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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CFE5E it is the complementary color #9301A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CFE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CFE5E shade: #71FE59, #82FF6C, #93FF7F, #A4FF92 and #B5FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CFE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CFE5E shade: #6CFE5E, #5BEC4B, #4ADA38, #39C825 and #28B612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CFE5E shade: #6BFE5D, #96FE5D, #C2FE5D, #EDFE5D and #FEE35D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CFE5E shade: #6BFE5D, #5DFE7A, #5DFEA6, #5DFED1 and #5DFEFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CFE5E shade matches the following richer shades: #6BFE5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CFE5E shade: #6BFE5D, #76F16A, #81E477, #8BD784 and #96C991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CFE5E shade: #C3FE5D, #98FE5D, #6DFE5D, #5DFE78 and #5DFEA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CFE5E shade: #20FE0B, #45FE34, #6BFE5D, #90FE86 and #B6FFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CFE5E shade: #6CFE5E, #5DEEFE and #FE5DAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CFE5E shade: #6CFE5E, #5D6DFE and #FE5D6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CFE5E shade: #6CFE5E, #5DEEFE, #EE5DFE and #FE6D5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CFE5E shade: #6CFE5E, #5DBEFE, #EE5DFE and #FE9D5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 63 / 0

HEX #6CFE5E

RGB 108 254 94

HSL 114.75, 0.99%, 0.68%

LAB 89.34, -68.29, 62.95

 

Complementary color

CMYK 9 / 99 / 0 / 37

HEX #9301A1

RGB 147 1 161

HSL 294.75, 0.99%, 0.32%

LAB 35.59, 67.26, -47.32

 

CMYK 56 / 0 / 65 / 0

HEX #71FE59

RGB 113 254 89

HSL 111.27, 0.99%, 0.67%

LAB 89.45, -67.56, 65.11

 

CMYK 49 / 0 / 58 / 0

HEX #82FF6C

RGB 130 255 108

HSL 111.02, 1%, 0.71%

LAB 90.48, -61.71, 58.56

 

CMYK 42 / 0 / 50 / 0

HEX #93FF7F

RGB 147 255 127

HSL 110.63, 1%, 0.75%

LAB 91.35, -54.77, 51.21

 

CMYK 36 / 0 / 43 / 0

HEX #A4FF92

RGB 164 255 146

HSL 110.09, 1%, 0.79%

LAB 92.35, -47.21, 43.62

 

CMYK 29 / 0 / 35 / 0

HEX #B5FFA5

RGB 181 255 165

HSL 109.33, 1%, 0.82%

LAB 93.48, -39.17, 35.93

 

CMYK 57 / 0 / 63 / 0

HEX #6CFE5E

RGB 108 254 94

HSL 114.75, 0.99%, 0.68%

LAB 89.34, -68.29, 62.95

 

CMYK 61 / 0 / 68 / 7

HEX #5BEC4B

RGB 91 236 75

HSL 114.04, 0.81%, 0.61%

LAB 83.3, -67.65, 63.74

 

CMYK 66 / 0 / 74 / 15

HEX #4ADA38

RGB 74 218 56

HSL 113.33, 0.69%, 0.54%

LAB 77.21, -66.69, 64.16

 

CMYK 72 / 0 / 82 / 22

HEX #39C825

RGB 57 200 37

HSL 112.64, 0.69%, 0.46%

LAB 71.09, -65.26, 63.93

 

CMYK 78 / 0 / 90 / 29

HEX #28B612

RGB 40 182 18

HSL 111.95, 0.82%, 0.39%

LAB 64.92, -63.21, 62.61

 

CMYK 58 / 0 / 63 / 0

HEX #6BFE5D

RGB 107 254 93

HSL 114.78, 0.99%, 0.68%

LAB 89.3, -68.61, 63.3

 

CMYK 41 / 0 / 63 / 0

HEX #96FE5D

RGB 150 254 93

HSL 98.76, 0.99%, 0.68%

LAB 90.85, -56.95, 65.45

 

