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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2B5D it is the complementary color #92D4A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2B5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D2B5D shade: #722B58, #833D6B, #944F7E, #A56191 and #B673A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2B5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D2B5D shade: #6D2B5D, #5C194A, #4B0737, #3A0024 and #290011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D2B5D shade: #6D2B5D, #6D2B4B, #6D2B39 and #6D2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D2B5D shade: #6D2B5D, #6B2B6D, #592B6D, #482B6D and #362B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D2B5D shade matches the following richer shades: #6D2B5D, #791F63, #86126A and #920670

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D2B5D shade: #6D2B5D, #613757, #544450, #48504A and #3B5D43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D2B5D shade: #592B6D, #6B2B6D, #6D2B5E, #6D2B4C and #6D2B3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D2B5D shade: #32142B, #4F1F44, #6D2B5D, #8A3776 and #A8438F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D2B5D shade: #6D2B5D, #6D482B and #2B6D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D2B5D shade: #6D2B5D, #5E6D2B and #2B5E6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D2B5D shade: #6D2B5D, #6D482B, #2B6D3A and #2B506D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D2B5D shade: #6D2B5D, #6D5B2B, #2B6D3A and #2B3D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

Complementary color

CMYK 31 / 0 / 24 / 17

HEX #92D4A2

RGB 146 212 162

HSL 134.55, 0.43%, 0.7%

LAB 79.5, -31.06, 18.22

 

CMYK 0 / 62 / 23 / 55

HEX #722B58

RGB 114 43 88

HSL 321.97, 0.45%, 0.31%

LAB 29.44, 36.72, -11.56

 

CMYK 0 / 53 / 18 / 49

HEX #833D6B

RGB 131 61 107

HSL 320.57, 0.36%, 0.38%

LAB 36.41, 36.13, -12.86

 

CMYK 0 / 47 / 15 / 42

HEX #944F7E

RGB 148 79 126

HSL 319.13, 0.3%, 0.45%

LAB 43.35, 35.37, -13.83

 

CMYK 0 / 41 / 12 / 35

HEX #A56191

RGB 165 97 145

HSL 317.65, 0.27%, 0.51%

LAB 50.21, 34.56, -14.62

 

CMYK 0 / 37 / 10 / 29

HEX #B673A4

RGB 182 115 164

HSL 316.12, 0.31%, 0.58%

LAB 56.97, 33.78, -15.3

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 73 / 20 / 64

HEX #5C194A

RGB 92 25 74

HSL 316.12, 0.57%, 0.23%

LAB 21.82, 36.05, -14.27

 

CMYK 0 / 91 / 27 / 71

HEX #4B0737

RGB 75 7 55

HSL 317.65, 0.83%, 0.16%

LAB 15.08, 34.98, -11.73

 

CMYK 0 / 100 / 38 / 77

HEX #3A0024

RGB 58 0 36

HSL 322.76, 1%, 0.11%

LAB 9.21, 30.8, -7.08

 

CMYK 0 / 100 / 59 / 84

HEX #290011

RGB 41 0 17

HSL 335.12, 1%, 0.08%

LAB 4.62, 21.23, -0.26

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 61 / 31 / 57

HEX #6D2B4B

RGB 109 43 75

HSL 330.91, 0.43%, 0.3%

LAB 28.08, 33.08, -5.14

 

CMYK 0 / 61 / 48 / 57

HEX #6D2B39

RGB 109 43 57

HSL 347.27, 0.43%, 0.3%

LAB 27.5, 30.78, 6

 

CMYK 0 / 61 / 61 / 57

HEX #6D2B2B

RGB 109 43 43

HSL 0, 0.43%, 0.3%

LAB 27.17, 29.4, 14.84

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 2 / 61 / 0 / 57

HEX #6B2B6D

RGB 107 43 109

HSL 298.18, 0.43%, 0.3%

LAB 29.31, 38.28, -25.43

 

CMYK 18 / 61 / 0 / 57

HEX #592B6D

RGB 89 43 109

HSL 281.82, 0.43%, 0.3%

LAB 26.61, 33.1, -29.87

 

CMYK 34 / 61 / 0 / 57

HEX #482B6D

RGB 72 43 109

HSL 266.36, 0.43%, 0.3%

LAB 24.35, 28.38, -33.6

 

CMYK 50 / 61 / 0 / 57

HEX #362B6D

RGB 54 43 109

HSL 250, 0.43%, 0.3%

LAB 22.36, 23.8, -36.91

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 74 / 18 / 53

HEX #791F63

RGB 121 31 99

HSL 314.67, 0.59%, 0.3%

LAB 29.28, 45.73, -18.86

 

CMYK 0 / 87 / 21 / 47

HEX #86126A

RGB 134 18 106

HSL 314.48, 0.76%, 0.3%

LAB 30.74, 53.81, -20.91

 

