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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D4A47 it is the complementary color #92B5B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D4A47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D4A47 shade: #724A42, #835C55, #946E68, #A5807B and #B6928E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D4A47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D4A47 shade: #6D4A47, #5C3834, #4B2621, #3A140E and #290200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D4A47 shade: #6B4946 and #6B4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D4A47 shade: #6B4946, #6B5346, #6B5D46, #6B6746 and #666B46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D4A47 shade matches the following richer shades: #6B4946, #7A3D38, #883129, #97241B and #A5180C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D4A47 shade: #6B4946, #5D5554, #4F6163, #406D71 and #327A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D4A47 shade: #6B4658, #6B464E, #6B4946, #6B5346 and #6B5C46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D4A47 shade: #3A2725, #533836, #6B4946, #845A56 and #9C6C68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D4A47 shade: #6D4A47, #616B46 and #46536B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D4A47 shade: #6D4A47, #466B49 and #49466B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D4A47 shade: #6D4A47, #616B46, #46696B and #50466B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D4A47 shade: #6D4A47, #566B46, #46696B and #5B466B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 35 / 57

HEX #6D4A47

RGB 109 74 71

HSL 4.74, 0.21%, 0.35%

LAB 35.21, 14.46, 7.79

 

Complementary color

CMYK 21 / 2 / 0 / 28

HEX #92B5B8

RGB 146 181 184

HSL 184.74, 0.21%, 0.65%

LAB 71.3, -11.1, -5.44

 

CMYK 0 / 35 / 42 / 55

HEX #724A42

RGB 114 74 66

HSL 10, 0.27%, 0.35%

LAB 35.73, 15.96, 11.75

 

CMYK 0 / 30 / 35 / 49

HEX #835C55

RGB 131 92 85

HSL 9.13, 0.21%, 0.42%

LAB 42.97, 14.99, 10.4

 

CMYK 0 / 26 / 30 / 42

HEX #946E68

RGB 148 110 104

HSL 8.18, 0.17%, 0.49%

LAB 50.03, 14.18, 9.23

 

CMYK 0 / 22 / 25 / 35

HEX #A5807B

RGB 165 128 123

HSL 7.14, 0.19%, 0.56%

LAB 56.95, 13.49, 8.19

 

CMYK 0 / 20 / 22 / 29

HEX #B6928E

RGB 182 146 142

HSL 6, 0.22%, 0.64%

LAB 63.72, 12.89, 7.24

 

CMYK 0 / 32 / 35 / 57

HEX #6D4A47

RGB 109 74 71

HSL 4.74, 0.21%, 0.35%

LAB 35.21, 14.46, 7.79

 

CMYK 0 / 39 / 43 / 64

HEX #5C3834

RGB 92 56 52

HSL 6, 0.28%, 0.28%

LAB 27.71, 15.5, 9.21

 

CMYK 0 / 49 / 56 / 71

HEX #4B2621

RGB 75 38 33

HSL 7.14, 0.39%, 0.21%

LAB 20.01, 16.78, 11.02

 

CMYK 0 / 66 / 76 / 77

HEX #3A140E

RGB 58 20 14

HSL 8.18, 0.61%, 0.14%

LAB 12.17, 18.32, 12.65

 

CMYK 0 / 95 / 100 / 84

HEX #290200

RGB 41 2 0

HSL 2.93, 1%, 0.08%

LAB 4.65, 18.17, 7.3

 

CMYK 0 / 32 / 35 / 58

HEX #6B4946

RGB 107 73 70

HSL 4.86, 0.21%, 0.35%

LAB 34.67, 14.07, 7.62

 

CMYK 0 / 35 / 35 / 58

HEX #6B4646

RGB 107 70 70

HSL 0, 0.21%, 0.35%

LAB 33.88, 15.91, 6.5

 

CMYK 0 / 32 / 35 / 58

HEX #6B4946

RGB 107 73 70

HSL 4.86, 0.21%, 0.35%

LAB 34.67, 14.07, 7.62

 

CMYK 0 / 22 / 35 / 58

HEX #6B5346

RGB 107 83 70

HSL 21.08, 0.21%, 0.35%

LAB 37.4, 7.92, 11.43

 

CMYK 0 / 13 / 35 / 58

HEX #6B5D46

RGB 107 93 70

HSL 37.3, 0.21%, 0.35%

LAB 40.24, 1.86, 15.31

 

CMYK 0 / 4 / 35 / 58

HEX #6B6746

RGB 107 103 70

HSL 53.51, 0.21%, 0.35%

LAB 43.17, -4.06, 19.22

 

CMYK 5 / 0 / 35 / 58

HEX #666B46

RGB 102 107 70

HSL 68.11, 0.21%, 0.35%

LAB 43.92, -8.54, 20.14

 

CMYK 0 / 32 / 35 / 58

HEX #6B4946

RGB 107 73 70

HSL 4.86, 0.21%, 0.35%

LAB 34.67, 14.07, 7.62

 

CMYK 0 / 50 / 54 / 52

HEX #7A3D38

RGB 122 61 56

HSL 4.55, 0.37%, 0.35%

LAB 33.48, 25.94, 15.2

 

CMYK 0 / 64 / 70 / 47

HEX #883129

RGB 136 49 41

HSL 5.05, 0.54%, 0.35%

LAB 33.12, 36.68, 24.62

 

CMYK 0 / 76 / 82 / 41

HEX #97241B

RGB 151 36 27

HSL 4.35, 0.7%, 0.35%

LAB 33.82, 46.74, 34.48

 

CMYK 0 / 85 / 93 / 35

HEX #A5180C

RGB 165 24 12

HSL 4.71, 0.86%, 0.35%

LAB 35.36, 54.18, 44.23

 

