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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D3B36 it is the complementary color #92C4C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D3B36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D3B36 shade: #723B31, #834D44, #945F57, #A5716A and #B6837D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D3B36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D3B36 shade: #6D3B36, #5C2923, #4B1710, #3A0500 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D3B36 shade: #6D3B36 and #6D3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D3B36 shade: #6D3B36, #6D4A36, #6D5936, #6D6836 and #646D36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D3B36 shade matches the following richer shades: #6D3B36, #7B3029, #88251B, #951A0E and #A21001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D3B36 shade: #6D3B36, #604643, #535150, #465B5D and #39666B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D3B36 shade: #6D364F, #6D3640, #6D3A36, #6D4936 and #6D5836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D3B36 shade: #361D1B, #522C28, #6D3B36, #894A43 and #A55951

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D3B36 shade: #6D3B36, #5E6D36 and #36476D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D3B36 shade: #6D3B36, #366D3A and #3A366D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D3B36 shade: #6D3B36, #5E6D36, #36696D and #46366D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D3B36 shade: #6D3B36, #4D6D36, #36696D and #56366D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

Complementary color

CMYK 27 / 2 / 0 / 21

HEX #92C4C9

RGB 146 196 201

HSL 185.45, 0.34%, 0.68%

LAB 75.95, -15.09, -7.81

 

CMYK 0 / 48 / 57 / 55

HEX #723B31

RGB 114 59 49

HSL 9.23, 0.4%, 0.32%

LAB 31.64, 23.04, 16.98

 

CMYK 0 / 41 / 48 / 49

HEX #834D44

RGB 131 77 68

HSL 8.57, 0.32%, 0.39%

LAB 38.81, 21.73, 15.09

 

CMYK 0 / 36 / 41 / 42

HEX #945F57

RGB 148 95 87

HSL 7.87, 0.26%, 0.46%

LAB 45.86, 20.61, 13.53

 

CMYK 0 / 32 / 36 / 35

HEX #A5716A

RGB 165 113 106

HSL 7.12, 0.25%, 0.53%

LAB 52.79, 19.65, 12.2

 

CMYK 0 / 28 / 31 / 29

HEX #B6837D

RGB 182 131 125

HSL 6.32, 0.28%, 0.6%

LAB 59.58, 18.81, 11.02

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 0 / 55 / 62 / 64

HEX #5C2923

RGB 92 41 35

HSL 6.32, 0.45%, 0.25%

LAB 23.61, 22.76, 14.93

 

CMYK 0 / 69 / 79 / 71

HEX #4B1710

RGB 75 23 16

HSL 7.12, 0.65%, 0.18%

LAB 16.24, 24.19, 17.55

 

CMYK 0 / 91 / 100 / 77

HEX #3A0500

RGB 58 5 0

HSL 5.17, 1%, 0.11%

LAB 9.06, 25.24, 14.19

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 0 / 50 / 50 / 57

HEX #6D3636

RGB 109 54 54

HSL 0, 0.34%, 0.32%

LAB 29.8, 24.33, 11.17

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 0 / 32 / 50 / 57

HEX #6D4A36

RGB 109 74 54

HSL 21.82, 0.34%, 0.32%

LAB 34.83, 12.29, 17.9

 

CMYK 0 / 18 / 50 / 57

HEX #6D5936

RGB 109 89 54

HSL 38.18, 0.34%, 0.32%

LAB 39.01, 3.16, 23.25

 

CMYK 0 / 5 / 50 / 57

HEX #6D6836

RGB 109 104 54

HSL 54.55, 0.34%, 0.32%

LAB 43.39, -5.68, 28.68

 

CMYK 8 / 0 / 50 / 57

HEX #646D36

RGB 100 109 54

HSL 69.82, 0.34%, 0.32%

LAB 44.11, -12.58, 29.37

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 0 / 61 / 67 / 52

HEX #7B3029

RGB 123 48 41

HSL 5.12, 0.5%, 0.32%

LAB 30.6, 32.18, 21.02

 

CMYK 0 / 73 / 80 / 47

HEX #88251B

RGB 136 37 27

HSL 5.5, 0.67%, 0.32%

LAB 30.96, 41.32, 30.62

 

CMYK 0 / 83 / 91 / 42

HEX #951A0E

RGB 149 26 14

HSL 5.33, 0.83%, 0.32%

LAB 32.17, 48.95, 39.55

 

CMYK 0 / 90 / 99 / 36

HEX #A21001

RGB 162 16 1

HSL 5.59, 0.99%, 0.32%

LAB 34.1, 54.82, 47.52

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 0 / 27 / 30 / 62

HEX #604643

RGB 96 70 67

HSL 6.21, 0.18%, 0.32%

LAB 32.42, 10.67, 6.16

 

