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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CFA80 it is the complementary color #93057F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CFA80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CFA80 shade: #71FA7B, #82FF8E, #93FFA1, #A4FFB4 and #B5FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CFA80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CFA80 shade: #6CFA80, #5BE86D, #4AD65A, #39C447 and #28B234

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CFA80 shade: #6BFA7F, #7EFA6B, #A4FA6B, #CAFA6B and #F1FA6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CFA80 shade: #6BFA7F, #6BFAA6, #6BFACC, #6BFAF3 and #6BDAFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CFA80 shade matches the following richer shades: #6BFA7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CFA80 shade: #6BFA7F, #78ED88, #84E191, #90D59A and #9DC8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CFA80 shade: #A4FA6B, #7EFA6B, #6BFA7E, #6BFAA4 and #6BFACA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CFA80 shade: #1CF73B, #44F85D, #6BFA7F, #93FBA2 and #BBFDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CFA80 shade: #6CFA80, #6BCAFA and #FA6B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CFA80 shade: #6CFA80, #7E6BFA and #FA7E6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CFA80 shade: #6CFA80, #6BCAFA, #FA6BE7 and #FA9B6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CFA80 shade: #6CFA80, #6BA0FA, #FA6BE7 and #FAC56B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 49 / 2

HEX #6CFA80

RGB 108 250 128

HSL 128.45, 0.93%, 0.7%

LAB 88.5, -62.88, 46.93

 

Complementary color

CMYK 0 / 97 / 14 / 42

HEX #93057F

RGB 147 5 127

HSL 308.45, 0.93%, 0.3%

LAB 33.66, 61.57, -29.49

 

CMYK 55 / 0 / 51 / 2

HEX #71FA7B

RGB 113 250 123

HSL 124.38, 0.93%, 0.71%

LAB 88.6, -62.39, 49.42

 

CMYK 49 / 0 / 44 / 0

HEX #82FF8E

RGB 130 255 142

HSL 125.76, 1%, 0.75%

LAB 90.88, -57.47, 43.39

 

CMYK 42 / 0 / 37 / 0

HEX #93FFA1

RGB 147 255 161

HSL 127.78, 1%, 0.79%

LAB 91.82, -50.04, 35.43

 

CMYK 36 / 0 / 29 / 0

HEX #A4FFB4

RGB 164 255 180

HSL 130.55, 1%, 0.82%

LAB 92.89, -42.07, 27.48

 

CMYK 29 / 0 / 22 / 0

HEX #B5FFC7

RGB 181 255 199

HSL 134.59, 1%, 0.85%

LAB 94.08, -33.7, 19.61

 

CMYK 57 / 0 / 49 / 2

HEX #6CFA80

RGB 108 250 128

HSL 128.45, 0.93%, 0.7%

LAB 88.5, -62.88, 46.93

 

CMYK 61 / 0 / 53 / 9

HEX #5BE86D

RGB 91 232 109

HSL 127.66, 0.75%, 0.63%

LAB 82.4, -62.61, 48.25

 

CMYK 65 / 0 / 58 / 16

HEX #4AD65A

RGB 74 214 90

HSL 126.86, 0.63%, 0.56%

LAB 76.25, -62.1, 49.55

 

CMYK 71 / 0 / 64 / 23

HEX #39C447

RGB 57 196 71

HSL 126.04, 0.55%, 0.5%

LAB 70.04, -61.26, 50.76

 

CMYK 78 / 0 / 71 / 30

HEX #28B234

RGB 40 178 52

HSL 125.22, 0.63%, 0.43%

LAB 63.79, -59.92, 51.71

 

CMYK 57 / 0 / 49 / 2

HEX #6BFA7F

RGB 107 250 127

HSL 128.39, 0.93%, 0.7%

LAB 88.46, -63.24, 47.34

 

CMYK 50 / 0 / 57 / 2

HEX #7EFA6B

RGB 126 250 107

HSL 112.03, 0.93%, 0.7%

LAB 88.86, -61.01, 57.08

 

