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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D3345 it is the complementary color #92CCBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D3345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D3345 shade: #723340, #834553, #945766, #A56979 and #B67B8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D3345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D3345 shade: #6D3345, #5C2132, #4B0F1F, #3A000C and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D3345 shade: #6C3344, #6C3335 and #6C3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D3345 shade: #6C3344, #6C3354, #6C3363, #65336C and #55336C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D3345 shade matches the following richer shades: #6C3344, #78263F, #85193B and #920C36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D3345 shade: #6C3344, #5F3F49, #524C4E, #455953 and #386658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D3345 shade: #6C3363, #6C3354, #6C3345, #6C3335 and #6C3F33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D3345 shade: #331821, #4F2532, #6C3344, #884056 and #A44D68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D3345 shade: #6D3345, #6C6533 and #335B6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D3345 shade: #6D3345, #456C33 and #33456C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D3345 shade: #6D3345, #6C6533, #336C59 and #33396C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D3345 shade: #6D3345, #616C33, #336C59 and #3D336C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 37 / 57

HEX #6D3345

RGB 109 51 69

HSL 341.38, 0.36%, 0.31%

LAB 29.53, 27.89, 0.96

 

Complementary color

CMYK 28 / 0 / 9 / 20

HEX #92CCBA

RGB 146 204 186

HSL 161.38, 0.36%, 0.69%

LAB 77.78, -22.46, 2.97

 

CMYK 0 / 55 / 44 / 55

HEX #723340

RGB 114 51 64

HSL 347.62, 0.38%, 0.32%

LAB 30.19, 29.19, 5.3

 

CMYK 0 / 47 / 37 / 49

HEX #834553

RGB 131 69 83

HSL 346.45, 0.31%, 0.39%

LAB 37.31, 28.16, 3.62

 

CMYK 0 / 41 / 31 / 42

HEX #945766

RGB 148 87 102

HSL 345.25, 0.26%, 0.46%

LAB 44.34, 27.17, 2.28

 

CMYK 0 / 36 / 27 / 35

HEX #A56979

RGB 165 105 121

HSL 344, 0.25%, 0.53%

LAB 51.25, 26.26, 1.16

 

CMYK 0 / 32 / 23 / 29

HEX #B67B8C

RGB 182 123 140

HSL 342.71, 0.29%, 0.6%

LAB 58.04, 25.43, 0.19

 

CMYK 0 / 53 / 37 / 57

HEX #6D3345

RGB 109 51 69

HSL 341.38, 0.36%, 0.31%

LAB 29.53, 27.89, 0.96

 

CMYK 0 / 64 / 46 / 64

HEX #5C2132

RGB 92 33 50

HSL 342.71, 0.47%, 0.25%

LAB 22.28, 28.79, 2.9

 

CMYK 0 / 80 / 59 / 71

HEX #4B0F1F

RGB 75 15 31

HSL 344, 0.67%, 0.18%

LAB 15.15, 29.17, 5.81

 

CMYK 0 / 100 / 79 / 77

HEX #3A000C

RGB 58 0 12

HSL 347.59, 1%, 0.11%

LAB 8.36, 28.55, 8.25

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 53 / 37 / 58

HEX #6C3344

RGB 108 51 68

HSL 342.11, 0.36%, 0.31%

LAB 29.34, 27.37, 1.33

 

CMYK 0 / 53 / 51 / 58

HEX #6C3335

RGB 108 51 53

HSL 357.89, 0.36%, 0.31%

LAB 28.94, 25.53, 10.61

 

CMYK 0 / 53 / 53 / 58

HEX #6C3333

RGB 108 51 51

HSL 0, 0.36%, 0.31%

LAB 28.89, 25.32, 11.86

 

CMYK 0 / 53 / 37 / 58

HEX #6C3344

RGB 108 51 68

HSL 342.11, 0.36%, 0.31%

LAB 29.34, 27.37, 1.33

 

CMYK 0 / 53 / 22 / 58

HEX #6C3354

RGB 108 51 84

HSL 325.26, 0.36%, 0.31%

LAB 29.9, 29.78, -8.34

 

CMYK 0 / 53 / 8 / 58

HEX #6C3363

RGB 108 51 99

HSL 309.47, 0.36%, 0.31%

LAB 30.54, 32.43, -17.08

 

CMYK 6 / 53 / 0 / 58

HEX #65336C

RGB 101 51 108

HSL 292.63, 0.36%, 0.31%

LAB 29.95, 31.97, -23.83

 

CMYK 21 / 53 / 0 / 58

HEX #55336C

RGB 85 51 108

HSL 275.79, 0.36%, 0.31%

LAB 27.8, 26.98, -27.38

 

CMYK 0 / 53 / 37 / 58

HEX #6C3344

RGB 108 51 68

HSL 342.11, 0.36%, 0.31%

LAB 29.34, 27.37, 1.33

 

CMYK 0 / 68 / 48 / 53

HEX #78263F

RGB 120 38 63

HSL 341.71, 0.52%, 0.31%

LAB 28.74, 37.84, 4.03

 

CMYK 0 / 81 / 56 / 48

HEX #85193B

RGB 133 25 59

HSL 341.11, 0.68%, 0.31%

LAB 29.41, 46.53, 8

 

CMYK 0 / 92 / 63 / 43

HEX #920C36

RGB 146 12 54

HSL 341.19, 0.85%, 0.31%

LAB 30.97, 52.82, 13.93

 

CMYK 0 / 53 / 37 / 58

HEX #6C3344

RGB 108 51 68

HSL 342.11, 0.36%, 0.31%

LAB 29.34, 27.37, 1.33

 

