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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D185B it is the complementary color #92E7A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D185B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D185B shade: #721856, #832A69, #943C7C, #A54E8F and #B660A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D185B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D185B shade: #6D185B, #5C0648, #4B0035, #3A0022 and #29000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D185B shade: #6D185B, #6D1844, #6D182D and #6D1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D185B shade: #6D185B, #68186D, #51186D, #3A186D and #23186D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D185B shade matches the following richer shades: #6D185B, #770D61 and #820267

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D185B shade: #6D185B, #622355, #572D4E, #4D3848 and #424342

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D185B shade: #50186D, #67186D, #6D185C, #6D1845 and #6D182E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D185B shade: #290922, #4B103F, #6D185B, #8F1F77 and #B02793

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D185B shade: #6D185B, #6D3A18 and #186D5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D185B shade: #6D185B, #5C6D18 and #185C6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D185B shade: #6D185B, #6D3A18, #186D29 and #184B6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D185B shade: #6D185B, #6D5318, #186D29 and #18316D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

Complementary color

CMYK 37 / 0 / 29 / 9

HEX #92E7A4

RGB 146 231 164

HSL 132.71, 0.64%, 0.74%

LAB 84.97, -39.45, 24.7

 

CMYK 0 / 79 / 25 / 55

HEX #721856

RGB 114 24 86

HSL 318.67, 0.65%, 0.27%

LAB 26.46, 44.44, -14.81

 

CMYK 0 / 68 / 20 / 49

HEX #832A69

RGB 131 42 105

HSL 317.53, 0.51%, 0.34%

LAB 32.92, 45, -16.94

 

CMYK 0 / 59 / 16 / 42

HEX #943C7C

RGB 148 60 124

HSL 316.36, 0.42%, 0.41%

LAB 39.55, 44.82, -18.42

 

CMYK 0 / 53 / 13 / 35

HEX #A54E8F

RGB 165 78 143

HSL 315.17, 0.36%, 0.48%

LAB 46.22, 44.29, -19.52

 

CMYK 0 / 47 / 11 / 29

HEX #B660A2

RGB 182 96 162

HSL 313.95, 0.37%, 0.55%

LAB 52.86, 43.6, -20.38

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 93 / 22 / 64

HEX #5C0648

RGB 92 6 72

HSL 313.95, 0.88%, 0.19%

LAB 19.53, 41.97, -16.45

 

CMYK 0 / 100 / 29 / 71

HEX #4B0035

RGB 75 0 53

HSL 317.6, 1%, 0.15%

LAB 14.13, 37.16, -11.76

 

CMYK 0 / 100 / 41 / 77

HEX #3A0022

RGB 58 0 34

HSL 324.83, 1%, 0.11%

LAB 9.12, 30.55, -5.71

 

CMYK 0 / 100 / 63 / 84

HEX #29000F

RGB 41 0 15

HSL 338.05, 1%, 0.08%

LAB 4.57, 20.92, 0.77

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 78 / 38 / 57

HEX #6D1844

RGB 109 24 68

HSL 328.94, 0.64%, 0.26%

LAB 24.71, 40.66, -5.49

 

CMYK 0 / 78 / 59 / 57

HEX #6D182D

RGB 109 24 45

HSL 345.18, 0.64%, 0.26%

LAB 23.98, 38.32, 9.21

 

CMYK 0 / 78 / 78 / 57

HEX #6D1818

RGB 109 24 24

HSL 0, 0.64%, 0.26%

LAB 23.57, 36.97, 22.85

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 5 / 78 / 0 / 57

HEX #68186D

RGB 104 24 109

HSL 296.47, 0.64%, 0.26%

LAB 25.86, 45.71, -30.91

 

CMYK 26 / 78 / 0 / 57

HEX #51186D

RGB 81 24 109

HSL 280.24, 0.64%, 0.26%

LAB 21.97, 40.6, -37.38

 

CMYK 47 / 78 / 0 / 57

HEX #3A186D

RGB 58 24 109

HSL 264, 0.64%, 0.26%

LAB 18.61, 36.03, -42.98

 

CMYK 68 / 78 / 0 / 57

HEX #23186D

RGB 35 24 109

HSL 247.76, 0.64%, 0.26%

LAB 16.08, 32.4, -47.24

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 89 / 18 / 53

HEX #770D61

RGB 119 13 97

HSL 312.45, 0.8%, 0.26%

LAB 26.94, 50.24, -21.23

 

CMYK 0 / 98 / 21 / 49

HEX #820267

RGB 130 2 103

HSL 312.66, 0.97%, 0.26%

LAB 28.82, 55.36, -22.03

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 64 / 13 / 62

HEX #622355

RGB 98 35 85

HSL 312.38, 0.47%, 0.26%

LAB 25.12, 35.07, -16.45

 