CMYK 34 / 0 / 57 / 2

HEX #A4FA6B

RGB 164 250 107

HSL 96.08, 0.93%, 0.7%

LAB 90.47, -49.6, 59.35

 

CMYK 19 / 0 / 57 / 2

HEX #CAFA6B

RGB 202 250 107

HSL 80.14, 0.93%, 0.7%

LAB 92.57, -36.22, 62.3

 

CMYK 4 / 0 / 57 / 2

HEX #F1FA6B

RGB 241 250 107

HSL 63.78, 0.93%, 0.7%

LAB 95.22, -21.25, 66

 

CMYK 57 / 0 / 49 / 2

HEX #6BFA7F

RGB 107 250 127

HSL 128.39, 0.93%, 0.7%

LAB 88.46, -63.24, 47.34

 

CMYK 57 / 0 / 34 / 2

HEX #6BFAA6

RGB 107 250 166

HSL 144.76, 0.93%, 0.7%

LAB 89.04, -57, 28.97

 

CMYK 57 / 0 / 18 / 2

HEX #6BFACC

RGB 107 250 204

HSL 160.7, 0.93%, 0.7%

LAB 89.79, -49.31, 10.55

 

CMYK 57 / 0 / 3 / 2

HEX #6BFAF3

RGB 107 250 243

HSL 177.06, 0.93%, 0.7%

LAB 90.77, -39.97, -8.28

 

CMYK 57 / 13 / 0 / 2

HEX #6BDAFA

RGB 107 218 250

HSL 193.43, 0.93%, 0.7%

LAB 81.93, -22.87, -25.24

 

CMYK 57 / 0 / 49 / 2

HEX #6BFA7F

RGB 107 250 127

HSL 128.39, 0.93%, 0.7%

LAB 88.46, -63.24, 47.34

 

CMYK 57 / 0 / 49 / 2

HEX #6BFA7F

RGB 107 250 127

HSL 128.39, 0.93%, 0.7%

LAB 88.46, -63.24, 47.34

 

CMYK 49 / 0 / 43 / 7

HEX #78ED88

RGB 120 237 136

HSL 128.21, 0.76%, 0.7%

LAB 85.17, -53.81, 38.93

 

CMYK 41 / 0 / 36 / 12

HEX #84E191

RGB 132 225 145

HSL 128.39, 0.61%, 0.7%

LAB 82.27, -44.1, 30.71

 

CMYK 32 / 0 / 28 / 16

HEX #90D59A

RGB 144 213 154

HSL 128.7, 0.45%, 0.7%

LAB 79.53, -33.58, 22.45

 

CMYK 22 / 0 / 19 / 22

HEX #9DC8A3

RGB 157 200 163

HSL 128.37, 0.28%, 0.7%

LAB 76.75, -21.48, 13.93

 

CMYK 34 / 0 / 57 / 2

HEX #A4FA6B

RGB 164 250 107

HSL 96.08, 0.93%, 0.7%

LAB 90.47, -49.6, 59.35

 

CMYK 50 / 0 / 57 / 2

HEX #7EFA6B

RGB 126 250 107

HSL 112.03, 0.93%, 0.7%

LAB 88.86, -61.01, 57.08

 

CMYK 57 / 0 / 50 / 2

HEX #6BFA7E

RGB 107 250 126

HSL 127.97, 0.93%, 0.7%

LAB 88.45, -63.38, 47.8

 

CMYK 57 / 0 / 34 / 2

HEX #6BFAA4

RGB 107 250 164

HSL 143.92, 0.93%, 0.7%

LAB 89.01, -57.37, 29.93

 

CMYK 57 / 0 / 19 / 2

HEX #6BFACA

RGB 107 250 202

HSL 159.86, 0.93%, 0.7%

LAB 89.75, -49.75, 11.52

 

