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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CFBA8 it is the complementary color #930457. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CFBA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CFBA8 shade: #71FBA3, #82FFB6, #93FFC9, #A4FFDC and #B5FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CFBA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CFBA8 shade: #6CFBA8, #5BE995, #4AD782, #39C56F and #28B35C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CFBA8 shade: #6AFBA7, #6AFB80, #7BFB6A, #A2FB6A and #CAFB6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CFBA8 shade: #6AFBA7, #6AFBCE, #6AFBF5, #6ADAFB and #6AB3FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CFBA8 shade matches the following richer shades: #6AFBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CFBA8 shade: #6AFBA7, #76EFA9, #83E2AB, #8FD6AD and #9BCAAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CFBA8 shade: #7BFB6A, #6AFB80, #6AFBA6, #6AFBCD and #6AFBF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CFBA8 shade: #19F977, #42FA8F, #6AFBA7, #92FCBF and #BAFDD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CFBA8 shade: #6CFBA8, #6AA2FB and #FB6C6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CFBA8 shade: #6CFBA8, #A66AFB and #FBA66A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CFBA8 shade: #6CFBA8, #6AA2FB, #FB6ABF and #FBC36A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CFBA8 shade: #6CFBA8, #6A76FB, #FB6ABF and #FBEF6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 33 / 2

HEX #6CFBA8

RGB 108 251 168

HSL 145.17, 0.95%, 0.7%

LAB 89.4, -56.82, 28.45

 

Complementary color

CMYK 0 / 97 / 41 / 42

HEX #930457

RGB 147 4 87

HSL 325.17, 0.95%, 0.3%

LAB 31.76, 56.92, -6.79

 

CMYK 55 / 0 / 35 / 2

HEX #71FBA3

RGB 113 251 163

HSL 141.74, 0.95%, 0.71%

LAB 89.46, -56.64, 31.08

 

CMYK 49 / 0 / 29 / 0

HEX #82FFB6

RGB 130 255 182

HSL 144.96, 1%, 0.75%

LAB 91.52, -50.87, 24.37

 

CMYK 42 / 0 / 21 / 0

HEX #93FFC9

RGB 147 255 201

HSL 150, 1%, 0.79%

LAB 92.55, -42.97, 16.2

 

CMYK 36 / 0 / 14 / 0

HEX #A4FFDC

RGB 164 255 220

HSL 156.92, 1%, 0.82%

LAB 93.7, -34.63, 8.17

 

CMYK 29 / 0 / 6 / 0

HEX #B5FFEF

RGB 181 255 239

HSL 167.03, 1%, 0.85%

LAB 94.98, -25.99, 0.34

 

CMYK 57 / 0 / 33 / 2

HEX #6CFBA8

RGB 108 251 168

HSL 145.17, 0.95%, 0.7%

LAB 89.4, -56.82, 28.45

 

CMYK 61 / 0 / 36 / 9

HEX #5BE995

RGB 91 233 149

HSL 144.51, 0.76%, 0.64%

LAB 83.27, -56.73, 29.75

 

CMYK 66 / 0 / 40 / 16

HEX #4AD782

RGB 74 215 130

HSL 143.83, 0.64%, 0.57%

LAB 77.08, -56.47, 31.14

 

CMYK 71 / 0 / 44 / 23

HEX #39C56F

RGB 57 197 111

HSL 143.14, 0.55%, 0.5%

LAB 70.84, -55.99, 32.64

 

CMYK 78 / 0 / 49 / 30

HEX #28B35C

RGB 40 179 92

HSL 142.45, 0.63%, 0.43%

LAB 64.53, -55.15, 34.23

 

CMYK 58 / 0 / 33 / 2

HEX #6AFBA7

RGB 106 251 167

HSL 145.24, 0.95%, 0.7%

LAB 89.32, -57.42, 28.84

 

