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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D2394 it is the complementary color #92DC6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D2394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D2394 shade: #72238F, #8335A2, #9447B5, #A559C8 and #B66BDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D2394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D2394 shade: #6D2394, #5C1181, #4B006E, #3A005B and #290048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D2394 shade: #6D2395, #8C2395, #95237F, #952360 and #952341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D2394 shade: #6D2395, #4F2395, #302395 and #232395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D2394 shade matches the following richer shades: #6D2395, #7214A4 and #7705B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D2394 shade: #6D2395, #693286, #644177, #604F68 and #5B5E59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D2394 shade: #302395, #4F2395, #6D2395, #8B2395 and #952380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D2394 shade: #3C1352, #551B73, #6D2395, #862BB6 and #9C39D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D2394 shade: #6D2394, #952334 and #23953F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D2394 shade: #6D2394, #956D23 and #23956D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D2394 shade: #6D2394, #952334, #4B9523 and #239584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D2394 shade: #6D2394, #953423, #4B9523 and #238495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 76 / 0 / 42

HEX #6D2394

RGB 109 35 148

HSL 279.29, 0.62%, 0.36%

LAB 30.86, 50.61, -47.36

 

Complementary color

CMYK 34 / 0 / 51 / 14

HEX #92DC6B

RGB 146 220 107

HSL 99.29, 0.62%, 0.64%

LAB 80.94, -42.83, 47.92

 

CMYK 20 / 76 / 0 / 44

HEX #72238F

RGB 114 35 143

HSL 283.89, 0.61%, 0.35%

LAB 31.26, 50.55, -43.6

 

CMYK 19 / 67 / 0 / 36

HEX #8335A2

RGB 131 53 162

HSL 282.94, 0.51%, 0.42%

LAB 37.81, 50.64, -44.5

 

CMYK 18 / 61 / 0 / 29

HEX #9447B5

RGB 148 71 181

HSL 282, 0.44%, 0.49%

LAB 44.43, 50.22, -45.05

 

CMYK 18 / 56 / 0 / 22

HEX #A559C8

RGB 165 89 200

HSL 281.08, 0.5%, 0.57%

LAB 51.05, 49.57, -45.41

 

CMYK 17 / 51 / 0 / 14

HEX #B66BDB

RGB 182 107 219

HSL 280.18, 0.61%, 0.64%

LAB 57.63, 48.81, -45.65

 

CMYK 26 / 76 / 0 / 42

HEX #6D2394

RGB 109 35 148

HSL 279.29, 0.62%, 0.36%

LAB 30.86, 50.61, -47.36

 

CMYK 29 / 87 / 0 / 49

HEX #5C1181

RGB 92 17 129

HSL 280.18, 0.77%, 0.29%

LAB 24.52, 49.62, -45.95

 

CMYK 32 / 100 / 0 / 57

HEX #4B006E

RGB 75 0 110

HSL 280.91, 1%, 0.22%

LAB 18.46, 47.36, -43.78

 

CMYK 36 / 100 / 0 / 64

HEX #3A005B

RGB 58 0 91

HSL 278.24, 1%, 0.18%

LAB 13.56, 41.01, -39.35

 

CMYK 43 / 100 / 0 / 72

HEX #290048

RGB 41 0 72

HSL 274.17, 1%, 0.14%

LAB 8.48, 34.45, -34.75

 

CMYK 27 / 77 / 0 / 42

HEX #6D2395

RGB 109 35 149

HSL 278.95, 0.62%, 0.36%

LAB 30.93, 50.83, -47.85

 

CMYK 6 / 77 / 0 / 42

HEX #8C2395

RGB 140 35 149

HSL 295.26, 0.62%, 0.36%

LAB 35.88, 57.2, -39.63

 

CMYK 0 / 77 / 15 / 42

HEX #95237F

RGB 149 35 127

HSL 311.58, 0.62%, 0.36%

LAB 36.22, 55.66, -25.43

 

CMYK 0 / 77 / 36 / 42

HEX #952360

RGB 149 35 96

HSL 327.89, 0.62%, 0.36%

LAB 34.88, 51.55, -7.9

 

CMYK 0 / 77 / 56 / 42

HEX #952341

RGB 149 35 65

HSL 344.21, 0.62%, 0.36%

LAB 33.93, 48.54, 10.81

 

CMYK 27 / 77 / 0 / 42

HEX #6D2395

RGB 109 35 149

HSL 278.95, 0.62%, 0.36%

LAB 30.93, 50.83, -47.85

 

CMYK 47 / 77 / 0 / 42

HEX #4F2395

RGB 79 35 149

HSL 263.16, 0.62%, 0.36%

LAB 26.83, 45.37, -54.71

 

CMYK 68 / 77 / 0 / 42

HEX #302395

RGB 48 35 149

HSL 246.84, 0.62%, 0.36%

LAB 23.67, 41, -60.02

 

CMYK 77 / 77 / 0 / 42

HEX #232395

RGB 35 35 149

HSL 240, 0.62%, 0.36%

LAB 22.76, 39.69, -61.56

 

CMYK 27 / 77 / 0 / 42

HEX #6D2395

RGB 109 35 149

HSL 278.95, 0.62%, 0.36%

LAB 30.93, 50.83, -47.85

 

CMYK 30 / 88 / 0 / 36

HEX #7214A4

RGB 114 20 164

HSL 279.17, 0.78%, 0.36%

LAB 31.25, 59.71, -56.44

 

CMYK 33 / 97 / 0 / 30

HEX #7705B2

RGB 119 5 178

HSL 279.54, 0.95%, 0.36%

LAB 32.36, 65.89, -63.01

 

