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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CFB8F it is the complementary color #930470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CFB8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CFB8F shade: #71FB8A, #82FF9D, #93FFB0, #A4FFC3 and #B5FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CFB8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CFB8F shade: #6CFB8F, #5BE97C, #4AD769, #39C556 and #28B343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CFB8F shade: #6AFB8D, #6DFB6A, #95FB6A, #BCFB6A and #E3FB6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CFB8F shade: #6AFB8D, #6AFBB5, #6AFBDC, #6AF3FB and #6ACCFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CFB8F shade matches the following richer shades: #6AFB8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CFB8F shade: #6AFB8D, #76EF94, #83E29A, #8FD6A0 and #9BCAA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CFB8F shade: #95FB6A, #6FFB6A, #6AFB8C, #6AFBB3 and #6AFBD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CFB8F shade: #19F950, #42FA6F, #6AFB8D, #92FCAC and #BAFDCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CFB8F shade: #6CFB8F, #6ABCFB and #FB6A82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CFB8F shade: #6CFB8F, #8C6AFB and #FB8C6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CFB8F shade: #6CFB8F, #6ABCFB, #FB6AD9 and #FBA96A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CFB8F shade: #6CFB8F, #6A91FB, #FB6AD9 and #FBD46A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 43 / 2

HEX #6CFB8F

RGB 108 251 143

HSL 134.69, 0.95%, 0.7%

LAB 89, -61.05, 40.35

 

Complementary color

CMYK 0 / 97 / 24 / 42

HEX #930470

RGB 147 4 112

HSL 314.69, 0.95%, 0.3%

LAB 32.83, 59.73, -21.3

 

CMYK 55 / 0 / 45 / 2

HEX #71FB8A

RGB 113 251 138

HSL 130.87, 0.95%, 0.71%

LAB 89.08, -60.68, 42.91

 

CMYK 49 / 0 / 38 / 0

HEX #82FF9D

RGB 130 255 157

HSL 132.96, 1%, 0.75%

LAB 91.1, -55.19, 36.34

 

CMYK 42 / 0 / 31 / 0

HEX #93FFB0

RGB 147 255 176

HSL 136.11, 1%, 0.79%

LAB 92.07, -47.57, 28.26

 

CMYK 36 / 0 / 24 / 0

HEX #A4FFC3

RGB 164 255 195

HSL 140.44, 1%, 0.82%

LAB 93.17, -39.45, 20.25

 

CMYK 29 / 0 / 16 / 0

HEX #B5FFD6

RGB 181 255 214

HSL 146.76, 1%, 0.85%

LAB 94.4, -30.96, 12.36

 

CMYK 57 / 0 / 43 / 2

HEX #6CFB8F

RGB 108 251 143

HSL 134.69, 0.95%, 0.7%

LAB 89, -61.05, 40.35

 

CMYK 61 / 0 / 47 / 9

HEX #5BE97C

RGB 91 233 124

HSL 133.94, 0.76%, 0.64%

LAB 82.89, -60.87, 41.71

 

CMYK 66 / 0 / 51 / 16

HEX #4AD769

RGB 74 215 105

HSL 133.19, 0.64%, 0.57%

LAB 76.73, -60.48, 43.12

 

CMYK 71 / 0 / 56 / 23

HEX #39C556

RGB 57 197 86

HSL 132.43, 0.55%, 0.5%

LAB 70.51, -59.8, 44.54

 

CMYK 78 / 0 / 63 / 30

HEX #28B343

RGB 40 179 67

HSL 131.65, 0.63%, 0.43%

LAB 64.24, -58.68, 45.91

 

CMYK 58 / 0 / 44 / 2

HEX #6AFB8D

RGB 106 251 141

HSL 134.48, 0.95%, 0.7%

LAB 88.91, -61.8, 41.2

 

CMYK 57 / 0 / 58 / 2

HEX #6DFB6A

RGB 109 251 106

HSL 118.76, 0.95%, 0.7%

LAB 88.58, -65.75, 57.05

 