CMYK 58 / 0 / 49 / 2

HEX #6AFB80

RGB 106 251 128

HSL 129.1, 0.95%, 0.7%

LAB 88.74, -63.7, 47.21

 

CMYK 51 / 0 / 58 / 2

HEX #7BFB6A

RGB 123 251 106

HSL 112.97, 0.95%, 0.7%

LAB 89.04, -62.29, 57.69

 

CMYK 35 / 0 / 58 / 2

HEX #A2FB6A

RGB 162 251 106

HSL 96.83, 0.95%, 0.7%

LAB 90.65, -50.76, 59.97

 

CMYK 20 / 0 / 58 / 2

HEX #CAFB6A

RGB 202 251 106

HSL 80.28, 0.95%, 0.7%

LAB 92.84, -36.76, 63.03

 

CMYK 58 / 0 / 33 / 2

HEX #6AFBA7

RGB 106 251 167

HSL 145.24, 0.95%, 0.7%

LAB 89.32, -57.42, 28.84

 

CMYK 58 / 0 / 18 / 2

HEX #6AFBCE

RGB 106 251 206

HSL 161.38, 0.95%, 0.7%

LAB 90.1, -49.48, 9.95

 

CMYK 58 / 0 / 2 / 2

HEX #6AFBF5

RGB 106 251 245

HSL 177.52, 0.95%, 0.7%

LAB 91.08, -40.08, -8.86

 

CMYK 58 / 13 / 0 / 2

HEX #6ADAFB

RGB 106 218 251

HSL 193.66, 0.95%, 0.7%

LAB 81.93, -22.77, -25.77

 

CMYK 58 / 29 / 0 / 2

HEX #6AB3FB

RGB 106 179 251

HSL 209.79, 0.95%, 0.7%

LAB 71.06, -2.19, -42.57

 

CMYK 58 / 0 / 33 / 2

HEX #6AFBA7

RGB 106 251 167

HSL 145.24, 0.95%, 0.7%

LAB 89.32, -57.42, 28.84

 

CMYK 58 / 0 / 33 / 2

HEX #6AFBA7

RGB 106 251 167

HSL 145.24, 0.95%, 0.7%

LAB 89.32, -57.42, 28.84

 

CMYK 51 / 0 / 29 / 6

HEX #76EFA9

RGB 118 239 169

HSL 145.29, 0.79%, 0.7%

LAB 86.23, -49.52, 23.68

 

CMYK 42 / 0 / 24 / 11

HEX #83E2AB

RGB 131 226 171

HSL 145.26, 0.62%, 0.7%

LAB 83, -40.2, 18.25

 

CMYK 33 / 0 / 19 / 16

HEX #8FD6AD

RGB 143 214 173

HSL 145.35, 0.46%, 0.7%

LAB 80.15, -30.86, 13.28

 

CMYK 23 / 0 / 13 / 21

HEX #9BCAAF

RGB 155 202 175

HSL 145.53, 0.31%, 0.7%

LAB 77.46, -20.89, 8.49

 

CMYK 51 / 0 / 58 / 2

HEX #7BFB6A

RGB 123 251 106

HSL 112.97, 0.95%, 0.7%

LAB 89.04, -62.29, 57.69

 

CMYK 58 / 0 / 49 / 2

HEX #6AFB80

RGB 106 251 128

HSL 129.1, 0.95%, 0.7%

LAB 88.74, -63.7, 47.21

 

CMYK 58 / 0 / 34 / 2

HEX #6AFBA6

RGB 106 251 166

HSL 144.83, 0.95%, 0.7%

LAB 89.3, -57.61, 29.32

 

CMYK 58 / 0 / 18 / 2

HEX #6AFBCD

RGB 106 251 205

HSL 160.97, 0.95%, 0.7%

LAB 90.08, -49.7, 10.44

 

CMYK 58 / 0 / 3 / 2

HEX #6AFBF4

RGB 106 251 244

HSL 177.1, 0.95%, 0.7%

LAB 91.05, -40.34, -8.38

 