CMYK 0 / 96 / 23 / 43

HEX #920670

RGB 146 6 112

HSL 314.57, 0.92%, 0.3%

LAB 32.73, 59.24, -21.48

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 43 / 10 / 62

HEX #613757

RGB 97 55 87

HSL 314.29, 0.28%, 0.3%

LAB 29.32, 23.94, -11.33

 

CMYK 0 / 19 / 5 / 67

HEX #544450

RGB 84 68 80

HSL 315, 0.11%, 0.3%

LAB 30.87, 9.23, -4.61

 

CMYK 10 / 0 / 7 / 69

HEX #48504A

RGB 72 80 74

HSL 135, 0.05%, 0.3%

LAB 33.16, -4.54, 2.44

 

CMYK 37 / 0 / 28 / 64

HEX #3B5D43

RGB 59 93 67

HSL 134.12, 0.22%, 0.3%

LAB 36.3, -18.56, 11.11

 

CMYK 18 / 61 / 0 / 57

HEX #592B6D

RGB 89 43 109

HSL 281.82, 0.43%, 0.3%

LAB 26.61, 33.1, -29.87

 

CMYK 2 / 61 / 0 / 57

HEX #6B2B6D

RGB 107 43 109

HSL 298.18, 0.43%, 0.3%

LAB 29.31, 38.28, -25.43

 

CMYK 0 / 61 / 14 / 57

HEX #6D2B5E

RGB 109 43 94

HSL 313.64, 0.43%, 0.3%

LAB 28.87, 36.1, -16.41

 

CMYK 0 / 61 / 30 / 57

HEX #6D2B4C

RGB 109 43 76

HSL 330, 0.43%, 0.3%

LAB 28.12, 33.22, -5.75

 

CMYK 0 / 61 / 47 / 57

HEX #6D2B3A

RGB 109 43 58

HSL 346.36, 0.43%, 0.3%

LAB 27.53, 30.89, 5.37

 

CMYK 0 / 60 / 14 / 80

HEX #32142B

RGB 50 20 43

HSL 314, 0.43%, 0.14%

LAB 11.64, 18.94, -8.74

 

CMYK 0 / 61 / 14 / 69

HEX #4F1F44

RGB 79 31 68

HSL 313.75, 0.44%, 0.22%

LAB 20.28, 27.89, -12.74

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 60 / 14 / 46

HEX #8A3776

RGB 138 55 118

HSL 314.46, 0.43%, 0.38%

LAB 36.82, 43.21, -19.02

 

CMYK 0 / 60 / 15 / 34

HEX #A8438F

RGB 168 67 143

HSL 314.85, 0.43%, 0.46%

LAB 44.69, 50.49, -21.83

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 34 / 61 / 57

HEX #6D482B

RGB 109 72 43

HSL 26.36, 0.43%, 0.3%

LAB 34.11, 12.42, 23.64

 

CMYK 61 / 0 / 10 / 57

HEX #2B6D62

RGB 43 109 98

HSL 170, 0.43%, 0.3%

LAB 41.74, -23.81, -0.12

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 14 / 0 / 61 / 57

HEX #5E6D2B

RGB 94 109 43

HSL 73.64, 0.43%, 0.3%

LAB 43.49, -16.37, 34.28

 

CMYK 61 / 14 / 0 / 57

HEX #2B5E6D

RGB 43 94 109

HSL 193.64, 0.43%, 0.3%

LAB 37.16, -12.22, -13.71

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 34 / 61 / 57

HEX #6D482B

RGB 109 72 43

HSL 26.36, 0.43%, 0.3%

LAB 34.11, 12.42, 23.64

 

CMYK 61 / 0 / 47 / 57

HEX #2B6D3A

RGB 43 109 58

HSL 133.64, 0.43%, 0.3%

LAB 40.83, -33.1, 22.33

 

CMYK 61 / 27 / 0 / 57

HEX #2B506D

RGB 43 80 109

HSL 206.36, 0.43%, 0.3%

LAB 32.6, -3.72, -20.72

 

CMYK 0 / 61 / 15 / 57

HEX #6D2B5D

RGB 109 43 93

HSL 314.55, 0.43%, 0.3%

LAB 28.82, 35.92, -15.83

 

CMYK 0 / 17 / 61 / 57

HEX #6D5B2B

RGB 109 91 43

HSL 43.64, 0.43%, 0.3%

LAB 39.42, 0.89, 29.98

 

CMYK 61 / 0 / 47 / 57

HEX #2B6D3A

RGB 43 109 58

HSL 133.64, 0.43%, 0.3%

LAB 40.83, -33.1, 22.33

 

CMYK 61 / 44 / 0 / 57

HEX #2B3D6D

RGB 43 61 109

HSL 223.64, 0.43%, 0.3%

LAB 26.61, 8.87, -30.15

 

Description

Color code: HEX #6D2B5D | qconv.com Color code: HEX #6D2B5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 43 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 43 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 15 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 15% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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