CMYK 24 / 0 / 63 / 0

HEX #C2FE5D

RGB 194 254 93

HSL 82.36, 0.99%, 0.68%

LAB 93.08, -42.04, 68.51

 

CMYK 7 / 0 / 63 / 0

HEX #EDFE5D

RGB 237 254 93

HSL 66.34, 0.99%, 0.68%

LAB 95.86, -25.65, 72.3

 

CMYK 0 / 11 / 63 / 0

HEX #FEE35D

RGB 254 227 93

HSL 49.94, 0.99%, 0.68%

LAB 90.23, -5.67, 66.74

 

CMYK 58 / 0 / 63 / 0

HEX #6BFE5D

RGB 107 254 93

HSL 114.78, 0.99%, 0.68%

LAB 89.3, -68.61, 63.3

 

CMYK 63 / 0 / 52 / 0

HEX #5DFE7A

RGB 93 254 122

HSL 130.81, 0.99%, 0.68%

LAB 89.21, -68.28, 50.51

 

CMYK 63 / 0 / 35 / 0

HEX #5DFEA6

RGB 93 254 166

HSL 147.2, 0.99%, 0.68%

LAB 89.84, -61.28, 29.99

 

CMYK 63 / 0 / 18 / 0

HEX #5DFED1

RGB 93 254 209

HSL 163.23, 0.99%, 0.68%

LAB 90.7, -52.36, 9.21

 

CMYK 63 / 0 / 0 / 0

HEX #5DFEFD

RGB 93 254 253

HSL 179.63, 0.99%, 0.68%

LAB 91.82, -41.41, -11.94

 

CMYK 58 / 0 / 63 / 0

HEX #6BFE5D

RGB 107 254 93

HSL 114.78, 0.99%, 0.68%

LAB 89.3, -68.61, 63.3

 

CMYK 58 / 0 / 63 / 0

HEX #6BFE5D

RGB 107 254 93

HSL 114.78, 0.99%, 0.68%

LAB 89.3, -68.61, 63.3

 

CMYK 51 / 0 / 56 / 5

HEX #76F16A

RGB 118 241 106

HSL 114.67, 0.83%, 0.68%

LAB 85.91, -59.85, 54

 

CMYK 43 / 0 / 48 / 11

HEX #81E477

RGB 129 228 119

HSL 114.5, 0.67%, 0.68%

LAB 82.64, -50.08, 44.1

 

CMYK 35 / 0 / 39 / 16

HEX #8BD784

RGB 139 215 132

HSL 114.94, 0.51%, 0.68%

LAB 79.47, -39.63, 33.71

 

CMYK 25 / 0 / 28 / 21

HEX #96C991

RGB 150 201 145

HSL 114.64, 0.34%, 0.68%

LAB 76.25, -27.46, 22.76

 

CMYK 23 / 0 / 63 / 0

HEX #C3FE5D

RGB 195 254 93

HSL 81.99, 0.99%, 0.68%

LAB 93.14, -41.68, 68.59

 

CMYK 40 / 0 / 63 / 0

HEX #98FE5D

RGB 152 254 93

HSL 98.01, 0.99%, 0.68%

LAB 90.94, -56.33, 65.57

 

CMYK 57 / 0 / 63 / 0

HEX #6DFE5D

RGB 109 254 93

HSL 114.04, 0.99%, 0.68%

LAB 89.36, -68.15, 63.39

 

CMYK 63 / 0 / 53 / 0

HEX #5DFE78

RGB 93 254 120

HSL 130.06, 0.99%, 0.68%

LAB 89.19, -68.54, 51.4

 

CMYK 63 / 0 / 36 / 0

HEX #5DFEA3

RGB 93 254 163

HSL 146.09, 0.99%, 0.68%

LAB 89.79, -61.83, 31.42

 