CMYK 41 / 0 / 58 / 2

HEX #95FB6A

RGB 149 251 106

HSL 102.21, 0.95%, 0.7%

LAB 90.06, -54.88, 59.13

 

CMYK 25 / 0 / 58 / 2

HEX #BCFB6A

RGB 188 251 106

HSL 86.07, 0.95%, 0.7%

LAB 92.01, -41.86, 61.88

 

CMYK 10 / 0 / 58 / 2

HEX #E3FB6A

RGB 227 251 106

HSL 69.93, 0.95%, 0.7%

LAB 94.47, -27.27, 65.31

 

CMYK 58 / 0 / 44 / 2

HEX #6AFB8D

RGB 106 251 141

HSL 134.48, 0.95%, 0.7%

LAB 88.91, -61.8, 41.2

 

CMYK 58 / 0 / 28 / 2

HEX #6AFBB5

RGB 106 251 181

HSL 151.03, 0.95%, 0.7%

LAB 89.58, -54.75, 22.08

 

CMYK 58 / 0 / 12 / 2

HEX #6AFBDC

RGB 106 251 220

HSL 167.17, 0.95%, 0.7%

LAB 90.43, -46.26, 3.17

 

CMYK 58 / 3 / 0 / 2

HEX #6AF3FB

RGB 106 243 251

HSL 183.31, 0.95%, 0.7%

LAB 88.98, -34.84, -15.1

 

CMYK 58 / 19 / 0 / 2

HEX #6ACCFB

RGB 106 204 251

HSL 199.45, 0.95%, 0.7%

LAB 78, -15.63, -31.79

 

CMYK 58 / 0 / 44 / 2

HEX #6AFB8D

RGB 106 251 141

HSL 134.48, 0.95%, 0.7%

LAB 88.91, -61.8, 41.2

 

CMYK 58 / 0 / 44 / 2

HEX #6AFB8D

RGB 106 251 141

HSL 134.48, 0.95%, 0.7%

LAB 88.91, -61.8, 41.2

 

CMYK 51 / 0 / 38 / 6

HEX #76EF94

RGB 118 239 148

HSL 134.88, 0.79%, 0.7%

LAB 85.87, -53.23, 33.86

 

CMYK 42 / 0 / 32 / 11

HEX #83E29A

RGB 131 226 154

HSL 134.53, 0.62%, 0.7%

LAB 82.67, -43.31, 26.63

 

CMYK 33 / 0 / 25 / 16

HEX #8FD6A0

RGB 143 214 160

HSL 134.37, 0.46%, 0.7%

LAB 79.88, -33.29, 19.77

 

CMYK 23 / 0 / 17 / 21

HEX #9BCAA7

RGB 155 202 167

HSL 135.32, 0.31%, 0.7%

LAB 77.28, -22.41, 12.52

 

CMYK 41 / 0 / 58 / 2

HEX #95FB6A

RGB 149 251 106

HSL 102.21, 0.95%, 0.7%

LAB 90.06, -54.88, 59.13

 

CMYK 56 / 0 / 58 / 2

HEX #6FFB6A

RGB 111 251 106

HSL 117.93, 0.95%, 0.7%

LAB 88.65, -65.28, 57.13

 

CMYK 58 / 0 / 44 / 2

HEX #6AFB8C

RGB 106 251 140

HSL 134.07, 0.95%, 0.7%

LAB 88.9, -61.95, 41.67

 

CMYK 58 / 0 / 29 / 2

HEX #6AFBB3

RGB 106 251 179

HSL 150.21, 0.95%, 0.7%

LAB 89.54, -55.15, 23.05

 

CMYK 58 / 0 / 14 / 2

HEX #6AFBD9

RGB 106 251 217

HSL 165.93, 0.95%, 0.7%

LAB 90.35, -46.96, 4.62

 

