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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D33DF it is the complementary color #92CC20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D33DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D33DF shade: #7233DA, #8345ED, #9457FF, #A569FF and #B67BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D33DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D33DF shade: #6D33DF, #5C21CC, #4B0FB9, #3A00A6 and #290093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D33DF shade: #6D34DF, #9B34DF, #CA34DF, #DF34C6 and #DF3498

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D33DF shade: #6D34DF, #3F34DF and #3434DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D33DF shade matches the following richer shades: #6D34DF and #6721F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D33DF shade: #6D34DF, #7347CC, #7A5AB9, #806DA6 and #867F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D33DF shade: #3456DF, #3F34DF, #6D34DF, #9A34DF and #C834DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D33DF shade: #491AA6, #591FCA, #6D34DF, #8757E4 and #A07BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D33DF shade: #6D33DF, #DF3483 and #3FDF34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D33DF shade: #6D33DF, #DF6D34 and #34DF6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D33DF shade: #6D33DF, #DF3483, #A6DF34 and #34DF8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D33DF shade: #6D33DF, #DF3450, #A6DF34 and #34DFC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 77 / 0 / 13

HEX #6D33DF

RGB 109 51 223

HSL 260.23, 0.73%, 0.54%

LAB 39.49, 62.17, -77.62

 

Complementary color

CMYK 28 / 0 / 84 / 20

HEX #92CC20

RGB 146 204 32

HSL 80.23, 0.73%, 0.46%

LAB 75.7, -41.34, 70.58

 

CMYK 48 / 77 / 0 / 15

HEX #7233DA

RGB 114 51 218

HSL 262.63, 0.69%, 0.53%

LAB 39.59, 61.58, -74.57

 

CMYK 45 / 71 / 0 / 7

HEX #8345ED

RGB 131 69 237

HSL 262.14, 0.82%, 0.6%

LAB 45.9, 60.95, -74.97

 

CMYK 42 / 66 / 0 / 0

HEX #9457FF

RGB 148 87 255

HSL 261.79, 1%, 0.67%

LAB 52.21, 59.78, -74.68

 

CMYK 35 / 59 / 0 / 0

HEX #A569FF

RGB 165 105 255

HSL 264, 1%, 0.71%

LAB 57.39, 54, -66.21

 

CMYK 29 / 52 / 0 / 0

HEX #B67BFF

RGB 182 123 255

HSL 266.82, 1%, 0.74%

LAB 62.79, 48.43, -57.47

 

CMYK 51 / 77 / 0 / 13

HEX #6D33DF

RGB 109 51 223

HSL 260.23, 0.73%, 0.54%

LAB 39.49, 62.17, -77.62

 

CMYK 55 / 84 / 0 / 20

HEX #5C21CC

RGB 92 33 204

HSL 260.7, 0.72%, 0.46%

LAB 33.4, 62.33, -76.75

 

CMYK 59 / 92 / 0 / 27

HEX #4B0FB9

RGB 75 15 185

HSL 261.18, 0.85%, 0.39%

LAB 27.68, 61.35, -75.09

 

CMYK 65 / 100 / 0 / 35

HEX #3A00A6

RGB 58 0 166

HSL 260.96, 1%, 0.33%

LAB 22.49, 58.81, -72.35

 

CMYK 72 / 100 / 0 / 42

HEX #290093

RGB 41 0 147

HSL 256.73, 1%, 0.29%

LAB 18.27, 53.36, -67.76

 

CMYK 51 / 77 / 0 / 13

HEX #6D34DF

RGB 109 52 223

HSL 260, 0.73%, 0.54%

LAB 39.64, 61.74, -77.37

 

CMYK 30 / 77 / 0 / 13

HEX #9B34DF

RGB 155 52 223

HSL 276.14, 0.73%, 0.54%

LAB 45.29, 68.76, -67.9

 

CMYK 9 / 77 / 0 / 13

HEX #CA34DF

RGB 202 52 223

HSL 292.63, 0.73%, 0.54%

LAB 52.22, 77.19, -56.37

 

CMYK 0 / 77 / 11 / 13

HEX #DF34C6

RGB 223 52 198

HSL 308.77, 0.73%, 0.54%

LAB 54.26, 77.54, -38.63

 

CMYK 0 / 77 / 32 / 13

HEX #DF3498

RGB 223 52 152

HSL 324.91, 0.73%, 0.54%

LAB 52.3, 71.76, -14.77

 

CMYK 51 / 77 / 0 / 13

HEX #6D34DF

RGB 109 52 223

HSL 260, 0.73%, 0.54%

LAB 39.64, 61.74, -77.37

 

CMYK 72 / 77 / 0 / 13

HEX #3F34DF

RGB 63 52 223

HSL 243.86, 0.73%, 0.54%

LAB 35.68, 56.73, -84.05

 

CMYK 77 / 77 / 0 / 13

HEX #3434DF

RGB 52 52 223

HSL 240, 0.73%, 0.54%

LAB 35.03, 55.91, -85.13

 

CMYK 51 / 77 / 0 / 13

HEX #6D34DF

RGB 109 52 223

HSL 260, 0.73%, 0.54%

LAB 39.64, 61.74, -77.37

 

CMYK 57 / 86 / 0 / 5

HEX #6721F2

RGB 103 33 242

HSL 260.1, 0.89%, 0.54%

LAB 38.52, 72.76, -90.04

 

CMYK 51 / 77 / 0 / 13

HEX #6D34DF

RGB 109 52 223

HSL 260, 0.73%, 0.54%

LAB 39.64, 61.74, -77.37

 

