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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D44C2 it is the complementary color #92BB3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D44C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D44C2 shade: #7244BD, #8356D0, #9468E3, #A57AF6 and #B68CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D44C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D44C2 shade: #6D44C2, #5C32AF, #4B209C, #3A0E89 and #290076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D44C2 shade: #6C42C2, #8E42C2, #B142C2, #C242B1 and #C2428E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D44C2 shade: #6C42C2, #4942C2 and #4242C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D44C2 shade matches the following richer shades: #6C42C2, #652ED6, #5E1AEA and #5706FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D44C2 shade: #6C42C2, #7357AE, #7A6B99, #817F85 and #889371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D44C2 shade: #425EC2, #4942C2, #6B42C2, #8D42C2 and #AF42C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D44C2 shade: #492C86, #5A36A5, #6C42C2, #8461CC and #9C81D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D44C2 shade: #6D44C2, #C24280 and #4DC242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D44C2 shade: #6D44C2, #C26B42 and #42C26B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D44C2 shade: #6D44C2, #C24280, #99C242 and #42C284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D44C2 shade: #6D44C2, #C2425A, #99C242 and #42C2AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 65 / 0 / 24

HEX #6D44C2

RGB 109 68 194

HSL 259.52, 0.51%, 0.51%

LAB 40.05, 46.13, -59.96

 

Complementary color

CMYK 22 / 0 / 67 / 27

HEX #92BB3D

RGB 146 187 61

HSL 79.52, 0.51%, 0.49%

LAB 70.86, -32.22, 56.86

 

CMYK 40 / 64 / 0 / 26

HEX #7244BD

RGB 114 68 189

HSL 262.81, 0.48%, 0.5%

LAB 40.22, 45.81, -56.73

 

CMYK 37 / 59 / 0 / 18

HEX #8356D0

RGB 131 86 208

HSL 262.13, 0.56%, 0.58%

LAB 47.02, 44.71, -56.67

 

CMYK 35 / 54 / 0 / 11

HEX #9468E3

RGB 148 104 227

HSL 261.46, 0.69%, 0.65%

LAB 53.75, 43.62, -56.55

 

CMYK 33 / 50 / 0 / 4

HEX #A57AF6

RGB 165 122 246

HSL 260.81, 0.87%, 0.72%

LAB 60.4, 42.58, -56.41

 

CMYK 29 / 45 / 0 / 0

HEX #B68CFF

RGB 182 140 255

HSL 261.91, 1%, 0.77%

LAB 66.46, 39.17, -51.64

 

CMYK 44 / 65 / 0 / 24

HEX #6D44C2

RGB 109 68 194

HSL 259.52, 0.51%, 0.51%

LAB 40.05, 46.13, -59.96

 

CMYK 47 / 71 / 0 / 31

HEX #5C32AF

RGB 92 50 175

HSL 260.16, 0.56%, 0.44%

LAB 33.25, 47.26, -59.91

 

CMYK 52 / 79 / 0 / 39

HEX #4B209C

RGB 75 32 156

HSL 260.81, 0.66%, 0.37%

LAB 26.53, 48.05, -59.51

 

CMYK 58 / 90 / 0 / 46

HEX #3A0E89

RGB 58 14 137

HSL 261.46, 0.81%, 0.3%

LAB 20.12, 47.9, -58.38

 

CMYK 65 / 100 / 0 / 54

HEX #290076

RGB 41 0 118

HSL 260.85, 1%, 0.23%

LAB 14.28, 46.02, -56.03

 

CMYK 44 / 66 / 0 / 24

HEX #6C42C2

RGB 108 66 194

HSL 259.69, 0.51%, 0.51%

LAB 39.55, 47.02, -60.78

 

CMYK 27 / 66 / 0 / 24

HEX #8E42C2

RGB 142 66 194

HSL 275.63, 0.51%, 0.51%

LAB 43.57, 54.1, -54.07

 

