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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6D00F3 it is the complementary color #92FF0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6D00F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6D00F3 shade: #7200EE, #8312FF, #9424FF, #A536FF and #B648FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6D00F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6D00F3 shade: #6D00F3, #5C00E0, #4B00CD, #3A00BA and #2900A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6D00F3 shade: #6E00F5, #B000F5, #F200F5, #F500B6 and #F50074

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6D00F3 shade: #6E00F5, #2C00F5 and #0000F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6D00F3 shade matches the following richer shades: #6E00F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6D00F3 shade: #6E00F5, #7014E1, #7228CD, #743BB9 and #764FA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6D00F3 shade: #0018F5, #2900F5, #6A00F5, #AB00F5 and #ED00F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6D00F3 shade: #4900A2, #5B00CC, #6E00F5, #831FFF and #9A48FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6D00F3 shade: #6D00F3, #F5005A and #00F508

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6D00F3 shade: #6D00F3, #F56A00 and #00F56A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6D00F3 shade: #6D00F3, #F5005A, #8BF500 and #00F59B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6D00F3 shade: #6D00F3, #F50010, #8BF500 and #00F5E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 100 / 0 / 5

HEX #6D00F3

RGB 109 0 243

HSL 266.91, 1%, 0.48%

LAB 37.34, 79.32, -92.54

 

Complementary color

CMYK 43 / 0 / 95 / 0

HEX #92FF0C

RGB 146 255 12

HSL 86.91, 1%, 0.52%

LAB 90.62, -62.3, 85.8

 

CMYK 52 / 100 / 0 / 7

HEX #7200EE

RGB 114 0 238

HSL 268.74, 1%, 0.47%

LAB 37.39, 78.58, -89.61

 

CMYK 49 / 93 / 0 / 0

HEX #8312FF

RGB 131 18 255

HSL 268.61, 1%, 0.54%

LAB 41.97, 81.35, -91.54

 

CMYK 42 / 86 / 0 / 0

HEX #9424FF

RGB 148 36 255

HSL 270.68, 1%, 0.57%

LAB 45.33, 79.43, -85.93

 

CMYK 35 / 79 / 0 / 0

HEX #A536FF

RGB 165 54 255

HSL 273.13, 1%, 0.61%

LAB 49.32, 76.43, -79.3

 

CMYK 29 / 72 / 0 / 0

HEX #B648FF

RGB 182 72 255

HSL 276.07, 1%, 0.64%

LAB 53.81, 72.7, -71.89

 

CMYK 55 / 100 / 0 / 5

HEX #6D00F3

RGB 109 0 243

HSL 266.91, 1%, 0.48%

LAB 37.34, 79.32, -92.54

 

CMYK 59 / 100 / 0 / 12

HEX #5C00E0

RGB 92 0 224

HSL 264.64, 1%, 0.44%

LAB 33.26, 74.11, -88.55

 

CMYK 63 / 100 / 0 / 20

HEX #4B00CD

RGB 75 0 205

HSL 261.95, 1%, 0.4%

LAB 29.17, 68.87, -84.4

 

CMYK 69 / 100 / 0 / 27

HEX #3A00BA

RGB 58 0 186

HSL 258.71, 1%, 0.36%

LAB 25.09, 63.62, -80.04

 

CMYK 75 / 100 / 0 / 35

HEX #2900A7

RGB 41 0 167

HSL 254.73, 1%, 0.33%

LAB 21.06, 58.36, -75.38

 

CMYK 55 / 100 / 0 / 4

HEX #6E00F5

RGB 110 0 245

HSL 266.94, 1%, 0.48%

LAB 37.68, 79.82, -93.11

 

CMYK 28 / 100 / 0 / 4

HEX #B000F5

RGB 176 0 245

HSL 283.1, 1%, 0.48%

LAB 46.74, 85.84, -77.86

 

CMYK 1 / 100 / 0 / 4

HEX #F200F5

RGB 242 0 245

HSL 299.27, 1%, 0.48%

LAB 57.53, 94.86, -59.87

 

CMYK 0 / 100 / 26 / 4

HEX #F500B6

RGB 245 0 182

HSL 315.43, 1%, 0.48%

LAB 54.86, 87.44, -28.15

 

CMYK 0 / 100 / 53 / 4

HEX #F50074

RGB 245 0 116

HSL 331.59, 1%, 0.48%

LAB 52.59, 81.55, 7.76

 

CMYK 55 / 100 / 0 / 4

HEX #6E00F5

RGB 110 0 245

HSL 266.94, 1%, 0.48%

LAB 37.68, 79.82, -93.11

 

CMYK 82 / 100 / 0 / 4

HEX #2C00F5

RGB 44 0 245

HSL 250.78, 1%, 0.48%

LAB 32.1, 77.24, -102.55

 

CMYK 100 / 100 / 0 / 4

HEX #0000F5

RGB 0 0 245

HSL 240, 1%, 0.48%

LAB 30.86, 76.83, -104.64

 

CMYK 55 / 100 / 0 / 4

HEX #6E00F5

RGB 110 0 245

HSL 266.94, 1%, 0.48%

LAB 37.68, 79.82, -93.11

 

CMYK 55 / 100 / 0 / 4

HEX #6E00F5

RGB 110 0 245

HSL 266.94, 1%, 0.48%

LAB 37.68, 79.82, -93.11

 