CMYK 44 / 65 / 0 / 20

HEX #7347CC

RGB 115 71 204

HSL 259.85, 0.57%, 0.54%

LAB 42.02, 48.42, -62.54

 

CMYK 34 / 51 / 0 / 27

HEX #7A5AB9

RGB 122 90 185

HSL 260.21, 0.4%, 0.54%

LAB 45.57, 34.17, -45.75

 

CMYK 23 / 34 / 0 / 35

HEX #806DA6

RGB 128 109 166

HSL 260, 0.24%, 0.54%

LAB 49.83, 19.72, -27.9

 

CMYK 9 / 14 / 0 / 42

HEX #867F93

RGB 134 127 147

HSL 261, 0.08%, 0.54%

LAB 54.4, 6.71, -9.8

 

CMYK 77 / 61 / 0 / 13

HEX #3456DF

RGB 52 86 223

HSL 228.07, 0.73%, 0.54%

LAB 42.33, 36.05, -73.12

 

CMYK 72 / 77 / 0 / 13

HEX #3F34DF

RGB 63 52 223

HSL 243.86, 0.73%, 0.54%

LAB 35.68, 56.73, -84.05

 

CMYK 51 / 77 / 0 / 13

HEX #6D34DF

RGB 109 52 223

HSL 260, 0.73%, 0.54%

LAB 39.64, 61.74, -77.37

 

CMYK 31 / 77 / 0 / 13

HEX #9A34DF

RGB 154 52 223

HSL 275.79, 0.73%, 0.54%

LAB 45.16, 68.59, -68.13

 

CMYK 10 / 77 / 0 / 13

HEX #C834DF

RGB 200 52 223

HSL 291.93, 0.73%, 0.54%

LAB 51.91, 76.81, -56.89

 

CMYK 56 / 84 / 0 / 35

HEX #491AA6

RGB 73 26 166

HSL 260.14, 0.73%, 0.38%

LAB 26.47, 52.97, -65.7

 

CMYK 56 / 85 / 0 / 21

HEX #591FCA

RGB 89 31 202

HSL 260.35, 0.73%, 0.46%

LAB 32.63, 62.2, -76.87

 

CMYK 51 / 77 / 0 / 13

HEX #6D34DF

RGB 109 52 223

HSL 260, 0.73%, 0.54%

LAB 39.64, 61.74, -77.37

 

CMYK 41 / 62 / 0 / 11

HEX #8757E4

RGB 135 87 228

HSL 260.43, 0.72%, 0.62%

LAB 48.97, 50.28, -64.89

 

CMYK 32 / 47 / 0 / 8

HEX #A07BEA

RGB 160 123 234

HSL 260, 0.73%, 0.7%

LAB 59.51, 37.74, -51.22

 

CMYK 51 / 77 / 0 / 13

HEX #6D33DF

RGB 109 51 223

HSL 260.23, 0.73%, 0.54%

LAB 39.49, 62.17, -77.62

 

CMYK 0 / 77 / 41 / 13

HEX #DF3483

RGB 223 52 131

HSL 332.28, 0.73%, 0.54%

LAB 51.59, 69.61, -3.27

 

CMYK 72 / 0 / 77 / 13

HEX #3FDF34

RGB 63 223 52

HSL 116.14, 0.73%, 0.54%

LAB 78.51, -70.53, 66.64

 

CMYK 51 / 77 / 0 / 13

HEX #6D33DF

RGB 109 51 223

HSL 260.23, 0.73%, 0.54%

LAB 39.49, 62.17, -77.62

 

CMYK 0 / 51 / 77 / 13

HEX #DF6D34

RGB 223 109 52

HSL 20, 0.73%, 0.54%

LAB 58.86, 40.84, 50.85

 

CMYK 77 / 0 / 51 / 13

HEX #34DF6D

RGB 52 223 109

HSL 140, 0.73%, 0.54%

LAB 78.82, -66.14, 43.68

 

CMYK 51 / 77 / 0 / 13

HEX #6D33DF

RGB 109 51 223

HSL 260.23, 0.73%, 0.54%

LAB 39.49, 62.17, -77.62

 

CMYK 0 / 77 / 41 / 13

HEX #DF3483

RGB 223 52 131

HSL 332.28, 0.73%, 0.54%

LAB 51.59, 69.61, -3.27

 

CMYK 26 / 0 / 77 / 13

HEX #A6DF34

RGB 166 223 52

HSL 80, 0.73%, 0.54%

LAB 82.45, -41.31, 71.78

 

CMYK 77 / 0 / 36 / 13

HEX #34DF8F

RGB 52 223 143

HSL 151.93, 0.73%, 0.54%

LAB 79.32, -60.3, 27.38

 

CMYK 51 / 77 / 0 / 13

HEX #6D33DF

RGB 109 51 223

HSL 260.23, 0.73%, 0.54%

LAB 39.49, 62.17, -77.62

 

CMYK 0 / 77 / 64 / 13

HEX #DF3450

RGB 223 52 80

HSL 350.18, 0.73%, 0.54%

LAB 50.36, 65.76, 25.84

 

CMYK 26 / 0 / 77 / 13

HEX #A6DF34

RGB 166 223 52

HSL 80, 0.73%, 0.54%

LAB 82.45, -41.31, 71.78

 

CMYK 77 / 0 / 13 / 13

HEX #34DFC2

RGB 52 223 194

HSL 169.82, 0.73%, 0.54%

LAB 80.4, -48.68, 2.12

 

Description

Color code: HEX #6D33DF | qconv.com Color code: HEX #6D33DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 51 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 51 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 77 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 77% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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