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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D324C it is the complementary color #92CDB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D324C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D324C shade: #723247, #83445A, #94566D, #A56880 and #B67A93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D324C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D324C shade: #6D324C, #5C2039, #4B0E26, #3A0013 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D324C shade: #6C324C, #6C323C and #6C3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D324C shade: #6C324C, #6C325B, #6C326B, #5E326C and #4E326C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D324C shade matches the following richer shades: #6C324C, #79254A, #861849 and #930B47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D324C shade: #6C324C, #603F4D, #534B4F, #465850 and #396552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D324C shade: #6C326B, #6C325C, #6C324C, #6C323D and #6C3732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D324C shade: #341824, #502538, #6C324C, #893F5F and #A54C73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D324C shade: #6D324C, #6C5E32 and #32646C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D324C shade: #6D324C, #4C6C32 and #324C6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D324C shade: #6D324C, #6C5E32, #326C52 and #32406C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D324C shade: #6D324C, #696C32, #326C52 and #35326C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 30 / 57

HEX #6D324C

RGB 109 50 76

HSL 333.56, 0.37%, 0.31%

LAB 29.55, 29.45, -3.61

 

Complementary color

CMYK 29 / 0 / 13 / 20

HEX #92CDB3

RGB 146 205 179

HSL 153.56, 0.37%, 0.69%

LAB 77.89, -24.41, 6.89

 

CMYK 0 / 56 / 38 / 55

HEX #723247

RGB 114 50 71

HSL 340.31, 0.39%, 0.32%

LAB 30.19, 30.62, 0.7

 

CMYK 0 / 48 / 31 / 49

HEX #83445A

RGB 131 68 90

HSL 339.05, 0.32%, 0.39%

LAB 37.29, 29.69, -0.82

 

CMYK 0 / 42 / 26 / 42

HEX #94566D

RGB 148 86 109

HSL 337.74, 0.26%, 0.46%

LAB 44.31, 28.75, -2.03

 

CMYK 0 / 37 / 22 / 35

HEX #A56880

RGB 165 104 128

HSL 336.39, 0.25%, 0.53%

LAB 51.22, 27.88, -3.03

 

CMYK 0 / 33 / 19 / 29

HEX #B67A93

RGB 182 122 147

HSL 335, 0.29%, 0.6%

LAB 58.01, 27.07, -3.91

 

CMYK 0 / 54 / 30 / 57

HEX #6D324C

RGB 109 50 76

HSL 333.56, 0.37%, 0.31%

LAB 29.55, 29.45, -3.61

 

CMYK 0 / 65 / 38 / 64

HEX #5C2039

RGB 92 32 57

HSL 335, 0.48%, 0.24%

LAB 22.32, 30.2, -1.88

 

CMYK 0 / 81 / 49 / 71

HEX #4B0E26

RGB 75 14 38

HSL 336.39, 0.69%, 0.17%

LAB 15.22, 30.31, 0.79

 

CMYK 0 / 100 / 67 / 77

HEX #3A0013

RGB 58 0 19

HSL 340.34, 1%, 0.11%

LAB 8.54, 29.03, 4.7

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 54 / 30 / 58

HEX #6C324C

RGB 108 50 76

HSL 333.1, 0.37%, 0.31%

LAB 29.39, 29.08, -3.87

 

CMYK 0 / 54 / 44 / 58

HEX #6C323C

RGB 108 50 60

HSL 349.66, 0.37%, 0.31%

LAB 28.89, 26.9, 5.95

 

CMYK 0 / 54 / 54 / 58

HEX #6C3232

RGB 108 50 50

HSL 0, 0.37%, 0.31%

LAB 28.64, 25.79, 12.18

 

CMYK 0 / 54 / 30 / 58

HEX #6C324C

RGB 108 50 76

HSL 333.1, 0.37%, 0.31%

LAB 29.39, 29.08, -3.87

 

CMYK 0 / 54 / 16 / 58

HEX #6C325B

RGB 108 50 91

HSL 317.59, 0.37%, 0.31%

LAB 29.97, 31.53, -12.78

 

CMYK 0 / 54 / 1 / 58

HEX #6C326B

RGB 108 50 107

HSL 301.03, 0.37%, 0.31%

LAB 30.71, 34.52, -21.93

 

CMYK 13 / 54 / 0 / 58

HEX #5E326C

RGB 94 50 108

HSL 285.52, 0.37%, 0.31%

LAB 28.76, 30.36, -25.78

 

CMYK 28 / 54 / 0 / 58

HEX #4E326C

RGB 78 50 108

HSL 268.97, 0.37%, 0.31%

LAB 26.69, 25.48, -29.19

 

CMYK 0 / 54 / 30 / 58

HEX #6C324C

RGB 108 50 76

HSL 333.1, 0.37%, 0.31%

LAB 29.39, 29.08, -3.87

 

CMYK 0 / 69 / 39 / 53

HEX #79254A

RGB 121 37 74

HSL 333.57, 0.53%, 0.31%

LAB 29.11, 39.86, -2.71

 

CMYK 0 / 82 / 46 / 47

HEX #861849

RGB 134 24 73

HSL 333.27, 0.7%, 0.31%

LAB 29.92, 48.37, -0.57

 

CMYK 0 / 93 / 52 / 42

HEX #930B47

RGB 147 11 71

HSL 333.53, 0.86%, 0.31%

LAB 31.57, 54.46, 3.49

 

CMYK 0 / 54 / 30 / 58

HEX #6C324C

RGB 108 50 76

HSL 333.1, 0.37%, 0.31%

LAB 29.39, 29.08, -3.87

 