CMYK 0 / 48 / 10 / 66

HEX #572D4E

RGB 87 45 78

HSL 312.86, 0.32%, 0.26%

LAB 25.12, 24.52, -11.95

 

CMYK 0 / 27 / 6 / 70

HEX #4D3848

RGB 77 56 72

HSL 314.29, 0.16%, 0.26%

LAB 26.37, 12.43, -6.19

 

CMYK 1 / 0 / 1 / 74

HEX #424342

RGB 66 67 66

HSL 120, 0.01%, 0.26%

LAB 28.29, -0.64, 0.46

 

CMYK 27 / 78 / 0 / 57

HEX #50186D

RGB 80 24 109

HSL 279.53, 0.64%, 0.26%

LAB 21.81, 40.39, -37.64

 

CMYK 6 / 78 / 0 / 57

HEX #67186D

RGB 103 24 109

HSL 295.76, 0.64%, 0.26%

LAB 25.69, 45.48, -31.21

 

CMYK 0 / 78 / 16 / 57

HEX #6D185C

RGB 109 24 92

HSL 312, 0.64%, 0.26%

LAB 25.79, 44.02, -19.88

 

CMYK 0 / 78 / 37 / 57

HEX #6D1845

RGB 109 24 69

HSL 328.24, 0.64%, 0.26%

LAB 24.75, 40.79, -6.11

 

CMYK 0 / 78 / 58 / 57

HEX #6D182E

RGB 109 24 46

HSL 344.47, 0.64%, 0.26%

LAB 24, 38.4, 8.56

 

CMYK 0 / 78 / 17 / 84

HEX #290922

RGB 41 9 34

HSL 313.13, 0.64%, 0.1%

LAB 7.07, 20.18, -9.17

 

CMYK 0 / 79 / 16 / 71

HEX #4B103F

RGB 75 16 63

HSL 312.2, 0.65%, 0.18%

LAB 16.63, 33.05, -14.99

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 78 / 17 / 44

HEX #8F1F77

RGB 143 31 119

HSL 312.86, 0.64%, 0.34%

LAB 34.3, 54.29, -23.51

 

CMYK 0 / 78 / 16 / 31

HEX #B02793

RGB 176 39 147

HSL 312.7, 0.64%, 0.42%

LAB 42.44, 63.67, -27.64

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 47 / 78 / 57

HEX #6D3A18

RGB 109 58 24

HSL 24, 0.64%, 0.26%

LAB 30.26, 19.57, 30.09

 

CMYK 78 / 0 / 16 / 57

HEX #186D5C

RGB 24 109 92

HSL 168, 0.64%, 0.26%

LAB 41.06, -28.89, 2.46

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 16 / 0 / 78 / 57

HEX #5C6D18

RGB 92 109 24

HSL 72, 0.64%, 0.26%

LAB 43.18, -18.67, 42.32

 

CMYK 78 / 16 / 0 / 57

HEX #185C6D

RGB 24 92 109

HSL 192, 0.64%, 0.26%

LAB 35.89, -14.45, -15.69

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 47 / 78 / 57

HEX #6D3A18

RGB 109 58 24

HSL 24, 0.64%, 0.26%

LAB 30.26, 19.57, 30.09

 

CMYK 78 / 0 / 62 / 57

HEX #186D29

RGB 24 109 41

HSL 132, 0.64%, 0.26%

LAB 40.07, -39.9, 30.47

 

CMYK 78 / 31 / 0 / 57

HEX #184B6D

RGB 24 75 109

HSL 204, 0.64%, 0.26%

LAB 30.23, -4.1, -24.48

 

CMYK 0 / 78 / 17 / 57

HEX #6D185B

RGB 109 24 91

HSL 312.71, 0.64%, 0.26%

LAB 25.74, 43.86, -19.3

 

CMYK 0 / 24 / 78 / 57

HEX #6D5318

RGB 109 83 24

HSL 41.65, 0.64%, 0.26%

LAB 36.94, 4.39, 36.84

 

CMYK 78 / 0 / 62 / 57

HEX #186D29

RGB 24 109 41

HSL 132, 0.64%, 0.26%

LAB 40.07, -39.9, 30.47

 

CMYK 78 / 55 / 0 / 57

HEX #18316D

RGB 24 49 109

HSL 222.35, 0.64%, 0.26%

LAB 21.93, 13.79, -37.72

 

Description

Color code: HEX #6D185B | qconv.com Color code: HEX #6D185B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 24 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 24 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 17 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 17% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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