CMYK 87 / 0 / 96 / 0

HEX #20FE0B

RGB 32 254 11

HSL 114.81, 0.99%, 0.52%

LAB 87.59, -84.41, 82.29

 

CMYK 73 / 0 / 80 / 0

HEX #45FE34

RGB 69 254 52

HSL 114.95, 0.99%, 0.6%

LAB 88.16, -78.96, 75.85

 

CMYK 58 / 0 / 63 / 0

HEX #6BFE5D

RGB 107 254 93

HSL 114.78, 0.99%, 0.68%

LAB 89.3, -68.61, 63.3

 

CMYK 43 / 0 / 47 / 0

HEX #90FE86

RGB 144 254 134

HSL 115, 0.98%, 0.76%

LAB 91.02, -54.35, 47.5

 

CMYK 29 / 0 / 31 / 0

HEX #B6FFAF

RGB 182 255 175

HSL 114.75, 1%, 0.84%

LAB 93.69, -37.35, 31.24

 

CMYK 57 / 0 / 63 / 0

HEX #6CFE5E

RGB 108 254 94

HSL 114.75, 0.99%, 0.68%

LAB 89.34, -68.29, 62.95

 

CMYK 63 / 6 / 0 / 0

HEX #5DEEFE

RGB 93 238 254

HSL 185.96, 0.99%, 0.68%

LAB 87.31, -33.8, -19.23

 

CMYK 0 / 63 / 32 / 0

HEX #FE5DAD

RGB 254 93 173

HSL 330.19, 0.99%, 0.68%

LAB 63.27, 68.1, -9.98

 

CMYK 57 / 0 / 63 / 0

HEX #6CFE5E

RGB 108 254 94

HSL 114.75, 0.99%, 0.68%

LAB 89.34, -68.29, 62.95

 

CMYK 63 / 57 / 0 / 0

HEX #5D6DFE

RGB 93 109 254

HSL 234.04, 0.99%, 0.68%

LAB 52.31, 37.75, -74.16

 

CMYK 0 / 63 / 57 / 0

HEX #FE5D6D

RGB 254 93 109

HSL 354.04, 0.99%, 0.68%

LAB 61.66, 62.19, 24.63

 

CMYK 57 / 0 / 63 / 0

HEX #6CFE5E

RGB 108 254 94

HSL 114.75, 0.99%, 0.68%

LAB 89.34, -68.29, 62.95

 

CMYK 63 / 6 / 0 / 0

HEX #5DEEFE

RGB 93 238 254

HSL 185.96, 0.99%, 0.68%

LAB 87.31, -33.8, -19.23

 

CMYK 6 / 63 / 0 / 0

HEX #EE5DFE

RGB 238 93 254

HSL 294.04, 0.99%, 0.68%

LAB 64.29, 75.72, -54.11

 

CMYK 0 / 57 / 63 / 0

HEX #FE6D5D

RGB 254 109 93

HSL 5.96, 0.99%, 0.68%

LAB 64, 54.23, 36.65

 

CMYK 57 / 0 / 63 / 0

HEX #6CFE5E

RGB 108 254 94

HSL 114.75, 0.99%, 0.68%

LAB 89.34, -68.29, 62.95

 

CMYK 63 / 25 / 0 / 0

HEX #5DBEFE

RGB 93 190 254

HSL 203.85, 0.99%, 0.68%

LAB 73.75, -9.61, -40.03

 

CMYK 6 / 63 / 0 / 0

HEX #EE5DFE

RGB 238 93 254

HSL 294.04, 0.99%, 0.68%

LAB 64.29, 75.72, -54.11

 

CMYK 0 / 38 / 63 / 0

HEX #FE9D5D

RGB 254 157 93

HSL 23.85, 0.99%, 0.68%

LAB 73.53, 30.52, 48.09

 

Description

Color code: HEX #6CFE5E | qconv.com Color code: HEX #6CFE5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 254 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 254 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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