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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D1D5E it is the complementary color #92E2A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D1D5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D1D5E shade: #721D59, #832F6C, #94417F, #A55392 and #B665A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D1D5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D1D5E shade: #6D1D5E, #5C0B4B, #4B0038, #3A0025 and #290012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D1D5E shade: #6D1D5E, #6D1D48, #6D1D33 and #6D1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D1D5E shade: #6D1D5E, #661D6D, #511D6D, #3B1D6D and #261D6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D1D5E shade matches the following richer shades: #6D1D5E, #781265 and #83076C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D1D5E shade: #6D1D5E, #622857, #573350, #4B3E49 and #404942

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D1D5E shade: #511D6D, #661D6D, #6D1D5E, #6D1D49 and #6D1D34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D1D5E shade: #2C0C26, #4C1442, #6D1D5E, #8D267A and #AE2E96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D1D5E shade: #6D1D5E, #6D3C1D and #1D6D5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D1D5E shade: #6D1D5E, #5E6D1D and #1D5E6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D1D5E shade: #6D1D5E, #6D3C1D, #1D6D2C and #1D4E6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D1D5E shade: #6D1D5E, #6D531D, #1D6D2C and #1D366D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

Complementary color

CMYK 35 / 0 / 29 / 11

HEX #92E2A1

RGB 146 226 161

HSL 131.25, 0.58%, 0.73%

LAB 83.48, -37.72, 24.23

 

CMYK 0 / 75 / 22 / 55

HEX #721D59

RGB 114 29 89

HSL 317.65, 0.59%, 0.28%

LAB 27.23, 43.07, -15.59

 

CMYK 0 / 64 / 18 / 49

HEX #832F6C

RGB 131 47 108

HSL 316.43, 0.47%, 0.35%

LAB 33.86, 43.25, -17.4

 

CMYK 0 / 56 / 14 / 42

HEX #94417F

RGB 148 65 127

HSL 315.18, 0.39%, 0.42%

LAB 40.59, 42.87, -18.67

 

CMYK 0 / 50 / 12 / 35

HEX #A55392

RGB 165 83 146

HSL 313.9, 0.33%, 0.49%

LAB 47.32, 42.23, -19.63

 

CMYK 0 / 45 / 9 / 29

HEX #B665A5

RGB 182 101 165

HSL 312.59, 0.36%, 0.55%

LAB 53.99, 41.5, -20.4

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 88 / 18 / 64

HEX #5C0B4B

RGB 92 11 75

HSL 312.59, 0.79%, 0.2%

LAB 20.13, 41.13, -17.57

 

CMYK 0 / 100 / 25 / 71

HEX #4B0038

RGB 75 0 56

HSL 315.2, 1%, 0.15%

LAB 14.3, 37.57, -13.66

 

CMYK 0 / 100 / 36 / 77

HEX #3A0025

RGB 58 0 37

HSL 321.72, 1%, 0.11%

LAB 9.26, 30.93, -7.77

 

CMYK 0 / 100 / 56 / 84

HEX #290012

RGB 41 0 18

HSL 333.66, 1%, 0.08%

LAB 4.65, 21.4, -0.81

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 73 / 34 / 57

HEX #6D1D48

RGB 109 29 72

HSL 327.75, 0.58%, 0.27%

LAB 25.56, 39.23, -6.92

 

CMYK 0 / 73 / 53 / 57

HEX #6D1D33

RGB 109 29 51

HSL 343.5, 0.58%, 0.27%

LAB 24.86, 36.86, 6.32

 

CMYK 0 / 73 / 73 / 57

HEX #6D1D1D

RGB 109 29 29

HSL 0, 0.58%, 0.27%

LAB 24.38, 35.2, 20.54

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 6 / 73 / 0 / 57

HEX #661D6D

RGB 102 29 109

HSL 294.75, 0.58%, 0.27%

LAB 26.18, 43.35, -30.43

 

CMYK 26 / 73 / 0 / 57

HEX #511D6D

RGB 81 29 109

HSL 279, 0.58%, 0.27%

LAB 22.77, 38.35, -36.09

 

CMYK 46 / 73 / 0 / 57

HEX #3B1D6D

RGB 59 29 109

HSL 262.5, 0.58%, 0.27%

LAB 19.69, 33.55, -41.22

 

CMYK 65 / 73 / 0 / 57

HEX #261D6D

RGB 38 29 109

HSL 246.75, 0.58%, 0.27%

LAB 17.44, 29.78, -45

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 85 / 16 / 53

HEX #781265

RGB 120 18 101

HSL 311.18, 0.74%, 0.27%

LAB 27.75, 49.88, -22.55

 