CMYK 9 / 66 / 0 / 24

HEX #B142C2

RGB 177 66 194

HSL 292.03, 0.51%, 0.51%

LAB 48.43, 62.01, -46.01

 

CMYK 0 / 66 / 9 / 24

HEX #C242B1

RGB 194 66 177

HSL 307.97, 0.51%, 0.51%

LAB 50.14, 63.21, -33.24

 

CMYK 0 / 66 / 27 / 24

HEX #C2428E

RGB 194 66 142

HSL 324.38, 0.51%, 0.51%

LAB 48.66, 58.21, -14.79

 

CMYK 44 / 66 / 0 / 24

HEX #6C42C2

RGB 108 66 194

HSL 259.69, 0.51%, 0.51%

LAB 39.55, 47.02, -60.78

 

CMYK 62 / 66 / 0 / 24

HEX #4942C2

RGB 73 66 194

HSL 243.28, 0.51%, 0.51%

LAB 36.38, 40.97, -66.07

 

CMYK 66 / 66 / 0 / 24

HEX #4242C2

RGB 66 66 194

HSL 240, 0.51%, 0.51%

LAB 35.89, 39.98, -66.9

 

CMYK 44 / 66 / 0 / 24

HEX #6C42C2

RGB 108 66 194

HSL 259.69, 0.51%, 0.51%

LAB 39.55, 47.02, -60.78

 

CMYK 53 / 79 / 0 / 16

HEX #652ED6

RGB 101 46 214

HSL 259.64, 0.67%, 0.51%

LAB 37.07, 60.92, -76.46

 

CMYK 60 / 89 / 0 / 8

HEX #5E1AEA

RGB 94 26 234

HSL 259.62, 0.83%, 0.51%

LAB 36.1, 72.03, -89.55

 

CMYK 66 / 98 / 0 / 0

HEX #5706FE

RGB 87 6 254

HSL 259.6, 0.99%, 0.51%

LAB 36.58, 79.83, -100.06

 

CMYK 44 / 66 / 0 / 24

HEX #6C42C2

RGB 108 66 194

HSL 259.69, 0.51%, 0.51%

LAB 39.55, 47.02, -60.78

 

CMYK 34 / 50 / 0 / 32

HEX #7357AE

RGB 115 87 174

HSL 259.31, 0.35%, 0.51%

LAB 43.53, 31.15, -42.6

 

CMYK 20 / 30 / 0 / 40

HEX #7A6B99

RGB 122 107 153

HSL 259.57, 0.18%, 0.51%

LAB 48.2, 15.8, -22.84

 

CMYK 3 / 5 / 0 / 48

HEX #817F85

RGB 129 127 133

HSL 260, 0.02%, 0.51%

LAB 53.53, 1.96, -2.98

 

CMYK 7 / 0 / 23 / 42

HEX #889371

RGB 136 147 113

HSL 79.41, 0.14%, 0.51%

LAB 59.25, -10.21, 16.71

 

CMYK 66 / 52 / 0 / 24

HEX #425EC2

RGB 66 94 194

HSL 226.88, 0.51%, 0.51%

LAB 42.85, 22.33, -55.58

 

CMYK 62 / 66 / 0 / 24

HEX #4942C2

RGB 73 66 194

HSL 243.28, 0.51%, 0.51%

LAB 36.38, 40.97, -66.07

 

CMYK 45 / 66 / 0 / 24

HEX #6B42C2

RGB 107 66 194

HSL 259.22, 0.51%, 0.51%

LAB 39.44, 46.82, -60.95

 

CMYK 27 / 66 / 0 / 24

HEX #8D42C2

RGB 141 66 194

HSL 275.16, 0.51%, 0.51%

LAB 43.44, 53.88, -54.29

 

CMYK 10 / 66 / 0 / 24

HEX #AF42C2

RGB 175 66 194

HSL 291.09, 0.51%, 0.51%

LAB 48.14, 61.55, -46.5

 