CMYK 0 / 2 / 4 / 67

HEX #535150

RGB 83 81 80

HSL 20, 0.02%, 0.32%

LAB 34.61, 0.61, 0.87

 

CMYK 25 / 2 / 0 / 64

HEX #465B5D

RGB 70 91 93

HSL 185.22, 0.14%, 0.32%

LAB 37.07, -7.42, -3.78

 

CMYK 47 / 5 / 0 / 58

HEX #39666B

RGB 57 102 107

HSL 186, 0.3%, 0.32%

LAB 40.3, -14.01, -7.66

 

CMYK 0 / 50 / 28 / 57

HEX #6D364F

RGB 109 54 79

HSL 332.73, 0.34%, 0.32%

LAB 30.53, 27.65, -4.12

 

CMYK 0 / 50 / 41 / 57

HEX #6D3640

RGB 109 54 64

HSL 349.09, 0.34%, 0.32%

LAB 30.06, 25.52, 5

 

CMYK 0 / 47 / 50 / 57

HEX #6D3A36

RGB 109 58 54

HSL 4.36, 0.34%, 0.32%

LAB 30.74, 21.98, 12.46

 

CMYK 0 / 33 / 50 / 57

HEX #6D4936

RGB 109 73 54

HSL 20.73, 0.34%, 0.32%

LAB 34.56, 12.9, 17.55

 

CMYK 0 / 19 / 50 / 57

HEX #6D5836

RGB 109 88 54

HSL 37.09, 0.34%, 0.32%

LAB 38.72, 3.76, 22.89

 

CMYK 0 / 46 / 50 / 79

HEX #361D1B

RGB 54 29 27

HSL 4.44, 0.33%, 0.16%

LAB 14.07, 11.98, 6.62

 

CMYK 0 / 46 / 51 / 68

HEX #522C28

RGB 82 44 40

HSL 5.71, 0.34%, 0.24%

LAB 22.82, 17.01, 10.24

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 0 / 46 / 51 / 46

HEX #894A43

RGB 137 74 67

HSL 6, 0.34%, 0.4%

LAB 38.93, 25.87, 16.02

 

CMYK 0 / 46 / 51 / 35

HEX #A55951

RGB 165 89 81

HSL 5.71, 0.34%, 0.48%

LAB 46.63, 30.26, 18.54

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 14 / 0 / 50 / 57

HEX #5E6D36

RGB 94 109 54

HSL 76.36, 0.34%, 0.32%

LAB 43.63, -15.22, 28.68

 

CMYK 50 / 35 / 0 / 57

HEX #36476D

RGB 54 71 109

HSL 221.45, 0.34%, 0.32%

LAB 30.39, 4.89, -24.13

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 50 / 0 / 47 / 57

HEX #366D3A

RGB 54 109 58

HSL 124.36, 0.34%, 0.32%

LAB 41.26, -29.96, 22.97

 

CMYK 47 / 50 / 0 / 57

HEX #3A366D

RGB 58 54 109

HSL 244.36, 0.34%, 0.32%

LAB 25.69, 17.43, -31.55

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 14 / 0 / 50 / 57

HEX #5E6D36

RGB 94 109 54

HSL 76.36, 0.34%, 0.32%

LAB 43.63, -15.22, 28.68

 

CMYK 50 / 4 / 0 / 57

HEX #36696D

RGB 54 105 109

HSL 184.36, 0.34%, 0.32%

LAB 41.2, -15.89, -7.55

 

CMYK 36 / 50 / 0 / 57

HEX #46366D

RGB 70 54 109

HSL 257.45, 0.34%, 0.32%

LAB 26.86, 20.82, -29.61

 

CMYK 0 / 46 / 50 / 57

HEX #6D3B36

RGB 109 59 54

HSL 5.45, 0.34%, 0.32%

LAB 30.99, 21.39, 12.78

 

CMYK 29 / 0 / 50 / 57

HEX #4D6D36

RGB 77 109 54

HSL 94.91, 0.34%, 0.32%

LAB 42.43, -22.33, 26.94

 

CMYK 50 / 4 / 0 / 57

HEX #36696D

RGB 54 105 109

HSL 184.36, 0.34%, 0.32%

LAB 41.2, -15.89, -7.55

 

CMYK 21 / 50 / 0 / 57

HEX #56366D

RGB 86 54 109

HSL 274.91, 0.34%, 0.32%

LAB 28.7, 25.7, -26.58

 

Description

Color code: HEX #6D3B36 | qconv.com Color code: HEX #6D3B36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 59 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 59 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 50 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 50% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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