CMYK 0 / 95 / 18 / 49

HEX #83076C

RGB 131 7 108

HSL 311.13, 0.9%, 0.27%

LAB 29.56, 55.43, -24.08

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 59 / 11 / 62

HEX #622857

RGB 98 40 87

HSL 311.38, 0.42%, 0.27%

LAB 26.16, 32.87, -16.16

 

CMYK 0 / 41 / 8 / 66

HEX #573350

RGB 87 51 80

HSL 311.67, 0.26%, 0.27%

LAB 26.66, 21.25, -10.92

 

CMYK 0 / 17 / 3 / 71

HEX #4B3E49

RGB 75 62 73

HSL 309.23, 0.09%, 0.27%

LAB 27.91, 7.91, -4.58

 

CMYK 12 / 0 / 10 / 71

HEX #404942

RGB 64 73 66

HSL 133.33, 0.07%, 0.27%

LAB 30.03, -5.25, 2.95

 

CMYK 26 / 73 / 0 / 57

HEX #511D6D

RGB 81 29 109

HSL 279, 0.58%, 0.27%

LAB 22.77, 38.35, -36.09

 

CMYK 6 / 73 / 0 / 57

HEX #661D6D

RGB 102 29 109

HSL 294.75, 0.58%, 0.27%

LAB 26.18, 43.35, -30.43

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 73 / 33 / 57

HEX #6D1D49

RGB 109 29 73

HSL 327, 0.58%, 0.27%

LAB 25.6, 39.36, -7.53

 

CMYK 0 / 73 / 52 / 57

HEX #6D1D34

RGB 109 29 52

HSL 342.75, 0.58%, 0.27%

LAB 24.88, 36.95, 5.68

 

CMYK 0 / 73 / 14 / 83

HEX #2C0C26

RGB 44 12 38

HSL 311.25, 0.57%, 0.11%

LAB 8.47, 20.51, -10.01

 

CMYK 0 / 74 / 13 / 70

HEX #4C1442

RGB 76 20 66

HSL 310.71, 0.58%, 0.19%

LAB 17.6, 32.14, -15.56

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 73 / 13 / 45

HEX #8D267A

RGB 141 38 122

HSL 311.07, 0.58%, 0.35%

LAB 34.91, 51.9, -24.46

 

CMYK 0 / 74 / 14 / 32

HEX #AE2E96

RGB 174 46 150

HSL 311.25, 0.58%, 0.43%

LAB 43, 61.46, -28.62

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 45 / 73 / 57

HEX #6D3C1D

RGB 109 60 29

HSL 23.25, 0.58%, 0.27%

LAB 30.81, 18.66, 27.92

 

CMYK 73 / 0 / 17 / 57

HEX #1D6D5B

RGB 29 109 91

HSL 166.5, 0.58%, 0.27%

LAB 41.14, -28.43, 3.19

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 14 / 0 / 73 / 57

HEX #5E6D1D

RGB 94 109 29

HSL 71.25, 0.58%, 0.27%

LAB 43.37, -17.47, 40.6

 

CMYK 73 / 14 / 0 / 57

HEX #1D5E6D

RGB 29 94 109

HSL 191.25, 0.58%, 0.27%

LAB 36.69, -14.86, -14.46

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 45 / 73 / 57

HEX #6D3C1D

RGB 109 60 29

HSL 23.25, 0.58%, 0.27%

LAB 30.81, 18.66, 27.92

 

CMYK 73 / 0 / 60 / 57

HEX #1D6D2C

RGB 29 109 44

HSL 131.25, 0.58%, 0.27%

LAB 40.21, -38.57, 29.13

 

CMYK 73 / 28 / 0 / 57

HEX #1D4E6D

RGB 29 78 109

HSL 203.25, 0.58%, 0.27%

LAB 31.38, -5.23, -22.67

 

CMYK 0 / 73 / 14 / 57

HEX #6D1D5E

RGB 109 29 94

HSL 311.25, 0.58%, 0.27%

LAB 26.56, 42.47, -20

 

CMYK 0 / 24 / 73 / 57

HEX #6D531D

RGB 109 83 29

HSL 40.5, 0.58%, 0.27%

LAB 36.98, 4.67, 34.54

 

CMYK 73 / 0 / 60 / 57

HEX #1D6D2C

RGB 29 109 44

HSL 131.25, 0.58%, 0.27%

LAB 40.21, -38.57, 29.13

 

CMYK 73 / 50 / 0 / 57

HEX #1D366D

RGB 29 54 109

HSL 221.25, 0.58%, 0.27%

LAB 23.68, 10.98, -34.87

 

Description

Color code: HEX #6D1D5E | qconv.com Color code: HEX #6D1D5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 29 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 29 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 14 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 14% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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