CMYK 90 / 0 / 68 / 2

HEX #19F950

RGB 25 249 80

HSL 134.73, 0.95%, 0.54%

LAB 86.27, -80, 64.7

 

CMYK 74 / 0 / 56 / 2

HEX #42FA6F

RGB 66 250 111

HSL 134.67, 0.95%, 0.62%

LAB 87.33, -72.88, 53.11

 

CMYK 58 / 0 / 44 / 2

HEX #6AFB8D

RGB 106 251 141

HSL 134.48, 0.95%, 0.7%

LAB 88.91, -61.8, 41.2

 

CMYK 42 / 0 / 32 / 1

HEX #92FCAC

RGB 146 252 172

HSL 134.72, 0.95%, 0.78%

LAB 91.1, -47.25, 28.96

 

CMYK 26 / 0 / 20 / 1

HEX #BAFDCB

RGB 186 253 203

HSL 135.22, 0.94%, 0.86%

LAB 93.88, -30.53, 17.32

 

CMYK 57 / 0 / 43 / 2

HEX #6CFB8F

RGB 108 251 143

HSL 134.69, 0.95%, 0.7%

LAB 89, -61.05, 40.35

 

CMYK 58 / 25 / 0 / 2

HEX #6ABCFB

RGB 106 188 251

HSL 206.07, 0.95%, 0.7%

LAB 73.54, -7.13, -38.7

 

CMYK 0 / 58 / 48 / 2

HEX #FB6A82

RGB 251 106 130

HSL 350.07, 0.95%, 0.7%

LAB 63.7, 57.31, 15.27

 

CMYK 57 / 0 / 43 / 2

HEX #6CFB8F

RGB 108 251 143

HSL 134.69, 0.95%, 0.7%

LAB 89, -61.05, 40.35

 

CMYK 44 / 58 / 0 / 2

HEX #8C6AFB

RGB 140 106 251

HSL 254.07, 0.95%, 0.7%

LAB 54.92, 47.1, -68.11

 

CMYK 0 / 44 / 58 / 2

HEX #FB8C6A

RGB 251 140 106

HSL 14.07, 0.95%, 0.7%

LAB 69.69, 38.98, 36.59

 

CMYK 57 / 0 / 43 / 2

HEX #6CFB8F

RGB 108 251 143

HSL 134.69, 0.95%, 0.7%

LAB 89, -61.05, 40.35

 

CMYK 58 / 25 / 0 / 2

HEX #6ABCFB

RGB 106 188 251

HSL 206.07, 0.95%, 0.7%

LAB 73.54, -7.13, -38.7

 

CMYK 0 / 58 / 14 / 2

HEX #FB6AD9

RGB 251 106 217

HSL 314.07, 0.95%, 0.7%

LAB 66.39, 67.66, -30.18

 

CMYK 0 / 33 / 58 / 2

HEX #FBA96A

RGB 251 169 106

HSL 26.07, 0.95%, 0.7%

LAB 76.02, 23.94, 44.42

 

CMYK 57 / 0 / 43 / 2

HEX #6CFB8F

RGB 108 251 143

HSL 134.69, 0.95%, 0.7%

LAB 89, -61.05, 40.35

 

CMYK 58 / 42 / 0 / 2

HEX #6A91FB

RGB 106 145 251

HSL 223.86, 0.95%, 0.7%

LAB 61.9, 17.37, -57.04

 

CMYK 0 / 58 / 14 / 2

HEX #FB6AD9

RGB 251 106 217

HSL 314.07, 0.95%, 0.7%

LAB 66.39, 67.66, -30.18

 

CMYK 0 / 16 / 58 / 2

HEX #FBD46A

RGB 251 212 106

HSL 43.86, 0.95%, 0.7%

LAB 86.32, 1.55, 56.61

 

Description

Color code: HEX #6CFB8F | qconv.com Color code: HEX #6CFB8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 251 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 251 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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