CMYK 0 / 32 / 35 / 58

HEX #6B4946

RGB 107 73 70

HSL 4.86, 0.21%, 0.35%

LAB 34.67, 14.07, 7.62

 

CMYK 0 / 9 / 10 / 64

HEX #5D5554

RGB 93 85 84

HSL 6.67, 0.05%, 0.35%

LAB 36.86, 3.06, 1.76

 

CMYK 20 / 2 / 0 / 61

HEX #4F6163

RGB 79 97 99

HSL 186, 0.11%, 0.35%

LAB 39.77, -6.32, -3.42

 

CMYK 43 / 4 / 0 / 56

HEX #406D71

RGB 64 109 113

HSL 184.9, 0.28%, 0.35%

LAB 43.09, -14.31, -7.1

 

CMYK 61 / 5 / 0 / 50

HEX #327A80

RGB 50 122 128

HSL 184.62, 0.44%, 0.35%

LAB 47.18, -20.3, -10.01

 

CMYK 0 / 35 / 18 / 58

HEX #6B4658

RGB 107 70 88

HSL 330.81, 0.21%, 0.35%

LAB 34.42, 18.84, -4.17

 

CMYK 0 / 35 / 27 / 58

HEX #6B464E

RGB 107 70 78

HSL 347.03, 0.21%, 0.35%

LAB 34.1, 17.14, 1.73

 

CMYK 0 / 32 / 35 / 58

HEX #6B4946

RGB 107 73 70

HSL 4.86, 0.21%, 0.35%

LAB 34.67, 14.07, 7.62

 

CMYK 0 / 22 / 35 / 58

HEX #6B5346

RGB 107 83 70

HSL 21.08, 0.21%, 0.35%

LAB 37.4, 7.92, 11.43

 

CMYK 0 / 14 / 35 / 58

HEX #6B5C46

RGB 107 92 70

HSL 35.68, 0.21%, 0.35%

LAB 39.95, 2.46, 14.92

 

CMYK 0 / 33 / 36 / 77

HEX #3A2725

RGB 58 39 37

HSL 5.71, 0.22%, 0.19%

LAB 17.85, 8.61, 4.88

 

CMYK 0 / 33 / 35 / 67

HEX #533836

RGB 83 56 54

HSL 4.14, 0.21%, 0.27%

LAB 26.55, 11.72, 6.08

 

CMYK 0 / 32 / 35 / 58

HEX #6B4946

RGB 107 73 70

HSL 4.86, 0.21%, 0.35%

LAB 34.67, 14.07, 7.62

 

CMYK 0 / 32 / 35 / 48

HEX #845A56

RGB 132 90 86

HSL 5.22, 0.21%, 0.43%

LAB 42.6, 16.74, 9.29

 

CMYK 0 / 31 / 33 / 39

HEX #9C6C68

RGB 156 108 104

HSL 4.62, 0.21%, 0.51%

LAB 50.44, 18.59, 9.93

 

CMYK 0 / 32 / 35 / 57

HEX #6D4A47

RGB 109 74 71

HSL 4.74, 0.21%, 0.35%

LAB 35.21, 14.46, 7.79

 

CMYK 9 / 0 / 35 / 58

HEX #616B46

RGB 97 107 70

HSL 76.22, 0.21%, 0.35%

LAB 43.51, -10.68, 19.52

 

CMYK 35 / 22 / 0 / 58

HEX #46536B

RGB 70 83 107

HSL 218.92, 0.21%, 0.35%

LAB 35.1, 1.31, -15.47

 

CMYK 0 / 32 / 35 / 57

HEX #6D4A47

RGB 109 74 71

HSL 4.74, 0.21%, 0.35%

LAB 35.21, 14.46, 7.79

 

CMYK 35 / 0 / 32 / 58

HEX #466B49

RGB 70 107 73

HSL 124.86, 0.21%, 0.35%

LAB 41.69, -20.87, 14.99

 

CMYK 32 / 35 / 0 / 58

HEX #49466B

RGB 73 70 107

HSL 244.86, 0.21%, 0.35%

LAB 31.48, 10.66, -21.04

 

CMYK 0 / 32 / 35 / 57

HEX #6D4A47

RGB 109 74 71

HSL 4.74, 0.21%, 0.35%

LAB 35.21, 14.46, 7.79

 

CMYK 9 / 0 / 35 / 58

HEX #616B46

RGB 97 107 70

HSL 76.22, 0.21%, 0.35%

LAB 43.51, -10.68, 19.52

 

CMYK 35 / 2 / 0 / 58

HEX #46696B

RGB 70 105 107

HSL 183.24, 0.21%, 0.35%

LAB 41.95, -11.93, -5.14

 

CMYK 25 / 35 / 0 / 58

HEX #50466B

RGB 80 70 107

HSL 256.22, 0.21%, 0.35%

LAB 32.14, 13, -19.97

 

CMYK 0 / 32 / 35 / 57

HEX #6D4A47

RGB 109 74 71

HSL 4.74, 0.21%, 0.35%

LAB 35.21, 14.46, 7.79

 

CMYK 20 / 0 / 35 / 58

HEX #566B46

RGB 86 107 70

HSL 94.05, 0.21%, 0.35%

LAB 42.67, -15.26, 18.25

 

CMYK 35 / 2 / 0 / 58

HEX #46696B

RGB 70 105 107

HSL 183.24, 0.21%, 0.35%

LAB 41.95, -11.93, -5.14

 

CMYK 15 / 35 / 0 / 58

HEX #5B466B

RGB 91 70 107

HSL 274.05, 0.21%, 0.35%

LAB 33.28, 16.82, -18.12

 

Description

Color code: HEX #6D4A47 | qconv.com Color code: HEX #6D4A47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 74 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 74 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 35 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 35% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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