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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D1339 it is the complementary color #92ECC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D1339. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D1339 shade: #721334, #832547, #94375A, #A5496D and #B65B80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D1339. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D1339 shade: #6D1339, #5C0126, #4B0013, #3A0000 and #290000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D1339 shade: #6C1339, #6C1321 and #6C1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D1339 shade: #6C1339, #6C1351, #6C1369, #58136C and #40136C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D1339 shade matches the following richer shades: #6C1339 and #770937

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D1339 shade: #6C1339, #621D3A, #58283C, #4D323E and #433C3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D1339 shade: #6C1369, #6C1352, #6C133A, #6C1322 and #6C1C13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D1339 shade: #260714, #490D26, #6C1339, #8F194B and #B3205E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D1339 shade: #6D1339, #6C5813 and #135E6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D1339 shade: #6D1339, #3A6C13 and #133A6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D1339 shade: #6D1339, #6C5813, #136C46 and #13286C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D1339 shade: #6D1339, #666C13, #136C46 and #19136C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 48 / 57

HEX #6D1339

RGB 109 19 57

HSL 334.67, 0.7%, 0.25%

LAB 23.71, 41.15, 0.56

 

Complementary color

CMYK 38 / 0 / 16 / 7

HEX #92ECC6

RGB 146 236 198

HSL 154.67, 0.7%, 0.75%

LAB 87.08, -35.28, 10

 

CMYK 0 / 83 / 54 / 55

HEX #721334

RGB 114 19 52

HSL 339.16, 0.71%, 0.26%

LAB 24.61, 42.16, 5.44

 

CMYK 0 / 72 / 46 / 49

HEX #832547

RGB 131 37 71

HSL 338.3, 0.56%, 0.33%

LAB 30.89, 42.73, 2.09

 

CMYK 0 / 63 / 39 / 42

HEX #94375A

RGB 148 55 90

HSL 337.42, 0.46%, 0.4%

LAB 37.42, 42.47, -0.32

 

CMYK 0 / 56 / 34 / 35

HEX #A5496D

RGB 165 73 109

HSL 336.52, 0.39%, 0.47%

LAB 44.04, 41.82, -2.14

 

CMYK 0 / 50 / 30 / 29

HEX #B65B80

RGB 182 91 128

HSL 335.6, 0.38%, 0.54%

LAB 50.67, 41.02, -3.59

 

CMYK 0 / 83 / 48 / 57

HEX #6D1339

RGB 109 19 57

HSL 334.67, 0.7%, 0.25%

LAB 23.71, 41.15, 0.56

 

CMYK 0 / 99 / 59 / 64

HEX #5C0126

RGB 92 1 38

HSL 335.6, 0.98%, 0.18%

LAB 17.63, 39.52, 4.76

 

CMYK 0 / 100 / 75 / 71

HEX #4B0013

RGB 75 0 19

HSL 344.8, 1%, 0.15%

LAB 12.88, 33.88, 11.41

 

CMYK 0 / 100 / 100 / 77

HEX #3A0000

RGB 58 0 0

HSL 0, 1%, 0.11%

LAB 8.12, 27.91, 12.84

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 82 / 47 / 58

HEX #6C1339

RGB 108 19 57

HSL 334.38, 0.7%, 0.25%

LAB 23.5, 40.85, 0.23

 

CMYK 0 / 82 / 69 / 58

HEX #6C1321

RGB 108 19 33

HSL 350.56, 0.7%, 0.25%

LAB 22.87, 38.9, 15.96

 

CMYK 0 / 82 / 82 / 58

HEX #6C1313

RGB 108 19 19

HSL 0, 0.7%, 0.25%

LAB 22.66, 38.21, 24.96

 

CMYK 0 / 82 / 47 / 58

HEX #6C1339

RGB 108 19 57

HSL 334.38, 0.7%, 0.25%

LAB 23.5, 40.85, 0.23

 

CMYK 0 / 82 / 25 / 58

HEX #6C1351

RGB 108 19 81

HSL 318.2, 0.7%, 0.25%

LAB 24.47, 43.77, -14.63

 

CMYK 0 / 82 / 3 / 58

HEX #6C1369

RGB 108 19 105

HSL 302.02, 0.7%, 0.25%

LAB 25.78, 47.51, -28.41

 

CMYK 19 / 82 / 0 / 58

HEX #58136C

RGB 88 19 108

HSL 286.52, 0.7%, 0.25%

LAB 22.38, 43.78, -36

 

CMYK 41 / 82 / 0 / 58

HEX #40136C

RGB 64 19 108

HSL 270.34, 0.7%, 0.25%

LAB 18.53, 39.17, -42.43

 

CMYK 0 / 82 / 47 / 58

HEX #6C1339

RGB 108 19 57

HSL 334.38, 0.7%, 0.25%

LAB 23.5, 40.85, 0.23

 

CMYK 0 / 92 / 54 / 53

HEX #770937

RGB 119 9 55

HSL 334.91, 0.86%, 0.25%

LAB 24.93, 46.25, 3.97

 

CMYK 0 / 82 / 47 / 58

HEX #6C1339

RGB 108 19 57

HSL 334.38, 0.7%, 0.25%

LAB 23.5, 40.85, 0.23

 

CMYK 0 / 70 / 41 / 62

HEX #621D3A

RGB 98 29 58

HSL 334.78, 0.54%, 0.25%

LAB 22.93, 33.89, -1.53

 