CMYK 27 / 77 / 0 / 42

HEX #6D2395

RGB 109 35 149

HSL 278.95, 0.62%, 0.36%

LAB 30.93, 50.83, -47.85

 

CMYK 22 / 63 / 0 / 47

HEX #693286

RGB 105 50 134

HSL 279.29, 0.46%, 0.36%

LAB 31.82, 39.52, -37.2

 

CMYK 16 / 45 / 0 / 53

HEX #644177

RGB 100 65 119

HSL 278.89, 0.29%, 0.36%

LAB 33.61, 25.89, -25.06

 

CMYK 8 / 24 / 0 / 59

HEX #604F68

RGB 96 79 104

HSL 280.8, 0.14%, 0.36%

LAB 36.13, 12.25, -11.81

 

CMYK 3 / 0 / 5 / 63

HEX #5B5E59

RGB 91 94 89

HSL 96, 0.03%, 0.36%

LAB 39.5, -2.23, 2.45

 

CMYK 68 / 77 / 0 / 42

HEX #302395

RGB 48 35 149

HSL 246.84, 0.62%, 0.36%

LAB 23.67, 41, -60.02

 

CMYK 47 / 77 / 0 / 42

HEX #4F2395

RGB 79 35 149

HSL 263.16, 0.62%, 0.36%

LAB 26.83, 45.37, -54.71

 

CMYK 27 / 77 / 0 / 42

HEX #6D2395

RGB 109 35 149

HSL 278.95, 0.62%, 0.36%

LAB 30.93, 50.83, -47.85

 

CMYK 7 / 77 / 0 / 42

HEX #8B2395

RGB 139 35 149

HSL 294.74, 0.62%, 0.36%

LAB 35.72, 56.99, -39.91

 

CMYK 0 / 77 / 14 / 42

HEX #952380

RGB 149 35 128

HSL 311.05, 0.62%, 0.36%

LAB 36.27, 55.8, -25.97

 

CMYK 27 / 77 / 0 / 68

HEX #3C1352

RGB 60 19 82

HSL 279.05, 0.62%, 0.2%

LAB 15.67, 31.69, -29.8

 

CMYK 26 / 77 / 0 / 55

HEX #551B73

RGB 85 27 115

HSL 279.55, 0.62%, 0.28%

LAB 23.52, 41.56, -38.72

 

CMYK 27 / 77 / 0 / 42

HEX #6D2395

RGB 109 35 149

HSL 278.95, 0.62%, 0.36%

LAB 30.93, 50.83, -47.85

 

CMYK 26 / 76 / 0 / 29

HEX #862BB6

RGB 134 43 182

HSL 279.28, 0.62%, 0.44%

LAB 38.15, 59.65, -55.84

 

CMYK 25 / 73 / 0 / 18

HEX #9C39D1

RGB 156 57 209

HSL 279.08, 0.62%, 0.52%

LAB 45.08, 64.12, -60.23

 

CMYK 26 / 76 / 0 / 42

HEX #6D2394

RGB 109 35 148

HSL 279.29, 0.62%, 0.36%

LAB 30.86, 50.61, -47.36

 

CMYK 0 / 77 / 65 / 42

HEX #952334

RGB 149 35 52

HSL 351.05, 0.62%, 0.36%

LAB 33.65, 47.62, 18.87

 

CMYK 77 / 0 / 58 / 42

HEX #23953F

RGB 35 149 63

HSL 134.74, 0.62%, 0.36%

LAB 54.25, -49.64, 36.19

 

CMYK 26 / 76 / 0 / 42

HEX #6D2394

RGB 109 35 148

HSL 279.29, 0.62%, 0.36%

LAB 30.86, 50.61, -47.36

 

CMYK 0 / 27 / 77 / 42

HEX #956D23

RGB 149 109 35

HSL 38.95, 0.62%, 0.36%

LAB 48.82, 8.62, 45.27

 

CMYK 77 / 0 / 27 / 42

HEX #23956D

RGB 35 149 109

HSL 158.95, 0.62%, 0.36%

LAB 55.03, -40.84, 12.39

 

CMYK 26 / 76 / 0 / 42

HEX #6D2394

RGB 109 35 148

HSL 279.29, 0.62%, 0.36%

LAB 30.86, 50.61, -47.36

 

CMYK 0 / 77 / 65 / 42

HEX #952334

RGB 149 35 52

HSL 351.05, 0.62%, 0.36%

LAB 33.65, 47.62, 18.87

 

CMYK 50 / 0 / 77 / 42

HEX #4B9523

RGB 75 149 35

HSL 98.95, 0.62%, 0.36%

LAB 55.19, -43.08, 49.64

 

CMYK 77 / 0 / 11 / 42

HEX #239584

RGB 35 149 132

HSL 171.05, 0.62%, 0.36%

LAB 55.6, -34.84, 0.1

 

CMYK 26 / 76 / 0 / 42

HEX #6D2394

RGB 109 35 148

HSL 279.29, 0.62%, 0.36%

LAB 30.86, 50.61, -47.36

 

CMYK 0 / 65 / 77 / 42

HEX #953423

RGB 149 52 35

HSL 8.95, 0.62%, 0.36%

LAB 35.92, 39.8, 32.02

 

CMYK 50 / 0 / 77 / 42

HEX #4B9523

RGB 75 149 35

HSL 98.95, 0.62%, 0.36%

LAB 55.19, -43.08, 49.64

 

CMYK 77 / 11 / 0 / 42

HEX #238495

RGB 35 132 149

HSL 188.95, 0.62%, 0.36%

LAB 50.72, -21.24, -17.03

 

Description

Color code: HEX #6D2394 | qconv.com Color code: HEX #6D2394 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 35 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 35 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 76 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 76% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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