CMYK 0 / 34 / 20 / 62

HEX #603F4D

RGB 96 63 77

HSL 334.55, 0.21%, 0.31%

LAB 30.83, 16.75, -2.59

 

CMYK 0 / 10 / 5 / 67

HEX #534B4F

RGB 83 75 79

HSL 330, 0.05%, 0.31%

LAB 32.78, 4.15, -1.17

 

CMYK 20 / 0 / 9 / 65

HEX #465850

RGB 70 88 80

HSL 153.33, 0.11%, 0.31%

LAB 35.71, -8.8, 2.35

 

CMYK 44 / 0 / 19 / 60

HEX #396552

RGB 57 101 82

HSL 154.09, 0.28%, 0.31%

LAB 39.22, -20.14, 6.03

 

CMYK 0 / 54 / 1 / 58

HEX #6C326B

RGB 108 50 107

HSL 301.03, 0.37%, 0.31%

LAB 30.71, 34.52, -21.93

 

CMYK 0 / 54 / 15 / 58

HEX #6C325C

RGB 108 50 92

HSL 316.55, 0.37%, 0.31%

LAB 30.02, 31.7, -13.36

 

CMYK 0 / 54 / 30 / 58

HEX #6C324C

RGB 108 50 76

HSL 333.1, 0.37%, 0.31%

LAB 29.39, 29.08, -3.87

 

CMYK 0 / 54 / 44 / 58

HEX #6C323D

RGB 108 50 61

HSL 348.62, 0.37%, 0.31%

LAB 28.92, 27.03, 5.33

 

CMYK 0 / 49 / 54 / 58

HEX #6C3732

RGB 108 55 50

HSL 5.17, 0.37%, 0.31%

LAB 29.79, 22.9, 13.72

 

CMYK 0 / 54 / 31 / 80

HEX #341824

RGB 52 24 36

HSL 334.29, 0.37%, 0.15%

LAB 12.68, 15.83, -1.99

 

CMYK 0 / 54 / 30 / 69

HEX #502538

RGB 80 37 56

HSL 333.49, 0.37%, 0.23%

LAB 21.26, 22.7, -2.98

 

CMYK 0 / 54 / 30 / 58

HEX #6C324C

RGB 108 50 76

HSL 333.1, 0.37%, 0.31%

LAB 29.39, 29.08, -3.87

 

CMYK 0 / 54 / 31 / 46

HEX #893F5F

RGB 137 63 95

HSL 334.05, 0.37%, 0.39%

LAB 37.3, 35.33, -3.87

 

CMYK 0 / 54 / 30 / 35

HEX #A54C73

RGB 165 76 115

HSL 333.71, 0.37%, 0.47%

LAB 44.81, 41.1, -4.68

 

CMYK 0 / 54 / 30 / 57

HEX #6D324C

RGB 109 50 76

HSL 333.56, 0.37%, 0.31%

LAB 29.55, 29.45, -3.61

 

CMYK 0 / 13 / 54 / 58

HEX #6C5E32

RGB 108 94 50

HSL 45.52, 0.37%, 0.31%

LAB 40.29, -0.71, 27.11

 

CMYK 54 / 7 / 0 / 58

HEX #32646C

RGB 50 100 108

HSL 188.28, 0.37%, 0.31%

LAB 39.37, -14.37, -9.71

 

CMYK 0 / 54 / 30 / 57

HEX #6D324C

RGB 109 50 76

HSL 333.56, 0.37%, 0.31%

LAB 29.55, 29.45, -3.61

 

CMYK 30 / 0 / 54 / 58

HEX #4C6C32

RGB 76 108 50

HSL 93.1, 0.37%, 0.31%

LAB 41.99, -22.74, 28.56

 

CMYK 54 / 30 / 0 / 58

HEX #324C6C

RGB 50 76 108

HSL 213.1, 0.37%, 0.31%

LAB 31.65, 0.21, -21.55

 

CMYK 0 / 54 / 30 / 57

HEX #6D324C

RGB 109 50 76

HSL 333.56, 0.37%, 0.31%

LAB 29.55, 29.45, -3.61

 

CMYK 0 / 13 / 54 / 58

HEX #6C5E32

RGB 108 94 50

HSL 45.52, 0.37%, 0.31%

LAB 40.29, -0.71, 27.11

 

CMYK 54 / 0 / 24 / 58

HEX #326C52

RGB 50 108 82

HSL 153.1, 0.37%, 0.31%

LAB 41.24, -25.76, 8.84

 

CMYK 54 / 41 / 0 / 58

HEX #32406C

RGB 50 64 108

HSL 225.52, 0.37%, 0.31%

LAB 27.92, 8.17, -27.4

 

CMYK 0 / 54 / 30 / 57

HEX #6D324C

RGB 109 50 76

HSL 333.56, 0.37%, 0.31%

LAB 29.55, 29.45, -3.61

 

CMYK 3 / 0 / 54 / 58

HEX #696C32

RGB 105 108 50

HSL 63.1, 0.37%, 0.31%

LAB 44.17, -10.19, 31.69

 

CMYK 54 / 0 / 24 / 58

HEX #326C52

RGB 50 108 82

HSL 153.1, 0.37%, 0.31%

LAB 41.24, -25.76, 8.84

 

CMYK 51 / 54 / 0 / 58

HEX #35326C

RGB 53 50 108

HSL 243.1, 0.37%, 0.31%

LAB 24.07, 18.51, -33.53

 

Description

Color code: HEX #6D324C | qconv.com Color code: HEX #6D324C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 50 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 50 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 30 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 30% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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