CMYK 89 / 0 / 76 / 3

HEX #1CF73B

RGB 28 247 59

HSL 128.49, 0.93%, 0.54%

LAB 85.55, -80.93, 71.18

 

CMYK 73 / 0 / 63 / 3

HEX #44F85D

RGB 68 248 93

HSL 128.33, 0.93%, 0.62%

LAB 86.58, -74.05, 60.03

 

CMYK 57 / 0 / 49 / 2

HEX #6BFA7F

RGB 107 250 127

HSL 128.39, 0.93%, 0.7%

LAB 88.46, -63.24, 47.34

 

CMYK 41 / 0 / 35 / 2

HEX #93FBA2

RGB 147 251 162

HSL 128.65, 0.93%, 0.78%

LAB 90.69, -48.2, 33.44

 

CMYK 26 / 0 / 23 / 1

HEX #BBFDC4

RGB 187 253 196

HSL 128.18, 0.94%, 0.86%

LAB 93.8, -31.44, 20.79

 

CMYK 57 / 0 / 49 / 2

HEX #6CFA80

RGB 108 250 128

HSL 128.45, 0.93%, 0.7%

LAB 88.5, -62.88, 46.93

 

CMYK 57 / 19 / 0 / 2

HEX #6BCAFA

RGB 107 202 250

HSL 200.14, 0.93%, 0.7%

LAB 77.44, -14.69, -32.12

 

CMYK 0 / 57 / 42 / 2

HEX #FA6B91

RGB 250 107 145

HSL 344.06, 0.93%, 0.7%

LAB 64.07, 57.95, 7.17

 

CMYK 57 / 0 / 49 / 2

HEX #6CFA80

RGB 108 250 128

HSL 128.45, 0.93%, 0.7%

LAB 88.5, -62.88, 46.93

 

CMYK 50 / 57 / 0 / 2

HEX #7E6BFA

RGB 126 107 250

HSL 247.97, 0.93%, 0.7%

LAB 53.87, 43.44, -69.31

 

CMYK 0 / 50 / 57 / 2

HEX #FA7E6B

RGB 250 126 107

HSL 7.97, 0.93%, 0.7%

LAB 66.75, 45.68, 32.29

 

CMYK 57 / 0 / 49 / 2

HEX #6CFA80

RGB 108 250 128

HSL 128.45, 0.93%, 0.7%

LAB 88.5, -62.88, 46.93

 

CMYK 57 / 19 / 0 / 2

HEX #6BCAFA

RGB 107 202 250

HSL 200.14, 0.93%, 0.7%

LAB 77.44, -14.69, -32.12

 

CMYK 0 / 57 / 8 / 2

HEX #FA6BE7

RGB 250 107 231

HSL 307.97, 0.93%, 0.7%

LAB 66.98, 69.09, -37.06

 

CMYK 0 / 38 / 57 / 2

HEX #FA9B6B

RGB 250 155 107

HSL 20.14, 0.93%, 0.7%

LAB 72.78, 30.94, 39.9

 

CMYK 57 / 0 / 49 / 2

HEX #6CFA80

RGB 108 250 128

HSL 128.45, 0.93%, 0.7%

LAB 88.5, -62.88, 46.93

 

CMYK 57 / 36 / 0 / 2

HEX #6BA0FA

RGB 107 160 250

HSL 217.76, 0.93%, 0.7%

LAB 65.88, 8.46, -50.16

 

CMYK 0 / 57 / 8 / 2

HEX #FA6BE7

RGB 250 107 231

HSL 307.97, 0.93%, 0.7%

LAB 66.98, 69.09, -37.06

 

CMYK 0 / 21 / 57 / 2

HEX #FAC56B

RGB 250 197 107

HSL 37.76, 0.93%, 0.7%

LAB 82.55, 8.95, 51.71

 

Description

Color code: HEX #6CFA80 | qconv.com Color code: HEX #6CFA80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 250 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 250 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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