CMYK 90 / 0 / 52 / 2

HEX #19F977

RGB 25 249 119

HSL 145.18, 0.95%, 0.54%

LAB 86.65, -75.38, 48.53

 

CMYK 74 / 0 / 43 / 2

HEX #42FA8F

RGB 66 250 143

HSL 145.11, 0.95%, 0.62%

LAB 87.73, -68.14, 38.52

 

CMYK 58 / 0 / 33 / 2

HEX #6AFBA7

RGB 106 251 167

HSL 145.24, 0.95%, 0.7%

LAB 89.32, -57.42, 28.84

 

CMYK 42 / 0 / 24 / 1

HEX #92FCBF

RGB 146 252 191

HSL 145.47, 0.95%, 0.78%

LAB 91.46, -43.84, 19.79

 

CMYK 26 / 0 / 15 / 1

HEX #BAFDD6

RGB 186 253 214

HSL 145.07, 0.94%, 0.86%

LAB 94.12, -28.52, 12

 

CMYK 57 / 0 / 33 / 2

HEX #6CFBA8

RGB 108 251 168

HSL 145.17, 0.95%, 0.7%

LAB 89.4, -56.82, 28.45

 

CMYK 58 / 35 / 0 / 2

HEX #6AA2FB

RGB 106 162 251

HSL 216.83, 0.95%, 0.7%

LAB 66.42, 7.43, -49.86

 

CMYK 0 / 57 / 58 / 2

HEX #FB6C6A

RGB 251 108 106

HSL 0.83, 0.95%, 0.7%

LAB 63.57, 54.5, 28.76

 

CMYK 57 / 0 / 33 / 2

HEX #6CFBA8

RGB 108 251 168

HSL 145.17, 0.95%, 0.7%

LAB 89.4, -56.82, 28.45

 

CMYK 34 / 58 / 0 / 2

HEX #A66AFB

RGB 166 106 251

HSL 264.83, 0.95%, 0.7%

LAB 57.44, 52.72, -63.91

 

CMYK 0 / 34 / 58 / 2

HEX #FBA66A

RGB 251 166 106

HSL 24.83, 0.95%, 0.7%

LAB 75.34, 25.51, 43.59

 

CMYK 57 / 0 / 33 / 2

HEX #6CFBA8

RGB 108 251 168

HSL 145.17, 0.95%, 0.7%

LAB 89.4, -56.82, 28.45

 

CMYK 58 / 35 / 0 / 2

HEX #6AA2FB

RGB 106 162 251

HSL 216.83, 0.95%, 0.7%

LAB 66.42, 7.43, -49.86

 

CMYK 0 / 58 / 24 / 2

HEX #FB6ABF

RGB 251 106 191

HSL 324.83, 0.95%, 0.7%

LAB 65.42, 64.04, -17.05

 

CMYK 0 / 22 / 58 / 2

HEX #FBC36A

RGB 251 195 106

HSL 36.83, 0.95%, 0.7%

LAB 82.15, 10.33, 51.75

 

CMYK 57 / 0 / 33 / 2

HEX #6CFBA8

RGB 108 251 168

HSL 145.17, 0.95%, 0.7%

LAB 89.4, -56.82, 28.45

 

CMYK 58 / 53 / 0 / 2

HEX #6A76FB

RGB 106 118 251

HSL 235.03, 0.95%, 0.7%

LAB 55.06, 33.52, -68.01

 

CMYK 0 / 58 / 24 / 2

HEX #FB6ABF

RGB 251 106 191

HSL 324.83, 0.95%, 0.7%

LAB 65.42, 64.04, -17.05

 

CMYK 0 / 5 / 58 / 2

HEX #FBEF6A

RGB 251 239 106

HSL 55.03, 0.95%, 0.7%

LAB 93.14, -12, 64.33

 

Description

Color code: HEX #6CFBA8 | qconv.com Color code: HEX #6CFBA8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 251 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 251 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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