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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2F42 it is the complementary color #92D0BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2F42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D2F42 shade: #722F3D, #834150, #945363, #A56576 and #B67789

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2F42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D2F42 shade: #6D2F42, #5C1D2F, #4B0B1C, #3A0009 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D2F42 shade: #6F2F43, #6F2F32 and #6F2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D2F42 shade: #6F2F43, #6F2F54, #6F2F65, #672F6F and #562F6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D2F42 shade matches the following richer shades: #6F2F43, #7B233E, #881639 and #950934

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D2F42 shade: #6F2F43, #623C48, #55494D, #485652 and #3C6357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D2F42 shade: #6F2F65, #6F2F54, #6F2F43, #6F2F33 and #6F3D2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D2F42 shade: #351720, #522331, #6F2F43, #8C3C54 and #A84866

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D2F42 shade: #6D2F42, #6F672F and #2F5D6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D2F42 shade: #6D2F42, #436F2F and #2F436F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D2F42 shade: #6D2F42, #6F672F, #2F6F5B and #2F376F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D2F42 shade: #6D2F42, #636F2F, #2F6F5B and #3B2F6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 39 / 57

HEX #6D2F42

RGB 109 47 66

HSL 341.61, 0.4%, 0.31%

LAB 28.58, 29.71, 1.56

 

Complementary color

CMYK 30 / 0 / 9 / 18

HEX #92D0BD

RGB 146 208 189

HSL 161.61, 0.4%, 0.69%

LAB 78.98, -23.8, 3.1

 

CMYK 0 / 59 / 46 / 55

HEX #722F3D

RGB 114 47 61

HSL 347.46, 0.42%, 0.32%

LAB 29.28, 31.01, 5.98

 

CMYK 0 / 50 / 39 / 49

HEX #834150

RGB 131 65 80

HSL 346.36, 0.34%, 0.38%

LAB 36.34, 30.01, 4.12

 

CMYK 0 / 44 / 33 / 42

HEX #945363

RGB 148 83 99

HSL 345.23, 0.28%, 0.45%

LAB 43.34, 29.01, 2.67

 

CMYK 0 / 39 / 28 / 35

HEX #A56576

RGB 165 101 118

HSL 344.06, 0.26%, 0.52%

LAB 50.23, 28.07, 1.47

 

CMYK 0 / 35 / 25 / 29

HEX #B67789

RGB 182 119 137

HSL 342.86, 0.3%, 0.59%

LAB 57.02, 27.2, 0.44

 

CMYK 0 / 57 / 39 / 57

HEX #6D2F42

RGB 109 47 66

HSL 341.61, 0.4%, 0.31%

LAB 28.58, 29.71, 1.56

 

CMYK 0 / 68 / 49 / 64

HEX #5C1D2F

RGB 92 29 47

HSL 342.86, 0.52%, 0.24%

LAB 21.43, 30.48, 3.76

 

CMYK 0 / 85 / 63 / 71

HEX #4B0B1C

RGB 75 11 28

HSL 344.06, 0.74%, 0.17%

LAB 14.51, 30.47, 7.13

 

CMYK 0 / 100 / 84 / 77

HEX #3A0009

RGB 58 0 9

HSL 350.69, 1%, 0.11%

LAB 8.3, 28.39, 9.43

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 58 / 40 / 56

HEX #6F2F43

RGB 111 47 67

HSL 341.25, 0.41%, 0.31%

LAB 28.95, 30.6, 1.47

 

CMYK 0 / 58 / 55 / 56

HEX #6F2F32

RGB 111 47 50

HSL 357.19, 0.41%, 0.31%

LAB 28.49, 28.68, 12.06

 

CMYK 0 / 58 / 58 / 56

HEX #6F2F2F

RGB 111 47 47

HSL 0, 0.41%, 0.31%

LAB 28.43, 28.4, 13.94

 

CMYK 0 / 58 / 40 / 56

HEX #6F2F43

RGB 111 47 67

HSL 341.25, 0.41%, 0.31%

LAB 28.95, 30.6, 1.47

 

CMYK 0 / 58 / 24 / 56

HEX #6F2F54

RGB 111 47 84

HSL 325.31, 0.41%, 0.31%

LAB 29.54, 33.03, -8.83

 

CMYK 0 / 58 / 9 / 56

HEX #6F2F65

RGB 111 47 101

HSL 309.38, 0.41%, 0.31%

LAB 30.28, 35.92, -18.72

 

CMYK 7 / 58 / 0 / 56

HEX #672F6F

RGB 103 47 111

HSL 292.5, 0.41%, 0.31%

LAB 29.57, 35.43, -26.32

 

CMYK 23 / 58 / 0 / 56

HEX #562F6F

RGB 86 47 111

HSL 276.56, 0.41%, 0.31%

LAB 27.18, 30.43, -30.26

 

CMYK 0 / 58 / 40 / 56

HEX #6F2F43

RGB 111 47 67

HSL 341.25, 0.41%, 0.31%

LAB 28.95, 30.6, 1.47

 

CMYK 0 / 72 / 50 / 52

HEX #7B233E

RGB 123 35 62

HSL 341.59, 0.56%, 0.31%

LAB 28.8, 40.06, 4.86

 

CMYK 0 / 84 / 58 / 47

HEX #881639

RGB 136 22 57

HSL 341.58, 0.72%, 0.31%

LAB 29.67, 48.11, 9.8

 

CMYK 0 / 94 / 65 / 42

HEX #950934

RGB 149 9 52

HSL 341.57, 0.89%, 0.31%

LAB 31.42, 53.94, 15.97

 

CMYK 0 / 58 / 40 / 56

HEX #6F2F43

RGB 111 47 67

HSL 341.25, 0.41%, 0.31%

LAB 28.95, 30.6, 1.47

 