CMYK 46 / 67 / 0 / 47

HEX #492C86

RGB 73 44 134

HSL 259.33, 0.51%, 0.35%

LAB 26.56, 35.23, -45.88

 

CMYK 45 / 67 / 0 / 35

HEX #5A36A5

RGB 90 54 165

HSL 259.46, 0.51%, 0.43%

LAB 32.98, 41.97, -54.36

 

CMYK 44 / 66 / 0 / 24

HEX #6C42C2

RGB 108 66 194

HSL 259.69, 0.51%, 0.51%

LAB 39.55, 47.02, -60.78

 

CMYK 35 / 52 / 0 / 20

HEX #8461CC

RGB 132 97 204

HSL 259.63, 0.51%, 0.59%

LAB 49.27, 37.69, -50.76

 

CMYK 27 / 40 / 0 / 16

HEX #9C81D6

RGB 156 129 214

HSL 259.06, 0.51%, 0.67%

LAB 59.55, 28.25, -40.01

 

CMYK 44 / 65 / 0 / 24

HEX #6D44C2

RGB 109 68 194

HSL 259.52, 0.51%, 0.51%

LAB 40.05, 46.13, -59.96

 

CMYK 0 / 66 / 34 / 24

HEX #C24280

RGB 194 66 128

HSL 330.94, 0.51%, 0.51%

LAB 48.16, 56.49, -7.1

 

CMYK 60 / 0 / 66 / 24

HEX #4DC242

RGB 77 194 66

HSL 114.84, 0.51%, 0.51%

LAB 69.86, -57.01, 52.81

 

CMYK 44 / 65 / 0 / 24

HEX #6D44C2

RGB 109 68 194

HSL 259.52, 0.51%, 0.51%

LAB 40.05, 46.13, -59.96

 

CMYK 0 / 45 / 66 / 24

HEX #C26B42

RGB 194 107 66

HSL 19.22, 0.51%, 0.51%

LAB 54.43, 31.06, 37.75

 

CMYK 66 / 0 / 45 / 24

HEX #42C26B

RGB 66 194 107

HSL 139.22, 0.51%, 0.51%

LAB 70.04, -53.98, 33.69

 

CMYK 44 / 65 / 0 / 24

HEX #6D44C2

RGB 109 68 194

HSL 259.52, 0.51%, 0.51%

LAB 40.05, 46.13, -59.96

 

CMYK 0 / 66 / 34 / 24

HEX #C24280

RGB 194 66 128

HSL 330.94, 0.51%, 0.51%

LAB 48.16, 56.49, -7.1

 

CMYK 21 / 0 / 66 / 24

HEX #99C242

RGB 153 194 66

HSL 79.22, 0.51%, 0.51%

LAB 73.38, -32.39, 57.63

 

CMYK 66 / 0 / 32 / 24

HEX #42C284

RGB 66 194 132

HSL 150.94, 0.51%, 0.51%

LAB 70.46, -49.34, 21.18

 

CMYK 44 / 65 / 0 / 24

HEX #6D44C2

RGB 109 68 194

HSL 259.52, 0.51%, 0.51%

LAB 40.05, 46.13, -59.96

 

CMYK 0 / 66 / 54 / 24

HEX #C2425A

RGB 194 66 90

HSL 348.75, 0.51%, 0.51%

LAB 47.11, 52.72, 14.52

 

CMYK 21 / 0 / 66 / 24

HEX #99C242

RGB 153 194 66

HSL 79.22, 0.51%, 0.51%

LAB 73.38, -32.39, 57.63

 

CMYK 66 / 0 / 12 / 24

HEX #42C2AA

RGB 66 194 170

HSL 168.75, 0.51%, 0.51%

LAB 71.31, -40.54, 1.85

 

Description

Color code: HEX #6D44C2 | qconv.com Color code: HEX #6D44C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 68 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 68 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 65 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 65% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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