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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D3C32 it is the complementary color #92C3CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D3C32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D3C32 shade: #723C2D, #834E40, #946053, #A57266 and #B68479

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D3C32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D3C32 shade: #6D3C32, #5C2A1F, #4B180C, #3A0600 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D3C32 shade: #6C3C32 and #6C3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D3C32 shade: #6C3C32, #6C4B32, #6C5B32, #6C6B32 and #5E6C32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D3C32 shade matches the following richer shades: #6C3C32, #793325, #862B18 and #93220B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D3C32 shade: #6C3C32, #60443F, #534D4B, #465558 and #395E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D3C32 shade: #6C3247, #6C3238, #6C3C32, #6C4B32 and #6C5B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D3C32 shade: #341D18, #502C25, #6C3C32, #894B3F and #A55B4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D3C32 shade: #6D3C32, #576C32 and #323F6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D3C32 shade: #6D3C32, #326C3C and #3C326C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D3C32 shade: #6D3C32, #576C32, #32636C and #47326C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D3C32 shade: #6D3C32, #456C32, #32636C and #59326C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 54 / 57

HEX #6D3C32

RGB 109 60 50

HSL 10.17, 0.37%, 0.31%

LAB 31.14, 20.37, 15.55

 

Complementary color

CMYK 29 / 5 / 0 / 20

HEX #92C3CD

RGB 146 195 205

HSL 190.17, 0.37%, 0.69%

LAB 75.79, -13.64, -10.22

 

CMYK 0 / 47 / 61 / 55

HEX #723C2D

RGB 114 60 45

HSL 13.04, 0.43%, 0.31%

LAB 31.8, 22.09, 19.7

 

CMYK 0 / 40 / 51 / 49

HEX #834E40

RGB 131 78 64

HSL 12.54, 0.34%, 0.38%

LAB 38.97, 20.72, 17.76

 

CMYK 0 / 35 / 44 / 42

HEX #946053

RGB 148 96 83

HSL 12, 0.28%, 0.45%

LAB 46.02, 19.56, 16.14

 

CMYK 0 / 31 / 38 / 35

HEX #A57266

RGB 165 114 102

HSL 11.43, 0.26%, 0.52%

LAB 52.94, 18.57, 14.75

 

CMYK 0 / 27 / 34 / 29

HEX #B68479

RGB 182 132 121

HSL 10.82, 0.29%, 0.59%

LAB 59.73, 17.72, 13.52

 

CMYK 0 / 45 / 54 / 57

HEX #6D3C32

RGB 109 60 50

HSL 10.17, 0.37%, 0.31%

LAB 31.14, 20.37, 15.55

 

CMYK 0 / 54 / 66 / 64

HEX #5C2A1F

RGB 92 42 31

HSL 10.82, 0.5%, 0.24%

LAB 23.77, 21.84, 17.76

 

CMYK 0 / 68 / 84 / 71

HEX #4B180C

RGB 75 24 12

HSL 11.43, 0.72%, 0.17%

LAB 16.38, 23.44, 19.75

 

CMYK 0 / 90 / 100 / 77

HEX #3A0600

RGB 58 6 0

HSL 6.21, 1%, 0.11%

LAB 9.24, 24.74, 14.45

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 44 / 54 / 58

HEX #6C3C32

RGB 108 60 50

HSL 10.34, 0.37%, 0.31%

LAB 31, 19.93, 15.33

 

CMYK 0 / 54 / 54 / 58

HEX #6C3232

RGB 108 50 50

HSL 0, 0.37%, 0.31%

LAB 28.64, 25.79, 12.18

 

CMYK 0 / 44 / 54 / 58

HEX #6C3C32

RGB 108 60 50

HSL 10.34, 0.37%, 0.31%

LAB 31, 19.93, 15.33

 

CMYK 0 / 31 / 54 / 58

HEX #6C4B32

RGB 108 75 50

HSL 25.86, 0.37%, 0.31%

LAB 34.9, 10.79, 20.41

 

CMYK 0 / 16 / 54 / 58

HEX #6C5B32

RGB 108 91 50

HSL 42.41, 0.37%, 0.31%

LAB 39.41, 1.07, 26.04

 

CMYK 0 / 1 / 54 / 58

HEX #6C6B32

RGB 108 107 50

HSL 58.97, 0.37%, 0.31%

LAB 44.14, -8.26, 31.72

 

CMYK 13 / 0 / 54 / 58

HEX #5E6C32

RGB 94 108 50

HSL 74.48, 0.37%, 0.31%

LAB 43.26, -15.12, 30.39

 

CMYK 0 / 44 / 54 / 58

HEX #6C3C32

RGB 108 60 50

HSL 10.34, 0.37%, 0.31%

LAB 31, 19.93, 15.33

 

CMYK 0 / 58 / 69 / 53

HEX #793325

RGB 121 51 37

HSL 10, 0.53%, 0.31%

LAB 30.8, 29.53, 23.67

 

CMYK 0 / 68 / 82 / 47

HEX #862B18

RGB 134 43 24

HSL 10.36, 0.7%, 0.31%

LAB 31.49, 37.92, 32.73

 

CMYK 0 / 77 / 93 / 42

HEX #93220B

RGB 147 34 11

HSL 10.15, 0.86%, 0.31%

LAB 32.64, 45.74, 40.99

 

CMYK 0 / 44 / 54 / 58

HEX #6C3C32

RGB 108 60 50

HSL 10.34, 0.37%, 0.31%

LAB 31, 19.93, 15.33

 