CMYK 0 / 39 / 27 / 62

HEX #623C48

RGB 98 60 72

HSL 341.05, 0.24%, 0.31%

LAB 30.15, 18.58, -0.3

 

CMYK 0 / 14 / 9 / 67

HEX #55494D

RGB 85 73 77

HSL 340, 0.08%, 0.31%

LAB 32.33, 5.84, -0.52

 

CMYK 16 / 0 / 5 / 66

HEX #485652

RGB 72 86 82

HSL 162.86, 0.09%, 0.31%

LAB 35.29, -6.38, 0.49

 

CMYK 39 / 0 / 12 / 61

HEX #3C6357

RGB 60 99 87

HSL 161.54, 0.25%, 0.31%

LAB 38.85, -16.89, 2.47

 

CMYK 0 / 58 / 9 / 56

HEX #6F2F65

RGB 111 47 101

HSL 309.38, 0.41%, 0.31%

LAB 30.28, 35.92, -18.72

 

CMYK 0 / 58 / 24 / 56

HEX #6F2F54

RGB 111 47 84

HSL 325.31, 0.41%, 0.31%

LAB 29.54, 33.03, -8.83

 

CMYK 0 / 58 / 40 / 56

HEX #6F2F43

RGB 111 47 67

HSL 341.25, 0.41%, 0.31%

LAB 28.95, 30.6, 1.47

 

CMYK 0 / 58 / 54 / 56

HEX #6F2F33

RGB 111 47 51

HSL 356.25, 0.41%, 0.31%

LAB 28.52, 28.78, 11.44

 

CMYK 0 / 45 / 58 / 56

HEX #6F3D2F

RGB 111 61 47

HSL 13.13, 0.41%, 0.31%

LAB 31.63, 20.36, 18.14

 

CMYK 0 / 57 / 40 / 79

HEX #351720

RGB 53 23 32

HSL 342, 0.39%, 0.15%

LAB 12.44, 16.25, 0.63

 

CMYK 0 / 57 / 40 / 68

HEX #522331

RGB 82 35 49

HSL 342.13, 0.4%, 0.23%

LAB 20.9, 23.64, 1.37

 

CMYK 0 / 58 / 40 / 56

HEX #6F2F43

RGB 111 47 67

HSL 341.25, 0.41%, 0.31%

LAB 28.95, 30.6, 1.47

 

CMYK 0 / 57 / 40 / 45

HEX #8C3C54

RGB 140 60 84

HSL 342, 0.4%, 0.39%

LAB 36.83, 36.53, 2.47

 

CMYK 0 / 57 / 39 / 34

HEX #A84866

RGB 168 72 102

HSL 341.25, 0.4%, 0.47%

LAB 44.12, 42.5, 2.33

 

CMYK 0 / 57 / 39 / 57

HEX #6D2F42

RGB 109 47 66

HSL 341.61, 0.4%, 0.31%

LAB 28.58, 29.71, 1.56

 

CMYK 0 / 7 / 58 / 56

HEX #6F672F

RGB 111 103 47

HSL 52.5, 0.41%, 0.31%

LAB 43.19, -4.86, 32.27

 

CMYK 58 / 16 / 0 / 56

HEX #2F5D6F

RGB 47 93 111

HSL 196.88, 0.41%, 0.31%

LAB 37.08, -10.07, -15.05

 

CMYK 0 / 57 / 39 / 57

HEX #6D2F42

RGB 109 47 66

HSL 341.61, 0.4%, 0.31%

LAB 28.58, 29.71, 1.56

 

CMYK 40 / 0 / 58 / 56

HEX #436F2F

RGB 67 111 47

HSL 101.25, 0.41%, 0.31%

LAB 42.41, -28.07, 30.53

 

CMYK 58 / 40 / 0 / 56

HEX #2F436F

RGB 47 67 111

HSL 221.25, 0.41%, 0.31%

LAB 28.82, 6.45, -27.9

 

CMYK 0 / 57 / 39 / 57

HEX #6D2F42

RGB 109 47 66

HSL 341.61, 0.4%, 0.31%

LAB 28.58, 29.71, 1.56

 

CMYK 0 / 7 / 58 / 56

HEX #6F672F

RGB 111 103 47

HSL 52.5, 0.41%, 0.31%

LAB 43.19, -4.86, 32.27

 

CMYK 58 / 0 / 18 / 56

HEX #2F6F5B

RGB 47 111 91

HSL 161.25, 0.41%, 0.31%

LAB 42.35, -25.79, 5

 

CMYK 58 / 50 / 0 / 56

HEX #2F376F

RGB 47 55 111

HSL 232.5, 0.41%, 0.31%

LAB 25.21, 14.67, -33.64

 

CMYK 0 / 57 / 39 / 57

HEX #6D2F42

RGB 109 47 66

HSL 341.61, 0.4%, 0.31%

LAB 28.58, 29.71, 1.56

 

CMYK 11 / 0 / 58 / 56

HEX #636F2F

RGB 99 111 47

HSL 71.25, 0.41%, 0.31%

LAB 44.56, -14.85, 33.57

 

CMYK 58 / 0 / 18 / 56

HEX #2F6F5B

RGB 47 111 91

HSL 161.25, 0.41%, 0.31%

LAB 42.35, -25.79, 5

 

CMYK 47 / 58 / 0 / 56

HEX #3B2F6F

RGB 59 47 111

HSL 251.25, 0.41%, 0.31%

LAB 24.03, 23.03, -35.48

 

Description

Color code: HEX #6D2F42 | qconv.com Color code: HEX #6D2F42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 47 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 47 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 39 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 39% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Beads & Jewelry ...
Link: http://www.artbeads.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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