CMYK 0 / 34 / 23 / 63

HEX #5F3F49

RGB 95 63 73

HSL 341.25, 0.2%, 0.31%

LAB 30.57, 15.63, -0.39

 

CMYK 0 / 7 / 5 / 68

HEX #524C4E

RGB 82 76 78

HSL 340, 0.04%, 0.31%

LAB 32.95, 2.9, -0.29

 

CMYK 22 / 0 / 7 / 65

HEX #455953

RGB 69 89 83

HSL 162, 0.13%, 0.31%

LAB 36.05, -9.06, 0.95

 

CMYK 45 / 0 / 14 / 60

HEX #386658

RGB 56 102 88

HSL 161.74, 0.29%, 0.31%

LAB 39.66, -19.49, 3

 

CMYK 0 / 53 / 8 / 58

HEX #6C3363

RGB 108 51 99

HSL 309.47, 0.36%, 0.31%

LAB 30.54, 32.43, -17.08

 

CMYK 0 / 53 / 22 / 58

HEX #6C3354

RGB 108 51 84

HSL 325.26, 0.36%, 0.31%

LAB 29.9, 29.78, -8.34

 

CMYK 0 / 53 / 36 / 58

HEX #6C3345

RGB 108 51 69

HSL 341.05, 0.36%, 0.31%

LAB 29.38, 27.5, 0.71

 

CMYK 0 / 53 / 51 / 58

HEX #6C3335

RGB 108 51 53

HSL 357.89, 0.36%, 0.31%

LAB 28.94, 25.53, 10.61

 

CMYK 0 / 42 / 53 / 58

HEX #6C3F33

RGB 108 63 51

HSL 12.63, 0.36%, 0.31%

LAB 31.77, 18.23, 15.71

 

CMYK 0 / 53 / 35 / 80

HEX #331821

RGB 51 24 33

HSL 340, 0.36%, 0.15%

LAB 12.4, 14.86, -0.22

 

CMYK 0 / 53 / 37 / 69

HEX #4F2532

RGB 79 37 50

HSL 341.43, 0.36%, 0.23%

LAB 20.89, 21.37, 0.6

 

CMYK 0 / 53 / 37 / 58

HEX #6C3344

RGB 108 51 68

HSL 342.11, 0.36%, 0.31%

LAB 29.34, 27.37, 1.33

 

CMYK 0 / 53 / 37 / 47

HEX #884056

RGB 136 64 86

HSL 341.67, 0.36%, 0.39%

LAB 37.06, 33.22, 1.46

 

CMYK 0 / 53 / 37 / 36

HEX #A44D68

RGB 164 77 104

HSL 341.38, 0.36%, 0.47%

LAB 44.52, 38.82, 1.6

 

CMYK 0 / 53 / 37 / 57

HEX #6D3345

RGB 109 51 69

HSL 341.38, 0.36%, 0.31%

LAB 29.53, 27.89, 0.96

 

CMYK 0 / 6 / 53 / 58

HEX #6C6533

RGB 108 101 51

HSL 52.63, 0.36%, 0.31%

LAB 42.36, -4.72, 29.06

 

CMYK 53 / 16 / 0 / 58

HEX #335B6C

RGB 51 91 108

HSL 197.89, 0.36%, 0.31%

LAB 36.5, -8.88, -14.06

 

CMYK 0 / 53 / 37 / 57

HEX #6D3345

RGB 109 51 69

HSL 341.38, 0.36%, 0.31%

LAB 29.53, 27.89, 0.96

 

CMYK 36 / 0 / 53 / 58

HEX #456C33

RGB 69 108 51

HSL 101.05, 0.36%, 0.31%

LAB 41.58, -25.34, 27.42

 

CMYK 53 / 36 / 0 / 58

HEX #33456C

RGB 51 69 108

HSL 221.05, 0.36%, 0.31%

LAB 29.52, 5.07, -24.87

 

CMYK 0 / 53 / 37 / 57

HEX #6D3345

RGB 109 51 69

HSL 341.38, 0.36%, 0.31%

LAB 29.53, 27.89, 0.96

 

CMYK 0 / 6 / 53 / 58

HEX #6C6533

RGB 108 101 51

HSL 52.63, 0.36%, 0.31%

LAB 42.36, -4.72, 29.06

 

CMYK 53 / 0 / 18 / 58

HEX #336C59

RGB 51 108 89

HSL 160, 0.36%, 0.31%

LAB 41.45, -23.78, 4.94

 

CMYK 53 / 47 / 0 / 58

HEX #33396C

RGB 51 57 108

HSL 233.68, 0.36%, 0.31%

LAB 25.9, 13.2, -30.6

 

CMYK 0 / 53 / 37 / 57

HEX #6D3345

RGB 109 51 69

HSL 341.38, 0.36%, 0.31%

LAB 29.53, 27.89, 0.96

 

CMYK 10 / 0 / 53 / 58

HEX #616C33

RGB 97 108 51

HSL 71.58, 0.36%, 0.31%

LAB 43.52, -13.69, 30.21

 

CMYK 53 / 0 / 18 / 58

HEX #336C59

RGB 51 108 89

HSL 160, 0.36%, 0.31%

LAB 41.45, -23.78, 4.94

 

CMYK 44 / 53 / 0 / 58

HEX #3D336C

RGB 61 51 108

HSL 250.53, 0.36%, 0.31%

LAB 25.08, 19.94, -31.86

 

Description

Color code: HEX #6D3345 | qconv.com Color code: HEX #6D3345 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 51 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 51 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 37 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 37% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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