CMYK 50 / 91 / 0 / 12

HEX #7014E1

RGB 112 20 225

HSL 266.93, 0.84%, 0.48%

LAB 36.71, 72.77, -83.34

 

CMYK 44 / 80 / 0 / 20

HEX #7228CD

RGB 114 40 205

HSL 266.91, 0.67%, 0.48%

LAB 36.93, 62.73, -71.42

 

CMYK 37 / 68 / 0 / 27

HEX #743BB9

RGB 116 59 185

HSL 267.14, 0.52%, 0.48%

LAB 38.45, 49.87, -57.24

 

CMYK 29 / 52 / 0 / 35

HEX #764FA6

RGB 118 79 166

HSL 266.9, 0.36%, 0.48%

LAB 41.53, 34.58, -41.04

 

CMYK 100 / 90 / 0 / 4

HEX #0018F5

RGB 0 24 245

HSL 234.12, 1%, 0.48%

LAB 32.36, 72.2, -102.14

 

CMYK 83 / 100 / 0 / 4

HEX #2900F5

RGB 41 0 245

HSL 250.04, 1%, 0.48%

LAB 31.95, 77.19, -102.79

 

CMYK 57 / 100 / 0 / 4

HEX #6A00F5

RGB 106 0 245

HSL 265.96, 1%, 0.48%

LAB 37.22, 79.57, -93.88

 

CMYK 30 / 100 / 0 / 4

HEX #AB00F5

RGB 171 0 245

HSL 281.88, 1%, 0.48%

LAB 45.98, 85.26, -79.14

 

CMYK 3 / 100 / 0 / 4

HEX #ED00F5

RGB 237 0 245

HSL 298.04, 1%, 0.48%

LAB 56.68, 94.1, -61.28

 

CMYK 55 / 100 / 0 / 36

HEX #4900A2

RGB 73 0 162

HSL 267.04, 1%, 0.32%

LAB 23.75, 58.79, -67.77

 

CMYK 55 / 100 / 0 / 20

HEX #5B00CC

RGB 91 0 204

HSL 266.76, 1%, 0.4%

LAB 30.84, 69.58, -80.99

 

CMYK 55 / 100 / 0 / 4

HEX #6E00F5

RGB 110 0 245

HSL 266.94, 1%, 0.48%

LAB 37.68, 79.82, -93.11

 

CMYK 49 / 88 / 0 / 0

HEX #831FFF

RGB 131 31 255

HSL 266.79, 1%, 0.56%

LAB 42.8, 78.84, -90.16

 

CMYK 40 / 72 / 0 / 0

HEX #9A48FF

RGB 154 72 255

HSL 266.89, 1%, 0.64%

LAB 50.36, 67.82, -77.66

 

CMYK 55 / 100 / 0 / 5

HEX #6D00F3

RGB 109 0 243

HSL 266.91, 1%, 0.48%

LAB 37.34, 79.32, -92.54

 

CMYK 0 / 100 / 63 / 4

HEX #F5005A

RGB 245 0 90

HSL 337.96, 1%, 0.48%

LAB 52.01, 80, 22.77

 

CMYK 100 / 0 / 97 / 4

HEX #00F508

RGB 0 245 8

HSL 121.96, 1%, 0.48%

LAB 84.65, -83.49, 80.06

 

CMYK 55 / 100 / 0 / 5

HEX #6D00F3

RGB 109 0 243

HSL 266.91, 1%, 0.48%

LAB 37.34, 79.32, -92.54

 

CMYK 0 / 57 / 100 / 4

HEX #F56A00

RGB 245 106 0

HSL 25.96, 1%, 0.48%

LAB 61.41, 49.6, 70

 

CMYK 100 / 0 / 57 / 4

HEX #00F56A

RGB 0 245 106

HSL 145.96, 1%, 0.48%

LAB 85.17, -76.84, 52.65

 

CMYK 55 / 100 / 0 / 5

HEX #6D00F3

RGB 109 0 243

HSL 266.91, 1%, 0.48%

LAB 37.34, 79.32, -92.54

 

CMYK 0 / 100 / 63 / 4

HEX #F5005A

RGB 245 0 90

HSL 337.96, 1%, 0.48%

LAB 52.01, 80, 22.77

 

CMYK 43 / 0 / 100 / 4

HEX #8BF500

RGB 139 245 0

HSL 85.96, 1%, 0.48%

LAB 87.38, -60.9, 84.03

 

CMYK 100 / 0 / 37 / 4

HEX #00F59B

RGB 0 245 155

HSL 157.96, 1%, 0.48%

LAB 85.84, -68.8, 29.96

 

CMYK 55 / 100 / 0 / 5

HEX #6D00F3

RGB 109 0 243

HSL 266.91, 1%, 0.48%

LAB 37.34, 79.32, -92.54

 

CMYK 0 / 100 / 93 / 4

HEX #F50010

RGB 245 0 16

HSL 356.08, 1%, 0.48%

LAB 51.21, 77.84, 60.96

 

CMYK 43 / 0 / 100 / 4

HEX #8BF500

RGB 139 245 0

HSL 85.96, 1%, 0.48%

LAB 87.38, -60.9, 84.03

 

CMYK 100 / 0 / 7 / 4

HEX #00F5E4

RGB 0 245 228

HSL 175.84, 1%, 0.48%

LAB 87.44, -51.44, -5.54

 

Description

Color code: HEX #6D00F3 | qconv.com Color code: HEX #6D00F3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, none green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 0 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 100 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 100% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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