CMYK 0 / 55 / 32 / 65

HEX #58283C

RGB 88 40 60

HSL 335, 0.38%, 0.25%

LAB 23.4, 24.72, -2.41

 

CMYK 0 / 35 / 19 / 70

HEX #4D323E

RGB 77 50 62

HSL 333.33, 0.21%, 0.25%

LAB 24.34, 14.33, -2.55

 

CMYK 0 / 10 / 6 / 74

HEX #433C3F

RGB 67 60 63

HSL 334.29, 0.06%, 0.25%

LAB 26.11, 3.66, -0.75

 

CMYK 0 / 82 / 3 / 58

HEX #6C1369

RGB 108 19 105

HSL 302.02, 0.7%, 0.25%

LAB 25.78, 47.51, -28.41

 

CMYK 0 / 82 / 24 / 58

HEX #6C1352

RGB 108 19 82

HSL 317.53, 0.7%, 0.25%

LAB 24.52, 43.91, -15.23

 

CMYK 0 / 82 / 46 / 58

HEX #6C133A

RGB 108 19 58

HSL 333.71, 0.7%, 0.25%

LAB 23.54, 40.96, -0.41

 

CMYK 0 / 82 / 69 / 58

HEX #6C1322

RGB 108 19 34

HSL 349.89, 0.7%, 0.25%

LAB 22.89, 38.96, 15.3

 

CMYK 0 / 74 / 82 / 58

HEX #6C1C13

RGB 108 28 19

HSL 6.07, 0.7%, 0.25%

LAB 23.89, 34.79, 26.24

 

CMYK 0 / 82 / 47 / 85

HEX #260714

RGB 38 7 20

HSL 334.84, 0.69%, 0.09%

LAB 5.55, 16.73, -0.84

 

CMYK 0 / 82 / 48 / 71

HEX #490D26

RGB 73 13 38

HSL 335, 0.7%, 0.17%

LAB 14.65, 30.04, -0.09

 

CMYK 0 / 82 / 47 / 58

HEX #6C1339

RGB 108 19 57

HSL 334.38, 0.7%, 0.25%

LAB 23.5, 40.85, 0.23

 

CMYK 0 / 83 / 48 / 44

HEX #8F194B

RGB 143 25 75

HSL 334.58, 0.7%, 0.33%

LAB 31.9, 50.77, 1.22

 

CMYK 0 / 82 / 47 / 30

HEX #B3205E

RGB 179 32 94

HSL 334.69, 0.7%, 0.41%

LAB 40.29, 60.26, 2.01

 

CMYK 0 / 83 / 48 / 57

HEX #6D1339

RGB 109 19 57

HSL 334.67, 0.7%, 0.25%

LAB 23.71, 41.15, 0.56

 

CMYK 0 / 19 / 82 / 58

HEX #6C5813

RGB 108 88 19

HSL 46.52, 0.7%, 0.25%

LAB 38.22, 0.66, 40.1

 

CMYK 82 / 13 / 0 / 58

HEX #135E6C

RGB 19 94 108

HSL 189.44, 0.7%, 0.25%

LAB 36.42, -16.57, -14.28

 

CMYK 0 / 83 / 48 / 57

HEX #6D1339

RGB 109 19 57

HSL 334.67, 0.7%, 0.25%

LAB 23.71, 41.15, 0.56

 

CMYK 46 / 0 / 82 / 58

HEX #3A6C13

RGB 58 108 19

HSL 93.71, 0.7%, 0.25%

LAB 40.69, -32.55, 40.99

 

CMYK 82 / 46 / 0 / 58

HEX #133A6C

RGB 19 58 108

HSL 213.71, 0.7%, 0.25%

LAB 24.47, 6.28, -32.98

 

CMYK 0 / 83 / 48 / 57

HEX #6D1339

RGB 109 19 57

HSL 334.67, 0.7%, 0.25%

LAB 23.71, 41.15, 0.56

 

CMYK 0 / 19 / 82 / 58

HEX #6C5813

RGB 108 88 19

HSL 46.52, 0.7%, 0.25%

LAB 38.22, 0.66, 40.1

 

CMYK 82 / 0 / 35 / 58

HEX #136C46

RGB 19 108 70

HSL 154.38, 0.7%, 0.25%

LAB 40.09, -34.85, 14.28

 

CMYK 82 / 63 / 0 / 58

HEX #13286C

RGB 19 40 108

HSL 225.84, 0.7%, 0.25%

LAB 18.97, 19.26, -41.89

 

CMYK 0 / 83 / 48 / 57

HEX #6D1339

RGB 109 19 57

HSL 334.67, 0.7%, 0.25%

LAB 23.71, 41.15, 0.56

 

CMYK 6 / 0 / 82 / 58

HEX #666C13

RGB 102 108 19

HSL 64.04, 0.7%, 0.25%

LAB 43.65, -13.75, 44.79

 

CMYK 82 / 0 / 35 / 58

HEX #136C46

RGB 19 108 70

HSL 154.38, 0.7%, 0.25%

LAB 40.09, -34.85, 14.28

 

CMYK 77 / 82 / 0 / 58

HEX #19136C

RGB 25 19 108

HSL 244.04, 0.7%, 0.25%

LAB 14.15, 33.84, -49.8

 

Description

Color code: HEX #6D1339 | qconv.com Color code: HEX #6D1339 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 19 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 19 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 48 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 48% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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