #75629D

RGB 117 98 157

HSL 259.32, 0.23%, 0.5%

LAB 45.57, 20.63, -29.33

 

CMYK 9 / 13 / 0 / 47

HEX #7C7788

RGB 124 119 136

HSL 257.65, 0.07%, 0.5%

LAB 50.99, 5.42, -8.57

 

CMYK 6 / 0 / 18 / 45

HEX #848C73

RGB 132 140 115

HSL 79.2, 0.1%, 0.5%

LAB 56.98, -7.62, 12.39

 

CMYK 13 / 0 / 41 / 37

HEX #8CA05F

RGB 140 160 95

HSL 78.46, 0.25%, 0.5%

LAB 62.96, -18.08, 31.55

 

CMYK 56 / 43 / 0 / 31

HEX #4E65B1

RGB 78 101 177

HSL 226.06, 0.39%, 0.5%

LAB 44.38, 14.27, -43.19

 

CMYK 54 / 56 / 0 / 31

HEX #514EB1

RGB 81 78 177

HSL 241.82, 0.39%, 0.5%

LAB 38.5, 29.47, -52.6

 

CMYK 39 / 56 / 0 / 31

HEX #6C4EB1

RGB 108 78 177

HSL 258.18, 0.39%, 0.5%

LAB 40.91, 35.53, -48.59

 

CMYK 24 / 56 / 0 / 31

HEX #864EB1

RGB 134 78 177

HSL 273.94, 0.39%, 0.5%

LAB 43.79, 42.11, -43.83

 

CMYK 9 / 56 / 0 / 31

HEX #A14EB1

RGB 161 78 177

HSL 290.3, 0.39%, 0.5%

LAB 47.24, 49.31, -38.14

 

CMYK 38 / 56 / 0 / 53

HEX #4A3578

RGB 74 53 120

HSL 258.81, 0.39%, 0.34%

LAB 27.73, 25.84, -35.19

 

CMYK 39 / 56 / 0 / 42

HEX #5B4195

RGB 91 65 149

HSL 258.57, 0.39%, 0.42%

LAB 34.34, 31.22, -42.47

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 30 / 44 / 0 / 25

HEX #856ABE

RGB 133 106 190

HSL 259.29, 0.39%, 0.58%

LAB 50.7, 29.05, -40.43

 

CMYK 23 / 33 / 0 / 21

HEX #9C87CA

RGB 156 135 202

HSL 258.81, 0.39%, 0.66%

LAB 60.48, 21.89, -31.8

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 0 / 56 / 28 / 31

HEX #B14E80

RGB 177 78 128

HSL 329.7, 0.39%, 0.5%

LAB 47.44, 45.87, -8.47

 

CMYK 50 / 0 / 56 / 31

HEX #58B14E

RGB 88 177 78

HSL 113.94, 0.39%, 0.5%

LAB 65.02, -46.36, 42.04

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 0 / 39 / 56 / 31

HEX #B16C4E

RGB 177 108 78

HSL 18.18, 0.39%, 0.5%

LAB 52.53, 24.4, 28.3

 

CMYK 56 / 0 / 39 / 31

HEX #4EB16C

RGB 78 177 108

HSL 138.18, 0.39%, 0.5%

LAB 65.08, -44.49, 26.79

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 0 / 56 / 28 / 31

HEX #B14E80

RGB 177 78 128

HSL 329.7, 0.39%, 0.5%

LAB 47.44, 45.87, -8.47

 

CMYK 17 / 0 / 56 / 31

HEX #93B14E

RGB 147 177 78

HSL 78.18, 0.39%, 0.5%

LAB 68.17, -25.67, 46.52

 

CMYK 56 / 0 / 28 / 31

HEX #4EB180

RGB 78 177 128

HSL 150.3, 0.39%, 0.5%

LAB 65.45, -40.6, 16.51

 

CMYK 38 / 56 / 0 / 31

HEX #6D4EB1

RGB 109 78 177

HSL 258.79, 0.39%, 0.5%

LAB 41.02, 35.77, -48.42

 

CMYK 0 / 56 / 45 / 31

HEX #B14E62

RGB 177 78 98

HSL 347.88, 0.39%, 0.5%

LAB 46.55, 42.24, 8.45

 

CMYK 17 / 0 / 56 / 31

HEX #93B14E

RGB 147 177 78

HSL 78.18, 0.39%, 0.5%

LAB 68.17, -25.67, 46.52

 

CMYK 56 / 0 / 11 / 31

HEX #4EB19D

RGB 78 177 157

HSL 167.88, 0.39%, 0.5%

LAB 66.13, -33.88, 1.5

 

Description

Color code: HEX #6D4EB1 | qconv.com Color code: HEX #6D4EB1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 78 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 78 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 56 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 56% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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