CMYK 0 / 29 / 34 / 62

HEX #60443F

RGB 96 68 63

HSL 9.09, 0.21%, 0.31%

LAB 31.76, 11.3, 7.8

 

CMYK 0 / 7 / 10 / 67

HEX #534D4B

RGB 83 77 75

HSL 15, 0.05%, 0.31%

LAB 33.25, 2.08, 2.07

 

CMYK 20 / 3 / 0 / 65

HEX #465558

RGB 70 85 88

HSL 190, 0.11%, 0.31%

LAB 35.01, -5.07, -3.7

 

CMYK 44 / 7 / 0 / 60

HEX #395E65

RGB 57 94 101

HSL 189.55, 0.28%, 0.31%

LAB 37.51, -11.16, -8.16

 

CMYK 0 / 54 / 34 / 58

HEX #6C3247

RGB 108 50 71

HSL 338.28, 0.37%, 0.31%

LAB 29.22, 28.35, -0.83

 

CMYK 0 / 54 / 48 / 58

HEX #6C3238

RGB 108 50 56

HSL 353.79, 0.37%, 0.31%

LAB 28.79, 26.44, 8.44

 

CMYK 0 / 44 / 54 / 58

HEX #6C3C32

RGB 108 60 50

HSL 10.34, 0.37%, 0.31%

LAB 31, 19.93, 15.33

 

CMYK 0 / 31 / 54 / 58

HEX #6C4B32

RGB 108 75 50

HSL 25.86, 0.37%, 0.31%

LAB 34.9, 10.79, 20.41

 

CMYK 0 / 16 / 54 / 58

HEX #6C5B32

RGB 108 91 50

HSL 42.41, 0.37%, 0.31%

LAB 39.41, 1.07, 26.04

 

CMYK 0 / 44 / 54 / 80

HEX #341D18

RGB 52 29 24

HSL 10.71, 0.37%, 0.15%

LAB 13.68, 10.58, 8.19

 

CMYK 0 / 45 / 54 / 69

HEX #502C25

RGB 80 44 37

HSL 9.77, 0.37%, 0.23%

LAB 22.45, 15.74, 11.7

 

CMYK 0 / 44 / 54 / 58

HEX #6C3C32

RGB 108 60 50

HSL 10.34, 0.37%, 0.31%

LAB 31, 19.93, 15.33

 

CMYK 0 / 45 / 54 / 46

HEX #894B3F

RGB 137 75 63

HSL 9.73, 0.37%, 0.39%

LAB 39.09, 24.91, 18.68

 

CMYK 0 / 45 / 54 / 35

HEX #A55B4C

RGB 165 91 76

HSL 10.11, 0.37%, 0.47%

LAB 46.98, 28.7, 21.97

 

CMYK 0 / 45 / 54 / 57

HEX #6D3C32

RGB 109 60 50

HSL 10.17, 0.37%, 0.31%

LAB 31.14, 20.37, 15.55

 

CMYK 19 / 0 / 54 / 58

HEX #576C32

RGB 87 108 50

HSL 81.72, 0.37%, 0.31%

LAB 42.74, -18.17, 29.63

 

CMYK 54 / 42 / 0 / 58

HEX #323F6C

RGB 50 63 108

HSL 226.55, 0.37%, 0.31%

LAB 27.62, 8.84, -27.88

 

CMYK 0 / 45 / 54 / 57

HEX #6D3C32

RGB 109 60 50

HSL 10.17, 0.37%, 0.31%

LAB 31.14, 20.37, 15.55

 

CMYK 54 / 0 / 44 / 58

HEX #326C3C

RGB 50 108 60

HSL 130.34, 0.37%, 0.31%

LAB 40.78, -30.36, 21.19

 

CMYK 44 / 54 / 0 / 58

HEX #3C326C

RGB 60 50 108

HSL 250.34, 0.37%, 0.31%

LAB 24.72, 20.33, -32.45

 

CMYK 0 / 45 / 54 / 57

HEX #6D3C32

RGB 109 60 50

HSL 10.17, 0.37%, 0.31%

LAB 31.14, 20.37, 15.55

 

CMYK 19 / 0 / 54 / 58

HEX #576C32

RGB 87 108 50

HSL 81.72, 0.37%, 0.31%

LAB 42.74, -18.17, 29.63

 

CMYK 54 / 8 / 0 / 58

HEX #32636C

RGB 50 99 108

HSL 189.31, 0.37%, 0.31%

LAB 39.04, -13.8, -10.2

 

CMYK 34 / 54 / 0 / 58

HEX #47326C

RGB 71 50 108

HSL 261.72, 0.37%, 0.31%

LAB 25.87, 23.41, -30.53

 

CMYK 0 / 45 / 54 / 57

HEX #6D3C32

RGB 109 60 50

HSL 10.17, 0.37%, 0.31%

LAB 31.14, 20.37, 15.55

 

CMYK 36 / 0 / 54 / 58

HEX #456C32

RGB 69 108 50

HSL 100.34, 0.37%, 0.31%

LAB 41.56, -25.47, 27.95

 

CMYK 54 / 8 / 0 / 58

HEX #32636C

RGB 50 99 108

HSL 189.31, 0.37%, 0.31%

LAB 39.04, -13.8, -10.2

 

CMYK 18 / 54 / 0 / 58

HEX #59326C

RGB 89 50 108

HSL 280.34, 0.37%, 0.31%

LAB 28.08, 28.82, -26.89

 

Description

Color code: HEX #6D3C32 | qconv.com Color code: HEX #6D3C32 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 60 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 60 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 54 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 54% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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